Luis Alberni Movies

Based on the Holy Scriptures, with additional dialogue by several other hands, The Ten Commandments was the last film directed by Cecil B. DeMille. The story relates the life of Moses, from the time he was discovered in the bullrushes as an infant by the pharoah's daughter, to his long, hard struggle to free the Hebrews from their slavery at the hands of the Egyptians. Moses (Charlton Heston) starts out "in solid" as Pharoah's adopted son (and a whiz at designing pyramids, dispensing such construction-site advice as "Blood makes poor mortar"), but when he discovers his true Hebrew heritage, he attempts to make life easier for his people. Banished by his jealous half-brother Rameses (Yul Brynner), Moses returns fully bearded to Pharoah's court, warning that he's had a message from God and that the Egyptians had better free the Hebrews post-haste if they know what's good for them. Only after the Deadly Plagues have decimated Egypt does Rameses give in. As the Hebrews reach the Red Sea, they discover that Rameses has gone back on his word and plans to have them all killed. But Moses rescues his people with a little Divine legerdemain by parting the Seas. Later, Moses is again confronted by God on Mt. Sinai, who delivers unto him the Ten Commandments. Meanwhile, the Hebrews, led by the duplicitous Dathan (Edward G. Robinson), are forgetting their religion and behaving like libertines. "Where's your Moses now?" brays Dathan in the manner of a Lower East Side gangster. He soon finds out. DeMille's The Ten Commandments may not be the most subtle and sophisticated entertainment ever concocted, but it tells its story with a clarity and vitality that few Biblical scholars have ever been able to duplicate. It is very likely the most eventful 219 minutes ever recorded to film--and who's to say that Nefertiri (Anne Baxter) didn't make speeches like, "Oh, Moses, Moses, you splendid, stubborn, adorable fool"? ~ Hal Erickson, Rovi

Alan Ladd plays the title role in Captain Carey USA. A former OSS operative, Captain Carey returns to Italy after the war to avenge the death of resistance worker Giulia (Wanda Hendrix). Much to his surprise, Carey finds that his "deceased" lover is not only still alive, but also the wife of a powerful Italian nobleman (Francis Lederer). He also discovers to his sorrow that the far-from-grateful Italian villagers hold the Americans responsible for their current financial travails. Still, Carey sticks around, hoping to flush out the traitor who'd caused the wartime deaths of several of his OSS colleagues. The box-office success of Captain Carey USA was enhanced by the incidental musical number "Mona Lisa," which subsequently won an Academy Award. ~ Hal Erickson, Rovi

In this melodrama, a brilliant pianist is struck blind in an accident and stops working on his equally brilliant concerto. A wealthy woman pretends to be poor and blind to help him regain his confidence, and holds a contest with a large prize for the best musical composition. She, as the blind girl, encourages him to finish his work and enter it. He wins the prize, uses the money to have his sight restored, falls in love with the wealthy woman, and is thrilled to find that his two loves are one and the same. ~ Steve Huey, Rovi

In this tuneful comedy, an opera talent scout is in the country one day when he overhears a beautiful hillbilly milkmaid singing to her cow. The gal has an exquisite voice and he immediately snaps her up and takes her to the big city to become his newest star. Unfortunately, for all her musical gifts, the poor girl couldn't act her way out of a milk pail and so the wily agent has her sing off-stage while her double performs on stage. Things go okay for a time, but then the singer rebels, finding opera music tiresome and too snobby. One night she decides to sing her own version of Rossini's "William Tell" which she calls "Tillie Tell." The audience goes mad with delight and she becomes a great success. ~ Sandra Brennan, Rovi

Danny Kaye plays the first of his cinematic dual roles in Goldwyn's Wonder Man. Kaye appears as timid librarian Edwin Dingle and Edwin's extroverted twin brother, nightclub entertainer Buzzy Bellew. When Buzzy witnesses a gangland shooting, he himself is rubbed out by mob boss Ten-Grand Jackson (Steve Cochran, in his movie debut). Before long, Edwin is visited by Buzzy's ghost, who persuades his bookish brother to help bring Jackson to justice. For the rest of the film, poor Edwin is possessed by his brother's sportive spirit, causing no end of confusion for Edwin's demure lady friend Ellen Shanley (Virginia Mayo) and Buzzy's more outgoing girlfriend, dancer Midge Mallon (Vera-Ellen, also making her first film appearance). Done up in splashy Technicolor, Wonder Man is perhaps Kaye's best Goldwyn-produced vehicle, permitting him to play a character (or characters) rather than a caricature. Highlights include an opera spoof (a variation of which showed up in Kaye's 1954 feature Knock on Wood), Danny's allergic rendition of "Otchi Chornya," and a wonderful vignette wherein Kaye imitates all the "inhabitants" of a pet shop. ~ Hal Erickson, Rovi

Rainbow Island is a lavish Technicolor confection designed to show off the physical attributes of star Dorothy Lamour. This time Lamour is a white girl raised as native on a tropical isle. Barry Sullivan, Eddie Bracken and Gil Lamb play merchant-marine sailors hiding from Japanese troops on Lamour's island. The storyline may have had dramatic inclinations, but these are forgotten amidst several seductive musical numbers and numerous shots of Dorothy swaying in her patented sarong. Perhaps aware that no one could have taken this film seriously, Ms. Lamour plays her role for laughs, and gets them. Rainbow Island was based on a story by silent screen star Seena Owen, the "Dorothy Lamour" of her time. ~ Hal Erickson, Rovi

PRC's Machine Gun Mama is the sort of comedy that tries to get laughs by invoking the name of Brooklyn. Wallace Ford and El Brendel play a couple of American dimwits who find themselves travelling through Latin America with an elephant. Why an elephant? So Wally and El can sell the pachyderm to a broken-down carnival, thereby making the acquaintance of Armida, who is the prettier half of a trick-shooting act. What we have here is essentially a two-reel comedy, inflated to 61 minutes. ~ Hal Erickson, Rovi

Originally slated for PRC release, Voice in the Wind was eventually distributed by United Artists. The film was directed by the estimable Arthur Ripley, a graduate of 2-reel comedies who aspired to bring art with a capital "A" to the cinema. Francis Lederer stars as Jan Foley, an amnesiac Czech musician who has suffered mightily under Nazi tyranny. Living under a new identity on the island of Guadalupe, Jan tries to recall his past life while working for crooked refugee-smuggler Angelo (Alexander Granach). During a moment of crisis which results in Angelo's death, Jan suddenly regains his memory. He hurries back to the bedside of his ailing wife Marya (Sigrid Gurie), hoping against hope that he won't be too late to start life anew with her. As one critic put it, the film "could be bluntly described as one of the pictures that is considered brilliant because everybody dies at the end." Though Arthur Ripley's self-conscious symbolism doesn't wear too well, Voice in the Wind deserves credit for going against the grain of conservative Hollywood assembly-line entertainment. ~ Hal Erickson, Rovi

This musical comedy stars radio star Al Pearce has a double role playing himself and Elmer Blurt, the leader of a small-town band that struggles toward stardom in the big city. Their journey begins when Elmer decides to eject their female singer because she isn't really right. Unfortunately, her angry father is their sponsor and when he finds out, he withdraws all support. Fortunately, an aspiring singer learns of the band's plight and decides to pay for them to hit the Big Apple, but only on the condition that she become the new singer. Thanks to a successful radio performance, the band gets a lucrative gig at a major nightclub. Songs include "Straighten Up and Fly Right," "Don't Be Afraid to Tell Your Mother," "Hitch Old Dobbin to the Shag Again" and "Put on Your Old Grey Bonnet." ~ Sandra Brennan, Rovi

The title of this low-budget Universal musical was lifted from the Andrew Sisters' hit song, introduced in 1941's Buck Privates. Evelyn Ankers stars as Lynn, who in order to collect an inheritance must quickly wed dull old Harvey (David Bruce). En route to her marriage by train, Lynn is reluctantly paired up with Tony (Allan Jones) by Tony's precocious, matchmaking sister Peggy (Patsy O'Connor). Lynn's wedding plans are spoiled when she's tricked into a marriage with Tony, but all's right with the world by film's end. No fewer than ten songs are crammed into the film's 63 minutes, five of them performed by the King's Men Quartet. ~ Hal Erickson, Rovi

The title of this "Lum 'N' Abner" comedy isn't explained until the film is half over. Chester Lauck and Norris Goff repeat their radio characterizations of Lum and Abner, proprietors of the Jot-Em-Down Store in Pine Bluff, Arkansas. This time, the boys journey to Chicago, where Abner hopes to collect his share of an inheritance, only to find out that they're responsible for their "benefactor's" debts. Required to take a medical exam, Abner is incorrectly informed that he has only two weeks to live (from the motion picture of the same name). In their efforts to raise enough money to square their debts, Our Heroes get mixed up with a Nazi spy ring. When this plot point is abruptly dropped (indeed, it looks as though the script was being made up as it went along), Abner agrees to take an experimental rocket trip to Mars for a huge cash sum. The climactic special effects are as ridiculous as the rest of the film; even so, Two Weeks to Live did well at the box-office thanks to the popularity of the Lum 'N' Abner radio show. ~ Hal Erickson, Rovi

As PRC pictures go, the modest Harvest Melody is practically a spectacular. Rosemary Lane plays former film star Gilda Parker, who hopes to regain her popularity with a carefully staged publicity stunt. Aiming for the "rural" trade, Gilda goes to work on a farm at harvest time. At the behest of Gilda's fast-talking agent Chuck (Sheldon Leonard), several other show-bizzers begin pitching hay alongside our heroine. A little more altruistic than Gilda is farmer's son Tommy (Johnny Downs), who turns down a chance at a movie contract to devote his energies to the establishment of a patriotic National Farm Labor Club. But he doesn't turn down Gilda, allowing the film to end happily. Outside of its better-than-average cast, the most impressive aspect of Harvest Melody is the glittering new PRC logo at the beginning of the film. ~ Hal Erickson, Rovi