Timothy Spall Movies

A precocious Edwardian girl suffocating from the social norms is forced to choose between following her heart and obliging her family's wishes after falling for a handsome but unsuitable stranger during a trip to Italy. Based on author E.M. Forster's tale of forbidden love and scripted by Pride and Prejudice scribe Andrew Davies, director Nicholas Renton's playful period drama follows young Lucy Honeychurch as she takes a trip to Italy and exchanges a brief albeit life-altering kiss with the unsuitable George Emerson. Later, as Lucy's snooping chaperone attempts to keep her on the path laid out by her family, her engagement to the dull Cecil draws near, and her repressed feelings boil to the surface, she is taken aback to encounter the dashing object of her affections back in her homeland of England. What's a girl to do when her wedding date has been set in stone but the love of her life won't be standing at the alter? ~ Jason Buchanan, All Movie Guide

Upon drifting into a troubled Western outpost and discovering that the helpless locals are being terrorized by a ruthless rancher and his brutish hired hands, two rugged, straight-shooting peacemakers decide to stick around and put things right in this Western adapted from the novel by Robert B. Parker and directed by Ed Harris. Bragg (Jeremy Irons) is a rancher who believes himself to be above the law, a stance that's forever cemented when he guns down the town sheriff and his deputy in cold blood. Horrified, the defenseless townspeople pray for the day a savior will arrive in town to free them from Bragg's suffocating grasp. Soon thereafter, Virgil (Harris) and Everett (Viggo Mortensen) stride into town atop two mighty steeds, their confident presence signaling the beginning of a new era if the locals will only grant Virgil the complete power he needs to bring Bragg to justice. After pinning on his new badge, Virgil appoints Everett his deputy and ushers in an era of uneasy peace. Later, a woman named Allison (Renée Zellweger) arrives in town and catches Virgil's eye, prompting a die-hard renegade to consider a calm life of domestication. As Virgil's feelings for Allison grow, both begin to wonder if a life together is truly in the cards. Meanwhile, a temporarily subdued Bragg begins to display signs that he may not be finished with this town just yet. ~ Jason Buchanan, All Movie Guide

Master cinematographer Caleb Deschanel is, not unexpectedly, stronger on visuals than substance in his direction of Crusoe (though the camerawork is officially credited to Tom Pinter). The protagonist, played by Aidan Quinn, is a shipwreck victim, just as novelist Daniel Defoe proscribed over two hundred years ago. But this Robinson Crusoe is a child of the late 19th century; moreover, he is no ordinary sailor but an insensitive slave trader. The "Friday" character is divided up amongst several black natives of the island where Crusoe is stranded. Ultimately, Crusoe profits by their example, rather than the other way around. Director Deschanel busies himself with gorgeous scenery (mostly lensed in the Seychelles) and languid sunsets, permitting screenwriters Christopher Logue and Walson Green to pursue the politically correct message of Crusoe without interference. ~ Hal Erickson, All Movie Guide

Jemma Redgrave is on the verge of marrying caddish Mark Greenstreet. Spending the night in her spooky old family mansion, Jemma stares into a mirror and begins experiencing terrifying dreams. She sees her past, present and future in a Bosch-like kaleidescope. And without knowing how or why, Jemma drags American tourist Kathleen Wilhoite, herself the victim of a troubled past, into her nightmarish visions. Its powerhouse opening sequence aside, Dream Demon tends to be rather slow going, despite some very convincing special effects. ~ Hal Erickson, All Movie Guide

Classic Disney animation meets contemporary urban chaos when a frightened princess is banished from her magical animated homeland to modern-day New York City in a romantic comedy penned by Bill Kelly (Blast from the Past), directed by Kevin Lima (Tarzan), and featuring music by composer Alan Menken and lyricist Stephen Schwartz. Princess Giselle (Amy Adams) lives in the blissful cartoon world of Andalasia, where magical beings frolic freely and musical interludes punctuate every interaction. Though Princess Giselle is currently engaged to be married to the handsome Prince Edward (James Marsden), her fate takes a turn for the worse when the villainous Queen Narissa (Susan Sarandon) banishes her to the unforgiving metropolis of New York City. As the cruelty of the big city soon begins to wear down the fairy-tale exterior of the once-carefree princess, the frightened Giselle soon finds herself falling for a friendly but flawed divorce lawyer (Patrick Dempsey) whose kind compassion helps her to survive in this strange and dangerous new world. ~ Jason Buchanan, All Movie Guide

Director Ken Russell applies his trademark excess to this surreal, experimental examination of the creative dementia which shaped Mary Wollstonecraft Shelley's Frankenstein. The story is embellished from events which allegedly took place at the Swiss villa of Lord Byron (Gabriel Byrne) on the night of June 16, 1816. Byron's guests include poet Percy Shelley (Julian Sands) and his future wife Mary (Natasha Richardson); Mary's half-sister Claire (Myriam Cyr) and Byron's leech-happy personal physician Dr. John Polidori (Timothy Spall). Byron promises them a night of horror like only a mad poet can deliver -- after partaking of laudanum and other hallucinogens, the guests tell ghost stories while exploring the dark corridors of his home. From here, Russell dives headlong into madness, discarding plot structure in favor of fever-dream setpieces in which the guests confront living manifestations of their own fears and insecurities -- creative, mortal and sexual, among others. The raging Romantics are also given to lengthy discourse on the nature of fear and the fine line between creative genius and insanity; by the film's end, viewers may find themselves wondering the same thing about the director. Those who may prefer a more subdued speculation on the same theme should seek out Ivan Passer's Haunted Summer. ~ Cavett Binion, All Movie Guide

Directed by Mike Newell, the fourth installment to the Harry Potter series finds Harry (Daniel Radcliffe) wondering why his legendary scar -- the famous result of a death curse gone wrong -- is aching in pain, and perhaps even causing mysterious visions. Before he can think too much about it, however, Harry boards the train to Hogwarts School of Witchcraft and Wizardry, where he will attend his fourth year of magical education. Shortly after his reunion with his best friends, Ron (Rupert Grint) and Hermione (Emma Watson), Harry is introduced to yet another Defense Against the Dark Arts teacher: the grizzled Mad-Eye Moody (Brendan Gleeson), a former dark wizard catcher who agreed to take on the infamous "DADA" professorship as a personal favor to Headmaster Dumbledore (Michael Gambon). Of course, Harry's wishes for an uneventful school year are almost immediately shattered when he is unexpectedly chosen, along with fellow student Cedric Diggory (Robert Pattinson), as Hogwarts' representative in the Tri-Wizard Tournament, which awards whoever completes three magical tasks the most skillfully with a thousand-galleon purse and the admiration of the international wizard community. As difficult as it is to deal with his schoolwork, friendships, and the tournament at the same time (not to mention his feelings toward the ever unfathomable Professor Snape (Alan Rickman), Harry doesn't realize that the most feared wizard in the world, Lord Voldemort, is anticipating the tournament, as well. ~ Tracie Cooper, All Movie Guide

After directing the first two movies in the Harry Potter franchise, Chris Columbus opted to serve as producer for Harry Potter and the Prisoner of Azkaban, and passed the baton to Y Tu Mamá También director Alfonso Cuarón. Though "immensely popular" is an understatement when it comes to Harry Potter, Azkaban is somewhat of a departure from its predecessors, and particularly beloved among fans for its surprise ending. Prisoner of Azkaban also marks the introduction of Sirius Black (Gary Oldman), who has escaped from the title prison after 12 years of incarceration. Believed to have been the right-hand-man of the dark wizard Voldemort, whom Harry (Daniel Radcliffe) mysteriously rendered powerless during his infancy, some of those closest to Harry suspect Black has returned to exact revenge on the boy who defeated his master. Upon his return to school, however, Harry is relatively unconcerned with Black. Run by Albus Dumbledore (Michael Gambon) -- who is widely regarded as the most powerful wizard of the age -- Hogwarts is renowned for its safety. Harry's nonchalance eventually turns to blind rage after accidentally learning the first of Black's many secrets during a field trip to a neighboring village. Of course, a loose serial killer is only one of the problems plaguing the bespectacled wizard's third year back at school -- the soul-sucking guards of Azkaban prison have been employed at Hogwarts to protect the students, but their mere presence sends Harry into crippling fainting spells. With the help of his friends Ron (Rupert Grint) and Hermione (Emma Watson), and Defense Against the Dark Arts professor Remus Lupin (David Thewlis), Harry struggles to thwart the Dementors, find Sirius Black, and uncover the mysteries of the night that left him orphaned. ~ Tracie Cooper, All Movie Guide

One man's sexual obsessions and emotional weaknesses are laid bare in this controversial drama. Jay (Mark Rylance) is a cold, emotionally distant man who abandoned his wife and children several years ago andnow works in a nightclub. Jay enters into an affair with a married woman, an amateur actress named Claire (Kerry Fox), in which their emotional needs barely enter the picture; they meet once a week and have sex, talking as little as possible and parting ways once they're done. One week, Jay follows Claire after their weekly encounter and sees her meeting her husband Andy (Timothy Spall), a cheerful and good-natured cab driver. Jay becomes curious about Andy and strikes up an acquaintance with him; as they become friendly, Jay begins sharing with Andy the details of his affair with a married woman, without mentioning his lover's name. Claire has already begun moving away from her affair with Jay, and when she discovers that he's been meeting with her husband and sharing information about their relationship, she becomes understandably furious. Intimacy was the first English-language film for French director Patrice Chereau; the film received its North American premiere at the 2001 Sundance Film Festival. ~ Mark Deming, All Movie Guide

The best-selling series of subversive children's books from author Lemony Snicket (aka Daniel Handler) come to the screen in this black comedy for the whole family (and how often do you get to see one of those?). The Baudelaire siblings -- gadget freak Violet (Emily Browning), bookworm Klaus (Liam Aiken), and baby Sunny (Kara Hoffman and Shelby Hoffman) -- were living a fairy-tale existence with their parents until they died in a fire that destroyed the family home. With few close relatives and a large fortune the children won't inherit until they reach adulthood, the Baudelaire children are left in the care of the peculiar Count Olaf (Jim Carrey), an out-of-work actor who would love nothing more than to get his hands on the kids' money. It doesn't take long for the children to figure out that Count Olaf is up to no good, and they try to steer clear of his various murderous schemes with the help of wildly paranoid Aunt Josephine (Meryl Streep) and snake-fancying Uncle Monty (Billy Connolly). Lemony Snicket's A Series of Unfortunate Events also features Catherine O'Hara, Timothy Spall, Cedric the Entertainer, and Luis Guzman; Jude Law narrates in the guise of author Snicket. ~ Mark Deming, All Movie Guide

Actor/director Kenneth Branagh sets his screen version of Shakespeare's play in the 1930s, adding such classic songs as "They Can't Take That Away From Me," "The Way You Look Tonight," and "Let's Face the Music and Dance," and staging it in the manner of a Fred Astaire-Ginger Rogers musical. The King of Navarre (Allesandro Nivola) and three of his noblemen (Branagh, Matthew Lillard, and Adrien Lester) have decided that they're wasting their time chasing women. They swear a solemn oath to spend the next three years avoiding the pitfalls of romance and improving their minds. No sooner have they made this agreement than they meet a French princess (Alicia Silverstone) and her three handmaidens (Natascha McElhone, Carmen Ejogo, and Emily Mortimer). The pledge is forgotten and the chase is on. Love's Labour's Lost also features Nathan Lane, Timothy Spall, and Paul Whitehouse. ~ Mark Deming, All Movie Guide