Catherine Spaak Movies

Three different takes on love are presented in this episodic Italian film. The first story begins as a prostitute is involved in an auto wreck and ends up in a body cast. While recuperating, she attempts to seduce a young priest preparing to take his final vows. He does not succumb and instead tries to save her. By the story's end, she has become a nun, and he has left the clergy. The second tale follows a widow as she takes her husband's corpse back to Sicily. En route she makes a few new friends who turn out to be those who killed her husband, who unbeknownst to her was a notorious mafioso. In the last story, a young woman marries a troubled middle-aged man. To help him, she suggests he take a lover. She then finds out he has had one for a long time. ~ Sandra Brennan, All Movie Guide

In this sympathetic biography of Claretta Petacci, Benito Mussolini's mistress of 10 years, the Petacci family is a primary source of information -- which introduces a definite bias on how she is viewed. Claretta met Mussolini in the mid-'30s and remained with him after he was dismissed in 1943 by King Victor Emmanuel (American and Allied forces invaded Sicily and started north to Rome at that time). Claretta's family also fled to the north, where Mussolini was set up in a puppet dictatorship by the Germans until the end of the war. Photographs of Mussolini and Claretta hanging from a gas-station pole in 1945 while crowds stare at their bodies were disseminated worldwide, yet information on them has been kept in the classified files of the Italian government. In this docudrama, Claretta is played by Claudia Cardinale and Claretta's younger sister Miriam Petacci, still alive in 1984, plays herself as she "meets" with a television reporter (Catherine Spaak) at Claretta's tomb to talk about her famous sister's life. Claretta and Mussolini (Gabriele D'Annunzio) first get together on the estate of a poet who supported Mussolini and were not separated once they became lovers. U.S. Army newsreels add verisimilitude to the story, but the script is too superficial and the treatment too overtly sentimental to sustain interest and may even alienate some viewers. ~ Eleanor Mannikka, All Movie Guide

The posh St. Gregory Hotel in New Orleans is the setting for this drama based on a popular novel by Arthur Hailey. Trent (Melvyn Douglas) is the long-time owner who realizes that the hotel is in dire financial straits. Trent calls on faithful manager Peter McDermott (Rod Taylor) to try and bring about the necessary reversal of fortune so that they can stay in business. After the Duke (Michael Rennie) and Duchess (Merle Oberon) of Lanbourne check in, the Duke is involved in a vehicular homicide after he has too much to drink. His car is traced back to the St. Gregory by hotel detective Dupere (Richard Conte), who blackmails the Duke. Although not on the same level of Grand Hotel, the film contains first-rate performances from a fine cast portraying a variety of eccentric guests. ~ Dan Pavlides, All Movie Guide

A mid-1960s TV documentary special (and a New Yorker cartoon before that) was the inspiration for If It's Tuesday, This Must Be Belgium. The film is a likeable satire of "packaged" European tours, where the nonplused tourists are expected to rush from one landmark to another in a breathless 18 days. Ian McShane stars as the amorous tour guide, with Suzanne Pleshette as the American department store buyer he falls for; their romance ends when Pleshette decides that the supposedly worldly McShane is too immature for her. An all-star cast, including Murray Hamilton, Peggy Cass, Pamela Britton, Marty Ingels, John Cassavetes and Vittorio De Sica, pops up in comic cameo roles. Our favorite bit: an American and German tourist, simultaneously regaling their respective wives with wildly divergent accounts of the same wartime confrontation. If It's Tuesday, This Must Be Belgium was reworked in 1987 as a made-for-TV movie, cleverly title If It's Tuesday, It Still Must be Belgium. ~ Hal Erickson, All Movie Guide

Alberto Sordi directs this light comedy, and also stars as its mechanically challenged hero, a wealthy male chauvinist named Enrico who deals in wine better than he handles women. On a trip to the great land of America, Enrico discovers the wonders of a trained household robot named Catherine who outperforms any of the disgruntled women back at his home. When these women -- his wife (Valeria Valeri), his mistress (Catherine Spaak), and his maid -- decide to dump him, he immediately thinks of the marvelous robot he saw on his trip. Before anyone has time to plug in a battery, Enrico has acquired his own robot, named her Catherine, and is on his way to serious trouble. The metallic Catherine may be made of steel, but her robotic interior takes a shine to Enrico. Little does he know that a robot scorned hath more fury than any woman, and when he brings home Elisabetta (Edwige Fenech) for a romp in his cavernous bedroom, the clanking Catherine loses it. Enrico's problems with women were nothing by comparison. ~ Eleanor Mannikka, All Movie Guide

Brancaleone (Vittorio Gassman) leads an inept group of Crusaders to the sea in this offbeat war comedy. The Crusaders hope to find a ship that will take them to the Holy Land to reclaim the area for Christianity. The situation allows for plenty of sight gags and ribald humor. Catherine Spaak co-stars with Gassmann in this amusing effort from director Mario Monicelli. ~ Dan Pavlides, All Movie Guide

In this Italian romance, a young woman with a love for loving begins masquerading as her roommate so she can have more affairs. Her roomie is a stewardess and is seldom at home, so her ruse works well. One of her lovers is a high-ranking official at the Vatican and another works as a dentist. To keep from having an embarrassing overlap of lovers, she has created a special schedule in which she allots three days a week for each of the lovers. The final day she reserves for her college sweetheart. Mayhem ensues when the men discover the truth. Fortunately, the charming girl is able to convince each one that she loves him and him alone. ~ Sandra Brennan, All Movie Guide

Horst Bucholz plays Dino, a painter who realizes he has no artistic vision and decides to move back into his wealthy mother's (Betty Davis) home. Just before he does this, however, he falls in love with beautiful and self-serving Cecilia (Catherine Spaak). Though Dino diligently attempts to convince her to marry him, she refuses, but offers to be his lover until someone better strikes her fancy. When that becomes an actuality, Dino does not fare well under the emotional trauma and has a nervous breakdown. With the help of his mother, Dino recovers to find he may not be completely devoid of talent after all. Based on La Noia, an Italian novel by Alberto Moravia. ~ Kristie Hassen, All Movie Guide

This uneven remake of the 1950 Max Ophuls feature from the play by Arthur Schnitzler takes place in Paris just before World War I instead of Vienna at the turn of the 20th century. A soldier (Claude Giraud) sleeps with a prostitute (Marie Dubois) before he seduces Rose (Anna Karina), and a willing but married Sophie (Jane Fonda). A night of drinking finds the soldier back with the prostitute again in this feature directed by Roger Vadim. ~ Dan Pavlides, All Movie Guide

Crazy Desire (La Voglia Matta) stars Ugo Tognazzi as a middle-aged Italian businessman on a cross country motor trip. He comes across a group of rambunctious teenagers, including sexy Catherine Spaak. Infatuated by the girl, Tognazzi allows Spaak to deplete his pocketbook to pay for a wild seaside spree for herself and her friends. When challenged to a fight by the leader of the kids, Tognazzi, much to his own surprise, wins, and is hailed as "one of the gang." But when he wakes up on the beach the next morning, he's all alone. Alternately wacky and wistful, Crazy Desire was the film that secured the international reputation of Italian director Luciano Salce. From the opening sequence during a amateurish outdoor production of Julius Caesar to the closing seascape shot of the solitary and bemused Ugo Tognazzi, there's hardly a false move in the picture. Crazy Desire was based on Enrico Siella's short story A Girl Named Francesca. ~ Hal Erickson, All Movie Guide

Marc Michel plays an imprisoned man awaiting trial for the attempted murder of his wife. He is transferred to another cell, where his fellow prisoners are planning a jailbreak. He decides to go along with the elaborate plan, and the cellmates attempt to tunnel their way to freedom. Le Trou represents the last film of director Jacques Becker, who died shortly after its completion. ~ Hal Erickson, All Movie Guide