Vincent Spano Movies

Alfred Hitchcock fans need not be reminded that "The McGuffin" is Hitchcock's term for the gimmicks (missing papers, stolen gems, uranium deposits) that motivate the plots of his thrillers. This much is explained by narrator Orson Welles at the beginning of the family-oriented The Double McGuffin. Hitchcock in-jokes abound in this innocuous adventure yarn, which stars Ernest Borgnine as an international terrorist (it's that kind of film). A bunch of kids in a sleepy Southern town tumble to Borgnine's scheme to assassinate a foreign prime minister, but of course the authorities don't believe a word. The kids decide to take matters into their own hands, which includes staging their own kidnapping to arouse the attention of the police. The film comes to a noisy climax during a school assembly, where the targeted prime minister is a keynote speaker. Like Ernest Borgnine, co-stars George Kennedy and Elke Sommer play their scenes straight, allowing full scope to the Saturday-matinee antics of the younger actors. ~ Hal Erickson, All Movie Guide

The final made-for-TV movie of the calendar year 1981 (it was originally telecast on December 30), Senior Trip combines music, comedy and pathos to tell the story of a group of graduates from a staid Ohio high school. Though tightly chaperoned on their titular trip to New York City, the kids intend to cut loose and go crazy, or at least to pursue their hearts' desires (in fact, the only two students who actually want to do some sightseeing before returning home are treated like social pariahs). Among the principal characters are would-be business tyro, Roger (Scott Baio); wannabe singer, David (Randy Brooks); aspiring actress, Judy (Liz Callaway); budding artist, Jon (Jeffrey Marcus); and self-styled Lothario, Fred (James Carroll). It takes a few run-ins with the seamier denizens of the Big Apple to convince the teens that maybe the old high school wasn't so bad. Part of the film is an extended plug for the then-current Broadway smash, Sugar Babies, with Mickey Rooney showing up as himself in one of the sequences. Buried among the minor players are two promising young actors named Jason Alexander and Robert Townsend. Senior Trip was a CBS presentation. ~ Hal Erickson, All Movie Guide

Only Kelly Reno and Teri Garr from the cast of the original Black Stallion make appearances in The Black Stallion Returns. In the first film, young Reno rescued his beloved stallion from its cruel Arab owner. This time around, the stallion is abducted by Moroccan henchmen and bundled back to Africa. This paves the way for a repeat of all the salient action from the first Black Stallion. ~ Hal Erickson, All Movie Guide

One of two S.E. Hinton novels Francis Ford Coppola directed in 1983, Rumble Fish is a stylized black-and-white film about the death of gang culture in a rough-and-tumble town full of stunted youths. The central character is the strutting Rusty James (Matt Dillon), a foul-mouthed lunkhead clad in sweaty tank tops, who passes his time at the billiards hall waiting for "something" to happen in his life. That something might be the return of his brother, known only as the Motorcycle Boy (Mickey Rourke), from exile in California. Charismatic and intelligent, the Motorcycle Boy once led numerous wide-eyed followers into battle, into the "rumbles" once commonplace in town. Rusty James wants to take over that role, but lacks the smarts necessary for leadership, nearly getting himself killed in an opening fight. The Motorcycle Boy stops the fight with equal parts efficiency and cool, and Rusty James seems delighted by his brother's return. But it quickly becomes clear that a local cop (William Smith) is still gunning for the Motorcycle Boy, waiting for him to slip up, even though the mysterious youth has developed a weary philosophy of life and a skeptical view of his former power. As the Motorcycle Boy seems more and more distant, lost in deaf and color-blind fugues, Rusty James gets into greater trouble, running afoul of his girlfriend (Diane Lane) and friends (Nicolas Cage, Christopher Penn, Vincent Spano), and seeming on the path to destruction. ~ Derek Armstrong, All Movie Guide

This stylishly photographed drama is set in the Lower East Side area known as "Alphabet City." There 19-year-oldJohnny has become a drug lord in charge of the neighborhood gangs and pushers. Unfortunately, he too has a boss and when he asks Johnny to burn down the tenement building that houses his mother and sister, the boy refuses and decides to go straight for the sake of his wife and child. This doesn't set well with his boss who sends gangsters out to kill him. Of course, the gangsters have to catch Johnny first. ~ Sandra Brennan, All Movie Guide

Blood Ties began life as a 4-hour Italian TV movie. The American version, which premiered December 14, 1986 on the Showtime Cable network, runs 125 minutes, and "runs" is the right word. Brad Davis plays an American naval engineer with familial ties to Sicily. Before he can offer a protest, Davis is sucked into the murderous machinations of the mafia. He is expected to win the confidence of his crimefighting Sicilian cousin Tony Lo Bianco-and then murder him. If Davis fails, his own father's life is forfeit. Don't expect any last-minute rescues or easy outs in this one. Featured in the cast are Maria Conchita Alonso and Ricky Tognazzi, son of Ugo. Blood Ties was honored with the "best television production" Grand Prize at the Venice Film Festival. ~ Hal Erickson, All Movie Guide

The always innovative Taviani Brothers pay homage to another unique filmmaker, D. W. Griffith, in Good Morning, Babylon. Vincent Spano and Joaquim de Almeida star as Nicola and Andrea Bonnano, the latest in a long line of Tuscany-born cathedral builders. Emigrating to America, the brothers settle in Los Angeles in 1915, even as director Griffith (Charles Dance) is preparing his epic production Intolerance. The boys are hired to help construct the massive sets for the film's Babylonian sequence (hence the title), for no other reason than the fact that Griffith is impressed by Italian craftsmanship. As the film progresses, Nicola and Andrea assimilate to their new surroundings, even launching a romance with a pair of pretty movie extras. On the verge of continuing the family tradition, the boys' ambitions are cut short by events well beyond their control. Still, their past artistic accomplishments, like those of their forebears, survive the ages -- but only on the ethereal silver screen. ~ Hal Erickson, All Movie Guide

This historical drama and murder mystery concerns the efforts of playwright Carlo Goldoni (Vincent Spano) to figure out who killed his patron and benefactor Spinoza. The lively action involves everyone who is anyone in 1735 Venice's high society. The mystery escalates when everyone of Goldoni's potential backers is killed. The Grand Inquisitor (Victor Lanoux) even suspects the playwright himself. Eventually the mystery is solved, and Goldoni is once again free to produce his groundbreaking plays and court his beloved Nicoletta (Isabel Russinova). One highlight of the movie is the spirited performance given by Wojtek Pszoniak as the composer Antonio Vivaldi. Goldoni (1707-1793) broke with centuries-long Italian and European tradition by replacing the unscripted comedies performed by improvisational commedia del arte troupes with fully written out plays. He is considered to be a key figure, along with Shakespeare and Moliere, in the development of modern drama. ~ Clarke Fountain, All Movie Guide

Sylvester Stallone gives comedy another try in this farce set in the 1930s. Angelo "Snaps" Provelone (Stallone) is the wealthy and powerful head of the Chicago mob, but his ailing father (Kirk Douglas) doesn't approve of his life in crime, and on his deathbed, Dad makes Snaps promise to go straight. Determined to honor his late father's wishes, Snaps decides to go into banking -- just as his life has fallen into chaos. Anthony Russano (Vincent Spano) informs Snaps that he's hijacked $50,000 of his money and wants to marry his daughter. Snaps discovers that his daughter Lisa (Marisa Tomei) is actually involved with the chauffeur, Oscar (Jim Mulholland), but Anthony's girlfriend Theresa (Elizabeth Barondes) has convinced her beau that Snaps is her father. Snaps hopes to use this misunderstanding as a way of getting his money back, but in the meantime, he has to deal with a wary banking board, rival mob boss Vendetti (Richard Romanus), prissy elocution coach Thornton (Tim Curry), and Snaps' one-time girlfriend Roxanne (Linda Gray). Oscar's stellar supporting cast includes Don Ameche, Chazz Palminteri, Harry Shearer, Eddie Bracken, Yvonne DeCarlo, and Bruce Davison. ~ Mark Deming, All Movie Guide

This is the first mainstream film to deal with the harrowing true story of a Uruguayan rugby team whose plane crashed in the Andes mountains in October of 1972 and who were forced to resort to cannibalism to survive more than two months of isolation. (The only other film to tackle the subject, Rene Cardona's Survive! was a seedy little mess that delighted in exploiting the cannibalism aspect.) The events depicted are primarily based on the novel of the same name by Piers Paul Read. The interview-style prologue features an uncredited John Malkovich as one of the survivors, whose spiritual ruminations on the disaster kick off the film's main action. We are briefly introduced to the characters before disaster strikes, in the film's most horrifying set-piece -- the depiction of the crash in grueling detail. The handful of survivors who manage to extricate themselves from the twisted wreckage seem incapable of working through their panic as they hope against all odds that a rescue party will locate them. One of the survivors, Nando (Ethan Hawke), awakens from a coma and makes a remarkable recovery -- enough to demonstrate level-headed leadership after team captain Antonio (Vincent Spano) begins to lose his nerve. As the weeks wear on and rations are depleted, the survivors are forced into a moral dilemma: the only remaining source of food seems to be the bodies of the dead. Those who choose for religious reasons not to consume their former companions must face the realization that they will soon starve or freeze to death. In the end, three men who choose survival above all else find the strength to set out on a treacherous mission to a ridge, where hopefully one of them will make it to civilization. Director Frank Marshall infuses the proceedings with sufficient intensity to keep the story moving, but the film fails to fully explore the often-recounted spiritual aspects of the ordeal as established in the opening monologue. Ironically, the writers' apparent attempts to remain true to Read's account of events -- resulting in some rather odd stretches of dialogue -- impede the drama even more than the Hollywood glamorization of the story's nominal "heroes," who remain rugged and handsome despite months of malnutrition and severe frostbite. ~ Cavett Binion, All Movie Guide

The most notable thing about this Italian drama, set in British East Africa (Kenya) during WW II, is it's scenery. It follows the factual adventure of an Italian POW, Franco Distassi, interred in a British camp run by African subjects. The camp is close to Mount Kenya, one of the most challenging peaks for mountain-climbers. The chief officer, Major David Farrell, a recent widower and unambitious officer, wants to climb Mount Kenya. He is also interested in a lovely local widow. He has failed in his attempts for both the mountain and the woman. POWs Franco Distassi challenges Maj. Farrell to a climb. He and a partner, Enzo, create a plan, which may involve an escape, to place the Italian flag at the summit and then sneak back to camp. Franco dislikes the notion of planting the flag, but persists in the endeavor after Enzo must quit. He is pursued by the enraged and envious Major. ~ Sandra Brennan, All Movie Guide

Produced by the same team that bankrolled the hit The Hand That Rocks the Cradle, this violent domestic thriller is often compared to that mega-hit. Screenwriter Wesley Strick made his directorial debut with this script by Michael Auerbach. Vincent Spano and Moira Kelly are Russell and Dana Clifton, a successful but childless yuppie couple who adopt a mesmerizing young girl named Janie (Julia Devin). Janie has suicidal tendencies, however -- she walks out into crowded streets, keeps a butcher knife under her bed, and sometimes cuts herself. She also has psychotic white-trash parents, John and Leann Netherwood (Keith Carradine and Daryl Hannah). The Netherwoods are crooks forced to give up their daughter, but once released from jail, they are intent on getting her back. They kill an adoption agency worker and a police officer as part of their vendetta, terrorizing the suburban town as they target the Cliftons in their all-out war for the return of Janie. ~ Michael Betzold, All Movie Guide

The double trauma of seeing his wife Vivian (Gail O'Grady) walk out on him and having his government funding eliminated causes nuclear scientist Rogers Henry (John Glover) to go off the deep end. But Vivian doesn't know about her husband's insanity when she agrees to deliver what she thinks is his model of a thermonuclear device called Medusa to the Pentagon. Nor do charter pilot Scott Nash (Vincent Spano) and researched Linda McCoy (Lori Laughlin) suspect anything amiss when Vivian boards Scott's plane en route to Washington. Only when the plane is aloft is it discovered that the "model" is a genuine bomb that has armed itself and will explode should it be taken any more than fifteen feet away from Vivian, whose pacemaker is the bomb's "control." Even worse: There's a hurricane threatening Washington, and the plane is unable to land--and someone on board requires emergency heart surgery! Based on the best selling novel by John J. Nance (who appears in a cameo role), the two-part TV movie Medusa's Child first aired November 16 and 20, 1997, on ABC. ~ Hal Erickson, All Movie Guide