Jacques Spiesser Movies

Faustine (Muriel Catala) suffers the wounds of first love in this gentle French film. During a summer when she is staying with her grandmother, she comes to know the nearby neighbors. Two brothers live in the large house. One is divorced and one has recently remarried, both of them live there with their teenaged and adult children. Though the boys of the household are drawn to Faustine, she grows ever more smitten with the divorced older man. During one visit she has to hide in his room to avoid the unwelcome attentions of his sons. As the summer draws to a close she has her first amorous kiss. ~ Clarke Fountain, All Movie Guide

In this French tour-de-force a young student (Jacques Speisser) decides to have no more interaction with the world than is needed to minimally sustain life. His increasingly automaton-like behavior is coupled with a strange clarity of insight about the world around him. His inner musings as he wanders the luminous streets of Paris are narrated in the form of an unwritten diary by Ludmila Mikael. ~ Clarke Fountain, All Movie Guide

This film by French director Alain Resnais (Last Year in Marienbad) is loosely based on a true story from the 1930s about financier, con-man and swindler Stavisky who was arrested in 1934 for selling phony stock but was never brought to trial. While in jail, he continued to engage in doubtful monetary transactions. As the rumors that he was being protected by high-ranking members of the government of the French Third Republic were undoubtedly true, the scandal had a profoundly unsettling effect on the French nation, already suffering from poor government handling of the Depression, and this incident nearly brought down both the government and the Republic. Stavisky's death in prison (an apparent suicide) triggered widespread unrest and rioting. In the movie, when Stavisky (Jean-Paul Belmondo) goes to jail as a young con-man, his embarrassed father commits suicide. Ruining countless lives in his stellar career as a big-money swindler, including that of his nobleman friend Raoul (Charles Boyer), Stavisky is shown to be a pawn in a still bigger swindle, one which will destroy the Left and open the way to fascism. ~ Clarke Fountain, All Movie Guide

Based on a true story, Costa-Gavras' Special Section (Section Speciale) is set in wartime France, but the parallels to contemporary political persecution are inescapable. A young German naval officer is killed in occupied Paris. The supplicative Vichy government sets about to locate the perpetrators. Four idealistic young Frenchman are arrested, tortured and slated for execution. It is clear that it doesn't matter whether they're guilty or not: the flames of totalitarianism must be stoked, even with the blood of the innocent. And it's especially convenient if the accused are thoroughly expendable in the eyes of the authorities. ~ Hal Erickson, All Movie Guide

Based on a groundbreaking 19th-century French trial, this movie recreates the courtroom controversy surrounding a young man who, after losing his religious faith, killed his mother and other siblings in order to assist his father. The trial was the first in French history to permit psychological factors to contribute to the testimony. ~ Clarke Fountain, All Movie Guide

A homeless young man, living in his delivery truck, is simultaneously adopted by a pranksome group of youngsters and made into a police informer. Believing that he is doing something good both for the other kids and for himself, he has no qualms. ~ Clarke Fountain, All Movie Guide

Fayard (Patrick Dewaere) is a magistrate of the French courts, who is unusually enthusiastic in seeking justice. For instance, when his girlfriend is trapped in a store-front bordello, he has no qualms about arranging (and joining) a police raid on the place. This stunt earned him the nickname "the Sheriff." However, this otherwise shy and diminutive fellow has made many enemies, both in the bureaucracy and among the criminal classes, and before long they catch up to him. ~ Clarke Fountain, All Movie Guide

Students of film history will appreciate the many tributes to famous films of yore which appear in this first-time feature directed and written by former drama teacher Francis Huster. In the story, a mild-mannered bank clerk has heroic dreams of being a real he-man. Given his diffident, shy nature, it comes as a bit of a surprise that not only does he actually have a girlfriend, but he has managed to get her pregnant. However, she doesn't fit his image of himself, and he can't bring himself to marry her. When the bank he works in is robbed by a daring group which includes a magnetically attractive woman, the clerk throws his lot in with them and becomes an outlaw. ~ Clarke Fountain, All Movie Guide

Gerard Darmon and Anais Jeanneret star in this low-budget thriller from director Miguel Courtois. A journalist wrongly accused of murder enlists the help of a femme fatale to track down the real killer. The late Michel Auclair plays a shady film producer in his last screen role, and the feature is dedicated to him. ~ Dan Pavlides, All Movie Guide

The French-filmed Baxter is based on the American novel Hell Hound. The title character is a bull terrier, who in the course of the film has many masters--and for good reason. Baxter has been instrumental in the deaths or serious injuries of most of the human beings who've come in contact with him. The dog's latest owner is a young neo-Nazi. nd Baxter makes it quite clear (to the audience at least) what he has in store for this fellow. Don't be misled by the title or the fact that the leading character is a dog with a full range of human emotions; Baxter is not a family film. ~ Hal Erickson, All Movie Guide

Winner of the 1997 French Cesar award for "Best Short Film," this evocative moment between an Ashkenazi Jew and a woman from Israel -- both in their later years -- is portrayed with delicacy, sensitivity, and an understanding of a culture that is disappearing. The Ashkenazi Jews who have retired to the region fill their days with memories of bygone times, with walks, with card games, with stories, and all along know that their Yiddish-speaking culture is declining. While the Jewish tailor and the Israeli woman slowly evolve a charming and touching attraction to each other, his pretending to read the French newspaper is a poignant demonstration of the difference between his past and his present. A related theme is explored in a 1984 British documentary, Almonds and Raisins, which takes a close look at the vanishing Yiddish language and culture in relation to the 300 or so Yiddish movies made in the era of early talkies. ~ Eleanor Mannikka, All Movie Guide

Klaus Maria Brandauer stars in this gorgeously photographed French-German-Dutch biopic on the life of 17th century Dutch master Rembrandt van Rijn. Told in flashbacks from the point-of-view of the aged artist, the film opens as the young van Rijn arrives in Amsterdam. Soon after establishing his career as a painter, he marries the radiant Saskia (Johanna ter Steege). As he makes a name for himself, he can soon afford to buy a large house by teaching wealthy aristocrats how to paint. However, the couple's happiness is short-lived; Saskia dies soon after bearing their son, Titus. Crushed, van Rijn seeks comfort first in the arms of his maid Geertje (Caroline van Houten) and then with his second wife, Hendrickje (Romane Bohringer), who gives birth to a daughter. In spite of his genius, van Rijn's determinedly eccentric behavior alienates the very members of the elite who were paying his bills. At one point, the artist's home and belongings, including many of his paintings, are seized and sold for humiliatingly low prices in a rigged auction. Rembrandt was directed by painter-turned-director Charles Matton. ~ Jonathan Crow, All Movie Guide