Elizabeth Spriggs Movies

Boy A director John Crowley followed up that award-winning film festival favorite with this eerie yet eloquent drama concerning a young boy fascinated by death due to the fact that he lives in the hospice home for the elderly that's owned by his parents. Perhaps due to the morose surroundings in which he was raised, wide-eyed Edward (Son of Rambow star Bill Milner) possesses both an acute sense of death and an obsessive desire to find out what happens after we pass on from this life. These interests are most noticeably evident in Edward's ongoing fascination with the paranormal, an obsession that his overworked parents merely tolerate as the curious boy makes his way around the hospice with a tape recorder determined to better understand the concept of mortality. Suddenly, into Edward's world rolls embittered, burned-out ex-magician Clarence (Michael Caine) -- who makes no attempts to hide the fact that he's not in the hospice by his own free will. Clarence has long since ceased to practice his trade, and no longer possesses the ability to recognize anything positive in either his surroundings or the people who inhabit them. He's irascible, ornery, and indignant, and he's just barely able to tolerate the young boy who's so interested in the one topic that plagues his thoughts most -- death. Before long, however, these two outsiders discover that their mutual need to make sense of the world means they have more in common than initial appearances would suggest. Soon embarking on a series of comic misadventures that help them both to better understand the many mysteries of life, Edward and Clarence form an unlikely bond that provides them both with the comfort they so desperately need during this uncertain stage in each of their lives. ~ Jason Buchanan, All Movie Guide

Patrick Stewart stars as Ebeneezer Scrooge in this made-for-TV adaptation of Charles Dickens' classic holiday fable. Scrooge is a skinflint businessman who loathes the Christmas season and begrudges having to give time off to his best employee, Bob Cratchit (Richard E. Grant). On Christmas Eve, Scrooge is visited by the ghost of his late friend and partner, Jacob Marley (Bernard Lloyd), who in the afterlife has come to see the error of his ways. Marley arranges for Scrooge to be visited by the Ghosts of Christmas Past (Joel Grey), Christmas Present (Desmond Barrit), and Christmas Yet to Come (Tim Potter) in hopes of teaching Scrooge of the importance of embracing the joy of the holiday season. A Christmas Carol was produced for the TNT cable television network. ~ Mark Deming, All Movie Guide

Scottish comedian Alan Cumming stars in this Dutch psychological drama, set in Vienna but mainly filmed in Budapest. Crazed stand-up comedian Daniel (Cumming) pleases his hospitalized mother (Hedi Temessy) by dressing to resemble his sister Hannah, who died in a Nazi concentration camp. After his girlfriend (Serena Gordon) drops him, he takes up with naive Texan Lilian (Juliet Aubrey), who is attempting to solve the mystery of her Nazi father's link to chemical businessman Wittfogel (Frank Finlay). Shown at the 1997 Nederlands Film Festival/Holland Film Meeting. ~ Bhob Stewart, All Movie Guide

This is the first in a television series of British-made murder mysteries, adapted from Caroline Graham's novels about the polite and enigmatic Inspector Barnaby (John Nettles). Barnaby is married to the equally low-key Joyce (Jane Wymark), and they have an assertive daughter, Cully (Laura Howard). Barnaby's opposite is his acerbic partner, Troy (Daniel Casey). This pilot episode is set in the English county Midsomer. After the death of elderly Emily Simpson (Renee Asherson), her friend gets Barnaby to investigate, and the suspects include Michael Lacey (Jonathan Firth), curiously attached to his attractive sister Katherine (Emily Mortimer). The series premiered June 28, 1998 on A&E. ~ Bhob Stewart, All Movie Guide

The recipient of seven Oscar® nominations, this film version of Jane Austen's classic 1811 novel stars Emma Thompson as Elinor Dashwood. With her mother and sisters, Elinor struggles financially after the death of her father, who bequeathed the Dashwood estate to his oafish son by an earlier marriage. While sorting out the family's affairs, the shy, self-sacrificing Elinor secretly falls for her stepbrother-in-law, Edward Ferrars (Hugh Grant), a sensitive, well-educated bachelor who cannot court her because of his foolhardy youthful engagement to the greedy Lucy Steele (Imogen Stubbs). The grateful Dashwoods are offered a modest country home by family friends, which they accept. Once relocated, Elinor's brash, spirited sister Marianne (Kate Winslet) falls for a dashing local, John Willoughby (Greg Wise), a womanizer who nevertheless seems to share her affections. A prominent neighbor, Colonel Brandon (Alan Rickman), also falls in love with Marianne, but she is oblivious to the older man's affections. Eventually, Willoughby fails Marianne, breaking her heart, until she realizes Brandon's feelings. When Edward's family disowns him, Lucy marries his brother instead, leaving him free to pursue an exultant Elinor. Thompson won the film's sole Oscar® for her screenplay adaptation of Austen's novel. ~ Karl Williams, All Movie Guide

Charles Dickens' 1844 novel Martin Chuzzlewit was given one of its few TV presentations in this six-part British adaptation, which originally aired on BBC2 from November 7 to December 12, 1994. The youngest son of a mercenary London family, Martin Chuzzlewit was sent to America to learn the rudiments of the business world. Upon discovering that his new employer was even more odious and greedy than his relatives, Martin became determined not to be corrupted as well. Paul Scofield was cast as the older Martin, with Ben Walden as his younger self. Presented in one 80-minute and five 60-minute installments, Martin Chuzzlewit was rebroadcast in America as part of PBS' Masterpiece Theatre anthology in 1995. ~ Hal Erickson, All Movie Guide

Amandine Aurore Lucie Dupin, better known in the literary world as George Sand, not only took a man's name, but trotted around wearing pants and smoking cigars in public. No great shakes today, but in the 1800s she was perhaps the most famous (or infamous) woman in the world. One of the first original celebrities, aside from her garb and literary output, she was known to inspire many duels and broken hearts among other famous hedonist artists. One character describes her in Impromptu, as "that graveyard." The film engages in a sexual roundelay among Sand's (Judy Davis) many friends -- Eugene Delacroix (Ralph Brown), Alfred DeMusset (Mandy Patinkin), Franz Liszt (Julian Sands), and Frederick Chopin (Hugh Grant). The entire crew heads off to the summer estate of the Duke and Duchess d'Antan (Anton Rodgers and Emma Thompson), invited there by the culture-vulture hosts. Sand takes a bead on the sickly Chopin and spends her time throwing herself at him. Also on hand is Liszt's mistress Marie d'Agoult (Bernadette Peters) and Felicien Mallefille (Georges Corraface), Sand's recently jilted lover. Mallefille is jealous of any of the other guests who glance in Sand's direction and continually challenges them to duels. Marie, on the other hand, is enlisted by Sand to deliver a note to Chopin. But Marie, jealous of Sand, delivers the note substituting her name for Sand's. And as the weekend continues, the sexual merry-go-round continues at full tilt. ~ Paul Brenner, All Movie Guide

Filmed in Britain, Oranges Are Not the Only Fruit stars Charlotte Coleman as a champing-at-the-bit teenager named Jess. The girl's domineering mother (Geraldine McEwan), a religious fanatic, wants Jess to become a missionary; to that end, she refuses to allow the girl any friends her own age. Jess' father has nothing to say in the matter--indeed, he has had nothing to say to anyone for years. The girl's growing awareness of her own sexuality (depicted in steamy detail) flies in the face of her mother's carefully orchestrated plans. Funny in a dark sort of way, Oranges Are Not the Only Fruit was first seen in America over the Arts and Entertainment cable service in late 1990. ~ Hal Erickson, All Movie Guide

In the third episode of the four-part story "Paradise Towers," the residents of the titular apartment complex continue to be held in thrall by a malevolent -- and murderous -- superbrain known as the Great Architect Kroagnon, who, appalled at the untidiness of his customers, has dispatched the villainous Chief Caretaker (Richard Briers) on a killing rampage. Caught in the middle between the complex's helpless residents and the various and sundry threats to their safety, the Doctor (Sylvester McCoy) and Mel (Bonnie Langford) must figure out a way of staying alive -- or at the very least, of avoiding the bureaucratic red tape which has tied the other characters in knots. Written by Stephen Wyatt, "Paradise Towers, Episode 3" first aired on October 19, 1987. ~ Hal Erickson, All Movie Guide

The Doctor (Sylvester McCoy) and Melanie (Bonnie Langford) decide to use the swimming pool at the Paradise Towers luxury-apartment complex. Unfortunately, the formerly award-winning complex has degenerated into a breeding ground for crime and vice -- and the current residents seem to be totally unaware of the danger surrounding them. Comic actor Richard Briers does an about-face as the villainous Chief Caretaker. Written by Stephen Wyatt, Episode 1 of the four-part adventure "Paradise Towers" first aired on October 5, 1987. ~ Hal Erickson, All Movie Guide

This chilling made-for-cable production stars winsome Amanda Pays as a prissy English college student who accompanies her estranged father (George Segal) to East Germany in an attempt to reconcile their differences. Shortly after her arrival, she begins to experience intense feelings of cold and dread in their flat -- which eventually progress into strange mental fugues wherein she is apparently transported to the era of Nazi occupation. As her perception of the present begins to unravel, she is thrust into a harrowing adventure involving a young anti-Nazi activist who is being hunted by Hitler's SS. Whether these time-slips are a product of her deteriorating sanity or the result of an actual rift in time is never fully explained -- until the effective climax, in which the parallel storylines intersect. Despite a few vague stretches and some unresolved plot holes, this is overall a well-crafted thriller which plays like a slick feature-length episode of The Twilight Zone. ~ Cavett Binion, All Movie Guide

In this suspenseful thriller, David Parker (Bryan Brown) is a married businessman with three children, a mistress in Germany, and a brother dealing drugs -- a combination of relationships that will eventually prove fatal to several people. After David leaves his London home and family behind for a short business-trip to Munich, he is held captive for more than a week by ten men and one woman, their identities disguised by masks. David starts to suspect Jillian, his mistress (Hannelore Elsner) is involved because when he goes to the police with his story once he is released, he discovers he was never reported missing. Why did Jillian remain silent about his disappearance for eleven days? And there were no ransom demands. After awhile the police inspector assigned to David's case (Kurt Raab) and David's wife (Cherie Lunghi) begin to doubt the kidnapping itself. At that point, David launches into a full-scale investigation on his own that sets into motion a series of killings and a strong suspicion of drug-world involvement. ~ Eleanor Mannikka, All Movie Guide

Windsor is a peaceful town on the Thames where hardly a leaf falls to disturb the silence. And then England's most notorious mischief maker, Sir John Falstaff (Richard Griffiths), arrives from London with his hooligans -- Bardolph (Gordon Gostelow), Nym (Michael Robbins), and Pistol (Nigel Terry) -- to steal and make merry. After breaking into a lodge and killing a deer on private land, they arouse the wrath of the locals. But quick tongues and pleadings of innocence exonerate them and even earn Falstaff a meal at the home of George Page (Bryan Marshall), a Windsor gentleman. There, Falstaff converses with Mrs. Page (Prunella Scales) and her neighbor, Mrs. Ford (Judy Davis), both of whom rule the purse strings of their households. Falstaff then decides to woo both women and charm them free of their money. But after he writes them a love letter -- the same letter word-for-word except for the name of the addressee -- the two "merry wives" compare letters and decide to give Sir John his comeuppance. Meanwhile, Mr. Ford (Ben Kingsley) gets wind of Falstaff's designs on his wife and, riven with jealousy, plots to surprise Falstaff when he comes calling. Scenes ensue in which Mr. Ford bursts through his front door in an attempt to discover Falstaff. The tee-heeing wives couldn't be happier, for these occasions give them a chance to humiliate Falstaff -- once by having him hide in a laundry basket which is dumped in the muddy Thames and another time by dressing as "the fat woman of Brentford." A subplot follows three men as they woo Mrs. Page's lovely daughter, Anne (Miranda Foster). In the end, Falstaff acknowledges his bad behavior, Anne Page gets her man, and good feelings abound. ~ Mike Cummings, All Movie Guide