Wendie Jo Sperber Movies

A snowbound Denver eatery called the Ritz Restaurante ends up as the Valentine's Day rendezvous for three troubled couples: Marty (Louis Mandylor) and Tricia (Wendie Jo Sperber), Amanda (Tembi Locke) and Riley (Cress Williams), and Ben (Lennie Loftin) and Charlotte (Kate Fuglei). While carrying out their assignment of revealing the true meaning of love to the gathered couple, the Angels are helped along by another twosome, George and Loretta (played by real-life husband and wife William Daniels, Bonnie Bartlett) who are celebrating their 49th wedding anniversary. Casting a pall over what should be a joyous occasion is the Angels' foreknowledge that this anniversary will be George and Loretta's last. ~ Hal Erickson, Rovi

The 1939 Irene Dunne-Charles Boyer romance Love Affair, remade with Cary Grant and Deborah Kerr in 1957 as An Affair to Remember, became a vehicle for real-life couple Warren Beatty and Annette Bening in this 1994 rendition. The well-worn story remains the same, as a man and a woman, both engaged to other people, fall madly in love while traveling, indulge in a brief but intense affair, then agree to part and sort out their feelings. They are to meet again at the top of the Empire State Building if their feelings persist, but a series of unfortunate circumstances threatens to keep the lovers apart. Despite polished visuals and a time-tested narrative, this variation suffers in comparison to its two predecessors, not to mention the previous year's Sleepless in Seattle, which had drawn on An Affair to Remember for several of its most memorable sequences. It does features Katherine Hepburn's first film appearance in 13 years. ~ Judd Blaise, Rovi

Season one of Hearts Afire takes place in Washington D.C., where transplanted Southerner John Hartman (John Ritter) has relocated as chief of staff to ultra-conservative Senator Strobe Smithers. Recently divorced and the father of two sons, Ben (Justin Burnette) and Elliott (Clark Duke), Hartman has developed a mile-long misogynistic streak, fueled by the calculated bitchery of Mavis Davis (Wendie Jo Sperber), the politically ambitious wife of his best friend and fellow senatorial aide Billy Bob Davis (Billy Bob Thornton), and by the vapidity of Senator Smithers' -- ahem -- secretary, the voluptuous Dee Dee Starr (Beth Broderick). But what has really turned John against the opposite sex is the fact that his wife has left him not for another man, but for another woman! Thus, when liberal journalist Georgie Anne Lahti (Markie Post), broke and jobless after years of circling the globe and filing left-of-center news reports, comes to Smithers' office hoping to sign on as his press secretary, John's first instinct is to boot her out. But despite this, and the vituperative political arguments between the two of them, John agrees to let Georgie Anne have the job, and Georgie Anne, against her better judgment accepts. The reason? John has the hots for Georgie Anne -- and the feeling is mutual! Circumstance dictates that Georgie Anne move into the house occupied by John and his sons, which only intensifies the torrid feelings between the two protagonists. Even the put-down pragmatism of Georgie Anne's childhood nanny Miss Lula (Beah Richards) does little to extinguish the flames, as does John's dismay over the fact that Georgie Anne's dad George (Ed Asner) is an ex-convict who shows no signs of wanting to mend his ways.
As originally conceived, John and Georgie Anne were to remain single, in hopes of stirring up the same "will they or won't they" intrigue that had added spice to such mismatched-couple series as Cheers and Moonlighting. But the executives at CBS were antsy over the unhitched status of the Hearts Afire protagonists, especially since the series was being seen in a relatively early Wednesday-night time slot. Under protest, producer Linda Bloodworth-Thomason agreed to make things more "family friendly" by having John and Georgie Anne get married before the first season was over -- and that was only the first of several radical changes in the series' concept. Surprisingly, despite Thomasons' well-known Washington connections, only one political figure appeared during the series' first season -- if "political figure" is the correct phrase to describe "Presidential brother" Roger Clinton! ~ Hal Erickson, Rovi

The final installment in the Back to the Future trilogy picks up where the second film left off, but it casts off the dizzying time travel of the first two films for mostly routine comedy set in the Old West. Marty McFly (Michael J. Fox) receives a 70-year-old letter from his inventor friend, Doc Brown (Christopher Lloyd), who tells Marty that he has retreated a century in time to live out a relatively quiet life in the Old West. Doc Brown reveals that he hid his DeLorean car/time machine in an abandoned mine outside town, and when Marty does some research and discovers that the Doc died shortly after writing the letter, he decides to find the car, travel back in time, and warn the Doc about his demise. Meanwhile, the Doc, who has fallen in love with a local woman (Mary Steenburgen), realizes he can't hide in the past from the problems he has caused to the time flow in the previous two adventures. He reluctantly decides to return to the present with Marty, but first, they have to find a way to get the DeLorean up to time-travel velocity with a broken fuel line and no gasoline. ~ Don Kaye, Rovi

Contemporary high schooler Marty McFly (Michael J. Fox) doesn't have the most pleasant of lives. Browbeaten by his principal at school, Marty must also endure the acrimonious relationship between his nerdy father (Crispin Glover) and his lovely mother (Lea Thompson), who in turn suffer the bullying of middle-aged jerk Biff (Thomas F. Wilson), Marty's dad's supervisor. The one balm in Marty's life is his friendship with eccentric scientist Doc (Christopher Lloyd), who at present is working on a time machine. Accidentally zapped back into the 1950s, Marty inadvertently interferes with the budding romance of his now-teenaged parents. Our hero must now reunite his parents-to-be, lest he cease to exist in the 1980s. It won't be easy, especially with the loutish Biff, now also a teenager, complicating matters. Beyond its dazzling special effects, the best element of Back to the Future is the performance of Michael J. Fox, who finds himself in the quagmire of surviving the white-bread 1950s with a hip 1980s mindset. Back to the Future cemented the box-office bankability of both Fox and the film's director, Robert Zemeckis, who went on to helm two equally exhilarating sequels. ~ Hal Erickson, Rovi

Tom Hanks stars in this raunchy teen comedy from veteran screenwriters Pat Proft and Neil Israel, who had previously collaborated on the amusing sketch film Tunnelvision (1976) and the disappointing Americathon (1980). Bus-driver Rick Gasko (Hanks) is engaged to wealthy Debbie Thompson (Tawny Kitaen), much to the chagrin of her father (George Grizzard), who considers Rick a loser. To keep an eye on her future groom, Debbie and her friends dress as prostitutes to attend his bachelor party, which quickly turns into a bacchanal of smutty debauchery. Familiar faces in the cast include action stars Michael Dudikoff and Ji-Tu Cimbuka, pin-ups Monique Gabrielle and Rosanne Katon, and teen-movie regulars Adrian Zmed and Wendie Jo Sperber. It's an occasionally hilarious excursion into bad taste, although one which two-time Oscar winner Hanks would probably like to forget. ~ Robert Firsching, Rovi

Used Cars is one of Robert Zemeckis' pre-Roger Rabbit and pre-Forrest Gump efforts starring Kurt Russell is a devious car salesman who goes to work for affable but monumentally unsuccessful used car dealer Jack Warden. Warden's principal rival is his more prosperous twin brother, also played by Warden, who schemes to take over the "good" brother's lot. After a series of raunchy vignettes, the film boils down to an every-man-for-himself price war between the two Wardens, which rages on even after we're one Warden short. The supporting cast of Used Cars is populated by such reliables as David L. Lander, Michael McKean, Al Lewis, Dub Taylor, Dick Miller and Betty Thomas. ~ Hal Erickson, Rovi

The time is 1964, and the Beatles, already a hugely popular group, are about to go on the Ed Sullivan Show for the first time, an appearance that launched them into a worldwide phenomenon. Already, girls are fainting during their concerts from sheer excitement at being in the same theater with them. Pam Mitchell (Nancy Allen) is happy enough to be getting married but wants to bed one of the "Fab Four" before she does. Grace Corrigan (Theresa Saldana), a dedicated fan, is certain that if she can get some exclusive photos of the Beatles, her career as a photographer will be secured. And then there are two people who feel that the future of civilization as we know it depends on their efforts to ruin the Beatles' appearance on Ed Sullivan's show. In this madcap comedy, when these people (and others besides) descend on the New York hotel the Beatles are staying in, things begin hopping. This comedy was Robert Zemeckis' first feature. A protégé of Stephen Spielberg, he went on to direct Forrest Gump, Back to the Future, and Who Framed Roger Rabbit? among other popular features. ~ Clarke Fountain, Rovi