Dominique Blanc Movies

The personal tragedy of an alcoholic hemmed in by a domineering wife is the focus of this drama of hope lost and regained. Simon (Christophe Malavoy) is a solo violinist in an orchestra managed by his wife Laura (Jane Birkin). Haunted by specters of his own inadequacy, he loses his insecurities in drink, but that only results in rejection from his fellow musicians. They do not want him playing in the next major concert, which puts Laura in a bind. She fights for him to continue playing, not realizing that he may actually need time off. Simon begins to turn himself around when he meets a recovering alcoholic who introduces him to AA-style meetings and new friends. They understand his problem from their own perspective, yet he still has his increasingly belligerent wife and his future as a musician to handle. La Femme de ma vie was awarded Best First Film by the French Academy of Cinema. ~ Eleanor Mannikka, All Movie Guide

This is a remake of the 1982 film Savannah Smiles. Colin (Jacques Higelen) and Mailland (Daniel Martin) are small-time crooks on the run who are surprised to find the seven-year-old runaway Savannah (Elodie Gautier) is along for the ride. The police and her parents fear she has been kidnapped, and a massive manhunt is launched with orders to shoot to kill the alleged perpetrators. The lovable little girl soon melts the hearts of the crooks, as the trio enjoy an unlikely but sentimental friendship. The late Marcel Bozzuffi makes his last screen appearance as Coplan, the confident cop in charge of recovering Savannah. Rene Feret plays Savannah's father, a hypocritical politician. ~ Dan Pavlides, All Movie Guide

Claude Sautet's A Few Days With Me (Quelque Jours avec Moi) stars Daniel Auteuil as the emotionally disturbed heir to a supermarket empire. Auteuil's mother Danielle Darrieux tries to give her son some purpose in life by assigning him the task of reinvigorating one of the supermarket chain's least profitable links. Every effort Auteuil makes to reach out and communicate with his employees is doomed to failure due to his conscious and unconscious insensitivities. He is humanized by a brief affair with maid Sandrine Bonnaire. The romance doesn't last, and Auteuil ends up back in a mental institution, but still there is a ray of hope for him in the final scenes. ~ Hal Erickson, All Movie Guide

The French/Swiss Natalia is set in France during the Nazi occupation. A Jewish film actress (Philippine Leroy-Beaulieu) successfully obscures her heritage, rising to the top of her profession. Some uncomfortable moments transpire when she is courted by several high-ranking German officials. The film takes it time making its points, but the quality of the acting overcomes the slow spots. Writer/director Bernard Cohn had previously worked as assistant to such cinematic heavyweights as Buñuel and Truffaut. ~ Hal Erickson, All Movie Guide

Flo is just thirteen and is away from home on vacation. Her mother Clo, her sister Jo, and her relative Do, are all very liberated women, very wealthy, and very determined to have their way. When they catch sight of Guillaume de Burlador (Pierre Arditi), a handsome, well-educated and somewhat needy young man, they lure him into their peculiar ménage by offering him the job of becoming Flo's tutor. What they really want is to take him to bed in the crudest possible way. Unfortunately for the young man he is a true romantic and wants to be wooed in addition to having lots of hot sex. Since this feminist bedroom comedy turns many conventions on their ear, it is completely in keeping with the spirit of the piece that all the bedroom scenes, while occasionally quite erotic, take place between people who are fully clothed. ~ Clarke Fountain, All Movie Guide

Regis Wargnier's epic about French Indochina -- from the years of French colonial imperialism to the days when American presence made itself felt and the country became known as Vietnam -- is a story of romance and separation told through the backdrop of a country in turmoil. The film centers on the relationship of the beautiful and imperious Eliane (Catherine Deneuve), a French rubber-plantation owner, and Camille (Linh Dan Pham), her adopted Indochinese daughter. The mother and daughter are very close until a diffident naval officer, Jean-Baptiste (Vincent Perez) enters their lives. Eliane is in love with him, but Jean-Baptiste and Camille become attracted to each other and fall in love. Thinking that she is doing Camille a favor, Eliane arranges to have Jean-Baptiste transferred to the far-away Tonkin Islands. But Camille flees the plantation to go to the man she loves. As she travels the country, she gains a greater knowledge and respect for the people of her homeland. When the government tears her from Jean-Baptiste and their infant child and arrests her for crimes against the state, she becomes politicized and becomes a supporter of the communists in the country's civil war. As the country rocks in turmoil, Eliane becomes a personification of France, coolly walking amid her peasant workers, neither bowed nor afraid, grimly looking westward. ~ Paul Brenner, All Movie Guide

Mathilde (Dominique Blanc) has had a number of children, but is still an attractive woman. One day her husband simply picks up and leaves without any explanation whatever. At about the same time, she is involved at an accident at her workplace which makes her strongly aware of the passage of time. Can she once more know the love of a man? She has enough suitors: Charlie, though dull, has been in love with her since she could remember; Jacques is the father of one of her children; Mano has moved to the north of France from Spain, and wants to refurbish her house for her. Without rushing, she carefully considers each man (and her absent husband) in the context of her life, what she wants from it, and what is possible. ~ Clarke Fountain, All Movie Guide

The historical novel by Alexandre Dumas was adapted for the screen with this lavish French epic, winner of 5 Césars and a pair of awards at the Cannes Film Festival. Isabelle Adjani stars as Marguerite de Valois, better known as Margot, daughter of scheming Catholic power player Catherine de Medici (Virna Lisi). Margot is an heiress to the throne during the late 16th century reign of the neurotic, hypochondriac King Charles IX (Jean-Hugues Anglade), a time when Protestants and Catholics are vying for political control of France. Catherine decides to make an overture of good will by offering up Margot in marriage to prominent Protestant Huguenot Henri of Navarre (Daniel Auteuil), although she also schemes to bring about the notorious St. Bartholomew's Day massacre of 1572, when tens of thousands of Protestants are slaughtered. The marriage goes forward but Margot doesn't love Henri and takes a lover, the soldier La Mole (Vincent Perez), also a Protestant from a well-to-do family. Murders by poisoning follow, as court intrigues multiply and Catherine's villainous plotting to place her son Anjou (Pascal Greggory) on the throne threatens the lives of La Mole, Margot and Henri. The American release version was cut to 145 minutes. ~ Karl Williams, All Movie Guide

Distinguished French actor Michel Piccoli was 72-years-old when he made his directorial debut with this keen black comedy of a wildly dysfunctional family and the destructive games they play whenever they force themselves to get together. Piccoli also penned the screenplay. Constantin is the father and rules his small dynasty of three unsuccessful sons with an iron fist. Every Sunday, Constantin insists that the family gather for dinner, even though these meals genuinely possess a nightmarish quality due to the unruly grandkids, the unbridled lusts the brothers have for each other's wives, and their ceaseless bickering. ~ Sandra Brennan, All Movie Guide

James Ivory directed this drama adapted from Kaylie Jones's 1990 autobiographical novel in which the character Bill Willis is based on her father, James Jones, author of From Here to Eternity and A Thin Red Line. Ruth Prawer Jhabvala's screenplay about expatriate Americans in Paris during the 1960s/1970s offers a portrait of a normal family (as opposed to the dysfunctional families of The Ice Storm and many other 1990s films), seen from the point of view of daughter Channe. Her father is Bill Willis (Kris Kristofferson), a successful novelist and WWII veteran who's married to enthusiastic poker-player Marcella (Barbara Hershey). Divided like the sections of a novel, the story's first chapter is titled, "Billy," in which French orphan Benoit (Samuel Gruen) is brought to the Willis household for adoption, while his unmarried biological mother (Virginie Ledoyen) writes about him in her diary. Six-year-old Benoit has been shipped through so many orphanages and foster homes that he doesn't unpack his suitcase. Benoit's presence prompts the young Channe (Luisa Conlon) to turn to her protective Portuguese nanny Candida (Dominique Blanc). After Benoit becomes acclimated to his new family, he asks that his name be changed to Billy. In the second segment "Francis" a strong friendship develops between Channe (Leelee Sobieski) and fatherless Francis Fortescue (Anthony Roth Costanzo). Obsessed with opera, Francis lives with his expatriate British mother (Jane Birkin). The family's French idyll is disrupted when Bill Willis plans a return to the United States because he wants American doctors to treat his bad heart. The closing act "Daddy" takes place in North Carolina during the 1970s as Bill's health worsens, Billy (Jesse Bradford) grows up, and an alienated Channe seeks acceptance through sex. A bedridden Bill dictates his fiction to Channe, who transcribes tapes and types his manuscript pages. During intimate conversations about boys and sex, Willis helps his daughter find her footing on the path of life. This movie arrived only 14 weeks prior to the release of Terrence Malick's 1998 adaptation of the elder Jones' The Thin Red Line. Shown at 1998 film fests (Venice, Toronto). ~ Bhob Stewart, All Movie Guide

French filmmaker Claire Devers directs this powerful drama about poverty and injustice. Francoise Barnier (Dominique Blanc), a single mother who works as a cleaner at a slaughterhouse, can barely put food on the table for her two young daughters, but her fierce pride prevents her from seeking out welfare. One day, overcome with the prospects of a promotion, she splurges on food she cannot afford, and she pockets a package of meat. She is caught in the act and sent to jail. Though she is acquitted after making an impassioned plea for clemency, a journalist decries the court's lenient treatment, and she is eventually dragged back into court for a retrial. La Voleuse de Saint Lubin was screened at the 1999 Venice Film Festival. ~ Jonathan Crow, All Movie Guide

The son of actor Bernard Blier, director Bertrand Blier is known throughout France for his documentaries and dark depictions of sex and its impact on society. Though his influences and personal opinions clearly shine through, Les Acteurs is a satirical take on the ups, downs, and numerous implications of life in showbiz as told by a variety of real-life French actors. Among the featured cast are André Dussollier, Jean-Pierre Marielle, Jacques Villeret, Claude Rich, and Pierre Arditi, all of whom play themselves. ~ Tracie Cooper, All Movie Guide