Timothy Spall Movies

Clive Donner directs Oliver Twist, the 1982 made-for-TV version of the classic Dickens novel. Richard Charles plays Oliver Twist, an orphan boy who gets kicked out of his juvenile workhouse when he asks for some more food. He is sent to work as an apprentice, but he quickly escapes and joins a group of other orphaned boys. They spend the day pickpocketing and commiting petty street crime in order to survive and bring home earnings to their leader, Fagin (George C. Scott). Eventually, Oliver picks the pocket of the wealthy Mr. Brownlow (Michael Hordern), who takes him in as his ward. However, the evil Bill Sikes (Tim Curry) kidnaps him back to continue working with the other pickpockets. The barmaid Nancy (herie Lunghi) helps Oliver escape, but she ultimately suffers the concequences of her actions. ~ Andrea LeVasseur, All Movie Guide

Michael Palin wrote and stars in this comedy as The Reverend Charles Fortescue, an unassuming missionary called back to England after spending ten years in Africa teaching children in a native village. Upon arriving in London, he finds that his new assignment is to take charge of a slum mission for prostitutes. He obtains money for the running of the mission from a wealthy woman, Lady Ames (Maggie Smith), whom he meets on the boat sailing to England from Africa. Lady Ames guarantees Fortescue the money on the condition that he take it upon himself to add a little spice to her dormant sex life. ~ Paul Brenner, All Movie Guide

In this update of James Whale's classic The Bride of Frankenstein, pop star Sting furthers his burgeoning film career by portraying cinema's signature mad scientist. Disgusted by his dim-witted and ugly original creation (Clancy Brown), Dr. Frankenstein sets out to animate an improved version. Though lovely on the outside, Eva (Jennifer Beals) begins her new life as little more than an animal. With the help of his trusty housekeeper (Geraldine Page), however, Frankenstein soon grooms the beautiful zombie into a reasonable facsimile of an upper-class debutante. He's unprepared, however, when his ward displays a mind -- and sexual urges -- of her own. Meanwhile, the good doctor's discarded original creation assumes the name of Viktor and takes to the road. Befriended by an enterprising dwarf named Rinaldo (David Rappaport), Viktor becomes a circus performer but continues to pine after his bride. Connected to her psychically, he soon makes his way back to the scene of their mutual creation. There, he finds the girl embroiled in a love triangle between a callow suitor (Cary Elwes) and Frankenstein himself. In addition to its iconic '80s leads, The Bride boasts a famous supporting cast that includes gay memoirist Quentin Crisp and '60s model Veruschka. ~ Brian J. Dillard, All Movie Guide

In this sophomoric comedy, a lusty adolescent British hockey team heads for Holland where they find something far more interesting than tulips and windmills--gorgeous, lusty women. They are so busy pursuing romance that they forget all about their upcoming match. ~ Sandra Brennan, All Movie Guide

One of the first films by Polish director Agnieszka Holland to gain international acclaim, this drama is a joint French-American production based loosely on the real-life story of the dissident Polish priest Jerzy Popieluszko. In the early 1980s, as the democracy and labor movement known as Solidarity was challenging Soviet authority in Poland, an outspoken priest, Father Alek (Christopher Lambert), defies martial law and continues to rally followers around the cause of Solidarity. The Soviet-controlled Polish government enlists a police official, Stefan (Ed Harris), to stop the priest. Stefan, a devoted party follower, finds that the only way he can silence Father Alek is to have him killed. Along the way, however, the priest has a profound influence on Stefan. Among those in minor roles are Joanne Whalley-Kilmer, Pete Postlethwaite, and Tim Roth. Holland would go on to direct The Secret Garden and Washington Square. ~ Michael Betzold, All Movie Guide

The bloody history of radical revolutionary movements in France has frequently provoked otherwise reasonable people in other countries to have an unreasoning fear of alternative political movements. In 1871, Napoleon III ruled France in a way that made him very popular with the rich and with aristocrats and would-be aristocrats around the world (particularly in the U.S.). In particular, he rigorously suppressed any hint of dissent, and prevented the development of trade unions and socialist political movements. In 1871 there was a bloody uprising which produced a short-lived regime known as "The Paris Commune," founded on principles every bit as radical as anything from the French Revolution of 1789. The story of this time is told from the point of view of the actress Severin (Ana Padrao) and the theater in which she worked. Her favors were sometimes available to those with sufficient funds, and she had two lovers: one, a revolutionary, the other, an English spy. In the end, neither is able to save her. ~ Clarke Fountain, All Movie Guide

Mike Leigh's situation comedy about a lower middle-class family in the London suburbs is a slice-of-life chronicle that subtly reveals the pain and rage underneath the surface of day-to-day conventions. The youngish parents, Wendy (Alison Steadman) and Andy (Jim Broadbent) live with their 20-something twin daughters, Nicola (Jane Horrocks) and Natalie (Claire Skinner). Natalie, a plumber's assistant, is clean-cut and forever looks on the bright side of life. Nicola, who is unemployed, has nothing but contempt for conventionality. As the daughters deal with the obsessively sunny Wendy and the lackadaisical Andy, and confront a succession of ne'er-do-well friends and neighbors, a darker picture is painted of this normal family -- particularly Nicola, who is convinced she is fat and ugly (despite her emaciated appearance), with Natalie being a constant rebuke to her. ~ Paul Brenner, All Movie Guide

A family is forced to confront the personal issues they've been avoiding for years in this powerful, realistic drama. Cynthia (Brenda Blethyn) is a working-class British woman whose life has been a long series of painful disappointments. She's single with no romantic prospects and a dead-end job at a box factory. Her daughter Roxanne (Claire Rushbrook) works as a street sweeper and is chronically bitter. Cynthia helped raise her brother, Maurice (Timothy Spall), who is doing well as a photographer, but she rarely sees him and usually blames his wife, Monica (Phyllis Logan). One day, Cynthia receives a phone call from a woman named Hortense (Marianne Jean-Baptiste), who claims to be the daughter Cynthia put up for adoption years ago. Cynthia initially reacts with panic, but she agrees to meet Hortense and is surprised to discover that she's a successful and soft-spoken eye doctor -- and that she's black. Cynthia is soon convinced that Hortense is just who she claims to be, and they quickly form a friendship that gives Cynthia a new source of emotional strength. However, when Cynthia decides to introduce the family to her new "friend," it forces them to confront the lies and evasions that have kept them apart all these years. Largely improvised by director Mike Leigh and his cast, Secrets & Lies features standout work by Brenda Blethyn (who earned an Academy Award nomination as Best Actress), Marianne Jean-Baptiste (who was nominated as Best Supporting Actress), and Timothy Spall. ~ Mark Deming, All Movie Guide

Still Crazy is a film that looks back at the "rock band" era of the 1970s. Brian Gibson, who has directed musical biographies on Josephine Baker and Tina Turner, sets his narrative on a rock group, Strange Fruit, who are attempting a comeback twenty years after a bolt of lightening literally ended their career in the late 1970's. When keyboard player Tony (Stephan Rea) runs into the son of their old festival promoter, he gets the idea he could perhaps bring the aging musicians together for a revival. He goes off to search for Karen (Juliet Aubre), the band's Girl Friday and often the butt of their various ego trips. Karen, who now lives alone with her daughter, thinks it's a great idea and they set off to locate the other members. Beano (Timothy Spall), the drummer, has barricaded himself away in a trailer in his mother's garden for fear of being caught by the taxman. Ray (Bill Nighy), the lead singer, lives in a luxurious country house (beyond his means) with his second wife; he's still in the music business and has released a solo record. Les (Jimmy Nail), a great bass guitarist, is happily married, and his only regret is that his music never found the following he would have liked. As for ex-roadie Hughie (Billy Connolly), the Fruits were always his boys, and he's ready to give up his stall at Camden market and follow the dream. He would also love to see guitarist Brian again, but Brian is nowhere to be found. Karen decides to hire a much younger musician, Luke, to replace him. The re-formed band go to Holland to play a few clubs on a warm-up tour. However, the youngest member of the band is stealing the show, particularly with the members of the opposite sex. Despite efforts to stay calm and professional, the band is falling into the old routine of bickering day by day as they get close to the big reunion concert. Still Crazy was screened as part of the Panorama during the 49th International Berlin Film Festival, 1999. ~ Gönül Dönmez-Colin, All Movie Guide

In this period piece set in England in 1776, Betsy, the eldest daughter of the 'nouveau riche' Sterling family from the city, is to wed Sir John, the son of the aristocratic but poor Ogleby family from the country. However, Betsy's sister Fanny, who has secretly married her father's clerk by whom she is pregnant, quickly becomes the object of attention not only of Sir John but also of his elderly father, Lord Ogleby. Betsy's father, who is not aware that Fanny is already married, secretly agrees to exchange one daughter for the other. Soon everyone is acting at cross-purposes, the immediate concern being how to save face. The Clandestine Marriage is a comedy of errors set against the lush landscape of an English country estate in high summer. ~ Gönül Dönmez-Colin, All Movie Guide

Noted for intimate character studies created in collaboration with his actors, director Mike Leigh makes a dramatic change of pace with this biography of comic opera composers W.S. Gilbert and Arthur Sullivan. Gilbert (Jim Broadbent) is an easily angered but otherwise emotionally remote lyricist who works in collaboration with composer Sullivan (Alan Corduner), a genial and fun-loving sort who feels unsatisfied writing light operettas and longs to work with more serious material. While Sullivan is having a creative crisis, Gilbert is facing a failing marriage to Lucy (Lesley Manville), who loves her husband even if he can't return her affections, and must deal with his ailing father (Charles Simon). When they suffer their first failure, both men are depressed, and Sullivan announces that he's giving up operetta for good. However, a visit to an exhibit of Japanese art sparks an idea in Gilbert, and soon he and Sullivan are hard at work on what will become one of their greatest successes, The Mikado. Much of the film is devoted to the staging of this classic, with Shirley Henderson, Dorothy Atkinson, Martin Savage, Timothy Spall, and Kevin McKidd as members of the operetta's cast. Jim Broadbent won Best Actor at the 1999 Venice Film Festival. ~ Mark Deming, All Movie Guide