Joe Spinell Movies

Though set in Key West, Florida, a goodly portion of 92 in the Shade was filmed in England. Peter Fonda plays Tom Skelton, a bum who gets a job as a fishing guide in his old home town. Nobody wants to have anything to do with Skelton, least of all rival guides Nichol Dance and Carter (Warren Oates and Harry Dean Stanton). Faced with financial disaster and widespread hostility, he turns to his wealthy grandfather Goldsboro (Burgess Meredith) for help. Taking time off from his lovemaking sessions with sexy secretary Bella (Sylvia Miles), his grandfather pumps some money into Tom's operation, and our hero makes his peace with Carter. A climactic fight with Nichol puts an end to that problem, while Tom's romantic relationship with Miranda (Margot Kidder) helps him sort out his priorities. Director/writer Thomas McGuane adapted the script from his own novel. ~ Hal Erickson, All Movie Guide

Fact-based drama starring Robert Redford as Henry Brubaker, the new inmate at a run-down Southern prison that's become notorious for corruption and violence. After he witnesses several instances of gross misconduct and defuses a tense confrontation with a crazed inmate (Morgan Freeman), Brubaker reveals to the guards and administrators that he's not a criminal at all, but the new warden, assigned by the governor to infiltrate the facility undercover. His identity confirmed, Brubaker takes office and sets about shaping up policies and procedures, despite resistance from, incredibly, even some of the more entitled convicts. With the help of the prison's chief trustee (Yaphet Kotto) and a compassionate ally (Jane Alexander), the warden effects some positive change, but powerful business interests line up against him when his ideas threaten their financial bottom line. A reform-minded, socially conscious, and politically liberal picture of the type usually associated with director Norman Jewison, this fact-based prison drama was the result of a troubled production that saw original director Bob Rafelson replaced with Cool Hand Luke (1967) and The Amityville Horror (1979) helmsman Stuart Rosenberg. Despite the backstage turmoil, Brubaker was an acclaimed release and an Oscar-nominated, career-finale triumph for co-screenwriter Arthur A. Ross, creator of Creature From the Black Lagoon (1954) and father of successful writer/director Gary Ross. ~ Karl Williams, All Movie Guide

New York City detective Steve Burns Al Pacino receives orders from Captain Edelson Paul Sorvino to solve a series of brutal murders in the gay community. Steve scours the gay bars that caters to same-sex sadomasochism in a desperate attempt to solve the crime. As he infiltrates the scene, he slowly comes loose from the moorings of his own reality, and an innocent victim is tortured by the cops in an effort to exact a confession. The story is based on actual murders that took place between 1962 and 1979. The film gained considerable publicity because of the controversial subject matter while censor argued between an X and R rating for the feature. ~ Dan Pavlides, All Movie Guide

A reclusive, unhappy gold magnate finds his isolated tropical paradise threatened by the intrusion of organized criminals in director Nicolas Roeg's convoluted, arty drama. Gene Hackman stars as Jack McCann, a one-time gold prospector who his parlayed the discovery of a rich deposit in the Canadian wilderness into an immense fortune. Instead of satisfaction, McCann's wealth leads to depression and paranoia, and he moves to a remote island and withdraws from the world. The bulk of the film centers on what has become of McCann some thirty years later, as he attempts to deal with a troubled daughter (Theresa Russell) and the attentions of the Mafia, who want to build a new casino on his tropical home. As the pressures increase, his efforts to protect his property and maintain his family become increasingly desperate, culminating in an extended public trial. Even stranger and more stylized than most of Roeg's work, the disjointed Eureka will seem incomprehensible and painfully pretentious to those with little patience for his indirect narratives and purposefully exaggerated approach. Devoted fans, however, will find further proof of the director's impressive visual sense, especially during the film's earlier sequences. ~ Judd Blaise, All Movie Guide

Oingo Boingo fans and midnight movie mavens will love this bizarre black-and-white feature packed with music, madness, and members of the Elfman clan. The story revolves around the Hercules family, who live in a house that just happens to hide a secret entrance to the Sixth Dimension in the basement. When daughter Frenchy (Marie-Pascale Elfman) skips school one afternoon, she finds herself irresistibly drawn to the forbidden door, and winds up a prisoner in this alternate world. King Fausto (Herve Villechaize), the diminutive leader of the Sixth Dimension, is enamored with the beautiful young Frenchy and keeps her in the same cell as his favorite concubines, despite the disapproval of Queen Doris (Susan Tyrrell). Frenchy's brother, Flash (Phil Gordon), follows her into the Forbidden Zone with Gramps (Hyman Diamond) in tow, intending to save her, but they too are captured and must call school chum Squeezit (Toshiro Baloney, aka Matthew Bright) for help. Squeezit tries to assist, but ends up captured and decapitated by Satan (Danny Elfman), though this development doesn't keep his disembodied noggin from flying about and informing King Fausto that the Queen is planning to dispose of his beloved Frenchy. The appearance of the King's first wife and the kidnapping of his topless daughter further confuse matters, but everything is wrapped up neatly with an elaborate song and dance number at the conclusion. ~ Fred Beldin, All Movie Guide

Blood Ties began life as a 4-hour Italian TV movie. The American version, which premiered December 14, 1986 on the Showtime Cable network, runs 125 minutes, and "runs" is the right word. Brad Davis plays an American naval engineer with familial ties to Sicily. Before he can offer a protest, Davis is sucked into the murderous machinations of the mafia. He is expected to win the confidence of his crimefighting Sicilian cousin Tony Lo Bianco-and then murder him. If Davis fails, his own father's life is forfeit. Don't expect any last-minute rescues or easy outs in this one. Featured in the cast are Maria Conchita Alonso and Ricky Tognazzi, son of Ugo. Blood Ties was honored with the "best television production" Grand Prize at the Venice Film Festival. ~ Hal Erickson, All Movie Guide

Joe Spinell, who appeared in Taxi Driver, stars in this unsavory horror film as Frank Zito, a character reminiscent of an even more disturbed Travis Bickle. Frank is an embittered loser who talks to himself and his dead mother, stalks a pretty model (Caroline Munro), and spends his spare time brutally murdering women. He then scalps his victims and puts the trophies on mannequins which he takes to bed with him at night. An unpleasant film with a relentlessly downbeat tone, Maniac! features graphic, bloody special-effects makeup by cult favorite Tom Savini, who meets a gruesome end in a cameo as "Disco Boy." Highlights include a realistic scalping by Exacto knife and an exploding head. The ending takes an interesting twist as Spinell hallucinates his victims returning to life and tearing him limb from limb. Spinell and Munro reteamed in 1982 for The Last Horror Film. Adult film star Sharon Mitchell (whom director William Lustig discovered in The Violation of Claudia) appears briefly as a nurse. ~ Robert Firsching, All Movie Guide

An ambitious priest discovers that honoring the Ten Commandments isn't as easy as he imagined in this drama. Father John Flaherty (Christopher Reeve) is a Catholic priest who was ordained during World War II, and soon found himself forced to fight enemy forces while serving as a chaplain in the Army. As his life and career in the church moves on, Flaherty finds himself frequently torn between his duty and devotion to the church and his ambitions, appetites, and the notion that the ends can justify the means. Flaherty eventually rises through the church hirarchy to win an appointment at the Vatican, where he helps to manage the church's finances. When the Vatican's books reveals a major cash flow crisis, Flaherty suggests a rather unusual plan to Cardinal Santoni (Fernando Rey) -- buy hard-to-find American goods at a discount, and then sell them at a profit to mafia kingpins, who will then sell them on the black market at premium prices. As Flaherty and Santoni debate the ethics of this scheme, Flaherty meets and finds himself becoming attracted to Clara (Genevieve Bujold), a postulant nun. Posing as an American businessman, Flaherty romances and seduces Clara, until she discovers his secret. Monsignor also stars Jason Miller, Robert Prosky, and Joe Patoliano. ~ Mark Deming, All Movie Guide

An aspiring actor leaves his home in Brooklyn for adulthood in Manhattan in Paul Mazursky's loosely autobiographical comedy-drama. In 1953, would-be thesp Larry Lapinsky (Lenny Baker) flees his hysterically clinging mother (Shelley Winters) for a $25-a-month (!!) apartment in bohemian Greenwich Village. Between Method-like acting classes, a movie audition (where he meets a posturing actor played by Jeff Goldblum), and work at a juice bar, Larry hangs out with a circle of archetypal Village eccentrics, including suicidal Anita (Lois Smith), womanizing poet Robert (Christopher Walken), and flamboyantly un-closeted homosexual Bernstein (Antonio Fargas), as he negotiates the pitfalls of love and sex with liberated girlfriend Sarah (Ellen Greene). The fallout over the group's ill-fated love affairs, and the Lapinskys' inopportune surprise visits, finally lead Larry to make peace with his past as he contemplates his future in Hollywood. Mazursky looks back to the 1950s as in such other 1970s films as American Graffiti, Grease, and TV's Happy Days, but his Greenwich Village life is less a time of lost pre-'60s innocence than a precursor of things to come. Sex, Larry jokes, may be serious, but it is also an omnipresent fact of life rather than something to be feared or repressed; love is the real problem. Even as Larry's friends strike various poses, they are all out to do their own thing as best they can. Critical response to Mazursky's nostalgia trip was mixed when the film was released, but the performances, particularly Winters, were admired. ~ Lucia Bozzola, All Movie Guide

Deke DaSilva (Sylvester Stallone) and Matthew Fox (Billy Dee Williams) are New York police officers specially assigned to a special multi-national team dedicated to tracking down terrorist Wulfgar (Rutger Hauer). Wulfgar planted a bomb in a London department store, killing several children and he is now an outcast, hunted by both the police and his fellow gang members. He has extensive plastic surgery and resumes his activities aided by Shakka (Persis Khambutta), a completely psychotic fellow outcast. Soon DaSilva and Wulfgar are engaged in a violent battle of wits as Wulfgar resumes his terrorist activities and threatens New York . This very effective thriller features a chilling performance by Rutger Hauer as the handsome, ruthless cold-blooded killer who charms women into helping him and then kills them. Sylvester Stallone gives an unusually understated emotionally vulnerable performance as a man trying to save lives while he saves his own marriage. The film makes excellent use of New York locales, particularly during a terrifying hijacking of a cable car where Wulfgar coolly decides which of the hostages will live or die. ~ Linda Rasmussen, All Movie Guide

In this touching tale, an amiable retarded delivery boy from Brooklyn works to help support his mother. Meanwhile his older brother keeps him safe from local punks; this sometimes creates turmoil for him as he must maintain a strong exterior to mask his love. While delivering his groceries, the young man often fantasizes about being Superman and marrying the young woman who works in a neighboring bakery. When he saves a child from a burning building, his fantasy becomes reality. ~ Sandra Brennan, All Movie Guide

In this Vietnam War drama, a courier gets lost in the jungle. He carries with him a highly classified document that could change the outcome of the war. A platoon of soldiers is sent in after him and upon finding the missing messenger discover that his document is a plan for selling weapons to the enemy to prolong the fighting. ~ Sandra Brennan, All Movie Guide

In Frank Perry's curious, off-center comedy Western, Jeff Bridges and Sam Waterston play Jack McKee and Cecil Carlson, a couple of cattle rustlers whose special target is taciturn rancher John Brown (Clifton James). Both men are outcasts by choice; McKee can't stand being around his stuck-up ex-wife (played by Doria Cook), while Carlson, an Indian, finds his fellow tribesmen too tradition-bound for his tastes. Together, they plan to lift themselves out of the penny-ante class with one big crime caper. Brown gets wind of their scheme, and sends private eye Henry Beige (Slim Pickens) after them. The cast is top-heavy with attractive women, ranging from Brown's bored wife, Cora (Elizabeth Ashley), to "camp followers" Betty Fargo (Patti D'Arbanville) and Mary Fargo (Maggie Wellman). Thomas McGuane authored the script; Jimmy Buffett provides the songs. ~ Hal Erickson, All Movie Guide