Mark Soper Movies

The Oprah Book Club best-seller by Janet Fitch makes it to the big screen in this adaptation from British director Peter Kosminsky. White Oleander recounts the traumatic adolescence of Astrid Magnusson (Alison Lohman), who finds herself an orphan after her short-fused, enigmatic artist mother Ingrid (Michelle Pfeiffer) is carted off to prison on murder charges. Astrid first finds herself in the care of Starr (Robin Wright Penn), a garish, born-again mother of two with a gruff but sensitive boyfriend (Cole Hauser). From there, she's shunted back to a state-run facility, where she tangles with other troubled teens and finds temporary solace in the arms of Paul (Patrick Fugit), a dough-faced comic book artist with dreams of moving to New York City. Astrid then lucks into a living arrangement with a successful but insecure actress (Renee Zellweger) who offers her unconditional love. But Ingrid's stifling influence continues to haunt her daughter, whether through the occasional prison visit or via manipulative letters to Astrid's caretakers. White Oleander received a Gala North American premiere at the 2002 Toronto Film Festival before reaching multiplexes later that fall. ~ Michael Hastings, Rovi

Director Jon Turteltaub followed up the hit While You Were Sleeping (1995) with this fantasy similar to Charly (1968) and a film from the previous year, Powder (1994). John Travolta stars as George Malley, a humble mechanic in a rural California town. On his 37th birthday, George celebrates at a pub with friends Nate (Forest Whitaker) and Doc (Robert Duvall), the local physician. When he steps outside, George observes a bright light in the sky that knocks him briefly unconscious. When he awakens, George has incredible intellectual powers. He checks books out of the library in armfuls, becomes an inventor, a psychic, has telekinetic powers, predicts an earthquake, and memorizes Portuguese in minutes. Using his newfound powers, George becomes a hero, but he can't totally win over the spooked townsfolk or the standoffish Lace (Kyra Sedgwick), a single mom burned by love once too often. As George's kindness breaks down Lace's reserve and a romance begins, his fame spreads, bringing him to the attention of the FBI and curious university scientists. Similarities between George's powers and the alleged benefits of Travolta's religion, Scientology, led to charges that the film was veiled pro-Scientology propaganda. ~ Karl Williams, Rovi

Perry Parker (Joe Pantoliano) is a Philadelphia dance-show host who hopes to take the place of Dick Clark after the world's oldest teenager takes his show to Hollywood in 1965. Del Green (Donovan Leitch) is a college-bound high schooler who crashes the Dance Party and becomes a favorite of the teen audience. He becomes the dance partner of Vicky (Jennifer Runyon), the pretty blonde star dancer of the popular show. Del soon must decide whether or not to remain a teen tube fave or attend an Ivy League college, and he must also deal with the trial of peer pressure. Plenty of music from the mid 1960s is provided, including "Land Of 1,000 Dances" and the well-crafted instrumental "Cast Your Fate To The Wind" by Vince Guaraldi. ~ Dan Pavlides, Rovi

The made-for-TV Parole stars the music of Bob Dylan and Sting. Actually, it stars James Naughton, but the music is (or should have been) the selling angle. Naughton portrays street-smart Boston parole officer Andy Driscoll, who takes a personal interest in each of his charges and tries to mainstream them into decent society. The plot concentrates on one such parolee, played by Mark Sopper, who considers returning to crime after losing his girl, his job and his home. The film's studied grittiness is undercut by a contrived car chase and a phony happy ending. Watch for Ellen Barkin in the supporting role of "Donna." Filmed as a TV pilot in late 1980, Parole was not telecast until September of 1982. ~ Hal Erickson, Rovi

The 1982 film version of the John Irving novel The World According to Garp attempts to captures the quirky spirit while condensing the Irving original. Robin Williams plays the title character, the son of unmarried, unorthodox feminist Jenny Fields (Glenn Close, in her film debut). Every effort made by Jenny to broaden Garp's outlook on life -- she even arranges for him to spend the night with a hooker (Swoosie Kurtz) -- crams more fears and phobias into his psyche. Aspiring to become a novelist, Garp succeeds in this goal at the same time that his mother publishes her first feminist manifesto. Though successful and happily married to college sweetheart Helen Holm (Mary Beth Hurt), Garp remains envious of his fearless mother, who has taken in the radical "Ellen Jamesians," a group named after a young woman who had her tongue cut out by a rapist. Mutilation, in fact, becomes something of a leitmotif in Garp's life, climaxing (in every sense of the word) in an auto accident brought about by Helen's tryst with Michael Milton (Mark Soper). There is, of course, much more to the story than this: standing out amongst the dozens of offbeat supporting characters is John Lithgow as Roberta Muldoon, a transexual ex-football jock. John Irving appears as a referee during a college wrestling match, while director George Roy Hill plays the pilot whose low-flying plane crashes into Garp's new home. The World According to Garp didn't attract as large an audience as other, more conventional Robin Williams vehicles, though Close and Lithgow would both be nominated for Best Supporting Actor statues. ~ Hal Erickson, Rovi