Sissy Spacek Movies
Strawberry blonde, freckle-faced, and willowy, Sissy Spacek was among the most popular female stars of the late '70s and '80s. The Texas born and bred actress originally aspired to become a singer, and, after heading east to New York, got her start singing at coffee houses in Greenwich Village. Billing herself as "Rainbo," Spacek also cut a single, "Johnny, You Went Too Far This Time." On the side, she earned money by recording backup vocals on television commercials.When the acting bug bit, Spacek enrolled at the Lee Strasberg Theatrical Institute. While she technically made her film debut as an extra in Andy Warhol's Trash (1971), her official debut is listed as Michael Ritchie's Prime Cut (1972). The actress' first crack at stardom came in 1973, when she played a teenage accomplice to ruthless cross-country killer Martin Sheen in Terrence Malick's disturbing Badlands. The role earned her critical acclaim, as did her portrayal of a sweet teen who becomes a violent radical in the made-for-television movie Katherine (1975).
Spacek's true breakthrough came when she played a troubled, shy teenager who discovers that she has telekinetic powers and uses them to get bloody revenge upon her cruel schoolmates and mother in Brian De Palma's chilling adaptation of Stephen King's novel Carrie (1976). Her work in the film earned her a Best Actress nomination, as well as permanent cult status. She once again experimented with emotional instability in Robert Altman's Three Women the following year, and then got to show off her singing abilities playing Loretta Lynn in Coal Miner's Daughter in 1980. Her portrayal of Lynn became one of Spacek's best-known roles, and it earned her an Oscar for Best Actress.
In 1981, Spacek starred in Raggedy Man, which was directed by her husband, Jack Fisk. Her career remained in high gear through the mid-'80s with such memorable turns as her Oscar-nominated work in Missing (1982) and The River (1984), but after 1986, when she was again nominated for an Oscar for her work in Crimes of the Heart, Spacek partially withdrew from acting to concentrate on raising kids. Throughout the 1990s, she occasionally returned to the big screen, lending her talents to such features as JFK (1991), The Grass Harp (1996), and Affliction (1998). In 1999, she turned in memorable performances playing Brendan Fraser's mother in Blast From the Past and Richard Farnsworth's speech-impaired daughter in David Lynch's The Straight Story. In 2001 the quietly intense actress shined once again in director Todd Field's critically praised In the Bedroom. Suffering from severe trauma and depression after her son is viciously murdered, Spacek's brooding and sympathetic performance in Bedroom found the actress taking home a Golden Globe for Best Actress and earning an Oscar nod in the same category.
She continued to work steadily in projects such as the drama North Country, the comedy Hot Rod, Four Christmases, and Get Low. In 2010 she joined the cast of the HBO series Big Love, and the next year she had a key role in the Oscar-nominated drama The Help, resulting in one of the biggest commercial hits of her illustrious career. ~ Sandra Brennan, Rovi
Michael Ritchie, better known for his gentle satires of American social institutions, enters Don Siegel territory in the unusual crime thriller Prime Cut. Lee Marvin is surly collection agent Nick Devlin, who is hired by Chicago racketeer Jake (Eddie Egan) to collect an overdue payment from Kansas cattle baron Mary Ann (yes, Mary Ann!) (Gene Hackman). When Devlin travels west to get Jake's money from Mary Ann, he finds the cattle king mixed up in complex drug deals and pimping wild women -- two of which are Poppy and Violet (Sissy Spacek and Janit Baldwin -- both in their film debuts). ~ Paul Brenner, Rovi
- Starring:
- Lee Marvin, Gene Hackman, (more)
- 1973
- PG
Veteran art director Gordon Wiles occasionally wielded the directorial megaphone in both films and television with mixed results. Ginger in the Morning is an aggressively "small" picture, its success or failure totally reliant on the rapport between its stars. A young Sissy Spacek plays the title character, a gangly teenaged hitchhiker who thumbs a ride from travelling salesman Joe (Monte Markham). He is drawn to her free-spirited outlook on life. She, in turn, is attracted by his conservative, old-fashioned values. Nothing much happens, but the scenery is lovely and the leading players seem to be having a good time. Also appearing in the all-TV supporting cast are Susan Oliver, Mark Miller and Slim Pickens. ~ Hal Erickson, Rovi
- 1973
Seeking solitude to write his stories, John-Boy (Richard Thomas) takes a hike into the mountains. But peace and quiet is not on his schedule when he comes across his friend Sarah Simmonds (Sissy Spacek in her second series appearance), who has run away from her husband--and who is very pregnant and very, very ill. This chance meeting occurs not long after an earlier encounter between John-Boy and elderly mountain dweller Granny Ketchum (Frances Williams), who in repayment for a favor had supplied him with a home-made medicinal potion. When Sarah downs the potion, she suddenly goes into labor...and John-Boy is the only person within miles who can help her! ~ Hal Erickson, Rovi
"He wanted to die with me and I dreamed of being lost forever in his arms." A young couple goes on a Midwest crime spree in Terrence Malick's hypnotically assured debut feature, based on the 1950s Starkweather-Fugate murders. Fancying himself a rebel like James Dean, twentysomething Kit (Martin Sheen) takes off with teen baton-twirler Holly (Sissy Spacek) after shooting her father (Warren Oates) when he tries to split the pair up. Once bounty hunters discover their riverside hiding place, Kit and Holly head toward Saskatchewan, leaving dead bodies in their wake. As the law closes in, however, Holly gives herself up -- but Kit doesn't hold it against her, as he basks in his new status as a momentary folk hero. Inaugurating the use of voice-over narration that he would continue in Days of Heaven (1978) and The Thin Red Line (1998), Malick juxtaposes Holly's flat readings of her flowery romance-novel diary prose with the banal and surreal details of their journey. Singularly inarticulate with each other, Kit and Holly are more intrigued by mythic celebrity gestures, as Holly peruses her fan magazines and Kit commemorates key moments before orchestrating a properly dramatic capture for himself (complete with the right hat). The sublime visuals lend a dreamlike beauty to the couple's trip even as their actions are treated casually; Malick neither glamorizes Kit and Holly nor consigns them to the bloody end of their fame-fixated predecessors in Bonnie and Clyde (1967). With the couple's opaque dialogue and Holly's fanzine dream narration, Malick further denies an easy explanation for their crimes. Made for under 500,000 dollars, Badlands debuted at the 1973 New York Film Festival, along with Martin Scorsese's Mean Streets, and was released within months of two other outlaw-couple road movies, Steven Spielberg's The Sugarland Express and Robert Altman's Thieves Like Us. Although Badlands did not make an impression at the box office, its pictorial splendor and cool yet disquieting narrative established Malick as one of the most compelling artists to come out of early-'70s Hollywood. ~ Lucia Bozzola, Rovi
- Starring:
- Martin Sheen, Sissy Spacek, (more)
- 1973
Made for television, Girls of Huntington House stars Shirley Jones as schoolteacher Anne Baldwin. Working at a school for unwed mothers, Anne finds she can't keep her professional life and personal life separate. With no children of her own, she becomes deeply involved in the trials and tribulations of her students. This leads to profound emotional difficulties for all concerned. Adapted from a novel by Blossom Elfman, The Girls of Huntington House first aired February 14, 1973, as an ABC Movie of the Week. ~ Hal Erickson, Rovi
- 1973
In her first Waltons appearance, future Oscar winner Sissy Spacek is cast as Sarah, the sheltered daughter of hyper-religious Widow Simmonds (Allyn Ann McLerie). In a desperate attempt to emerge from her shell, Sarah all but throws herself upon John-Boy (Richard Thomas). He gently resists her romantic overtures, whereupon Sarah takes up with a callow "townie" named Theodore Claypool Jr. (Nicholas Hammon), the son of a wealthy businessman. Ultimately, Sarah and Theodore elope--and both her mother and his father hold John-Boy responsible for this catastrophe! ~ Hal Erickson, Rovi
"He sold his soul for rock-n-roll," read the tagline for Brian De Palma's satirical Phantom of the Opera for the '70s rock scene. After hearing Winslow Leach (William Finley) perform a song from his Faust rock opera, Phil Spector-ish impresario Swan (Paul Williams) decides that Winslow's opera would be the perfect debut attraction for his new rock palace, the Paradise. Swan steals the music and has Winslow imprisoned -- but not before Winslow meets aspiring songbird Phoenix (Jessica Harper). Jumping prison, Winslow breaks into Swan's Death Records factory to ruin the recordings, but a record press accident grossly disfigures him. Winslow then sneaks into the Paradise to sabotage Swan's show, disguising himself as the Phantom. Swan, however, cuts a deal with the Phantom to finish his cantata; he promises that Phoenix will sing it but then reneges, hiring prissy glam rocker Beef (Gerritt Graham). Determined to have Phoenix sing, the Phantom soon discovers just how far Swan will go to give the people what they want. ~ Lucia Bozzola, Rovi
- Starring:
- Paul Williams, William Finley, (more)
- 1974
This made-for-TV drama focuses on the plight of a family of migratory farm workers. The film was Emmy-nominated as "Outstanding Drama" of the 1974 season. Nominations also went to director Tom Gries, actress Cloris Leachman, cinematographer Dick Kratina and composer Billy Goldenberg. ~ Brian Gusse, Rovi
- 1975
Brilliantly constructed in semi-documentary fashion, Katherine is the story of how a young upper-middle-class girl gradually radicalizes into a violence-prone revolutionary. The story is related in flashbacks sparked by "interviews" with Katherine (Sissy Spacek), her troubled parents (Art Carney, Jane Wyatt) and her radical mentor (Henry Winkler). After the idealism is knocked out of her by her horrendous experiences in the American South and in South America, Katherine matriculates into one of the most militant members of a Weatherman-like student organization. The film's tragic ending is both startling and inevitable. Originally telecast in a two-hour slot on October 5, 1975, Katherine was later syndicated in a 78-minute version. ~ Hal Erickson, Rovi
- Starring:
- Sissy Spacek, Art Carney, (more)
- 1976
- R
Alan Rudolph's first feature Welcome to L.A. displays his characteristic mood of romantic despair utilizing a La Ronde-like circle of sexual adventures and failed affairs centered around song-writer Carroll Barber (Keith Carradine) which spread out through the city. Barber is an aloof womanizer who cannot commit or love and is used by Rudolph to illustrate the loneliness inherent in big-city life. The film, featuring a haunting score by Richard Baskin, is a bit too ambitious for the beginning director. However, he gets good performances from Sally Kellerman as a lonely real estate agent, Geraldine Chaplin, as a Valley housewife addicted to taxi rides and Lauren Hutton as the mistress of a wealthy man. ~ Linda Rasmussen, Rovi
- Starring:
- Keith Carradine, Sally Kellerman, (more)
This classic horror movie based on Stephen King's first novel stars Sissy Spacek as Carrie White, a shy, diffident teenager who is the butt of practical jokes at her small-town high school. Her blind panic at her first menstruation, a result of ignorance and religious guilt drummed into her by her fanatical mother, Margaret (Piper Laurie), only causes her classmates' vicious cruelty to escalate, despite the attentions of her overly solicitous gym teacher (Betty Buckley). Finally, when the venomous Chris Hargenson (Nancy Allen) engineers a reprehensible prank at the school prom, Carrie lashes out in a horrifying display of her heretofore minor telekinetic powers. Many films had featured school bullies, but Carrie was one of the first to focus on the special brand of cruelty unique to teenage girls. Carrie's world is presented as a snake pit, where the well-to-do female students all have fangs -- even the reticent Sue Snell (Amy Irving) -- and all the males are blind pawns, sexually twisted around the fingers of Chris and her evil cronies. The talented supporting cast includes John Travolta, P.J. Soles, and William Katt. One of the genre's true classics, the film was followed by a sequel in 1999, as well as by a famously unsuccessful Broadway musical adaptation that starred Betty Buckley, the movie's gym teacher, as Margaret White. ~ Robert Firsching, Rovi
- Starring:
- Sissy Spacek, Piper Laurie, (more)
- 1977
This 1977 episode of the popular sketch comedy series Saturday Night Live was hosted by actress Sissy Spacek and features musical guest Richard Baskin. Among the most notable sketches is one featuring Spacek as Amy Carter in a "Carter Call In" sketch. ~ Stephen Thomas Erlewine, Rovi
- Starring:
- Sissy Spacek, Richard Baskin, (more)
Allegedly based on a real incident, this crime drama begins in San Francisco with a middle-aged man answering the doorbell. He is alone, as his wife and kids are away for the weekend. There he finds two attractive young women who ask to use his phone. Once they get into the house, they do in fact use the phone, but they also make a running commentary on his house and its furnishings, an action which seems a tad inappropriate. The two slightly odd women seduce him and stay the night. In the morning, their behavior again seems rather bizarre, and his angry attempt to get them to leave the house after they lasciviously smear ketchup and syrup has unfortunate consequences. ~ Clarke Fountain, Rovi
- Starring:
- Sondra Locke, Colleen Camp, (more)
Robert Altman's Three Women takes a surreal, improvisational and rather eerie look at the lives of three women in a western desert town. The plot centers around the youngest of the women, Pinky (Sissy Spacek), an eccentric, withdrawn woman trying to begin a new life. She finds work as an attendant at a hot springs spa catering to the elderly and infirm. There she befriends her co-worker Millie (Shelley Duvall), an equally strange but more outgoing woman; the two bond, and are soon sharing an apartment. Pinky becomes increasingly dependent on Millie, eventually adopting aspects of her personality and appearance. This obsessive attachment is threatened when Pinky discovers Millie with a man -- Edgar (Robert Fortier), the macho, faux-cowboy husband of local artist Willie (Janice Rule), the last of the title's three women. Pinky's subsequent, desperate actions precipitate the film's enigmatic conclusion, involving an unexpected series of confrontations and role reversals amongst the three women. This story tends to take a backseat to the elliptical, spooky imagery, particularly the desert landscapes, and the quirky performances -- not surprising, given that the film was reportedly shot without a full screenplay and inspired by Altman's own dreams. ~ Judd Blaise, Rovi
- Starring:
- Shelley Duvall, Sissy Spacek, (more)
Based on a short story by Paul Gallico, this drama (produced for public television) stars Sissy Spacek as Verna Vane, a small-town girl who dreams of hitting it big in show business. Verna isn't much of a singer or a dancer, but she is able to land a job with a U.S.O. troupe entertaining American soldiers in Europe during World War II. Verna imagines this is a major stepping stone in her career as an entertainer, but even though Maureen (Sally Kellerman) and Eddie (Howard Da Silva), two veteran vaudevillians touring with Verna, know better, they don't have the heart to tell her. While in Belgium, Verna meets Walter (William Hurt), a Lieutenant in the U.S. Army who becomes smitten with her. Verna: USO Girl was first aired in 1978 as part of the PBS series Great Performances. ~ Mark Deming, Rovi
Loretta Lynn was one of the first female superstars in country music and remains a defining presence within the genre; with her strong, clear, hard-country voice and tough, no-nonsense songs about husbands who cheat and wives who weren't about to be pushed around, Lynn introduced a feminist mindset to Nashville years before the phrase "women's liberation" became common currency. Coal Miner's Daughter is a screen adaptation of Lynn's autobiography, starring Sissy Spacek as Loretta Lynn. One of eight children born to Ted Webb (Levon Helm), a coal miner raising a family despite grinding poverty in Butcher's Holler, KY, Loretta married Dolittle "Mooney" Lynn (Tommy Lee Jones) when she was only 13 years old. A mother of four by the time she was 20, Lynn began singing the occasional song at local honky-tonks on weekends, and at 25, she cut (at Mooney's suggestion) a demo tape that earned her a deal with an independent record label. Loretta and Mooney's tireless promotion of the record (including a long road trip through the south in which they stopped at every country radio station they could find) paid off -- Loretta's first single, "Honky Tonk Girl," hit the charts and earned her a spot on the Grand Ole Opry. Stardom called and Loretta never looked back, but success brought with it both joy (a long string of hit records and sold-out concerts and a close friendship with Patsy Cline) and sorrow (a nervous breakdown brought on by overwork and a great deal of stress to a marriage that endured -- but just barely). Sissy Spacek won an Academy award for her vivid, thoroughly natural performance as Loretta (she also did her own singing), and Levon Helm (drummer for the legendary rock group the Band) made an impressive screen debut as her father. Ernest Tubb makes a cameo appearance as himself. ~ Mark Deming, Rovi
- Starring:
- Sissy Spacek, Tommy Lee Jones, (more)
- 1980
- R
John Byrum wrote and directed this loosely based biographical tale of Beat author Jack Kerouac and Neal and Carolyn Cassady. John Heard stars as Jack Kerouac, and the film chronicles the Beat lifestyle that shaped the literary and social forces brewing and overflowing in Kerouac's imagination, resulting in the publication of Kerouac's seminal novel On the Road. Nick Nolte and Sissy Spacek play the Cassadys, enmeshed in a love-hate relationship that forms the backbone of the film. Kerouac drifts in and out of their lives as the Cassadys take up residence in San Francisco. Ray Sharkey is also on hand as the manic Ira, a thinly veiled character based on Alan Ginsberg. ~ Paul Brenner, Rovi
- Starring:
- Nick Nolte, Sissy Spacek, (more)
Sissy Spacek was directed by her husband Jack Fisk in 1981's Raggedy Man. Spacek plays a divorced mother of two who tries to go it alone in mid-1940s Texas. Shunned by the "respectable" townsfolk because of her marital breakup, Spacek must endure the unwanted attentions of every low-life man in the community. Enter Eric Roberts, a young sailor who becomes both friend and protector to Spacek and her sons. Once Roberts is called to active duty, however, Spacek is supposedly left at the mercy of the menacing "raggedy man"-a scuzzy ragpicker, played by Sam Shepard, whose intentions aren't what they seem. Leisurely paced for most of its running time, Raggedy Man takes a disturbing violent turn in its last half hour. ~ Hal Erickson, Rovi
- Starring:
- Sissy Spacek, Eric Roberts, (more)
Costa-Gavras's tense political drama opens in an unspecified South American country (though clearly intended to be Chile) in the throes of a military coup. American activist Charles Horman (John Shea), who has been a thorn in the side of the country's military ever since his arrival, suddenly disappears. In trying to find out what has happened, his wife Beth (Sissy Spacek) is stonewalled, not only by the ruling junta but by the American consulate. His father, staunchly patriotic Ed Horman (Jack Lemmon), joins Beth in her search. Ed and his daughter-in-law have never seen eye to eye politically, and he refuses to entertain the notion that his son's disappearance might be part of a larger conspiracy or cover-up. But as the days grow into weeks, Ed comes to the shattering conclusion that he and his family have been betrayed by the American government, on behalf of the "friendly" South American dictator who holds his people in a grip of iron. Adapted by Costa-Gavras and Donald E. Stewart from a book by Thomas Hauser, Missing was inspired by the true story of the late Charles Horman. In spite of (or perhaps because of) condemnation from certain high-ranking officials in the Reagan administration, the film went on to win an Academy Award for Best Adapted Screenplay, as well as nominations for Best Picture, Best Actor, and Best Actress. ~ Hal Erickson, Rovi
- Starring:
- Jack Lemmon, Sissy Spacek, (more)
Steve Martin and Carl Reiner concoct one of Martin's best comic vehicles with Martin playing the world's top brain surgeon, Dr. Michael Hfuhruhurr -- he ought to know, he said so himself. Hfuhruhurr pioneered the radical new cranial screw-top technique, but he grieves over the untimely death of his wife Rebecca, carrying around a small plastic likeness of her to get through the long and lonely evenings. Thinking of her while driving home, Hfuhruhurr takes his eyes off the road and runs down the beautiful but deadly Dolores Benedict (Kathleen Turner). Hfuhruhurr performs surgery which saves her life, but as she recovers, Hfuhruhurr doesn't realize Dolores is a gold-digging vixen who has driven her latest husband (George Furth) to death by apoplexy. She is now looking for a new victim and Hfuhruhurr fits the bill. They marry, but Dolores denies her husband sexual favors, which frustrates Hfuhruhurr to distraction. He takes Dolores on a belated honeymoon to Austria, where he meets fellow brain surgeon Dr. Necessiter (David Warner), who keeps a wide assortment of brains in his laboratory. Dolores takes the opportunity to have an extramarital affair, and when Hfuhruhurr finds out he dumps her. But in Necessiter's laboratory, Hfuhruhurr becomes attracted to Brain #21, Ann Uumellmahaye (voice of Sissy Spacek), with whom he communicates telepathically. At last, here is one case where a man loves a woman for her mind rather than her body (which doesn't exist)! But Ann's brain is deteriorating rapidly; Hfuhruhurr needs to find a body and transplant the brain quickly in order to save Ann. ~ Paul Brenner, Rovi
- Starring:
- Steve Martin, Kathleen Turner, (more)
- 1984
Hosted by the American Film Institute, this video is a tribute to career of Lillian Gish. Included are excerpts from: The Birth of a Nation, Duel in the Sun, The Scarlet Letter and other films. ~ Tana Hobart, Rovi
This socially conscious family farm drama from director Mark Rydell was his follow up to the Oscar-winning On Golden Pond (1981). Mel Gibson and Sissy Spacek star as Tom and Mae Garvey, struggling Tennessee farmers constantly one step away from foreclosing. Their farm sits next to a river that both nourishes their land and constantly threatens to overflow its banks and destroy their crops. The Garveys sell some of their equipment for obscenely low prices at a foreclosure auction, at which some of their neighbors are forced to give up everything they own. The stoic Tom takes a job as a scab at a mill where the union workers are striking. Meanwhile, Mae has a platonic flirtation with local bank manager Joe (Scott Glenn), who saves her life when she's trapped under a heavy piece of farm equipment. Tom's homecoming is cut short by a flood, but the raging waters allow him to become a hero to his family again. The River was the third in a trio of dramas depicting the plight of the American family farmer released that same year. ~ Karl Williams, Rovi
- Starring:
- Mel Gibson, Sissy Spacek, (more)
- 1985
- PG13
Based on a true story, this drama stars Sissy Spacek as Marie Ragghianti, a Tennessee housewife stuck in a bad marriage with an abusive husband and caring for a child with long-term health problems. Determined to turn her life around, Marie leaves her husband and goes back to school. Against long odds, she completes her college degree and is able to land a job with the Tennessee State Government. Thanks to hard work and being in the right place at the right time, Marie moves up the ladder to become the head of the Tennessee Parole Board. However, the more authority Marie gains, the more corruption she sees, reaching to the highest offices in the state -- Eddie Sisk (Jeff Daniels), special assistant to the governor, has worked out a system by which he can collect bribes on behalf of the governor in exchange for political favors, without the governor himself being directly implicated. An angry Marie decides that it's time she did something about the graft and dirty dealing in the parole department, but she soon discovers that the governor has many powerful friends who can easily discredit her in the press. The supporting cast includes Morgan Freeman and Trey Wilson. ~ Mark Deming, Rovi
- Starring:
- Sissy Spacek, Jeff Daniels, (more)
Adapted from the Pulitzer Prize-winning play by Beth Henley (who also penned the screenplay), Crimes of the Heart stars three high-powered actresses as three high-strung sisters. Lenny (Diane Keaton), Meg (Jessica Lange) and Babe (Sissy Spacek) gather at Lenny's deep-South home for her birthday. Lenny, the oldest, can't seem to sustain a relationship with a man. Meg is an aspiring actress who hasn't progressed beyond commercial voice overs. And Babe is released on bond from jail after shooting her senator husband. Add to this information the fact that the girls' mother killed herself in Lenny's house, and that when Meg offhandedly expresses the wish that grouchy grandfather Hurd Hatfield would slip into a coma, he does, whereupon the sisters, despite every effort to treat the situation with proper sobriety, burst into helpless laughter over her "psychic" powers. ~ Hal Erickson, Rovi
- Starring:
- Diane Keaton, Jessica Lange, (more)
- 1986
- PG13
This small-town romance may be trying to ride the coattails of the Big Chill that also featured Kevin Kline. Kline plays Henry here, and when the film opens he and his love Gussie Sawyer (Sissy Spacek, wife of director Jack Fisk), are sitting together planning the future they will have. She will be a flight attendant and he will get a college degree. Yet when they part, so does their destiny. By a quirk of fate, Gussie starts taking photos for an in-flight magazine and ends up an ace photographer while Henry has stayed in their small town to run the newspaper after his dad died. When Gussie comes back for a vacation 15 years later the two old sweethearts find that the embers that burned so low over the last many years are heating up again. No one in the town is unaware of what is going on, and Gussie is in for a lecture from her dad while Henry hears it like it is from his wife. But will that change the course of their relationship? ~ Eleanor Mannikka, Rovi
- Starring:
- Sissy Spacek, Kevin Kline, (more)
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