Olan Soule Movies

Will Rogers Jr. stars as his own father in this slow, sentimental biopic. The film begins with Rogers' days on his father's ranch in Indian Territory (later Oklahoma). We see Will court his future wife, Betty (Jane Wyman), just before he strikes out on his own as a rodeo performer. Attempting to break into vaudeville with a roping act, Will gets nowhere until he starts cracking extemporaneous jokes about current events. Using the newspapers as his "material," Will rises to the pinnacle of show business in the 1910s and '20s as a star comedian in Flo Ziegfeld's Follies. He matures into a devoted family man, a rancher, a film star, an aviation enthusiast, and America's unofficial goodwill ambassador. During the darkest days of the Depression, Rogers works long and hard on behalf of poverty-stricken farmers in his own home state and elsewhere. In 1935, Rogers joins his old pal Wiley Post (Noah Beery Jr.) for an airplane trip to Alaska -- from which he never returns. The Story of Will Rogers sticks to the facts, but the film is surprisingly dull and pedantic considering the director (the usually vigorous Michael Curtiz) and the fascinating subject matter. ~ Hal Erickson, All Movie Guide

The city of the title is Los Alamos, where nuclear physicist Gene Barry lives and works. Terrorists kidnap Barry's son and demand that the physicist turn over the H-bomb formula. It's cat-and-mouse for a while, but when the FBI gets on the case, the criminals haven't got a chance. Outdated almost before its release, The Atomic City is still effective on a purely melodramatic level. There's a particularly tense climax played out along the mountain mesas surrounding Los Alamos. ~ Hal Erickson, All Movie Guide

All of Washington, D.C., is thrown into a panic when an extraterrestrial spacecraft lands near the White House. Out steps Klaatu (Michael Rennie, in a role intended for Claude Rains), a handsome and soft-spoken interplanetary traveler, whose "bodyguard" is Gort (Lock Martin), a huge robot who spews forth laser-like death rays when danger threatens. After being wounded by an overzealous soldier, Klaatu announces that he has a message of the gravest importance for all humankind, which he will deliver only when all the leaders of all nations will agree to meet with him. World politics being what they are in 1951, Klaatu's demands are turned down and he is ordered to remain in the hospital, where his wounds are being tended. Klaatu escapes, taking refuge in a boarding house, where he poses as one "Mr. Carpenter" (one of the film's many parallels between Klaatu and Christ). There the benign alien gains the confidence of a lovely widow (Patricia Neal) and her son, Bobby (Billy Gray), neither of whom tumble to his other-worldly origins, and seeks out the gentleman whom Bobby regards as "the smartest man in the world" -- an Einstein-like scientist, Dr. Barnhardt (Sam Jaffe). The next day, at precisely 12 o'clock, Klaatu arranges for the world to "stand still" -- he shuts down all electrical power in the world, with the exception of essentials like hospitals and planes in flight. Directed by Robert Wise, who edited Citizen Kane (1941) and The Magnificent Ambersons (1942) for director Orson Welles before going on to direct such major 1960s musicals as West Side Story (1961) and The Sound of Music (1965), The Day the Earth Stood Still was based on the story Farewell to the Master by Harry Bates. ~ Hal Erickson, All Movie Guide

Cuban Fireball is a vehicle for the combustible talents of Estelita Rodriguez, here cast as "herself." The plot finds Estelita arriving in Los Angeles to claim a multimillion-dollar inheritance. To fend off fortune hunters, she disguises herself as a meek little old lady. The rest of the story sustains this level of credibility. Warren Douglas co-stars as Estelita's true love, while Leon Belasco is the most prominent of the film's many antagonists. The film's 78-minute running time affords ample opportunity for Estelita Rodriguez to render four songs. Dyed-in-the-wool fans of Republic Pictures will easily recognize Cuban Fireball as a South-of-the-Border retooling of the studio's popular Judy Canova musical comedies. ~ Hal Erickson, All Movie Guide

Rancher Charles Bickford comes to believe that drifter Alan Ladd is his long-lost son. In truth, Ladd is a crook, in league with Brian Keith to con Bickford out of his fortune. Intending to go through with the scheme, Ladd has second thoughts when Bickford and his "mother" Selena Royle shower him with the familial affection that he has lacked all his life. Making Ladd even more uncomfortable is the presence of his "sister" Mona Freeman, whom he has grown to love in a manner that might be misconstrued were he really related to her. Fed up with his masquerade, Ladd confesses the hoax and sets about to find Bickford's real son-who turns out to be the foster son of bandit Keith! This psychological western plays much better than it reads. For reasons unknown, a clip of Branded showed up in the 1977 Burt Reynolds vehicle Hustle. ~ Hal Erickson, All Movie Guide

Though she may have won an Oscar in 1948, Jane Wyman still had a Warner Bros. contract to fulfill, even if it meant appearing in frivolities like The Lady Takes a Sailor. It all begins when Jennifer (Wyman), the head of an oceanographic research institute, claims to have made a fascinating underwater discovery. It is suspected that she's made this claim so that her funding will be continued, so the money-men send Bill Craig (Dennis Morgan) to investigate. Disguised as a sailor, Bill accompanies Jennifer on her next expedition, just to see if her story was true. Jennifer falls in love with Bill, neglecting her work in the process. When Bill is revealed to be a fake, things look bleak--but not for long. Eve Arden has all the best lines as Jane Wyman's sarcastic best friend (the sort of role Wyman used to play in her blonde-ingenue days). ~ Hal Erickson, All Movie Guide