Camilla Spira Movies

A man finds his peaceful existence thrown into turmoil when he recognizes the town's public prosecutor as the former Nazi who almost had him killed for stealing two chocolate bars in a concentration camp in this drama. Strangely the former inmate feels no hostility, nor holds a grudge against the man; instead he wants to put the whole nightmare behind him. Unfortunately, the attorney recognizes him too and is afraid that the man will expose him so he uses his power to try to get the man thrown out of town. As none of the other townsfolk will help him, the man steals some chocolate from a store so he will have to be brought to trial. Sure enough his theft causes the prosecutor to fly into a blind rage during the trial. He then leaves the courtroom and the man is at last free. ~ Sandra Brennan, All Movie Guide

It took nerve for director Harald Braun to attempt an all-talking remake of F.W. Murnau's silent masterpiece The Last Laugh, though it can't be denied that Braun's version has its moment. Still, the remake, Der Letze Mann (The Last Man) lacks the originality and nuance of the silent film, if only because it is retreading familiar ground. In the earlier version, Emil Jannings starred as a proud, self-reliant hotel doorman whose whole world disintegrates when he is demoted to washroom attendant. In the remake, Hans Albers plays a headwaiter who is professionally humiliated when the ownership of the hotel changes hands. The Murnau version ended with an ironically comic coda, which may or may not have been a figment of the protagonist's imagination. ~ Hal Erickson, All Movie Guide

The Devil's General (Des Teufels General) stars Curt Jurgens as a courageous Luftwaffe officer. Jurgens loves the service, even though he barely tolerates the Hitler regime. Sickened by wartime Nazi atrocities, Jurgens renounces his government, and is imprisoned and tortured as a result. Once released, the general takes pity on a downtrodden Jewish family. This isolated act of kindness is a point in his favor when Jurgens stands before Satan himself for his final judgment. The Devil's General was based on an immensely successful postwar play by German author Carl Zuckmeyer. ~ Hal Erickson, All Movie Guide

The Merry Wives of Windsor contains one of those complicated, tangled love plots that are typical of Shakespeare's comedies. In this one, lovely Anne Page is the object of affection of three suitors -- Caius, whom her mother favors; Slender, whom her father favors; and Fenton, whom Anne favors. Mr. Page and Mrs. Page plot to have their favored suitor win their daughter's hand, but in the midst of all this comes merry Falstaff. Needing money (as usual), Falstaff hits upon the idea of writing love letters to Mrs. Page and Mrs. Ford, thinking that they are both in love with him and will be willing to give him some financial support. The ladies decide to teach the rogue a lesson and arrange a meeting with him. Their husband surreptitiously learn of Falstaff's letters; Mr. Page trusts his wife, but Mr. Ford is suspicious. A series of complications ensue during which Mr. Ford disguises himself to spy upon Falstaff and his wife, and during which the wives put Falstaff in a number of embarrassing situations. At the end, the wives "agree" to meet Falstaff underneath an oak tree one night, and arrange for some fairies to be there to scare him. One of these fairies is to be Anne. Mr. and Mrs. Page plot with Slender and Caius for each to elope with Anne, but they are tricked when she ends up with Fenton. ~ Craig Butler, All Movie Guide

Fritz Lang directed this sequel to his nearly four-hour Dr. Mabuse silent of 1922 (often shown in two parts, Dr. Mabuse: Der Spieler/The Gambler and Dr. Mabuse: King of Crime). The film opens with Detective Hofmeister (Karl Meixner) spying on the activities of a criminal syndicate. Not realizing he has been seen, Hofmeister is attacked by the thugs and later turns up out of his mind. He is placed in the institution of Professor Baum (Oscar Beregi), who becomes increasingly obsessed with another patient -- the master criminal and hypnotist Dr. Mabuse (Rudolf Klein-Rogge). Baum's assistant, Dr. Kramm (Theodor Loos), connects Mabuse's writings to a series of the syndicate's recent criminal activities, and is murdered for his knowledge by crime lord Hardy (Rudolf Schündler) who takes orders from a hidden Mabuse. Putting all these pieces together is chief investigator Lohmann (Otto Wernicke), whose story plays out simultaneously with that of ex-cop Thomas Kent (Gustav Diessl), a member of the gang who is torn between his need for money and his love for a young woman named Lilli (Wera Liessem). Various clues lead Lohmann to suspect Mabuse's involvement, but when he arrives at the asylum, Baum reveals that Mabuse has died. Meanwhile, Kent's decision to confess to the cops lands himself and Lilli in a room with a hidden bomb. Lohmann traps the gang in a moll's house, leading to a wild shootout. Kent and Lilli escape and race to Lohmann to tell him that Mabuse is behind the crimes. They all race back to the asylum where they discover that Mabuse has taken control of Baum, who sets a monstrous fire at a chemical factory. The mad doctor then leads Lohmann and Kent on a wild car chase back to the asylum where the mystery behind the Baum-Mabuse-Hofmeister connection takes a disturbing turn. ~ Patrick Legare, All Movie Guide

After the Great War, much of Europe was in chaos, and this German-made film uses that historical backdrop as a starting point. It takes place in a fictional country by the name of Rupolosia, which has been taken over by a band of guerrillas. At the head of this group is the dashing, charismatic Zeremski (Hans Adalbert von Schlettow). Olga Tschechowa plays his mistress Nadja, the only person who has any power over Zeremski whatsoever. Zeremski and his bandits terrorize the countryside until a new Governor arrives. While a well-intentioned effort, this was not a great example of German filmmaking, and the mixed reviews it got in the U.S. reflect that. ~ Janiss Garza, All Movie Guide