Carol Speed Movies

J. Robert Wagoner directs the 1979 blaxploitation-martial arts classic Disco Godfather. Rudy Ray Moore stars as Tucker Williams, an ex-cop and resident DJ at the nightclub Blueberry Hill Disco. When his nephew Bucky (Julius J. Carry III) gets mixed up with drugs, Tucker is motivated to start some violence. With the help of plucky Noel (Carol Speed), Tucker takes on major angel dust dealer Singer Ray (James H. Hawthorne). Also memorable are the disco dance production numbers in amazing sparkly costumes, the hallucinogenic PCP segments, and the repeatable catch phrases. ~ Andrea LeVasseur, All Movie Guide

An intriguing blend of 70's "blaxploitation" and Exorcist clone, William Girdler's Abby is an effective and chilling film that incorporates elements of ancient African spiritualism into the conventions of the demon-possession genre. The story begins in Nigeria, where Professor Williams (Blacula's William Marshall) discovers a suggestive-looking fetish artifact in a cave once used by members of the sinister cult of "Eshu." When the relic is opened, it releases a foul-tempered Eshu demon which quickly kills several people and pursues Williams all the way back to America, where it soon enters the home of the professor's son Reverend Emmett (Terry Carter) and takes possession of the Reverend's proper and lovely wife Abby (Carol Speed). Emmett first begins to suspect something is amiss when Abby attempts suicide during a church picnic, but only after she begins vomiting in church and tormenting his congregation does he realize that her condition may not be mere insanity, and he consults his father for help. By the time the two men finally corner Abby in a sleazy bar, she has already seduced and killed several men. The exorcism is performed right in the bar, as dashiki-clad Williams incorporates both Western and African religious rituals to purge the foul spirit from Abby's body. Although Warner Brothers sought legal action against this film for its similarities to The Exorcist, this is no more of a rip-off than countless Italian variations on the formula, and its strong use of African religious traditions gives it a strength lacking in many low-budget blaxploitation films of the era. ~ Cavett Binion, All Movie Guide

A box-office success during the early '70s, this blaxploitation flick traces the life of a Bay Area pimp facing drug dealers, crooked cops and fellow pimps ready to settle a few scores. Richard Pryor makes a small appearance as Slim. ~ John Bush, All Movie Guide

Joseph Wambaugh's best-seller about patrol-car cops in urban Los Angeles is given a competent yet antiseptic treatment by director Richard Fleischer. The film has a bad-tasting us-versus-them mentality in its depiction of patrolmen-civilian interaction, and its hopeless atmosphere carries over into the bleak suicide of one of the principle characters. But behind its rancid veneer, the story is the old "B"-movie police story concerning a rookie cop being shown the ropes by a kindly and wizened old veteran. Roy (Stacy Keach) is the young patrolman introduced into the ways of Los Angeles street life by Kilvinsky (George C. Scott), the philosophical old pro. Kilvinsky is just short of retirement and wants to educate Roy to succeed him when he leaves. Roy, however, is on the edge because of a recent divorce, and it takes many speeches by Kilvinsky and the love and affection from his new black girlfriend Lorrie (Rosalind Cash) to keep from going over the deep end. ~ Paul Brenner, All Movie Guide