Sissy Spacek Movies

Strawberry blonde, freckle-faced, and willowy, Sissy Spacek was among the most popular female stars of the late '70s and '80s. The Texas born and bred actress originally aspired to become a singer, and, after heading east to New York, got her start singing at coffee houses in Greenwich Village. Billing herself as "Rainbo," Spacek also cut a single, "Johnny, You Went Too Far This Time." On the side, she earned money by recording backup vocals on television commercials.
When the acting bug bit, Spacek enrolled at the Lee Strasberg Theatrical Institute. While she technically made her film debut as an extra in Andy Warhol's Trash (1971), her official debut is listed as Michael Ritchie's Prime Cut (1972). The actress' first crack at stardom came in 1973, when she played a teenage accomplice to ruthless cross-country killer Martin Sheen in Terrence Malick's disturbing Badlands. The role earned her critical acclaim, as did her portrayal of a sweet teen who becomes a violent radical in the made-for-television movie Katherine (1975).
Spacek's true breakthrough came when she played a troubled, shy teenager who discovers that she has telekinetic powers and uses them to get bloody revenge upon her cruel schoolmates and mother in Brian De Palma's chilling adaptation of Stephen King's novel Carrie (1976). Her work in the film earned her a Best Actress nomination, as well as permanent cult status. She once again experimented with emotional instability in Robert Altman's Three Women the following year, and then got to show off her singing abilities playing Loretta Lynn in Coal Miner's Daughter in 1980. Her portrayal of Lynn became one of Spacek's best-known roles, and it earned her an Oscar for Best Actress.
In 1981, Spacek starred in Raggedy Man, which was directed by her husband, Jack Fisk. Her career remained in high gear through the mid-'80s with such memorable turns as her Oscar-nominated work in Missing (1982) and The River (1984), but after 1986, when she was again nominated for an Oscar for her work in Crimes of the Heart, Spacek partially withdrew from acting to concentrate on raising kids. Throughout the 1990s, she occasionally returned to the big screen, lending her talents to such features as JFK (1991), The Grass Harp (1996), and Affliction (1998). In 1999, she turned in memorable performances playing Brendan Fraser's mother in Blast From the Past and Richard Farnsworth's speech-impaired daughter in David Lynch's The Straight Story. In 2001 the quietly intense actress shined once again in director Todd Field's critically praised In the Bedroom. Suffering from severe trauma and depression after her son is viciously murdered, Spacek's brooding and sympathetic performance in Bedroom found the actress taking home a Golden Globe for Best Actress and earning an Oscar nod in the same category. ~ Sandra Brennan, All Movie Guide
1994  
 
In this touching drama, a kind-hearted pediatric nurse tries to adopt an HIV-positive baby and ends up taking care of its troubled, dying mother as well. ~ Sandra Brennan, All Movie Guide

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Starring:
Sissy SpacekMary-Louise Parker, (more)
1992  
 
This made-for-cable TV feature includes the three Mercer Mayer stories There's an Alligator Under My Bed, There's a Nightmare in My Closet, and There's Something in My Attic. ~ Iotis Erlewine, All Movie Guide

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1992  
PG13  
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When Sherri Finkbine (Sissy Spacek), the host of the Sixties children's television program Romper Room, learns that her unborn child has been damaged by her use of the drug thalidomide, she and her husband decide to abort the fetus, setting in motion the media controversy that is the subject of Joan Micklin Silver's made-for-cable drama. ~ Jason Ankeny, All Movie Guide

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Starring:
Sissy SpacekAidan Quinn, (more)
1992  
PG  
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William Petersen's High Horse Films produced this romantic comedy that endeavors to recall the glory days of Cary Grant and Irene Dunne. Petersen stars as Joey Coalter, a roving adventurer who has been married to his wife Chris (Sissy Spacek) for almost thirteen years but has rarely been home. During that time Chris has become fed up with Joey's cavalier ways. But it comes as a complete shock to Joey when, while talking to a group of cowpokes about Tahitian women somewhere on the prairie, he receives a wedding invitation sent by his daughter Beth (Olivia Burnette) that announces the wedding of Chris to dull business man Walter Humphrey (Brian Kerwin). Beth hopes the surprise wedding invitation will prod Joey to try to get back together with Chris. Chris hopes so too, as Joey drops what he is doing and takes off to stop Chris's pending nuptials. ~ Paul Brenner, All Movie Guide

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Starring:
William L. PetersenSissy Spacek, (more)
1991  
R  
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The November 22, 1963, assassination of U.S. President John F. Kennedy shocked the nation and the world. The brisk investigation of that murder conducted under the guidance of Supreme Court Justice Earl Warren distressed many observers, even though subsequent careful investigations have been unable to find much fault with the conclusions his commission drew, the central one of which was that the assassin, Lee Harvey Oswald, acted alone. Instead of satisfying the public, one result of the Warren Commission Report was that an unimaginable number of plausible conspiracy theories were bruited about, and these have supported a sizeable publishing mini-industry ever since. In making this movie, director Oliver Stone had his pick of supposed or real investigative flaws to draw from and has constructed what some reviewers felt was one of the most compelling (and controversial) political detective thrillers ever to emerge from American cinema. Long before filming was completed, Stone was fending off heated accusations of artistic and historical irresponsibility, and these only intensified after the film was released. In the story, New Orleans District Attorney Jim Garrison (Kevin Costner) is convinced that there are some big flaws in the investigation of Oswald (Gary Oldman), and he sets out to recreate the events leading up to the assassination. Along the way, he stumbles across evidence that a great many people had reason to want to see the president killed, and he is convinced that some of them worked in concert to frame Oswald as the killer. Among the suspects are Lyndon Baines Johnson (the next president), the CIA, J. Edgar Hoover, and the Mafia. Over the course of gathering what he believes to be evidence of a conspiracy, Garrison unveils some of the grittier aspects of New Orleans society, focusing on the shady activities of local businessman Clay Shaw (Tommy Lee Jones). Garrison's investigations culminate in his conducting a show trial that he knows he will lose and which he is sure will ruin his career in order to get his evidence into the public record where it can't be buried again. This movie won two of the many Academy Awards for which it was nominated: one for Best Photography (Robert Richardson) and the other for Editing (Joe Hutshing). ~ Clarke Fountain, All Movie Guide

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Starring:
Kevin CostnerSissy Spacek, (more)
1989  
PG  
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The Long Walk Home is a recreation of a troubled era in American history. The time is 1955; the place, Montgomery, Alabama. When Rosa Parks, an African American woman, is arrested for refusing to give up her bus seat to a white man, it is the first volley in the great Bus Boycott, organized by Dr. Martin Luther King in order to desegregate the Birmingham transportation system. The boycott is a decided inconvenience for Miriam Thompson (Sissy Spacek), a well-to-do white woman. Now, Miriam must drive to the black section of town to pick up her maid Odessa Cotter (Whoopi Goldberg) and bring her to work. Outside of her own social circle, Miriam realizes for the first time just how privileged, sheltered and self-centered her life has been. What brings this fact home is the realization that Odessa has literally been raising two families: the Thompsons' and her own. Odessa has also sacrificed her own health and wellbeing to serve her employers without question or complaint. Awakened to the true inequities of "Separate But Equal", and impressed by Dr. King's edict of nonviolent resistance, Miriam joins the boycott. This stirs up the racist feelings harbored by Miriam's husband Norman (Dwight Schultz), who at the behest of his goonish brother Tunker (Dylan Baker) joins the Klanlike White Citizen's Council. ~ Hal Erickson, All Movie Guide

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Starring:
Sissy SpacekWhoopi Goldberg, (more)
1986  
PG13  
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Adapted from the Pulitzer Prize-winning play by Beth Henley (who also penned the screenplay), Crimes of the Heart stars three high-powered actresses as three high-strung sisters. Lenny (Diane Keaton), Meg (Jessica Lange) and Babe (Sissy Spacek) gather at Lenny's deep-South home for her birthday. Lenny, the oldest, can't seem to sustain a relationship with a man. Meg is an aspiring actress who hasn't progressed beyond commercial voice overs. And Babe is released on bond from jail after shooting her senator husband. Add to this information the fact that the girls' mother killed herself in Lenny's house, and that when Meg offhandedly expresses the wish that grouchy grandfather Hurd Hatfield would slip into a coma, he does, whereupon the sisters, despite every effort to treat the situation with proper sobriety, burst into helpless laughter over her "psychic" powers. ~ Hal Erickson, All Movie Guide

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Starring:
Diane KeatonJessica Lange, (more)
1986  
PG13  
This small-town romance may be trying to ride the coattails of the Big Chill that also featured Kevin Kline. Kline plays Henry here, and when the film opens he and his love Gussie Sawyer (Sissy Spacek, wife of director Jack Fisk), are sitting together planning the future they will have. She will be a flight attendant and he will get a college degree. Yet when they part, so does their destiny. By a quirk of fate, Gussie starts taking photos for an in-flight magazine and ends up an ace photographer while Henry has stayed in their small town to run the newspaper after his dad died. When Gussie comes back for a vacation 15 years later the two old sweethearts find that the embers that burned so low over the last many years are heating up again. No one in the town is unaware of what is going on, and Gussie is in for a lecture from her dad while Henry hears it like it is from his wife. But will that change the course of their relationship? ~ Eleanor Mannikka, All Movie Guide

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Starring:
Sissy SpacekKevin Kline, (more)
1986  
PG13  
'Night. Mother was adapted by Marsha Norman from her own harrowing Pulitzer Prize-winning play. Outwardly normal Sissy Spacek calmly informs her mother Anne Bancroft that she's about to commit suicide. Thus the stage is set for a war of nerves between the determined Spacek and the distraught Bancroft, who uses every emotional and psychological device at her disposal to stave off the inevitable. The film's tension grows not from its plot development--we know from the outset how it's going to end--but from whether or not we're going to learn all the reasons for Spacek's decision. She's an epileptic, an alcoholic, and supremely miserable, but she always holds a little something back, prompting the viewer to lean closer to the screen in hopes of ferreting out more answers. In the original play, the outcome was never predictable; perhaps understandably, there are many who prefer the staged 'Night Mother to the screen version. ~ Hal Erickson, All Movie Guide

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Starring:
Sissy SpacekAnne Bancroft, (more)
1985  
PG13  
Based on a true story, this drama stars Sissy Spacek as Marie Ragghianti, a Tennessee housewife stuck in a bad marriage with an abusive husband and caring for a child with long-term health problems. Determined to turn her life around, Marie leaves her husband and goes back to school. Against long odds, she completes her college degree and is able to land a job with the Tennessee State Government. Thanks to hard work and being in the right place at the right time, Marie moves up the ladder to become the head of the Tennessee Parole Board. However, the more authority Marie gains, the more corruption she sees, reaching to the highest offices in the state -- Eddie Sisk (Jeff Daniels), special assistant to the governor, has worked out a system by which he can collect bribes on behalf of the governor in exchange for political favors, without the governor himself being directly implicated. An angry Marie decides that it's time she did something about the graft and dirty dealing in the parole department, but she soon discovers that the governor has many powerful friends who can easily discredit her in the press. The supporting cast includes Morgan Freeman and Trey Wilson. ~ Mark Deming, All Movie Guide

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Starring:
Sissy SpacekJeff Daniels, (more)
1984  
 
Hosted by the American Film Institute, this video is a tribute to career of Lillian Gish. Included are excerpts from: The Birth of a Nation, Duel in the Sun, The Scarlet Letter and other films. ~ Tana Hobart, All Movie Guide

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1984  
PG13  
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This socially conscious family farm drama from director Mark Rydell was his follow up to the Oscar-winning On Golden Pond (1981). Mel Gibson and Sissy Spacek star as Tom and Mae Garvey, struggling Tennessee farmers constantly one step away from foreclosing. Their farm sits next to a river that both nourishes their land and constantly threatens to overflow its banks and destroy their crops. The Garveys sell some of their equipment for obscenely low prices at a foreclosure auction, at which some of their neighbors are forced to give up everything they own. The stoic Tom takes a job as a scab at a mill where the union workers are striking. Meanwhile, Mae has a platonic flirtation with local bank manager Joe (Scott Glenn), who saves her life when she's trapped under a heavy piece of farm equipment. Tom's homecoming is cut short by a flood, but the raging waters allow him to become a hero to his family again. The River was the third in a trio of dramas depicting the plight of the American family farmer released that same year. ~ Karl Williams, All Movie Guide

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Starring:
Mel GibsonSissy Spacek, (more)
1983  
R  
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Steve Martin and Carl Reiner concoct one of Martin's best comic vehicles with Martin playing the world's top brain surgeon, Dr. Michael Hfuhruhurr -- he ought to know, he said so himself. Hfuhruhurr pioneered the radical new cranial screw-top technique, but he grieves over the untimely death of his wife Rebecca, carrying around a small plastic likeness of her to get through the long and lonely evenings. Thinking of her while driving home, Hfuhruhurr takes his eyes off the road and runs down the beautiful but deadly Dolores Benedict (Kathleen Turner). Hfuhruhurr performs surgery which saves her life, but as she recovers, Hfuhruhurr doesn't realize Dolores is a gold-digging vixen who has driven her latest husband (George Furth) to death by apoplexy. She is now looking for a new victim and Hfuhruhurr fits the bill. They marry, but Dolores denies her husband sexual favors, which frustrates Hfuhruhurr to distraction. He takes Dolores on a belated honeymoon to Austria, where he meets fellow brain surgeon Dr. Necessiter (David Warner), who keeps a wide assortment of brains in his laboratory. Dolores takes the opportunity to have an extramarital affair, and when Hfuhruhurr finds out he dumps her. But in Necessiter's laboratory, Hfuhruhurr becomes attracted to Brain #21, Ann Uumellmahaye (voice of Sissy Spacek), with whom he communicates telepathically. At last, here is one case where a man loves a woman for her mind rather than her body (which doesn't exist)! But Ann's brain is deteriorating rapidly; Hfuhruhurr needs to find a body and transplant the brain quickly in order to save Ann. ~ Paul Brenner, All Movie Guide

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Starring:
Steve MartinKathleen Turner, (more)
1982  
PG  
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Costa-Gavras's tense political drama opens in an unspecified South American country (though clearly intended to be Chile) in the throes of a military coup. American activist Charles Horman (John Shea), who has been a thorn in the side of the country's military ever since his arrival, suddenly disappears. In trying to find out what has happened, his wife Beth (Sissy Spacek) is stonewalled, not only by the ruling junta but by the American consulate. His father, staunchly patriotic Ed Horman (Jack Lemmon), joins Beth in her search. Ed and his daughter-in-law have never seen eye to eye politically, and he refuses to entertain the notion that his son's disappearance might be part of a larger conspiracy or cover-up. But as the days grow into weeks, Ed comes to the shattering conclusion that he and his family have been betrayed by the American government, on behalf of the "friendly" South American dictator who holds his people in a grip of iron. Adapted by Costa-Gavras and Donald E. Stewart from a book by Thomas Hauser, Missing was inspired by the true story of the late Charles Horman. In spite of (or perhaps because of) condemnation from certain high-ranking officials in the Reagan administration, the film went on to win an Academy Award for Best Adapted Screenplay, as well as nominations for Best Picture, Best Actor, and Best Actress. ~ Hal Erickson, All Movie Guide

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Starring:
Jack LemmonSissy Spacek, (more)
1981  
PG  
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Sissy Spacek was directed by her husband Jack Fisk in 1981's Raggedy Man. Spacek plays a divorced mother of two who tries to go it alone in mid-1940s Texas. Shunned by the "respectable" townsfolk because of her marital breakup, Spacek must endure the unwanted attentions of every low-life man in the community. Enter Eric Roberts, a young sailor who becomes both friend and protector to Spacek and her sons. Once Roberts is called to active duty, however, Spacek is supposedly left at the mercy of the menacing "raggedy man"-a scuzzy ragpicker, played by Sam Shepard, whose intentions aren't what they seem. Leisurely paced for most of its running time, Raggedy Man takes a disturbing violent turn in its last half hour. ~ Hal Erickson, All Movie Guide

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Starring:
Sissy SpacekEric Roberts, (more)
1980  
PG  
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Loretta Lynn was one of the first female superstars in country music and remains a defining presence within the genre; with her strong, clear, hard-country voice and tough, no-nonsense songs about husbands who cheat and wives who weren't about to be pushed around, Lynn introduced a feminist mindset to Nashville years before the phrase "women's liberation" became common currency. Coal Miner's Daughter is a screen adaptation of Lynn's autobiography, starring Sissy Spacek as Loretta Lynn. One of eight children born to Ted Webb (Levon Helm), a coal miner raising a family despite grinding poverty in Butcher's Holler, KY, Loretta married Dolittle "Mooney" Lynn (Tommy Lee Jones) when she was only 13 years old. A mother of four by the time she was 20, Lynn began singing the occasional song at local honky-tonks on weekends, and at 25, she cut (at Mooney's suggestion) a demo tape that earned her a deal with an independent record label. Loretta and Mooney's tireless promotion of the record (including a long road trip through the south in which they stopped at every country radio station they could find) paid off -- Loretta's first single, "Honky Tonk Girl," hit the charts and earned her a spot on the Grand Ole Opry. Stardom called and Loretta never looked back, but success brought with it both joy (a long string of hit records and sold-out concerts and a close friendship with Patsy Cline) and sorrow (a nervous breakdown brought on by overwork and a great deal of stress to a marriage that endured -- but just barely). Sissy Spacek won an Academy award for her vivid, thoroughly natural performance as Loretta (she also did her own singing), and Levon Helm (drummer for the legendary rock group the Band) made an impressive screen debut as her father. Ernest Tubb makes a cameo appearance as himself. ~ Mark Deming, All Movie Guide

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Starring:
Sissy SpacekTommy Lee Jones, (more)
1980  
R  
John Byrum wrote and directed this loosely based biographical tale of Beat author Jack Kerouac and Neal and Carolyn Cassady. John Heard stars as Jack Kerouac, and the film chronicles the Beat lifestyle that shaped the literary and social forces brewing and overflowing in Kerouac's imagination, resulting in the publication of Kerouac's seminal novel On the Road. Nick Nolte and Sissy Spacek play the Cassadys, enmeshed in a love-hate relationship that forms the backbone of the film. Kerouac drifts in and out of their lives as the Cassadys take up residence in San Francisco. Ray Sharkey is also on hand as the manic Ira, a thinly veiled character based on Alan Ginsberg. ~ Paul Brenner, All Movie Guide

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Starring:
Nick NolteSissy Spacek, (more)
1978  
 
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Based on a short story by Paul Gallico, this drama (produced for public television) stars Sissy Spacek as Verna Vane, a small-town girl who dreams of hitting it big in show business. Verna isn't much of a singer or a dancer, but she is able to land a job with a U.S.O. troupe entertaining American soldiers in Europe during World War II. Verna imagines this is a major stepping stone in her career as an entertainer, but even though Maureen (Sally Kellerman) and Eddie (Howard Da Silva), two veteran vaudevillians touring with Verna, know better, they don't have the heart to tell her. While in Belgium, Verna meets Walter (William Hurt), a Lieutenant in the U.S. Army who becomes smitten with her. Verna: USO Girl was first aired in 1978 as part of the PBS series Great Performances. ~ Mark Deming, All Movie Guide

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1977  
 
This 1977 episode of the popular sketch comedy series Saturday Night Live was hosted by actress Sissy Spacek and features musical guest Richard Baskin. Among the most notable sketches is one featuring Spacek as Amy Carter in a "Carter Call In" sketch. ~ Stephen Thomas Erlewine, All Movie Guide

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Starring:
Sissy SpacekRichard Baskin, (more)
1977  
R  
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Allegedly based on a real incident, this crime drama begins in San Francisco with a middle-aged man answering the doorbell. He is alone, as his wife and kids are away for the weekend. There he finds two attractive young women who ask to use his phone. Once they get into the house, they do in fact use the phone, but they also make a running commentary on his house and its furnishings, an action which seems a tad inappropriate. The two slightly odd women seduce him and stay the night. In the morning, their behavior again seems rather bizarre, and his angry attempt to get them to leave the house after they lasciviously smear ketchup and syrup has unfortunate consequences. ~ Clarke Fountain, All Movie Guide

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Starring:
Sondra LockeColleen Camp, (more)
1977  
PG  
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Robert Altman's Three Women takes a surreal, improvisational and rather eerie look at the lives of three women in a western desert town. The plot centers around the youngest of the women, Pinky (Sissy Spacek), an eccentric, withdrawn woman trying to begin a new life. She finds work as an attendant at a hot springs spa catering to the elderly and infirm. There she befriends her co-worker Millie (Shelley Duvall), an equally strange but more outgoing woman; the two bond, and are soon sharing an apartment. Pinky becomes increasingly dependent on Millie, eventually adopting aspects of her personality and appearance. This obsessive attachment is threatened when Pinky discovers Millie with a man -- Edgar (Robert Fortier), the macho, faux-cowboy husband of local artist Willie (Janice Rule), the last of the title's three women. Pinky's subsequent, desperate actions precipitate the film's enigmatic conclusion, involving an unexpected series of confrontations and role reversals amongst the three women. This story tends to take a backseat to the elliptical, spooky imagery, particularly the desert landscapes, and the quirky performances -- not surprising, given that the film was reportedly shot without a full screenplay and inspired by Altman's own dreams. ~ Judd Blaise, All Movie Guide

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Starring:
Shelley DuvallSissy Spacek, (more)
1976  
R  
Alan Rudolph's first feature Welcome to L.A. displays his characteristic mood of romantic despair utilizing a La Ronde-like circle of sexual adventures and failed affairs centered around song-writer Carroll Barber (Keith Carradine) which spread out through the city. Barber is an aloof womanizer who cannot commit or love and is used by Rudolph to illustrate the loneliness inherent in big-city life. The film, featuring a haunting score by Richard Baskin, is a bit too ambitious for the beginning director. However, he gets good performances from Sally Kellerman as a lonely real estate agent, Geraldine Chaplin, as a Valley housewife addicted to taxi rides and Lauren Hutton as the mistress of a wealthy man. ~ Linda Rasmussen, All Movie Guide

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Starring:
Keith CarradineSally Kellerman, (more)
1976  
R  
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This classic horror movie based on Stephen King's first novel stars Sissy Spacek as Carrie White, a shy, diffident teenager who is the butt of practical jokes at her small-town high school. Her blind panic at her first menstruation, a result of ignorance and religious guilt drummed into her by her fanatical mother, Margaret (Piper Laurie), only causes her classmates' vicious cruelty to escalate, despite the attentions of her overly solicitous gym teacher (Betty Buckley). Finally, when the venomous Chris Hargenson (Nancy Allen) engineers a reprehensible prank at the school prom, Carrie lashes out in a horrifying display of her heretofore minor telekinetic powers. Many films had featured school bullies, but Carrie was one of the first to focus on the special brand of cruelty unique to teenage girls. Carrie's world is presented as a snake pit, where the well-to-do female students all have fangs -- even the reticent Sue Snell (Amy Irving) -- and all the males are blind pawns, sexually twisted around the fingers of Chris and her evil cronies. The talented supporting cast includes John Travolta, P.J. Soles, and William Katt. One of the genre's true classics, the film was followed by a sequel in 1999, as well as by a famously unsuccessful Broadway musical adaptation that starred Betty Buckley, the movie's gym teacher, as Margaret White. ~ Robert Firsching, All Movie Guide

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Starring:
Sissy SpacekPiper Laurie, (more)
1975  
 
Brilliantly constructed in semi-documentary fashion, Katherine is the story of how a young upper-middle-class girl gradually radicalizes into a violence-prone revolutionary. The story is related in flashbacks sparked by "interviews" with Katherine (Sissy Spacek), her troubled parents (Art Carney, Jane Wyatt) and her radical mentor (Henry Winkler). After the idealism is knocked out of her by her horrendous experiences in the American South and in South America, Katherine matriculates into one of the most militant members of a Weatherman-like student organization. The film's tragic ending is both startling and inevitable. Originally telecast in a two-hour slot on October 5, 1975, Katherine was later syndicated in a 78-minute version. ~ Hal Erickson, All Movie Guide

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Starring:
Sissy SpacekArt Carney, (more)
1974  
PG  
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"He sold his soul for rock-n-roll," read the tagline for Brian De Palma's satirical Phantom of the Opera for the '70s rock scene. After hearing Winslow Leach (William Finley) perform a song from his Faust rock opera, Phil Spector-ish impresario Swan (Paul Williams) decides that Winslow's opera would be the perfect debut attraction for his new rock palace, the Paradise. Swan steals the music and has Winslow imprisoned -- but not before Winslow meets aspiring songbird Phoenix (Jessica Harper). Jumping prison, Winslow breaks into Swan's Death Records factory to ruin the recordings, but a record press accident grossly disfigures him. Winslow then sneaks into the Paradise to sabotage Swan's show, disguising himself as the Phantom. Swan, however, cuts a deal with the Phantom to finish his cantata; he promises that Phoenix will sing it but then reneges, hiring prissy glam rocker Beef (Gerritt Graham). Determined to have Phoenix sing, the Phantom soon discovers just how far Swan will go to give the people what they want. ~ Lucia Bozzola, All Movie Guide

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Starring:
Paul WilliamsWilliam Finley, (more)

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