Gary Springer Movies

Max Baer Jr. borrows liberally from George Lucas's American Graffiti for this slice-of-life look at teenage life circa 1957. The story concerns a group of adolescents whose main concerns are cars, cruising, and sex. The story centers upon Rodney C. Duckworth (Gary Springer), a shy, virginal teen, and the efforts of his friends Recil Calhoun (David Wilson) and T.J. Swackhammer (Brian Kerwin) to try to fix Rodney up with a date. Unfortunately, their libidos manage to get the better of them, and Recil and T.J. end up going out with the girls themselves. ~ Paul Brenner, All Movie Guide

Director Joan Micklin Silver's follow-up to her acclaimed debut, Hester Street, is a more ambitious film that manages to be both an entertaining comedy and a pointed look at the corrupting power of money on an idealistic enterprise. Writer Fred Barron's characters are all associated with a weekly alternative newspaper in Boston, modeled after the Phoenix. (Silver did once work on the Village Voice, but this enterprise is several rungs below that esteemed paper.) Harry (John Heard) is an ambitious reporter romantically involved with Abbie (Lindsay Crouse), the paper's star photographer. Michael (Stephen Collins) is a writer trying to work on a novel and stay faithful to his loving wife, Laura (Gwen Welles), while Max (Jeff Goldblum), the paper's rock critic, shamelessly uses his job to try to pick up women. Lynn (Jill Eikenberry), a typist who is the paper's mother-hen figure, is also its most principled employee. When a publishing mogul (Lane Smith) buys the paper and promises changes that will compromise its aggressive political stance in favor of more "lifestyle" articles, Lynn resigns, and it's clear to the group that their carefree days are behind them. ~ Tom Wiener, All Movie Guide

When the 4077th runs out of whole blood during a medical emergency, everyone in the camp donates a pint of their own--even the needle-shy Frank Burns (Larry Linville). Ultimately, however, the crisis is resolved by the timely arrival of some Turkish troops. Meanwhile, hot-headed Cpl. Moody (Hilly Hicks) gets a valuable lesson in moderate behavior. ~ Hal Erickson, All Movie Guide

Based on a true 1972 story, Sidney Lumet's 1975 drama chronicles a unique bank robbery on a hot summer afternoon in New York City. Shortly before closing time, scheming loser Sonny (Al Pacino) and his slow-witted buddy, Sal (John Cazale), burst into a Brooklyn bank for what should be a run-of-the-mill robbery, but everything goes wrong, beginning with the fact that there is almost no money in the bank. The situation swiftly escalates, as Sonny and Sal take hostages; enough cops to police the tristate area surround the bank; a large Sonny-sympathetic crowd gathers to watch; the media arrive to complete the circus; and police captain Moretti (Charles Durning) tries to negotiate with Sonny while keeping the volatile spectacle under control. When Sonny's lover, Leon (Chris Sarandon), tries to talk Sonny out of the bank, we learn the robbery's motive: to finance Leon's sex-change operation. Sonny demands a plane to escape, but the end is near once menacingly cool FBI agent Sheldon (James Broderick) arrives to take over the negotiations. ~ Lucia Bozzola, All Movie Guide