Olive Blakeney Movies

Whenever a fire breaks out, Esther Quentin (Norma Crane) comes down with a fever. Eventually Esther tells her husband Bill (Grant Williams) that she has foreseen each of these fires, and that every one of them was set by her twin sister. Now she has envisioned her sister burning down an orphanage--whereupon the authorities race against time to evacuate the building. Only at the very end do we learn the whole story about Esther's mysterious (and highly incendiary) sibling. ~ Hal Erickson, All Movie Guide

Grim, almost unbearably intense, I Want To Live is the story of the life and execution of Barbara Graham (Susan Hayward) a perjurer, prostitute, liar and drug addict. The product of a broken home, Graham works as a shill, luring gullible men into crooked card games. She attempts to go straight, marries the wrong man, and has a baby. When her life falls apart, she returns to her former profession and is involved in a murder. Despite her claims of innocence, she is convicted and executed. Robert Wise directs the uniformly fine cast with grim efficiency, telling Graham's story in a series of adroitly crafted scenes that won him a well-deserved Academy Award nomination. However, the film belongs to Susan Hayward who gives a intense, shattering performance without one false note. Her performance is so grimly focused that she is, at times, almost unbearable to watch. The final scenes, which lead up to Graham's execution, are exhausting in their emotional intensity as the audience is spared nothing of Graham's agony, despair and desperation when she finally loses the long battle to save her life. Whether one sees Graham as a murderer or a hapless victim of society, the power and relentless, sordid reality of her story leaves an indelible memory in the mind of the viewer. ~ Linda Rasmussen, All Movie Guide

This drama is set inside a girl's reformatory. When one of the teens has a baby, the other girls rally together to conceal and care for the infant. The troubled young women soon become as a family until the guards discover the child and take it away. This angers the inmates who begin rioting and destroying their prison. During the scuffle, a young woman escapes and is able to join up with her lover. As they flee the police, their car crashes and both of them die. ~ Sandra Brennan, All Movie Guide

Poor Roogie Rigsby. He's the new boy in town and is the butt of all the local kids' jokes. The meanies won't even let him join their baseball games. But then a strange, magical thing happens when the ghost of a late, great Brooklyn Dodger descends and gives him a bump on the arm that results in Roogie's ability to pitch better than anyone in the world. With such amazing speed, strength and accuracy it isn't long before little Roogie is pitching for the Dodgers alongside such greats as Campanella, Erskine, Loes and Russ Meyer. It's a boy's dream come true, but his mother can't help but worry. ~ Sandra Brennan, All Movie Guide

Adapted from a novel by Rachel Field, Time Out of Mind is a slow-moving costume drama enlivened by its stars. Servant girl Kate Ferald (Phyllis Calvert, in her first Hollywood film) falls in love with Christopher Fortune (Robert Hutton), the scion of a wealthy New England sailing family. Chistopher is likewise smitten by Kate, but the class structure of the 19th century precludes their marriage. Aware that their union is not to be, Kate renounces Christopher and encourages him to wed someone from his own social class. As the years go by, Kate is the mute witness to Christopher's frustration and unhappiness, culminating in a fatal bout with alcohol. Standing out in the huge cast are Ella Raines as Christopher's "sensible" sister Rissa and Eddie Albert as the obligatory best friend/severest critic Jake Bullard. ~ Hal Erickson, All Movie Guide

A real three-handkerchief affair, Sentimental Journey stars John Payne and Maureen O'Hara as a Broadway producer Bill and his actress-wife Julie. Unable to have children, Julie adopts orphaned girl Hitty (Connie Marshall). Shortly afterward, Julie dies of a heart attack, leaving Hitty in the care of the sullen Bill, who can't seem to "connect" with the girl. Eventually Hitty wins Bill's heart, but not without the implicit celestial intervention of the departed Julie. Much-needed comedy relief is provided by Mischa Auer and, to a lesser extent, William Bendix. Sentimental Journey was remade in 1958 as The Gift of Love, with Lauren Bacall in the Maureen O'Hara role. ~ Hal Erickson, All Movie Guide

According to Hollywood lore, both John Wayne and director Frank Borzage refused to work with Vera Hruba Ralston, the Czech-born inamorata (and future wife) of Republic Pictures owner Herbert I. Yates. Yates somehow managed to convince Wayne to change his mind, but Borzage was replaced by contract director Joseph Kane. The result was Dakota, the company's major release of 1945, a potentially sprawling empire-building Western. Wayne and Ralston play newlyweds heading for Fargo, North Dakota, where they plan to buy land in anticipation of the coming of the railroad. They are opposed by saloon owner Jim Bender (Ward Bond), who also knows about the expansion and is coercing the homesteaders into selling their land to him and his chief lieutenant, Collins (Mike Mazurki). The latter has been elected president of the Wheat Growers Association, and soon the farmers find themselves indebted to Bender. But Wayne, with his wife's help, beats Bender and his henchman at their own game, making certain that the farmers are well compensated for selling their land to the railroad company owned by Ralston's father (Hugo Haas). Contrary to popular belief, Vera Hruba Ralston was not Dakota's chief liability. For some reason, Republic Pictures, normally a leader in action-oriented melodrama, chose to employ an inordinate amount of rear projection footage this time around, making for rather dull viewing. The Western only leaves the confines of the studio back lot for the climactic prairie fire scenes, filmed by a second unit under the direction of stunt expert Yakima Canutt. Apparently a better figure skater than an actress, Ralston actually shows a bit of spirit in some of her scenes but is rather obviously upstaged by the veteran Ona Munson as a kind-hearted saloon entertainer. Munson was borrowed from Warner Bros. and her singing of "Coax Me" by Andrew B. Sterling and Harry Von Tilzer remains one of Dakota's main pleasures despite editor Fred Allen's endless cross-cutting to Ralston's reactions. The latter was reportedly a very pleasant person devoid of a prima donna ego and would be cast opposite John Wayne again in The Fighting Kentuckian (1949). Republic serial heroines Linda Stirling and Adrian Booth can be spotted among Munson's dancing girls. ~ Hans J. Wollstein, All Movie Guide

The bland performance of star George Raft is the only drawback of this splashy 20th Century-Fox musical. Set in turn-of-the-century San Francisco, the film casts Raft as Barbary Coast saloonkeeper Tony Angel, who endears himself to patrons and pedestrians alike by tossing out silver dollars at the slightest provocation. Though Tony is loved by saloon singer Sally Templeton (Vivian Blaine), he only has eyes for Nob Hill socialite Harriet Carruthers (Joan Bennett). Upon marrying Harriet, Tony realizes he is sorely outclassed, and turns to the bottle as the result. It's up to "Little Miss Fixit" Katie Flanagan (Peggy Ann Garner) to bring Tony and Sally back together. Ample comedy relief is provided by Alan Reed and B. S. Pully, while the largely uncredited supporting cast includes such familiar faces as J. Farrell McDonald, Nestor Paiva, Bud Jamieson, and Frank McCown, who rose to fame under the new moniker of Rory Calhoun. ~ Hal Erickson, All Movie Guide

This was the seventh entry in Paramount's "Henry Aldrich" series, and there were still two more to come. Per the title, trouble-prone high schooler Henry (Jimmy Lydon) finds himself in charge of a contentious group of scouts. He nobly takes the blame for the pranks perpetrated by young Ramsey Kent (Darryl Hickman), to spare Ramsay's dad, a friend of Henry's father (John Litel) from embarrassment. After numerous zany complications, the film wraps up with the old "hanging from a cliff by a rope" scene, which seems to be obligatory in every Boy Scout movie ever made. Though panned at the time of its release, Henry Aldrich, Boy Scout is one of the series' funnier entries. ~ Hal Erickson, All Movie Guide

Port of 40 Thieves is a so-so suspenser completely dominated by the formidable Stephanie Bachelor. The statuesque, sophisticated Republic leading lady is cast as Muriel, the scheming widow of the fabulously wealthy Hartford Chaney 3rd. Muriel's husband has disappearance under mysterious circumstances, freeing her to marry her playboy paramour Frederick St. Clair (George Meeker). Nancy Hubbard (Lynne Roberts), Chaney's daughter from a previous marriage, suspects that her father has been murdered, compelling Muriel to plot and plan a few convenient accidents-including the death of the now-dispensable St. Clair. The film's most memorable scene finds Muriel diligently studying a technical manual so that she can sabotage an elevator! ~ Hal Erickson, All Movie Guide

Henry's friends think he's a coward because he refuses to fight a local bully, but his reason for refusing had more to do with wanting to impress Elise, the daughter of the chemistry teacher. While in her father's lab, Elise tells Henry he misunderstood her, and points out how brave her own father is: he uses himself as a guinea pig in experiments. As Henry is holding a test tube containing his latest experimental formula, a flash of lightning scares him and he reflexively swallows the formula. Henry starts for home, but the drug starts taking affect and he wanders into Kenniston manor, a supposedly haunted house, before going home and passing out. When he awakens the next day, he has an expensive ring in his hand. He soon learns that Mr. Quid, a teacher, and Mr. Bradley, the school principal, had been in the manor at the same time he was. He also learns that Bradley has disappeared, as has the famous Kenniston ring, and that Quid has been charged in connection with these events. Afraid that, under the influence of the drug, he is responsible for Bradley's disappearance, Henry and his friends set out to discover what really happened in the haunted house. ~ Craig Butler, All Movie Guide

Regarded by many aficionados as the best of the "Henry Aldrich" series, Henry Aldrich, Editor is a master blend of laughs and suspense. Appointed editor of his high school newspaper, hapless Henry (James Lydon) becomes intrigued by a series of mysterious fires. A mild, timid little fellow named Nero Smith (Francis Pierlot) shows up to tip off Henry as to the time and place of the next conflagration. Never suspecting that Nero is the pyromaniac who's been setting the blazes (the man's first name should have given it away from the get-go), Henry prints the story-and is immediately accused of being the firebug himself! The climax finds our hero trapped with his pal Dizzy (Charles Smith), his girl friend Martha (Rita Quigley) and the ubiquitous Nero Smith in the middle of a burning building-and it sure looks like he's not going to be able to extricate himself from his dilemma this time. ~ Hal Erickson, All Movie Guide

Adenoidal teenager Henry Aldrich (James Lydon) "gets glamour" when he wins first prize in a movie-magazine contest. Before he quite knows what's happening, Henry is whisked to Hollywood for a date with glamorous "sarong girl" Hilary Dane (Frances Gifford). All of this coincides with a local scandal, innocently fomented by our hero, which threatens the election of Henry's father Sam (John Litel) to the office of public welfare commissioner. The plot is resolved at the end when Hilary Dane, for reasons of her own, shows up as Henry's date at a country club dance, an act which somehow vindicates Sam Aldrich (the plot makes much more sense on screen than on print!) In addition to the lissome Frances Gifford, Henry Aldrich Gets Glamour showcases such promising starlets as Diana Lynn and Gail Russell. An unbilled Johnny Arthur earns some of the film's biggest laughs as a prissy publicity agent. ~ Hal Erickson, All Movie Guide