Ted Sorel Movies

A wealthy older woman is found murdered in her apartment. By the time the police and the D.A.'s office catch up with the likeliest suspect -- the woman's much-younger lover, Steven Gregg (Richard Cox) -- he is fully prepared to accept a plea bargain. But the case proves to be far from cut-and-dried when further investigation reveals that Gregg was lying about the last time he saw the victim alive. ~ Hal Erickson, Rovi

Already having endured several consecutive sleepless nights (there's a noisy squirrel in her attic), Helen (Crystal Bernard) suffers a concussion -- whereupon the doctor (Ted Sorel) tells her that she must stay awake for another 24 hours. Thus it is that Brian (Steven Weber) and Joe (Tim Daly) appoint themselves Helen's waker-uppers, leading to an unexpected (and slightly erotic) complication. Meanwhile, Lowell (Thomas Haden Church) tries to come up with an appropriate eulogy for his late friend and fellow mechanic Weeb Gilroy. ~ Hal Erickson, Rovi

Viewers familiar with the trial of the Mendendez Brothers may recognize a few similarities in this Law & Order episode. A wealthy couple is murdered in their home, and it looks as if the killers were the victims' own sons, Nick and Greg Jarman (Matt Hofherr, Stephen Mailer). The Defense's claims that the boys were defending themselves against their father's abuse do not hold much water with the D.A.'s office, nor does the pressure brought to bear by the other members of the suspects' powerful and influential family. And then comes a startling and wholly unexpected development in the case. ~ Hal Erickson, Rovi

The production team responsible for the twisted cult classic Re-Animator -- including director Stuart Gordon and producer Brian Yuzna -- returned the following year with this equally depraved (perhaps more so) follow-up, based once again (and very loosely) on the pulp-horror fiction of H.P. Lovecraft. Also returning to the fray is Jeffrey Combs, here playing the mild-mannered Crawford Tillinghast, apprentice to the dangerously obsessed Dr. Pretorious (Ted Sorel) and co-inventor of an enigmatic and ominous-looking device known as "The Resonator" -- a machine designed to stimulate the vestigial sensory apparatus contained within the human pineal gland. Such stimulation allows participants to "see" the slimy creatures which occupy a dimension parallel to our own, but with some chilling side effects -- the first of which being that the interdimensional vision works both ways. When a powerful sentient force devours Pretorious and assumes his consciousness, Tillinghast panics and destroys the Resonator -- soon to find himself in a padded cell, accused of his mentor's murder. Called to the case are Dr. McMichaels (Barbara Crampton, another Re-Animator alum) and amiable cop Bubba Brownlee (Dawn of the Dead's Ken Foree), who escort Tillinghast back to the shattered laboratory in an attempt to corroborate his deranged account by re-creating the experiment. Their attempts are all too successful, and the Pretorious-thing emerges to take control of the reactivated Resonator and draw the others into its hideous realm. Also called forth are the participants' darkest sexual desires -- another interesting by-product of pineal stimulation -- and, in Tillinghast's case, an uncontrollable urge to devour human brains. Just when it seems it can't get any weirder...it does. Gordon explores this demented scenario with relish, allowing nearly every scene to go completely over the top into surreal mayhem while retaining the dark brooding sense of menace characteristic of Lovecraft's work. (It's not likely, however, that the author's dignified upbringing would have explored the psychosexual dimensions of the premise -- at least not in the kind of detail seen here.) All manners of perversities abound, accompanied by the wizardry of four dueling special-effects studios and the rich, creepy score by Richard H. Band, bringing the film to a literally explosive climax and a chillingly poetic final shot. ~ Cavett Binion, Rovi

James Coburn stars in this TV movie as the powerful head of a major law firm. Glynnis O'Connor is the firm's prize attorney--and also the lover of Coburn's son Ted Wass, a blue-collar worker long estranged from his father. Coburn stages a reconciliation with his son, but it's only so he can enjoy Glynnis' sexual favors himself. After only token resistance, Glynnis defers to Coburn's desires. The question raised by Sins of the Father: which of the two lawyers is the most opportunistic? ~ Hal Erickson, Rovi