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Hugo Soto Movies

1990  
R  
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Sister Juana (Assumpta Serna) is a gentle poet and a none-too-pious nun, living in seventeenth-century Mexico. She is protected by the Governor and his wife from a ferociously misogynistic Archbishop, who some believe is using his hatred of women to hide from his very powerful lust for them. Indeed, it is possible that he is the actual father of Sister Juana. Regardless of that, her life becomes extremely grim when her loving patrons return to Spain, leaving her to the not-so-tender mercies of this harsh man. This difficult story is based on a novel by the award-winning poet and writer Octavio Paz. ~ Clarke Fountain, Rovi

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Starring:
Assumpta SernaDominique Sanda, (more)
 
1988  
 
The Argentine drama Times to Come (Lo Que Vendra) is set a few years in the future. Returning to Buenos Aires after a long absence, Hugo Soto is surprised to discover that people are deserting the city by the thousands. He discovers that the town has become an unmanageable high-tech jungle, resembling the post-apocalyptic communities one finds in Japanese comic books. The government seems to have completely given up on the sex-and-violence-and-graffiti-ridden metropolis, while an omnipresent PA system expounds honeyed words of optimism to the gloomy populace. Injured in a political demonstration, Soto is witness to eerie, surrealistic visions as he lies in his hospital room. In his delirium, he is visited by a beautiful woman, who informs him that it is his task to "preserve the future." How he goes about this dictates the conclusion of the hallucinatory mixture of political allegory and lush romanticism. ~ Hal Erickson, Rovi

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Starring:
Hugo SotoJuan Leyrado, (more)
 
1986  
R  
This Argentine film freshens up an old cinematic device: juxtaposing science fiction and religion. A Buenos Aires mental hospital is thrown into an uproar when a mysterious male patient appears out of nowhere. As the psychiatrists grill the stranger, he sticks to a story that suggests that his origins are far from earthly. In fact, if his seemingly supernatural powers are any proof, he may well be a space alien. Unable to comprehend the incomprehensible, the authorities decide to lock the visitor away from public view, maybe even put an end to his life--and the analogies to Christ and Christianity are lost on no one. ~ Hal Erickson, Rovi

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Starring:
Lorenzs QuinterosHugo Soto, (more)
 
1985  
 
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The director of the enigmatic, entirely memorable feature Man Facing Southeast confronts viewers with another exhuberantly metaphysical movie in Ultimas Imagenes del Naufragio. In the story, Roberto (Lorenzo Quinteras) is a man whose inner life has gone dead. He has no interest in his job (selling life insurance) or his family. About the only thing that interests him is his writing, but he currently has writer's block. When he sees a lovely young woman on the verge of throwing herself in front of a train, he can't help himself: he has to stop her. It turns out that the woman, Estela (Noemi Frenkel), is only slightly addled: she is a prostitute who uses this rather dramatic technique to pick up men. Interested in her as a character for his novel, he accompanies her home. At one point, the ghosts of her dead relatives get on the bus they are traveling on, but she refuses to speak to them so as to avoid having to speak about her father. Once Roberto gets to her home, he finds it to be a hot-bed of odd characters. Attracted by them to participate in life once more, even if that life is very peculiar, he visits them more and more frequently, and is fired from his job and abandons his wife. Estela has a very personal relationship with Jesus, and seeks his advice on how to get Roberto to notice her as a woman. ~ Clarke Fountain, Rovi

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Starring:
Hugo Soto
 
1976  
R  
John Cassavetes takes a contemporary film noir turn (which he would return to in Gloria) after exploring domestic melodrama in A Woman Under the Influence with The Killing of a Chinese Bookie. Ben Gazzara plays Cosmo Vitelli, the owner of a sleazy Los Angeles strip joint, who loses $20,000 at a mob gambling club owned by a small time gangster (Seymour Cassel). Since Cosmo doesn't have the $20,000, he is forced to murder a Chinese bookie in order to clear his debt to the mob. What Cosmo doesn't know is he's part of a set-up. The bookie is actually a West Coast mob boss protected around the clock by bodyguards. The mobsters figure that Cosmo will be killed in an impossible hit and they can take over his nightclub. But Cosmo proves luckier than the mobsters think -- he manages to kill his target, and now the mobsters have to track down Cosmo and kill him. Initially, at 133 minutes, the movie was subsequently re-edited by Cassavetes to 109 minutes. ~ Paul Brenner, Rovi

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Starring:
Ben GazzaraTimothy Carey, (more)