Olan Soule Movies

Peggy Brookfield (Diana Lynn) is one of many aspirants for the position of Queen of the annual Tournament of Roses in Pasadena, Calfornia. Also competing is Peggy's sister Susan (Barbara Lawrence). Both girls make the trek from Ohio to Pasadena in the company of their father (Charles Coburn), a retired professor. Peggy would seem to have the advantage in the contest, save for one small drawback: she is secretly married to Johnny Higgins (Rock Hudson), and the rules clearly stipulate that the Rose Queen must be single. And that's just one of the many comic complications packed into Peggy's chucklesome 77 minutes. ~ Hal Erickson, All Movie Guide

Destination Big House is a well directed Republic Programmer starring Dorothy Patrick as a vacationing schoolteacher. Gangster Richard Benedict bursts into Dorothy's mountain cabin, where he dies in a shootout with the Law. As he breathes his last, Benedict wills $80,000 to Dorothy, but neglects to tell her where the loot is hidden. Coerced by the police to suggest that she knows where the money is, Dorothy helps to ferret out the rest of Benedict's gang. When the money is recovered, Dorothy donates all of it to a polio clinic maintained by the film's hero, Robert Rockwell. ~ Hal Erickson, All Movie Guide

The most delightful aspect of You Never Can Tell is the film's ability to successfully sustain its single joke for 78 minutes. The story begins when King, a German shepherd, falls heir to a fortune. Ellen Hathaway (Peggy Dow), trustee of King's estate, spends most of her time fending off would-be fortune hunters -- with the exception of personable Perry Collins (Charles Drake), who claims to have been King's "commander" in the wartime K-9 corps. Soon afterward, King dies of strychnine poisoning, and though no evidence exists, Ellen is held responsible. The film then shifts to the celestial way-station for animals known as "Beastatory." Here, the ghost of King implores a heavenly jury to be given an opportunity to return to earth and expose his genuine murderer. King gets his wish, and in a twinkling he is reincarnated in the form of private-eye Rex Shepard (Dick Powell). Shepard's girl Friday is Goldie (Joyce Holden), a reincarnated racehorse who insists upon outrunning buses just for the exercise. In his new human form, Rex returns to his mansion, where despite his animal instincts he can't help falling in love with Ellen as he endeavors to clear her name. To reveal more would rob the viewer of thoroughly enjoying this captivating piece of whimsy. ~ Hal Erickson, All Movie Guide

Self-centered Washington socialite Rosalind Russell joins the WACS in order to be near her boyfriend William Ching, a GI stationed in Paris. Russell is certain that her DC connections will enable her to get out of the service as easily as she got in. Unfortunately for her, Russell's ex-husband Paul Douglas decides to teach her a lesson by pulling a few strings himself. Several of the army-camp scenes are stolen by Marie Wilson as an amply proportioned chorus girl, who's joined the WACS to escape stage-door johnnies. Filmed in part on location at the Women's Army Corps training center at Fort Lee, Virginia, Never Wave at a WAC was produced by Rosalind Russell's husband, Frederick Brisson. The film was released in England as The Private Wore Skirts. ~ Hal Erickson, All Movie Guide

Friday (Jack Webb) investigates the theft of $10,000 worth of medicinal narcotics from a Catholic Hospital. The trail of clues leads to movie bit player Leonard Castle (Whit Connor)--who, in a typically ironic touch, is currently acting in a B-picture called "Crime Report." Based on a radio episode of Dragnet which originally aired on August 10, 1950, this TV version marks the final appearance of Barton Yarborough as Friday's partner Ben Romero (Yarborough died on December 19, 1951). ~ Hal Erickson, All Movie Guide

Sex symbol Marilyn Monroe went dramatic in 1952's Don't Bother to Knock. Monroe plays Nell Forbes, a beautiful but suicidal young woman, recently released from a mental institution. She doesn't mention this on her resumé when she takes a baby-sitting job in a posh hotel. Jed Towers (Richard Widmark), a hotel guest, tries to make time with Nell after his own girlfriend, played by Anne Bancroft, has told him to take a hike. As Nell and Jed neck on the couch, the little girl whom Nell is tending (Donna Corcoran) surprises the spooning couple. This drives the psychotic Nell over the edge, forcing Jed to try to keep the baby-sitter from killing both herself and the child. ~ Hal Erickson, All Movie Guide

Howard Hawks hoped to capture the screwball comic fervor of his 1938 film Bringing Up Baby with his 1952 comedy Monkey Business. As in the earlier film, Cary Grant stars as an absent-minded professor involved in a research project. This time he's a chemist seeking a "fountain of youth" formula that will revitalize middle-agers both mentally and physically. Though Grant's own laboratory experiments yield little fruit, a lab monkey, let loose from its cage, mixes a few random chemicals and comes up with just the formula Grant is looking for. This mixture is inadvertently dumped in the lab's water supply; the fun begins when staid, uptight Grant drinks some of the "bitter" water, then begins cutting up like a teenager. A harmless afternoon on the town with luscious secretary Marilyn Monroe rouses the ire of Grant's wife Ginger Rogers, but her behavior is even more infantile when she falls under the spell of the youth formula. Everyone remembers the best line in Monkey Business: foxy-grandpa research supervisor Charles Coburn hands the curvacious Monroe a letter and says "Get someone to type this". Even better is his next line: after Monroe sashays out of the room, Coburn turns to Grant and, with eyes atwinkle, murmurs "Anyone can type." Likewise amusing is Monkey Business's pre-credits gag, wherein Cary Grant opens a door and is about to step forward when director Hawks, off-camera, admonishes "Not yet, Cary." Among the co-conspirators on Monkey Business's carefree script are Ben Hecht, Charles Lederer and I.A.L. Diamond, with an original story by Harry Segall (Here Comes Mr. Jordan) as their source. ~ Hal Erickson, All Movie Guide

Stars and Stripes Forever is the highly fanciful filmed biography of "march king" John Philip Sousa. Clifton Webb does a fine job as Sousa, while Ruth Hussey is equally good in the less-demanding role of Sousa's wife. The problem faced by screenwriter Lamar Trotti (who adapted the film from Sousa's autobiography Marching Along) was that, outside of Sousa's early travails in organizing his own band after leaving the Marine Corps, there just wasn't much drama in the great composer's life. Thus, a secondary (and wholly fictional) romance involving young musician Willie (Robert Wagner) and ex-chorus girl Lily (Debra Paget) is given special emphasis. Willie invents the Sousaphone on behalf of his mentor, and upon returning from the Spanish American War minus one of his legs, Willie makes an inspirational solo appearance with the Sousa band. The best scenes include Sousa's ongoing efforts to break free from the "march king" onus and write romantic ballads, and Lily's high-kicking rendition of the music-hall ballad "Father's Got 'Em." When first telecast on NBC's Saturday Night at the Movies in 1962, Stars and Stripes Forever was accompanied by a short newsreel clip of the real John Philip Sousa in action. ~ Hal Erickson, All Movie Guide

Acting on an anonymous tip, Friday (Jack Webb) and Smith (Ben Alexander) investigate the apparent beating death of Hazel Rockman. The woman's landlady and next-door neighbor offer evasive and contradictory evidence, suggesting that either Hazel was killed by her absentee husband, or that she committed suicide. Once the cause of death is firmly established, the detectives must race against time to prevent Hazel's husband from taking his own life. This episode is based on the Dragnet radio broadcast of June 14, 1953. ~ Hal Erickson, All Movie Guide

An unidentified woman has been found strangled to death in a hotel room. The only clue to go on is the obvious that that the killer had extremely large hands. Investigating, Friday (Jack Webb) and Smith (Ben Alexander) end up asking several probing questions of elderly circus owner Al Morgan (played by Cliff Arquette of "Charley Weaver" fame). This episode was adapted from the Dragnet radio broadcast of November 21, 1951. ~ Hal Erickson, All Movie Guide

Carl Buckley (Broderick Crawford) needs the intervention of his beautiful wife Vicki (Gloria Grahame) to keep his job, so Vicki meets with Carl's boss Owens (Grandon Rhodes), and Carl's job is secure. Insanely jealous, Carl finds Vicki with Owens on board a train and kills Owens. Jeff Warren (Glenn Ford), an off-duty train engineer protects Vicki and they begin an affair. Still obsessively jealous, Carl becomes an alcoholic and blackmails Vicki into staying with him. Vicki persuades Jeff to kill Carl, but at the last minute Jeff relents, taking on the letter which Carl has used to blackmail Vicki with. Vicki leaves town on the train with Carl -- all the while taunting him with her infidelity. Carl is overcome with a jealous rage that ultimately leads to tragedy. Directed by Fritz Lang), Human Desire an updated remake of Jean Renoir's adaptation of Emile Zola's novel, La Bete Humaine, is a grim sordid story in which desperate people try to relieve their desolate lives with cheap pleasures. Gloria Grahame is perversely alluring as the sexually driven Vicki and Broderick Crawford evokes some empathy as the obsessed Carl. ~ Linda Rasmussen, All Movie Guide

At the height of the popularity of his Dragnet TV series, producer/director/star Jack Webb struck a deal with Warner Bros. to direct several feature films--the first of which, but of course, was 1954's Dragnet. This time around, the "true story" in which "only the names are changed to protect the innocent" involves the murder of former syndicate member Dub Taylor. LAPD sergeants Joe Friday (Webb) and Frank Smith (Ben Alexander) follow the trail of evidence to shifty gangster boss Stacy Harris, who during most of the film is able to avoid arrest through legal loopholes. Richard Boone plays Captain Hamilton, while Ann Robinson, best known for her screaming and scurrying about in War of the Worlds, plays policewoman Grace Downey. Most of the rest of the cast is drawn from Webb's TV and radio stock company, including Virginia Gregg, who is quite good as the amputee wife of the victim, and Vic Perrin, who would later portray the voyeuristic serial killer in the 1967 TV movie version of Dragnet. Some sources list Cliff Arquette as being in the cast of Dragnet, playing his familiar Charley Weaver character, but we can't find him. Dragnet has often been derided because of Joe Friday's reluctance to honor the civil liberties of his suspects, but remember that this was 1954, long before the "You have a right to remain silent" era. Webb's terse, tightly edited, close-up-dominated TV technique translates surprisingly well to the big screen. At its worst, Dragnet falls victim to the corny overkill of the TV version: the subtle-as-an-earthquake musical cues, Friday and Smith's ubiquitous nods and exchanged glances, etc. Still, Dragnet was a satisfying and profitable feature film directorial debut for Jack Webb, whose subsequent efforts included Pete Kelly's Blues (1955), The DI (1957), 30 (1959) and The Last Time I Saw Archie (1961). ~ Hal Erickson, All Movie Guide