Elke Sommer Movies

Invisible Strangler tells the story of a boy who strangles his mother and while in a mental institution finds books which give him the key to making himself invisible. He then escapes from the hospital and goes on a murder spree, strangling his mother's friends in a series of unintentionally hilarious episodes, while they sit in their comfortable, expensive homes. The detective assigned to the case, Lt. Charles Barrett (Robert Foxworth) devises an unusual way to dispose of the killer. Sue Lyon, previously seen in Lolita, has a tiny role, as does Elke Somer. Originally shot in 1976 and titled The Astral Factor, this silly, obvious film sat on the shelf for 10 years before being released directly to video ~ Linda Rasmussen, All Movie Guide

This Italian horror outing is made even more horrible by the fact that the first two thirds were originally a complete feature, Lisa and the Devil by Mario Bava and the last third was tacked on later to capitalize on the continued popularity of The Exorcist by producer Alfredo Leone thereby nearly obliterating the spooky tone created in Bava's original. Innocent, voluptuous Lisa's travails begin when she sees a wax mannequin in her own image. She then sees a sinister fellow, whom she knows is the devil, hanging around nearby and runs for her life. Unfortunately, she ends up hiding in the mansion of a typical creepshow psycho family who prefer spending their evenings making love to everything and every one that moves, or doesn't move in the case of one necrophiliac. If that weren't creepy enough, Lisa gets a luck at the butler and realizes that he is old Satan himself. Surprise! Soon she finds herself possessed and doing the things that post Exorcist demonized movie stars are expected to including the obligatory projectile vomiting (this time it's frogs rather than pea soup), lasciviousness and a few levitation exercises until the brave exorcist arrives to cure her. ~ Sandra Brennan, All Movie Guide

An Italian-French-Spanish version of the much-filmed Agatha Christie story, this film is strangely set in Iran, not Great Britain. Ten guests are invited to a remote desert inn and informed that the mysterious host has described in a nursery rhyme how they will all die during the gathering. One by one, the characters, played by such Continental stars such as Elke Sommer and singer Charles Aznavour as well as Britons Oliver Reed and Richard Attenborough, dwindle in number, each in accordance with a verse of the nursery rhyme, until only a few remain. The final characters then plot to ensnare the criminal mastermind behind the weekend of mayhem. ~ Michael Betzold, All Movie Guide

In this chiller from Italian director Mario Bava, Elke Sommer stars as Lisa, a young tourist who keeps running into a strange bald man who carries around a mannequin. The bald man is Leandre (Telly Savalas), the butler at the estate of a blind Countess (Alida Valli) and her slightly off-kilter son Max (Alessio Orano). In a bizarre turn of events, Lisa kills a man in self-defense and winds up hitching a ride with Frances Lehaf, his wife Sophia (Sylva Koscina), and her chauffeur/lover George. Car troubles land them at the Countess' estate where Lisa is plagued by strange dreams and visions of the man she killed. More troubling for Lisa is that both the dead man and Max appear to know her. Meanwhile, the other guests begin to die: George is murdered by an unseen assailant, Sophia runs over her husband with the car, and then is dispatched herself by a killer who is revealed to be Max. Lisa awakens in Leandre's room full of dummies and runs off through the house. She encounters Max, who shows her the skeletal remains of Eleanor, the lover he killed for having an affair with his stepfather. Max believes that Lisa is Eleanor reincarnated. After an odd sex scene, he is confronted by his mother whom he winds up stabbing to death. Moments later, she reappears and the shock sends Max falling to his own death. Lisa awakens in the house, which now appears to have been abandoned for decades. She boards an airplane to head home, but in a chilling climax, she discovers the plane devoid of all passengers...except for a few old friends including the diabolical Leandre. ~ Patrick Legare, All Movie Guide

Low-brow British humor abounds in this farcical account of Edwin Anthony, the first man to receive a successful penis transplant. Anthony becomes quite attached to his new appendage and even gives it the title name. The alleged humor comes in when Anthony and Percy set out to investigate the life of the latter's former owner. ~ Sandra Brennan, All Movie Guide

Gino (Jean Servais) breaks out of jail and visits his friend Tony (Gary Lockwood) with a plan to rob an armored car. Although both men are motivated by greed, Tony says no to the risky proposition. When Gino is killed by some trigger-happy cops, Tony decides to avenge his death by going ahead with the robbery. Tony, a Vegas blackjack dealer, takes up with Ann (Elke Sommer), the private secretary of Shorsky (Lee J. Cobb), the owner of the armored-car company. With the help of some inside information from Ann, Tony and his henchmen pull off the heist, and the car seems to disappear in the desert. Treasury agent Douglas (Jack Palance) is called in to solve the mystery of the vanishing truck. As he closes in, the gang gets nervous when they can't open up the truck and everyone pulls out their guns in an unbridled display of greed and paranoia. ~ Dan Pavlides, All Movie Guide

There must be some significance to the fact that neither Jean Negulesco nor chroniclers of his career are eager to include The Invincible Six in the director's credits. This US/Iran coproduction (obviously filmed before 1977) stars Stuart Whitman as the top dog of a group of criminals. Failing to swipe the Tehran crown jewels, Whitman's gang heads for the rural regions, where they offer protection (for a price) to a small village. Elke Sommer wants the crooks to help her find a treasure, using a map that she's appropriated through questionable means. But when Whitman's minions defend the village against an attack by Iranian bandits, the map is destroyed. Only momentarily daunted, Elke joins the Invicible Six for the next adventure. Oh, almost forgot: There's some dancing in The Invincible Six, choreographed by Rudolph Nureyev. No, really. ~ Hal Erickson, All Movie Guide

In this spy thriller, Robert Vaughn, who then starring on TV's The Man from U.N.C.L.E., plays Bill Fenner, an ex-CIA agent who is called upon by his former boss, Frank Rosenfeld (Ed Asner), to investigate an apparent murder-suicide in Vienna. An American diplomat exploded a bomb at a peace conference, killing himself and all the attendees. Rosenfeld fired Fenner because his wife, Sandra Fane (Elke Sommer), was unmasked as a Communist. Now Rosenfeld tells Fenner that his wife may have been involved with Soviet agents behind the Vienna incident. Fenner eventually finds Sandra, who is hiding from the real bombing culprit, Robert Wahl (Karl Boehm). The story was based on a novel by Helen MacInnes. ~ Michael Betzold, All Movie Guide

In this romantic drama, a harried man abandons his wife in favor of the quiet life on a remote island in the Adriatic Sea. His mother is devastated and hires a beautiful private detective to track him down and bring him back. Later the son and the investigator fall in love and, against the wishes of his mom, marry. ~ Sandra Brennan, All Movie Guide

A heartless actor scrambles to the top of show business' sleazy summit in this drama. Frank Fane (Stephen Boyd) is a Hollywood leading man who is desperate to boost his career by winning an Academy Award, and he doesn't care who he has to betray to achieve his goals -- including his former best friend and PR man, Hymie Kelly (Tony Bennett), lonely acting coach Sophie Cantaro (Eleanor Parker), slimy agent Kappy Kapstetter (Milton Berle), and long-suffering girlfriend Kay Bergdahl (Elke Sommer). However, as Frank waits for his name to be called, certain that victory is in his grasp, fate has a little secret in store for him. The Oscar marked Tony Bennett's onscreen acting debut. The screenplay, based on the novel by Richard Sale, was written in part by award-winning author Harlan Ellison, who is known to often take comical potshots at the film, which he considers a low point in his career. ~ Mark Deming, All Movie Guide

Usually cited as the absolute nadir of Bob Hope's film career, Boy, Did I Get a Wrong Number! is by no means a classic, but it isn't nearly as bad as some of his other sixties efforts (take a look a Private Navy of Sgt. O'Farrell sometime). The plot is set in motion by movie sex bomb Elke Sommer, who flees from the set of her latest picture when she refuses to do yet another bathtub sequence. Sommer hides out in the home of real estate agent Hope, who is forced to keep the buxom starlet under wraps lest his wife Marjorie Lord misunderstand. Phyllis Diller plays Hope's maid, who conspires with her boss to keep Sommer out of sight. The plot lumbers forward to a wild climax wherein Hope, accused of Sommer's murder (she's still very much alive), embarks upon a slapstick car chase, chock full of Sennett-like sight gags. Though cheaply produced and perilously anachronistic, Boy, Did I Get a Wrong Number! is professionally assembled by director George Marshall, a Hope colleague from way back. The film turned a tidy profit, thanks largely to the popularity of Hope's costar Phyllis Diller. ~ Hal Erickson, All Movie Guide