Ned Sparks Movies
One of the most imitated comic actors in Hollywood history, stone-faced Ned Sparks began his career as a boy singer during the 1898 Klondike gold rush. After "gold fever" subsided, Sparks knocked around in tent theatricals, medicine shows, and carnivals, then tried his luck in New York. By the mid-teens, Sparks was firmly established as one of Broadway's premiere comedy actors. He was one of the leaders of the 1918 actor's strike, which led to the formation of Actors Equity, and shortly afterward made his first film appearance. Sparks' most rewarding film work came during the talkie era, when his sourpuss countenance and inimitable nasal bray was seen and heard in picture after picture. So well-established was Sparks as a dour doomsayer that he allegedly was heavily insured by Lloyds of London against the possibility of his ever being photographed with a smile on his face. Ned Sparks retired from films in 1947, at which point he apparently cut off virtually all contact with his friends and associates; when he died ten years later, only seven people attended his funeral. ~ Hal Erickson, All Movie Guide- 1947
- NR
With Robert Riskin as screenwriter, director William Wellman proved in Magic Town that it was possible to make a Frank Capra-esque picture without Capra himself at the helm. James Stewart plays Rip Smith, a cynical pollster who comes across a small American town named Grandview, which represents a "perfect" balance of ethnic types, professions, political beliefs, and personal opinions (a parody of the then-current "Middletown" study). Smith publicizes this discovery, leading to a barrage of media attention and an onslaught of get-rich-quick entrepreneurs. Not surprisingly, all of this has an adverse effect on the heretofore "average" citizens of Grandview; it also seriously threatens Smith's blossoming romance with local girl Mary Peterman (Jane Wyman), who feels that her friends and neighbors are being used, exploited, and in some cases, corrupted. The satirical thrust of the film bogs down into sentimentality toward the end, but it's fun while it lasts. One of the colorful supporting characters is played by screwball-comedy favorite Donald Meek, who died during production, necessitating a number of hasty and not altogether successful rewrites. Though it pleases audiences today, Magic Town was a financial disappointment in 1947, prompting James Stewart to seek out "tougher" and more challenging roles to restore his box-office appeal. ~ Hal Erickson, All Movie Guide
- Starring:
- James Stewart, E.J. Ballantine, (more)
- 1941
A Clarence Buddington Kelland story was the source for the mildly farcical For Beauty's Sake. If he wants to inherit a fortune, bookish astronomy professor B. E. Dillsome (Ted North) must operate his aunt's beauty parlor for a two-year period. Business is very, very slow, prompting Dillsome's girlfriend Dime Pringle (Marjorie Weaver) to bring in a hot-shot press agent Jonathan B. Sweet (Ned Sparks) to publicize the establishment. Before long, our benighted hero finds himself mixed up in a murder plot and a blackmail scheme. The raucous comedy relief of Joan Davis and the patented deadpan asides of Ned Sparks more than make up for the film's plot deficiencies. ~ Hal Erickson, All Movie Guide
- Starring:
- Ned Sparks, Marjorie Weaver, (more)
- 1939
The Star Maker is the story (with variations) of vaudeville enterpreneur Gus Edwards, here played by Bing Crosby. Determining that he can attain the uppermost showbiz rungs by spotlighting new, untried talents, Edwards rises to fame by hiring preteen boys and girls for his touring acts, the most famous of which is his "schoolroom" routine. Among Edwards' more prominent discoveries were Eddie Cantor, Georgie Jessel, Bert Wheeler, Walter Winchell and Mae Murray, none of whom are depicting in the film (though composer Walter Damrosch is portrayed "By Himself"). Paramount intended The Star Maker as a showcase for a whole new crop of "stars in the making", though the studio's own discoveries were destined for obscurity--with the exception of Janet Waldo, who in 1997 was still providing the voice of Judy Jetson for a series of TV commercials. Louise Campbell provides the nominal romantic interest as Edwards' super-supportive wife, while a welcome note of cynicism is introduced by the ineffable Ned Sparks. ~ Hal Erickson, All Movie Guide
- Starring:
- Bing Crosby, Louise Campbell, (more)
- 1938
Though it may be difficult for modern audiences to understand or appreciate the appeal of canary-voiced boy soprano Bobby Breen, the fact remains that he was one of the most popular box-office attractions of the 1930s. Adapted from Don Blandings' novel Stowaways in Paradise, Hawaii Calls stars Breen as shoe-shine boy Billy Coulter, who in the company of his young newsboy pal Pua (Pua Lani) stows away on a Honolulu-bound ocean liner. Here he finds an unexpected ally in the form of persimmon-faced musician Strings (Ned Sparks), who conspires to hide Billy and Pua from irascible Captain O'Hare (Irvin S. Cobb). Once the ship arrives in Hawaii, Billy eludes the authorities by hiding with Pua's native family. The plot goes off on a new tangent when foreign spy Blake (William Harrigan) steals valuable Navy secrets from young Commander Milburn (Warren Hull). Billy and Pua save the day by locating the thieves' hideout and alerting Milburn. Before this happens, Bobby Breen sings ever so many Hawaiian tunes, this best of which include "Down Where the Trade Winds Blow" and the title song. ~ Hal Erickson, All Movie Guide
- Starring:
- Bobby Breen, Ned Sparks, (more)
- 1937
This Way Please marked Betty Grable's first appearance under her new Paramount contract. The fact that Grable plays the new bride of Charles "Buddy" Rogers takes on special significance when one realizes that Betty was two months away from her first marriage, to former child star Jackie Coogan. The plot is set in a first-run movie theatre that offers stage presentations along with the main feature. Brad Morgan (Rogers) is the theater's master of ceremonies, while Jane Morrow (Grable) is chief usherette. She'd rather be on stage dancing with Brad, and by film's end she gets her wish -- but not before a riotous slapstick wedding sequence. Jim and Marian Jordan, radio's Fibber McGee and Molly, make their film debut, as does Jack Benny's radio foil (and real-life wife) Mary Livingstone, here appearing on-screen without her husband for the first and last time in her career. The film is stolen by Rufe Davis, the "human sound effects machine," doing a medley of his specialty. ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Grable, Ned Sparks, (more)
- 1937
The hyped-up 1930s radio feud between bandleader Ben Bernie and columnist Walter Winchell is all but forgotten today, but that doesn't lessen the entertainment value of the Bernie/Winchell vehicle Wake Up and Live. Amidst the bickering of the two stars, the film traces the progress of mike-shy singer Jack Haley (whose singing voice was dubbed by Buddy Clark). Leading lady Alice Faye tricks Haley into singing on the air with Bernie's orchestra, which results in Winchell doing his best to discredit both Bernie and Haley. Eventually Haley and Alice Faye fall in love, and Ben and Walter patch up their differences. So successful was Wake Up and Live that 20th Century-Fox rushed Bernie and Winchell into a follow-up, Love and Hisses (38), but by that time their feud had taken second place in the hearts of America to the equally contrived "battle" between Jack Benny and Fred Allen. ~ Hal Erickson, All Movie Guide
- Starring:
- Walter Winchell, Ben Bernie, (more)
- 1936
Norwegian skating sensation Sonja Henie made her Hollywood screen debut in the splashy 20th Century-Fox musical One in a Million. While preparing for the 1936 Winter Olympics, Swiss skater Greta Muller (Henie) is discovered by American theatrical entrepreneur Tad Spencer (Adolphe Menjou). This fateful meeting results in our heroine losing her amateur status, thereby disqualifying her from Olympic competition. But there's a happy ending for all concerned when Greta makes her spectacular New York bow at Madison Square Garden -- and wins the love of leading man Bob Harris (Don Ameche), to boot. Prominent throughout the proceedings are the zany Ritz Brothers, who reach their comic apogee with a roller-skating routine wherein the three silly siblings impersonate Captain Bligh, Peter Lorre and The Frankenstein Monster! ~ Hal Erickson, All Movie Guide
- Starring:
- Sonja Henie, Adolphe Menjou, (more)
- 1936
Newlywed Carolyn Martin (Barbara Stanwyck) has been raised to expect the finer things in life, but these are things that can't be provided by her working-stiff husband Michael (Gene Raymond). Hoping to supplement the family coffers, Carolyn offers to take a job, but the chauvinistic Michael won't hear of it, insisting that the couple live on his measly 35 dollars per week, causing no end of trouble when wifey overextends her bank account. When millionaire Hugh McKenzie (Robert Young) enters her life, Carolyn is sorely tempted to walk out on her husband -- and, as indicated by the film's title, she does. Ultimately, however, money flies out the door when love flies back in the window. Counterpointing the marital travails of our hero and heroine is the contentious union between Mattie and Paul Dodson (Helen Broderick and Ned Sparks), who've learned to be happy while miserable. Black comic actor Willie Best is prominently billed in The Bride Walks Out, but his role was cut down to a mere walk-on. ~ Hal Erickson, All Movie Guide
- Starring:
- Barbara Stanwyck, Gene Raymond, (more)
- 1936
Two's Company was based on Sydney Horler's stage comedy Romeo and Julia. The film's storyline is developed in parallel fashion, with the antics of American businessman B. G. Madison (Henry Holman) and his family and associates mirrored and sometimes anticipated by the behavior of Madison's British counterpart, The Earle of Warke (Morton Seiten), and his entourage. The ongoing rivalry between Madison and the Earle wreaks havoc on the romance between Madison's daughter Julia (Mary Brian) and Warke's son Jerry (Patric Knowles). Both families behave in stereotypical fashion, skewering both American and British manners and mores with fine impartiality. Two's Company was very much designed for a dual market, right down to the comedy relief: Ned Sparks for the American fans, Gordon Harker for the British patrons. ~ Hal Erickson, All Movie Guide
- Starring:
- Ned Sparks, Olive Blakeney, (more)
- 1936
In this musical comedy a Broadway playboy inherits an almost bankrupt girls' school from his late aunt. He breathes life into the school by giving song and dance lessons. The financially ailing school is funded by an odd, but rich man who becomes the main backer. Songs include: "I Feel Like a Feather in the Breeze," "You Hit the Spot," "Rhythmatic," "My Grandfather's Clock in the Hallway," "Who Am I?" "Guess Again," "Will I Ever Know?" ""Learn to Be Lovely."" ~ Sandra Brennan, All Movie Guide
- Starring:
- Joe Penner, Jack Oakie, (more)
- 1935
The 1929 Jerome Kern-Oscar Hammerstein Broadway musical Sweet Adeline has generally been credited as the vanguard for the "Gay 90s" nostalgia fad of the early 1930s. By the time the film was adapted to the screen in 1935, that fad had pretty much played itself out, making the property seem more old-fashioned than ever. Irene Dunne takes over from Broadway's Helen Morgan as beer-hall entertainer Adeline Schmidt, whose romance with songwriter Sid Barnett (Donald Woods) undergoes an inordinate number of setbacks in the course of the film's 85 minutes. Much of the play's libretto has been scrapped in favor of an espionage angle, as Adeline tries to avoid assassination at the hands of a Spanish spy named Elysia (Wini Shaw). Contemporary critics carped that Irene Dunne was unable to match Helen Morgan's delivery of such torch songs as "Why Was I Born"; this is true enough, but Warner Bros. deserves credit for endeavoring to cast Dunne against type. ~ Hal Erickson, All Movie Guide
- Starring:
- Irene Dunne, Donald Woods, (more)
- 1935
Broadway producer George White, who was the title character of 1934's George White's Scandals, heads for Florida following his latest hit. He makes it to Georgia where he sees an advertisement for a show called White's Scandals. Suspicious, he attends and learns that it is a hodge-podge variety show put on by another fellow named White. The show isn't very good but for the talent of its star, a beautiful singer. He is deeply impressed and hires her to headline his next show in New York. Well, just having only one of the entertainers come just won't do and George ends up taking an entire entourage including the Georgia White and the singer's love-interest. Still it's for the best and the New York production is a tremendous success. Things go well until a seductress shows up and steals the singer's beau. This creates personal friction that reflects in their performances. Things get sticky for awhile and it looks as if the show is going to fall apart until the singer's peach of an aunt shows up and puts it all back together. Eleanor Powell makes her screen debut as the troublesome vamp. ~ Sandra Brennan, All Movie Guide
- Starring:
- George White, Alice Faye, (more)
- 1935
Rudy Vallee made his third feature-film starring appearance in the breezy Warner Bros. musical Sweet Music. Vallee is appropriately cast as singer-bandleader Skip Houston, who falls in love with aspiring dancer Bonnie Haydon (Ann Dvorak). Though Bonnie feels the same way about Skip, the two leads indulge in a movie-long quarrel before the long-awaiting final clinch. This is one musical comedy where there's definitely more comedy than music, what with a chucklesome supporting cast including Ned Sparks, Allen Jenkins, Alice White and veteran vaudevillians Joseph Cawthorn and Al Shean (of "Gallegher and Shean" fame). Despite such heady competition, the film is stolen by the hilarious Frank and Milt Britton Band, a zany precursor to the Spike Jones aggregation. ~ Hal Erickson, All Movie Guide
- Starring:
- Rudy Vallee, Ann Dvorak, (more)
- 1934
Nathaniel West's novel Miss Lonelyhearts inspired two films of the early 1930s: Advice to the Lovelorn (33) and Hi, Nellie! Paul Muni stars in the latter film as a big-city newspaper editor who gets in trouble for printing unsubstantiated information about a murder case. Muni is demoted and forced to write the paper's advice column, signing himself "Nellie." As he recklessly dispenses frivolous advice, Muni keeps tabs on the person he'd accused of murder. Using his "Nellie" connections, Muni gets the goods on the killer--and nearly gets rubbed out by a gangster mob. Warner Bros. must have been crazy about Hi, Nellie!, since the studio remade the film three times: Love is on the Air (37), You Can't Escape Forever (42), and House Across the Street (49). ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Muni, Glenda Farrell, (more)
Movie newcomer Ketti Gallian plays Marie Gallante, who is abducted by a most ungallant drunken sea captain. He leaves her stranded in Yucatan, where she gets a job as a cafe singer in hopes of paying her way to the Panama Canal zone. While en route, she meets the two-fisted Crawbett (Spencer Tracy), who unlike most of the other men she's encountered believes the kidnapping story. Crawbett, a secret agent, comes to Marie's rescue when she gets inadvertently mixed up in a plot to sabotage the Canal. His job done, Crawbett decides to stick around in Panama for a while when he falls in love with Marie. Based on a novel by Jacques Devel, Marie Gallante was intended to make a star out of Ketti Gallian, but it was the reliable Spencer Tracy who attracted the crowds and earned the critical plaudits. Elements of the film's plotline would later resurface in the 1940 programmer Charlie Chan in Panama. ~ Hal Erickson, All Movie Guide
- Starring:
- Spencer Tracy, Ketti Gallian, (more)
- 1934
Legendary Broadway impresario George White made his Hollywood debut with this musical, which he wrote, co-directed, and starred in as himself. Reporter Miss Lee (Gertrude Michael) is looking for a story and approaches White as he's assembling the latest edition of his famous revue. As it turns out, she has lots of backstage gossip to choose from; Mona Vale (Alice Faye), White's latest discovery, is making her Broadway debut in the show, and she's fallen in love with the star, Jimmy Martin (Rudy Vallee). Jimmy, however, only has eyes for Barbara Lorainne (Adrienne Ames), a snooty high society type also in the cast. A quarrel between Mona and Barbara leads to a fight, with Jimmy coming to Barbara's rescue; a despondent Mona decides to leave the show if she can't have the man she loves. Meanwhile, comedian Happy Donnelly (Jimmy Durante) finds himself torn between his feelings for Mona and another young dancer in the show, Patsy Day (Dixie Dunbar), who is also thinking about quitting in disappointment. Amidst the romantic turmoil, a wacky salesman (Gregory Ratoff) keeps trying to make a sale with White, and the cast periodically breaks into song, belting out ten numbers, including "Oh You Nasty Man," "My Dog Loves Your Dog," "Every Day Is Father's Day with Baby," "Sweet and Simple," and "The Man on the Flying Trapeze." ~ Mark Deming, All Movie Guide
- Starring:
- George White, Rudy Vallee, (more)
- 1934
The musical picture that ended Lou Brock's career as an RKO Radio producer, Down to Their Last Yacht is almost festive in its awfulness. The nonsensical plot finds a group of impoverished socialites (including Sidney Blackmer and Marjorie Gateson) trying to raise money by renting out their yacht, offering themselves as crew members. When a nouveau riche family charters the yacht, everyone is marooned on the tropical island of Malakomokalu. Here blonde jungle queen Mary Boland rules the roost, demanding that the shipwrecked men make love to her and the island's hootchy-kootchy native girls, or suffer the consequence of being fed to the sharks. Once regarded as the worst film ever made by RKO, this legendary flop is actually a lot of fun in a "high camp" sort of way, with the love scene between Mary Boland and Sterling Holloway a particular highlight. Two future co-stars of Laurel & Hardy's Babes in Toyland, Felix Knight and Marie Wilson (her film debut), have small roles. ~ Hal Erickson, All Movie Guide
- Starring:
- Mary Boland, Polly Moran, (more)
- 1934
Inasmuch as the film was based on a novel by Swedish author Sigrid Boo, Fox's Servant's Entrance is logically set in Sweden. Heiress Hedda Nillson (Janet Gaynor) certain that her family is about to lose all its money, takes a job as a maid. After the usual trials and tribulations, Hedda falls in love with humble chauffeur Eric Landstrom (Lew Ayres). When it turns out she's not going to go broke after all, Hedda despairs, believing that she will be forced to give Eric up -- but of course nothing like that ever happens. The highlight of Servant's Entrance is an animated nightmare sequence, courtesy of Walt Disney studios, wherein poor Hedda is "attacked" by a barrage of anthropomorphic pots and pans (Disney's previous contribution to Fox Studios was a futuristic television sequence in the 1933 Lilian Harvey vehicle My Lips Betray). ~ Hal Erickson, All Movie Guide
- Starring:
- Janet Gaynor, Lew Ayres, (more)
- 1934
The first of two film version of Fannie Hurst's novel, 1934's Imitation of Life chronicles the friendship between two women--one white (Claudette Colbert), one black (Louise Beavers). Colbert is a widow with a baby daughter who hires Beavers, who also has a daughter, as a housekeeper. Colbert is a working girl who yearns to operate her own business, which she does thanks to Beavers' special pancake recipe. A family friend (Ned Sparks) suggests that the ladies form a corporation to merchandise the "Aunt Delilah" pancake mix, and within ten years both women are quite wealthy. Colbert's relationship with her teenaged daughter (Rochelle Hudson) is strained when both ladies vie for the attentions of the same man, but these problems are minor compared to the travails of Beavers, who not only must deal with the De Facto segregation of the 1930s but must also contend with her restless daughter (Fredi Washington), who resents being an African-American and attempts to pass for white. The heartbroken Beavers dies, and at her funeral her now-chastened daughter weeps out her apologies for turning her back on her mother. Imitation of Life was remade in 1959, its story glamorized and updated to accommodate star Lana Turner. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Warren William, (more)
- 1934
Usually consigned to the supporting cast, eccentric comic actress ZaSu Pitts was occasionally rewarded with a leading role. In Paramount's Private Scandal, Pitts is top-billed as Miss Coates, the fey secretary of hotshot young executive Cliff Barry (Philips Holmes). Accused of murdering his boss B. J. Somers (Lew Cody), Barry suspects that Somers' death was a suicide -- but he dare not voice this opinion without ruining the lives of several others. With the help of obnoxious detective Riordan (Ned Sparks), faithful Miss Coates helps to clear Barry, much to the delight of his long-suffering girlfriend Fran (Mary Brian), the dead man's daughter. Private Scandal was co-written by Vera Caspary, of Laura fame. ~ Hal Erickson, All Movie Guide
- Starring:
- ZaSu Pitts, Phillips Holmes, (more)
- 1934
Annie Snodgrass (ZaSu Pitts) has a voice that could shatter glass, but try telling that to moonstruck gangster boss Fenny (Nat Pendleton). So entranced is Fenny by Annie's rendition of a sentimental "Mother" song that he tries to force the public to accept her as a big star. He even pulls a gun on a prominent music critic to ensure an excellent review! Despite her eardrum-shattering warblings, Annie actually becomes a star on her own merits, while Fenny finally lands a long-term engagement of his own as a guest of the State. Contributing to the overall zaniness of Sing and Like It are Pert Kelton as Fenny's put-upon gun moll and Edward Everett Horton as an intimidated Broadway producer. ~ Hal Erickson, All Movie Guide
- Starring:
- ZaSu Pitts, Pert Kelton, (more)
- 1933
Reportedly at the request of Marion Davies herself, Bing Crosby was borrowed from Paramount for the MGM Davies vehicle Going Hollywood. Der Bingle plays a struggling crooner who falls in love with Davies, a French teacher in a girl's school. He rises to fame and fortune in Hollywood, leaving Davies behind. She trails after him and becomes a movie star in her own right, supplanting Crosby's current vis-a-vis, the seductive Fifi D'Orsay. Hero and heroine are reunited in a lyrical finale. Some of the best moments in Going Hollywood belong to Patsy Kelly, making her movie debut as Davies' wisecracking chum, and to the Radio Rogues, a comedy singing act specializing in impressions of contemporary radio celebrities. As was his wont, publisher William Randolph Hearst, Marion Davies' very good friend, was present throughout the filming, making it difficult indeed for Bing Crosby to "lose himself" in the kissing scenes. The gloriously oversized production numbers include "Temptation" (given an astoundingly seductive rendition by a worldly Bing Crosby) and the high-kickin' title song. ~ Hal Erickson, All Movie Guide
- Starring:
- Marion Davies, Bing Crosby, (more)
May Robson plays Apple Annie, a slatternly Broadway apple peddler. Annie has a curious setup whereby she is able to finagle other street merchants and beggars to pony up part of their weekly earnings to her--yet she never seems to spend any of the money on herself. This is because Annie has a daughter named Louise (Jean Parker), who has been supported in luxury all her life by her mother. Louise has no idea who Annie really is; so far as she knows, her mother is Mrs. E. Worthington Manville, a Manhattan society matron. When Louise sends Annie a letter telling her that she's become engaged to a young Spanish nobleman named Carlos (Barry Norton), Annie is aghast: once Louise brings her fiance to New York, the jig will be up. Coming to the rescue is high-rolling gambler Dave the Dude (Warren William), who considers Annie his good-luck charm. With the help of his nightclub-thrush girlfriend Missouri Martin (Glenda Farrell), Dave arranges a huge society reception for Louise -- and a complete fashion makeover for Annie. To do this, a few strong-arm methods are required, notably the kidnaping of several society reporters; also, it's necessary to pass off down-and-out Judge Blake (Guy Kibbee) as Annie's well-connected husband. Lady for a Day is the film with which Frank Capra hoped to enter the Big Leagues by taking home a shelf-full of Academy Awards. His subsequent embarrassment at the 1934 Oscar ceremonies has now passed into Hollywood legend, but he made up for this debacle with his Oscars sweep for It Happened One Night. Lady for a Day was remade by Capra as 1961's Pocketful of Miracles, with Bette Davis as Apple Annie. ~ Hal Erickson, All Movie Guide
- Starring:
- Warren William, May Robson, (more)
- 1933
The second talkie version of the Avery Hopwood's theatrical war-horse The Golddiggers of Broadway, Gold Diggers of 1933 was the second of three back-to-back 1933 Warner Bros. musicals benefiting from the genius of Busby Berkeley. The basic plot is retained from the Hopwood play: Showgirls Joan Blondell, Ruby Keeler and Aline McMahon attempt to find financial backing for the new show planned by producer Ned Sparks. Songwriter Dick Powell, an incognito man of wealth, offers to put up the money, a fact that brings down the wrath of his older brother Warren William, who despises show folk. Attempting to buy off the three girls, William is placed in a compromising position by the crafty Blondell and is compelled to bankroll the musical himself. The oddest aspect of Gold Diggers of 1933 is the fact that the mood of the songs is wildly at variance with the plot. The film begins with dozens of chorus girls (led by Ginger Rogers) happily chirping "We're In the Money", a rehearsal number interrupted when the finance men burst in to claim the sets and props from the impoverished troupe. At the end, when everyone is genuinely in the money, the troupe stages a downbeat "Brother Can You Spare A Dime"-style production number, "Remember My Forgotten Man"--and it is on this doleful indictment of the Depression that the film fades out! Other Berkeley-staged musical highlights include "Pettin' in the Park" (yes, that salacious little baby really is Billy Barty) and the neon-dominated "Shadow Waltz", all written by the prolific Harry Warren and Al Dubin. As spectacular as Gold Diggers of 1933 was, it would be topped by the last of Berkeley's 1933 trilogy, Footlight Parade. ~ Hal Erickson, All Movie Guide
- Starring:
- Warren William, Joan Blondell, (more)
The quintessential "backstage" musical, 42nd Street traces the history of a Broadway musical comedy, from casting call to opening night. Warner Baxter plays famed director Julian Marsh, who despite failing health is determined to stage one last great production, "Pretty Lady." Others involved include "Pretty Lady" star Dorothy Brock (Bebe Daniels); Dorothy's "sugar daddy" (Guy Kibbee), who finances the show; her true love Pat (George Brent); leading man Billy Lawlor (Dick Powell); and starry-eyed chorus girl Peggy Sawyer (Ruby Keeler). It practically goes without saying that Dorothy twists her ankle the night before the premiere, forcing Julian Marsh is to put chorine Peggy into the lead: "You're going out there a youngster, but you've got to come back a star!" Delightfully corny, with hilarious wisecracking support from the likes of Ginger Rogers, Una Merkel, and George E. Stone, 42nd Street is perhaps the most famous of Warners' early-1930s Busby Berkeley musicals. Based on the novel by Bradford Ropes (which was a lot steamier than the movie censors would allow), 42nd Street is highlighted by such grandiose musical setpieces as "Shuffle Off to Buffalo," "Young and Healthy," and of course the title song. Nearly fifty years after its premiere, it was successfully revived as a Broadway musical with Tammy Grimes and Jerry Orbach. ~ Hal Erickson, All Movie Guide
- Starring:
- Warner Baxter, Bebe Daniels, (more)
