Olan Soule Movies

There's definitely something in the air when a pungent perfume bottle smashes in the back seat of Adam-12. Despite the all-pervading stench, Officers Pete Malloy (Martin Milner) and Jim Reed (Kent McCord) valiantly remain on the job. Unforutnately, most of their calls turn out to be false alarms, notably a reported burglary at a church--which may have been committed by the parish minister (Stuart Nesbit. Featured in the cast is another longtime member of producer Jack Webb's "stock company", Olan Soule. ~ Hal Erickson, All Movie Guide

As a gift to his young wife Ethel (Janet Ward), real estate agent Ralph Montgomery (Everett Sloane) hires a cook named Mrs. Sutton (Beulah Bondi). Before long, however, Ralph has reason to regret this act of extravagance, as evidence begins to pile up suggesting that Mrs. Sutton is the same woman who has recently poisoned three people. When traces of arsenic show up in Ralph's hot chocolate, it would appear that his suspicions about Mrs. Sutton have been confirmed. But, as often happens on Alfred Hitchcock Presents, the truth of the matter is something else entirely. ~ Hal Erickson, All Movie Guide

Small-town garage mechanic Aaron Menefee (Andrew Prine) becomes a devoted disciple of the Reverend Otis Jones (Sidney Blackmer) after the traveling faith healer seemingly cures Menefee's ulcer. Even so, Jones refuses Menefee permission to marry his daughter Emily (Maggie Pierce), arguing that Aaron's faith isn't "strong enough." Thus does Menefee challenge himself with the ultimate test of that faith -- leading to a memorable "Lady or the Tiger" denouement. ~ Hal Erickson, All Movie Guide

In the first episode of a two-part story, Patrick MacNee guest stars as Count Iblis, a shipwrecked alien rescued by a Galactica recon mission. Claiming to be the last descendant of a long-gone alien culture, Iblis promises to grant three wishes to the Colonials -- including safe passage to the 13th Colony. All he asks in return from them is total, and unquestioning, obedience. Not surprisingly, Cmdr. Adama (Lorne Greene) is suspicious of Iblis' true motives -- but he is unable to sway the Colonials, who are more thn willing to agree to the godlike alien's terms. ~ Hal Erickson, All Movie Guide

The ninth season of Bonanza began on September 17, 1967 with the episode titled "Second Chance". Ben Cartwright joins an army patrol to rescue his sons Hoss and Joe, who are presently at the mercy of renegade Indians. The boys are pinned down with a wagon party, consisting almost exclusively of society's outcasts: A group of thieves, two women of checkered reputation, a dying man, and a coward (appropriately enough, this episode went into production as "The Losers"). Also in the cast are James Gregory as Mulvaney, Bettye Ackerman as Estelle, Joe De Santis as Dawson, Douglas Kennedy as Frazier, Zane Zachery as Anna, and Ken Drake as Breck. Written by John Hawkins and Paul Sneider, "Second Chance" was one of several "classic" episodes rebroadcast during the Spring and Summer of 1972. ~ Hal Erickson, All Movie Guide

Rancher Charles Bickford comes to believe that drifter Alan Ladd is his long-lost son. In truth, Ladd is a crook, in league with Brian Keith to con Bickford out of his fortune. Intending to go through with the scheme, Ladd has second thoughts when Bickford and his "mother" Selena Royle shower him with the familial affection that he has lacked all his life. Making Ladd even more uncomfortable is the presence of his "sister" Mona Freeman, whom he has grown to love in a manner that might be misconstrued were he really related to her. Fed up with his masquerade, Ladd confesses the hoax and sets about to find Bickford's real son-who turns out to be the foster son of bandit Keith! This psychological western plays much better than it reads. For reasons unknown, a clip of Branded showed up in the 1977 Burt Reynolds vehicle Hustle. ~ Hal Erickson, All Movie Guide

In this routine business-story-cum-romantic-comedy, James Garner is Cash McCall, a wheeling and dealing tycoon, and Natalie Wood is Lory Austen, the daughter of failing businessman Grant (Dean Jagger). McCall's expertise lies in acquiring businesses about to go belly up, attaching them to successful enterprises and then taking a large tax deduction on the resultant equation. Those deals are enhanced when the once-failing business is then sold at a profit. This is a savvy gambit for late '50s movie fare, but its proponent begins to have second thoughts when he comes up against the attractive Lory -- who is not afraid of baring all for a good cause. The well-known co-stars and others like Nina Foch and E.G. Marshall do their best with a limited script. ~ Eleanor Mannikka, All Movie Guide

Conspiracy to Kill was one of two pilot films for the Jack Webb-produced TV series The D.A. Robert Conrad stars as LA deputy district attorney Paul Ryan. This time around, Ryan reopens a case that he's already won. New evidence indicates that a supposedly victimized drugstore owner (William Conrad) was the brains behind a robbery and murder that occurred at his own establishment. The D.A. series proper ran from September 17, 1971, through January 7, 1972. ~ Hal Erickson, All Movie Guide

Six GIs stationed in Asia secretly photograph the arcane rituals of a group of cobra worshippers. At the climax of the ceremony, the cult members turn themselves into snakes. The high priestess catches the soldiers spying and throws a curse upon them. This off-beat horror film follows what happens to the men after that. Soon after they return to the US, the vengeful priestess follows them and people begin to die from snake venom poisoning, adding credence to the strange tale told by a surviving GI to the police, who become less skeptical as more evidence is unearthed. More trouble follows when the serpentine goddess falls for the ex-soldier's roomie. ~ Sandra Brennan, All Movie Guide

In this addiction melodrama, Joe Clay (Jack Lemmon), a promising adman, meet his future wife Kirsten (Lee Remick) at a party. Once married, the pressures of his business lead Joe to seek solace in liquor. Kirsten joins him in his nocturnal drinking sessions, and before long both are confirmed alcoholics. After several frightening episodes, Joe is able to shake the habit thanks to AA, but Kirsten finds it impossible to get through the day without liquor. The two split up, although Joe clings to the hope that someday he and Kirsten will be reunited, if for no reason other than the sake of their young daughter. J.P. Miller adapted the screenplay from his own 1958 Playhouse 90 television script. Though nominated in several categories, Days of Wine and Roses won only the Best Song Oscar for Henry Mancini's title tune. ~ Hal Erickson, All Movie Guide

Sex symbol Marilyn Monroe went dramatic in 1952's Don't Bother to Knock. Monroe plays Nell Forbes, a beautiful but suicidal young woman, recently released from a mental institution. She doesn't mention this on her resumé when she takes a baby-sitting job in a posh hotel. Jed Towers (Richard Widmark), a hotel guest, tries to make time with Nell after his own girlfriend, played by Anne Bancroft, has told him to take a hike. As Nell and Jed neck on the couch, the little girl whom Nell is tending (Donna Corcoran) surprises the spooning couple. This drives the psychotic Nell over the edge, forcing Jed to try to keep the baby-sitter from killing both herself and the child. ~ Hal Erickson, All Movie Guide

At the height of the popularity of his Dragnet TV series, producer/director/star Jack Webb struck a deal with Warner Bros. to direct several feature films--the first of which, but of course, was 1954's Dragnet. This time around, the "true story" in which "only the names are changed to protect the innocent" involves the murder of former syndicate member Dub Taylor. LAPD sergeants Joe Friday (Webb) and Frank Smith (Ben Alexander) follow the trail of evidence to shifty gangster boss Stacy Harris, who during most of the film is able to avoid arrest through legal loopholes. Richard Boone plays Captain Hamilton, while Ann Robinson, best known for her screaming and scurrying about in War of the Worlds, plays policewoman Grace Downey. Most of the rest of the cast is drawn from Webb's TV and radio stock company, including Virginia Gregg, who is quite good as the amputee wife of the victim, and Vic Perrin, who would later portray the voyeuristic serial killer in the 1967 TV movie version of Dragnet. Some sources list Cliff Arquette as being in the cast of Dragnet, playing his familiar Charley Weaver character, but we can't find him. Dragnet has often been derided because of Joe Friday's reluctance to honor the civil liberties of his suspects, but remember that this was 1954, long before the "You have a right to remain silent" era. Webb's terse, tightly edited, close-up-dominated TV technique translates surprisingly well to the big screen. At its worst, Dragnet falls victim to the corny overkill of the TV version: the subtle-as-an-earthquake musical cues, Friday and Smith's ubiquitous nods and exchanged glances, etc. Still, Dragnet was a satisfying and profitable feature film directorial debut for Jack Webb, whose subsequent efforts included Pete Kelly's Blues (1955), The DI (1957), 30 (1959) and The Last Time I Saw Archie (1961). ~ Hal Erickson, All Movie Guide