Paul Sorvino Movies

Warren Beatty directed, co-produced (with Pieter Jan Brugge), co-scripted (with Jeremy Pikser), and stars in this political satire, a comedy-drama about a U.S. senator who decides to start speaking the truth. Despondent California Sen. Jay Bulworth (Beatty), up for re-election, is disillusioned by the usual campaign banalities; his marriage to Constance (Christine Baranski) seems equally hollow. In the midst of a nervous breakdown, Bulworth goes without sleep or food for three days and takes out a $10 million insurance policy on himself while arranging his own assassination. Drinking during a return to Los Angeles, Bulworth is scheduled to speak at an African-American church in South Central L.A. Once there, he tosses aside his prepared speech, startling both the audience and his campaign manager Murphy (Oliver Platt) by improvising truthful remarks instead of the familiar rhetoric. These loose-cannon salvos gain the attention of an attractive young woman, Nina (Halle Berry). Bulworth finds an exhilaration with this new freestyle approach, and after shocking a gathering in Beverly Hills with further fulminations, Bulworth invites Nina and her girlfriends into his limo. During a spaced-out sojourn at one of South Central's more frenzied after-hours clubs, Bulworth gains respect for hiphop culture. Still reeling from insights gained by this nightlife, he arrives the next day for a fund-raising function at the Beverly Wilshire, startling everyone with a diatribe delivered in the intonations of a rap artist. His interest in Nina and his new optimistic outlook on life give Bulworth a sense of elation and a will to live. He phones to call off the hit, but gears have been set in motion. After an assumed hitman turns up during a church appearance, Bulworth flees, and Nina offers him a safe-house hideout at the home of her family, veterans of the Civil Rights movement. Here Bulworth goes through the final steps in his transformation -- making a Kennedy-styled connection with the disenfranchised as he tunes into forgotten memories of the '60s. Outfitted in homeboy clothing, the born again Bulworth heads for a TV station to unleash even more caustic comments on the American political scene. Language and drug use brought this film an R rating. ~ Bhob Stewart, All Movie Guide

The potential witnesses to a mysterious murder all become suspects when a determined detective fails to crack the case in a hard-boiled mystery directed by Edward Vilga and starring Jill Hennessy, Paul Sorvino, and John Glover. When gunshots pierce the black stillness of the night and a body plunges into the icy depths of a deserted pier, an unidentified call to 911 sets into motion a curious series of chilling events. Though a subsequent murder outside of the Polite Persistence debt collection agency adjacent to the pier leads detective Sam (John Glover) to sense a connection between the two crimes, the tight-lipped employees of the agency seem to be taking extra caution to hide something big. Someone has to hold the key to this mystery, and whether it's the mob-connected Harvey (Sorvino), agency black sheep James (Justin Theroux), short-fused Frankie (Patricia Scanlon), anal-retentive Walter (Tony Roberts) or once-shady single mom Kate (Hennessy), Sam vows to crack the tough case even if it costs him his life. ~ Jason Buchanan, All Movie Guide

Actor-comedian-talk show host Keenen Ivory Wayans stars in his own action thriller screenplay about a war hero who becomes the fall guy in a frame-up. During the Persian Gulf War, U.S. Marine Sgt. James Dunn (Wayans) refuses to shoot a young shepherd, struggles with a superior officer, and winds up with a murder conviction. Sentenced to death in a military prison, Dunn is rescued from a prisoner-transport bus and selected for a special covert "Black Sheep" unit commanded by Lt. Col. Grant Casey (Jon Voight). Casey offers Dunn freedom if he will aid their battle against corrupt industrialist Donald Bickhart (Robert Culp). During the dedication of a Los Angeles medical research building, the First Lady is assassinated, and Dunn discovers that he has been set up as the trigger-man. Caught in a conspiracy, Dunn relies on his own survival skills and expert military training to elude those in pursuit, including corrupt Army superiors plus police and government agents. To clear his name and expose the real killers, Dunn kidnaps Dr. Victoria Constantini (Jill Hennessy), an eyewitness who made a videotape of the assassination. Now he has the evidence he needs and an uncooperative hostage, but after a $10 million bounty is announced, his situation gets even more desperate as he finds himself chased through the streets of Los Angeles by an immense money-hungry crowd hoping to collect the reward. The freeway filming of this chase featured an unprecedented stunt -- 16 stunt people simultaneously hit by 20 cars. Another stunt required a leap from a 45-story building. ~ Bhob Stewart, All Movie Guide

In this noir-influenced road movie, Jake (Robert Forster) is a criminal psychiatrist who has come to the conclusion that our lives are dictated primarily by chance, and has given himself over to this notion by making most of his decision by the flip of a coin. Sandra (Amanda Plummer) is a neurotic woman on her way to pick up her younger sister, a teenage delinquent named Alice (Fairuza Balk) when she's run off the road and left stranded by a madman named Santini (David Thewlis). When Jake happens by and Sandra asks him for help, Sandra is lucky at first: she wins the coin toss, and he elects to help her rather than kill her. When they have to make a stop, Sandra sees Santini's car parked by the side of the road; Santini catches Sandra as she tries to rip off some money that he's stashed in the car, and though she gets away, Santini isn't done with her yet. Director Paul Chart probably didn't have much trouble securing Amanda Plummer for the role of Alice: Chart and Plummer were married in 1994. ~ Mark Deming, All Movie Guide

The classic Shakespearean romantic tragedy is updated by director Baz Luhrmann to a post-modern Verona Beach where swords are merely a brand of gun and bored youths are easily spurred toward violence. Longtime rivals in religion and business, the Montagues and the Capulets share a page from the Jets and Sharks of West Side Story when they form rival gangs. Romeo (Leonardo DiCaprio) is aloof toward the goings-on of his Montague cousins, but after he realizes that Juliet (Claire Danes) is a Capulet at the end of one very wild party, the enmity between the two clans becomes the root of his angst. He relies heavily -- and with serious consequences -- on his rebel gender-bender of a friend, Mercutio (Harold Perrineau Jr.), and Father (not Friar) Lawrence (Pete Postlethwaite) for protection and support. Romeo is, of course, exiled, and it looks like Juliet will be forced into an arranged marriage with the bland Paris (Paul Rudd). It ends, as Romeo and Juliet must, when Romeo hears a tragic piece of misinformation and brings his suicide wish to what was meant to be Juliet 's temporary tomb. This time, though, the turf and the weapon of choice have taken a turn toward the surreal. ~ Tracie Cooper, All Movie Guide

In this crime drama, a tough San Francisco policeman is shocked to discover that his recently murdered partner was actively involved in departmental corruption. ~ Sandra Brennan, All Movie Guide

Oliver Stone, the most outspokenly political American filmmaker of the 1980s and '90s, directs this epic-length biography of Richard Nixon, the 37th President of the U.S., who was re-elected by a landslide in 1972, only to resign in disgrace two years later. Taking a non-linear approach, Nixon jumps back and forth between many different periods and events, from Nixon's strict upbringing at the hands of his Quaker mother, through the many peaks and valleys of his political career, to his downfall in the wake of the Watergate scandal. The facts of his life are blended with supposition and speculation to create a portrait that is often critical of the man's policies but displays an unexpected compassion toward his failings as a human being. Anthony Hopkins stars as Nixon, Joan Allen plays his long-suffering wife Pat, Mary Steenburgen portrays his mother Hannah, Bob Hoskins is cast as J. Edgar Hoover, Powers Boothe plays Alexander Haig, Paul Sorvino portrays Henry Kisinger, and Ed Harris plays E. Howard Hunt. ~ Mark Deming, All Movie Guide

Though by now accustomed to interference from the various members of his family tree, Worf is nonetheless unprepared for the problems wrought by his foster brother Nikolai (Paul Sorvino). In order to save the doomed Boralaan race, Nikolai defiantly violates the Prime Directive. Will Worf join forces with Nikolai, or will he remain loyal to the Federation? First broadcast January 22, 1994, "Homeward" was scripted by Naren Shankar, from a story by Spike Steingasser. ~ Hal Erickson, All Movie Guide

Creative casting sets this made-for-television movie slightly ahead of the pack, despite the somewhat familiar story found often in 1980s tough love movies. Jennie Garth stars as Laura Mills, an apathetic teen who's more of an aggravation to her parents than genuine threat. After some stern warnings prove fruitless and culminate with a drunk-driving accident, Laura's tired parents (Jill Eikenberry, Tom Irwin) send her off to a teen psychiatric center for some counseling. Soon after her arrival, Laura finds herself amongst drugged and restrained kids, admitted only for the value of their health insurance coverage. Paul Sorvino is effective as the cold hospital director and Helen Shaver is endearing in her small but memorable role as teen advocate. ~ Bernadette McCallion, All Movie Guide

Another major casting change occurred during the third season of Law & Order, although not until the series had offered eight episodes. In "Prince of Darkness," an undercover police operation goes tragically awry, and Detective Phil Ceretta (Paul Sorvino) ends up seriously wounded. Though Ceretta would recover sufficiently to take up a desk job, Sorvino himself decided to leave the series for good; like George Dzundza before him, the actor felt that the series' format was too confining for his talents. Brought in as Mike Logan's (Chris Noth) new partner was Jerry Orbach as laconic veteran detective Lennie Briscoe, a recovering alcoholic with a multitude of family problems (which, in fine old Law & Order tradition, were only revealed to the audience on a "need to know" basis). At the time Orbach joined the series, there was much speculation (usually tongue-in-cheek in nature) as to how long it would be before he, too, was shot down in the line of duty, just like Logan's two previous partners, Greevey and Ceretta. As it turned out, Orbach not only outlasted Noth as Logan, but by season 13, he had been on the series longer than any other regular. A few stylistic changes marked season three. The "street action" was more or less cut to the bone, as was the background music. Also, in answer to viewer demand, the handheld camerawork became more steady and less distracting. One thing still remained constant from season one: the series' lack of regular female characters. At least Carolyn McCormick, in the recurring role of police psychologist Dr. Elizabeth Olivet, was spotlighted in the compelling episode "Helpless." Once again, Law & Order was honored with several Emmy nominations during the 1992-1993 season. This time out, the series copped the Emmy twice, for Elaine Stritch's guest-star turn in "Point of View" and for Constantine Makris' photography. Ratings remained steady, if not spectacular, but things would change dramatically during the next season. ~ Hal Erickson, All Movie Guide

Single parent Victoria Principal is justifiably driven into a blind rage when her 11-year-old daughter (Danielle Harris) is molested. Thanks to legal loopholes, the girl's attacker is set free. Victoria swears vengeance, and intends to get it by any means possible, despite the level-headed remonstrations of cop Paul Sorvino. Also known as Nightmare, the made-for-TV Don't Touch My Daughter debuted April 7, 1991. Its director was John Pasquin, who later helmed the innocuous, family-oriented theatrical feature The Santa Clause. ~ Hal Erickson, All Movie Guide

Warren Beatty directed and starred in this big-budget action comedy featuring Chester Gould's square-jawed, two-dimensional comic strip detective. Ruthless gangster Big Boy Caprice (Al Pacino) touches off a gang war against underworld boss Lips Manlis (Paul Sorvino), with Big Boy and his minions rubbing out enough of Manlis's goons (along with Manlis himself) to take over his nightclub, and a healthy percentage of the city's criminal activities in the process. Caprice also gains proprietary rights to Manlis's girlfriend, nightclub chanteuse Breathless Mahoney (Madonna). Big Boy's next move to is unite the rest of the city's crooks under his command; this wave of corruption attracts the attention of lawman Dick Tracy, who is determined to smash Caprice's criminal network once and for all. As Tracy plots to put Big Boy behind bars where he belongs, Breathless uses her considerable charms in an attempt to sway Tracy from the path of righteousness; this causes no small amount of anxiety for Tracy's long-suffering female companion, Tess Trueheart (Glenne Headly), and the street-smart kid (Charlie Korsmo) they've been keeping an eye on. The various bad guys, heavily made up to resemble Gould's cartoon characters (though Beatty is not made up to resemble Tracy), include Dustin Hoffman, James Caan, R.G. Armstrong, and William Forsythe. ~ Mark Deming, All Movie Guide