Ewen Solon Movies

In this sudsy drama, a Russian dancer defects and joins a London ballet school headed by a manipulative madam who uses the school as a front for her call-girl business. All of her employees are students whom she has forced to become prostitutes for prominent politicians. Meanwhile the administrator carries on an affair with her lead male dancer. The defector is so disgusted by the whole affair that she returns to the Soviet Union. ~ Sandra Brennan, All Movie Guide

A Nightingale Sang in Berkeley Square was the original title of this British caper film. David Niven does his suave 'n' blase bit as a criminal mastermind planning a giant bank heist. Richard Jordan co-stars as an American ex-con tapped to oversee the operation. Gloria Grahame, in one of her last roles, masticates the scenery as Jordan's rude-and-crude mom. The Big Scam picked up a third title when it was released to video as The Mayfair Bank Caper. ~ Hal Erickson, All Movie Guide

This handsomely-mounted historical epic concerns the birth of the Islamic faith and the story of the prophet Mohammed -- who, in accordance with the tenants of Islam, is never seen or heard (any physical depiction of the prophet is considered a heinous sin within the faith). In Mecca in the 7th century, Mohammed is visited by a vision of the Angel Gabriel, who urges him to lead the people of Mecca to cast aside the 300 idols of Kaaba and instead worship the one true God. Speaking out against the corrupt political and military leaders who rule Mecca, Mohammed and his followers struggle to worship God as they see fit, which eventually leads them into exile in Medina. However, one day God gives Mohammed a message to return to Mecca and take up arms against their oppressors -- while recruiting as many followers as they can along the way. With the help of his uncle, a brave warrior named Hamza (Anthony Quinn), Mohammed and his followers return to Mecca to liberate the city in the name of God. The Message (originally screened in the U.S. as Mohammed, Messenger of God) proved to be highly controversial during its production and initial release. Unfounded rumors had it that Mohammed would not only be depicted in the film, but that he was to be played by Charlton Heston or Peter O'Toole. This resulted in angry protests by Muslim extremists, until director Moustapha Akkad hired a staff of respected Islamic clerics as technical advisors. The advisors butted heads with Akkad, and they quit the production, which led the Moroccan government to withdraw their permission to film in their country. In time, Akkad ended up shooting on location in Libya under the sponsorship of Muammar Qaddafi, which presented a whole new set of political and practical problems for the filmmakers. Finally, when the film was scheduled to premier in the U.S., another Muslim extremist group staged a siege against the Washington D.C. chapter of the B'nai B'rith under the mistaken belief that Anthony Quinn played Mohammed in the film, threatening to blow up the building and its inhabitants unless the film's opening was cancelled. The standoff was resolved without explosion or injuries, though the film's American box office prospects never recovered from the unfortunate controversy. The Message was shot in two versions, one in English and one in Arabic (entitled Al-Ris-Alah), with different actors taking over some of the roles due to language requirements. ~ Mark Deming, All Movie Guide

In the second episode of the four-part story "Planet of Evil," the Doctor (Tom Baker) and Sarah (Elisabeth Sladen), acting on behalf of the Moestran army, try to prevent misguided geologist Professor Sorenson (Frederick Jaeger) from transporting deadly anti-matter into the Universe. But these efforts may be too late: a ravenous monster has already sprung up from the planet Zeta Minor, poised to attack the Moestran probe. Written by David Maloney, "Planet of Evil, Episode 2" was originally broadcast on October 4, 1975. ~ Hal Erickson, All Movie Guide

Answering a distress call from the farthest reaches of the Universe, the Doctor (Tom Baker) and Sarah (Elisabeth Sladen) pilot the TARDIS to the planet Zeta Minor. Here they come across a ship from planet Moestra, whose science officer, Professor Sorenson (Frederick Jaeger) defiantly insists upon transporting deadly anti-matter into the Matter Universe -- which, as will soon be learned, is an act that goes way beyond recklessness. Written by David Maloney, "Planet of Evil" marked the return appearance of the familiar TARDIS control room, which hadn't been seen since Season 11. The first of the adventure's four episodes was originally broadcast September 27, 1975. ~ Hal Erickson, All Movie Guide

The TARDIS lands on a planet inhabited by an advanced civilization, which has walled itself against a race of primitive savages. Though the residents of this walled community insist that theirs is a "perfect" society, the Doctor (William Hartnell) is naturally suspicious -- and, as it turns out, he has good reason to be. Written by Stuart Black, the four-part "The Savages" began its run on May 28, 1966. At present, none of the four episodes is known to be in existence. ~ Hal Erickson, All Movie Guide

In the third episode of the four-part story "The Savages," the Doctor (William Hartnell) has learned that the residents of a highly advanced walled city have been drawing their strength and intelligence from a tribe of primitive savages. Intending to right past wrongs, the Doctor's companions Steven (Peter Purves) and Dodo (Jackie Lane) lead the Savages in revolt against their oppressors. First telecast on June 11, 1966, "The Savages, Episode 3" was written by Stuart Black; except for a brief fragment, this episode apparently no longer exists. ~ Hal Erickson, All Movie Guide

After injecting new life into classic movie monsters Dracula and Frankenstein, Hammer Studios apply their Gothic touch to another monster genre with this excellent, stylish piece -- probably the best of the old school (i.e. pre-Rick Baker) man-to-wolf transformation films in the mold of Universal's The Wolf Man. The title curse surfaces when a mute servant girl bears a child on Christmas day after being raped by a bestial madman and first shows itself at the infant's christening, whereupon the holy water begins to boil. Things go downhill from there, as young Leon's development is marred by savage, violent behavior during a full moon. Upon adulthood, Leon's (Oliver Reed) only relief from his murderous impulses comes from the love of Christina (Catherine Feller)... but he soon begins to fear that this cannot contain the beast within. Liberally based on Guy Endore's The Werewolf of Paris (here relocated to Spain), this film represents Hammer at their early best, building tension through mood and character (Reed turns in a bravura performance) and saving the effective monster transformation for the climax. ~ Cavett Binion, All Movie Guide

Director Fred Zinnemann was riding a crest in the '50s with movies like High Noon, From Here to Eternity, Oklahoma, and his success continues in this western-style drama set in Australia in the 1920s. Ida Carmody (Deborah Kerr) is married to Paddy (Robert Mitchum), a sheep drover whose nomadic existence makes him blissfully content. Neither Ida nor their son Sean share his love for roaming, in fact, Ida convinces her husband to take on a job as a sheep-shearer so they can finally have enough to get a mortgage on a farm. At first Paddy agrees but obviously does not know his own mind because in no time at all, he rebels -- though that is not the end of it. Peter Ustinov is also featured as Vanneker, a bachelor who comes to stay with the family, and Glynis Johns plays a hotelkeeper out to change Vanneker's non-marital status. ~ Eleanor Mannikka, All Movie Guide

Loosely based on a cult of assassins in early 19th-century India known as "thaga" (pronounced "tahg"), the villains in this routine, part-horror, part suspense story are causing problems in the East India Company and throughout Bombay. It seems that someone is stealing cargo from the company, and many people are unaccountably disappearing. But as usual, the colonial attitude prevails and one officer in the company is too focused on his goal of playing polo in England to see clearly, while the others are equally opaque. So it takes awhile before these Brits realize that the "thaga" cult is strangling the population and inducting new people into its rituals every day. As the assassins wreak havoc in Bombay, one of the company's officers is captured and slated for execution. The cult became so notorious and well-known in its day that the word "thug" entered into common English usage. ~ Eleanor Mannikka, All Movie Guide

In the 17th century, the arrogant, cruel Hugo Baskerville (David Oxley) brutalizes a servant and prepares to turn the man's daughter over to his equally depraved companions, but she escapes. When he catches up with the girl in a ruined abbey, he kills her and then is attacked and killed himself by a huge hound that is never seen. The audience then learns that this story is being told in flashback to Sherlock Holmes (Peter Cushing) and Dr. Watson (Andre Morell) by Dr. Richard Mortimer (Francis DeWolff). He was the physician and friend to the late Sir Charles Baskerville, who recently died -- apparently of fright -- on the Devonshire moors near that same ruined abbey. Holmes is very skeptical, but agrees to meet Sir Henry Baskerville (Christopher Lee), who has just arrived in London to claim the estate. Sir Henry is cold and aloof but becomes convinced he's in danger when he's almost bitten by a tarantula. Holmes insists that he not go to Baskerville Hall alone, so Holmes sends Watson to Devonshire with Sir Henry.

In Devonshire, Sir Henry and Watson learn that an escaped convict, Selden, is at large on the moor. Watson meets local Bishop Frankland (Miles Malleson), and later on the moor, Baskerville's neighbors, Stapleton (Ewen Solon) and his daughter, Cecile (Marla Landi). Watson is almost trapped in one of the many bogs that dot the moors, but he escapes. Later, leaving Sir Henry stricken with a mild heart attack at the hall, Watson ventures again onto the moors, and to his surprise, discovers Sherlock Holmes there. Holmes has been hiding and watching for developments. They hear the howl of the hound, and are too late to prevent the huge beast from killing a man they take for Sir Henry. But back at Baskerville Hall, they find Sir Henry alive and well: the dead man was the convict Selden, dressed in some old clothes of Sir Henry's. At the ruined abbey, they find evidence that a strange rite has been performed.

When Holmes visits Frankland for information, he learns that someone has stolen the bishop's tarantula. (He's an amateur naturalist.) Meanwhile, near Baskerville Hall, Sir Henry meets Cecile, and they are attracted to one another. Holmes, Mortimer and Stapleton descend into a disused tin mine in search of evidence, but a cave-in almost traps Holmes. That evening, when Sir Henry goes to meet Cecile on the moors, he learns that she actually hates him, and that the hound is now on his trail. Holmes and Watson arrive almost too late to save him, but Holmes kills the hound and reveals it's an ordinary, if large, dog in a mask. The villain is a descendant of Sir Hugo's from "the wrong side of the sheets"; he and his daughter were determined to use the legend of the Hound to kill those standing between them and Baskerville Hall.
No movie version of Sir Arthur Conan Doyle's most famous novel follows its source very closely, and this colorful Hammer film is no exception. An extra killer is added, events are compressed, and even the novel's most famous line -- "they were the tracks of an enormous hound!" -- is omitted. The film also suffers at times from a budget too low for its ambitions and by extraneous elements aimed at making it more like a Hammer movie, such as the unexplained "rite." However, the movie has a brisk pace and particularly strong characters. Lee, initially icy and arrogant -- perhaps to remind us of Sir Hugo -- thaws into a likable person romantic enough to fall in love, atypically for Lee. Andre Morell is one of the most solid and realistic Watsons ever; there's nothing whatever of the harrumphing Nigel Bruce, no comedy elements to the role at all. He's straightforward, heroic in his own right. But the triumph of the film
was the casting of Peter Cushing as Sherlock Holmes. Cushing's Holmes is vivid, dynamic and arrogant; the actor does not even attempt to make Holmes likable, but instead plays the character exactly as Doyle wrote him. It's a performance of steely integrity and terrific skill, one of the greatest Holmes performances ever. Cushing later played Holmes in a television series, and became as identified with the role in England as Basil Rathbone was in the United States. Cushing returned once again to the role late in life, in the TV movie The Masks of Death, as well as writing about Holmes for several books. ~ Bill Warren, All Movie Guide

The Silent Enemy is based on Commander Crabb, a book by Marshall Pugh. This is the true story of young Lieutenant Crabb (Laurence Harvey), who in 1941 arrives in Gilbaltar to learn the rudiments of deep-sea diving. Crabb isn't interested in recreation, however; there's a war on, and it is common knowledge that a band of Italian frogmen have been sabotaging the British naval forces. Without official permission, Crabb and a band of hardy volunteers take on the task of scuttling the enemy's guerilla activities. Silent Enemy is at its best during its underwater sequences, in which both British and Italian frogmen deploy an astonishing variety of deep-sea weaponry. ~ Hal Erickson, All Movie Guide