Marie Blake Movies

Gore Vidal adapted his biting and bitter political satire from his hit Broadway play. Franklin J. Schaffner directed and Haskell Wexler provided the sharp-edged cinematography. The story concerns the political back-biting and smear politics involved in a presidential election year scramble by potential presidential party nominees. Lee Tracy (in an Oscar-nominated performance and his final screen role) is Art Hockstader, a dying president who refuses to throw his support behind any of his party's presidential hopefuls. Hoping to get the nod as the party's presidential candidate is liberal do-gooder William Russell (Henry Fonda). His wife Alice (Margaret Leighton) wants to get a divorce from Russell but is delaying the divorce proceedings until after the party convention. Opposing Russell for the nomination is Joe Cantwell (Cliff Robertson), a slick and unscrupulous political monster who will use any bit of dirt to get ahead in the party. When he discovers that Russell once suffered from mental problems, he threatens to use it against him. Russell then finds out that Cantwell once had a homosexual relationship. Russell, who abhors smear politics, now has to decide whether to use the information against Cantwell or bury the secret and risk losing the nomination. ~ Paul Brenner, All Movie Guide

Though the title suggests that this film is a musical romance built around the song hit of the same name, Second Time Around is actually a comedy western. Debbie Reynolds plays a young widow who in 1912 moves with her children to a wild and wooly Arizona town. At first having trouble coming to grips with frontier life, Reynolds adjusts quite well--to the extent that she is appointed sheriff. She is courted by Andy Griffith and Steve Forrest, both of whom ride to the rescue when Reynolds bites off more than she can chew and she is captured by outlaws. Sheriff Reynolds marries Forrest, while Griffith, presumably, moves on to a new job in Mayberry. The big selling angle of Second Time Around was a very brief farcical scene involving Debbie Reynolds and a bathtub, which ended up plastered all over the advertising material for this film. ~ Hal Erickson, All Movie Guide

This cinemadaptation of John O'Hara's From the Terrace stars Paul Newman as Alfred Eaton, an unhappily married financial adviser, while his real-life wife Joanne Woodward portrays Mary St. John, his promiscuous screen spouse. Mary's libertine behavior is a by-product of her husband's inability to express love and affection, a trait he has inherited from his cold-blooded father. Mark Robson directs and Myrna Loy heads up a large supporting cast as Newman's alcoholic mother. ~ Hal Erickson, All Movie Guide

In this tearjerker, a woman, depressed with the course of her life after two failed marriages and a tepid career, decides to return to her hometown and find happiness with her ex-boyfriend. Unfortunately, his cruel and manipulative mother presents a formidable obstacle to their happiness. To prevent them from marrying, she at first fakes a heart attack, but then ends up dying of the real thing. The couple marries anyway, but the husband's happiness is marred by memories of his mother's death. The lonely wife then begins an affair with a French writer. When the husband finds them in a hotel room, the affair ends. It is not long before the despondent woman tries to take her life. Fortunately she fails, and things begin to improve when her husband releases his guilt and begins concentrating on their marriage. ~ Sandra Brennan, All Movie Guide

After Columbia's 1951 biopic Valentino laid an egg, leading man Anthony Dexter was persona non grata at the studio. Still, Columbia couldn't very well pay Dexter his weekly salary for doing nothing, and that's why The Brigand was born. Dexter does his best in the dual role of King Lorenzo, monarch of a mythical Latino country, and adventurer Carlos DeLargo. When Lorenzo is seriously wounded in an assassination attempt, DeLargo is coerced into posing as the ailing King. Scheming would-be usurper Prince Ramon (Anthony Quinn), sensing that something's fishy, plots to do in both the King and his look-alike. Meanwhile, DeLargo discovers the fringe benefits of royal life as he woos the King's betrothed Princess Teresa (Jody Lawrance) and Lorenzo's mistress Countess Flora (Gale Robbins). The story is supposedly based on an Alexandre Dumas novel, though it more closely resembles Prisoner of Zenda. It is fun to watch Anthony Quinn, clearly contemptuous of his role, pulling all sorts of thespic tricks to add variety to the proceedings: during one dungeon scene, Quinn delivers all his lines with a cigar clenched firmly between his teeth! ~ Hal Erickson, All Movie Guide

Audrey Totter plays an FBI clerk who is pressed into more active duties by her bosses Cesar Romero and George Brent. Audrey's job is to uncover the criminal past of above-reproach politician Raymond Greenleaf. A pre-Perry Mason Raymond Burr plays a hulking hoodlum who suspects that Audrey is working for the feds. The comedians Tommy Noonan and Peter Marshall (yes, that Peter Marshall) shows up as guest stars on a TV program being watched by Audrey in the villain's lair. Overladen with up-to-date crime-busting technology, FBI Girl was based on a story by Rupert Hughes, the uncle of Howard R. Hughes. ~ Hal Erickson, All Movie Guide

A Woman of Distinction serves as a tailor-made vehicle for Rosalind Russell. The star is cast as Susan Middlecott, a highly respected college dean. As can be expected, Susan is too busy for romance -- at least until handsome professor Alec Stevenson (Ray Milland) enters the picture. At first, the dean and the prof are thrown together by the overzealous machinations of a press agent, and they're none too pleased about it. No matter how hard they try to keep their distance from each other, Susan and Alec constantly find themselves in embarrassing situations in full view of the public. It takes the behind-the-scenes maneuvers of Susan's puckish papa (Edmund Gwenn) to straighten things out. Appearing in unbilled cameos are Lucille Ball as herself, and Ball's future TV cohort Gale Gordon as a railroad ticket agent. ~ Hal Erickson, All Movie Guide

The 15th film in the Bowery Boys series, Angels in Disguise combines lowbrow humor with "film noir" melodramatics. Bowery boys Slip (Leo Gorcey) and Sach (Huntz Hall) are copy boys for a crusading newspaper, whose publisher (Ray Walker) is trying to crush the notorious "Loop Gang". When the boys' policeman pal Gabe (Gabriel Dell) is wounded in a shoot-out with the Loop mob, Slip and Sach take it upon themselves to expose the gang. All the Bowery boys (including sweet-shop proprietor Louie) disguise themselves as gangsters and infiltrate the Loop Gang, which is run by a young, erudite intellectual (Mickey Ryan). The scheme to destroy the Loop mob from the inside is flummoxed by the crusading newspaper's cartoonist, actually a member of the crooked gang who has been sending out coded tips in his comic strip. The Loop Gang gives the Bowery Boys a real "going over", but the cops arrive in time to round up the crooks. ~ Hal Erickson, All Movie Guide

One thing you can say about Alimony: It tackled a subject that virtually everyone in Hollywood was intimately familiar with. Martha Vickers plays a ruthless young woman who has hit upon a clever (if not original) method of fattening her bank account. She seeks out relationships with wealthy married men, gets them to leave their wives to marry her, then cooks up "alienation of affection" and "adultery" cases against them. As a result, she invariably leaves the divorce court with a huge alimony settlement. Eventually she graduates from breaking hearts to breaking laws, and is thrown in the calaboose for her troubles. ~ Hal Erickson, All Movie Guide

The Girl From Manhattan is a minor but watchable variation on the old "mortgage-on-the-farm" plot device. The girl of the title is Carol Maynard (Dorothy Lamour), who after several years in the Big Apple returns to her home town, where her uncle, boarding-house manager Homer Purdy (Ernest Truex) faces eviction. The villain of the piece at first seems to be brash young minister Tom Walker (Robert Montgomery), who wants to build a church on Truex's property. But after reviewing the sitaution, Carol and Tom figure out that they have a common enemy: dishonest financier Sam Griffin (Howard Freeman), who intends to use the old church property for his own crooked purposes. Saving the film from wallowing in its own bathos is the timely arrival of Charles Laughton as a cherubic Bishop. ~ Hal Erickson, All Movie Guide

Rosalind Russell stars in this marathon adaptation of the Eugene O'Neill play. The O'Neill original transposed Euripides' Agamemnon/Clytemnestra legend to post-Civil War New England. Russell plays the daughter of a returning war hero (Raymond Massey), who comes home to find his wife (Katina Paxinou) in the arms of a younger man. The wife murders the husband, leaving it to her grown children--Russell and Michael Redgrave--to exact vengeance. This morbid plotline climaxes with Russell's descent into destructive self-righteousness and her brother's retreat into insanity. Though superbly acted, Mourning Becomes Electra scared away too many moviegoers in its original three-hour running time, which was still half the length of the O'Neill play. Even when pared down to 105 minutes for general release, the film lost tons of money for the ever-beleaguered RKO Studios; to complete the film's curse, Russell lost her long-cherished (and never-won) Best Actress Oscar to Loretta Young for The Farmer's Daughter. According to Oscar legend, Russell was so certain of winning, on the heels of her husband's massive promotional campaign, that she was already out of her seat when she heard Young's name. ~ Hal Erickson, All Movie Guide

This episodic holiday film centers around a rich spinster aunt whose greedy nephew is attempting legal action to take her estate. Before he makes a final decision, a caring judge tells the spinster that she can rally together the three foster children she raised to help her keep the estate, he will delay the nephew's action. Now she must find her three grown boys who have gone in wildly different directions. One is a boozy cowboy involved in a baby racket, another is a deadbeat deeply indebted to the nephew, and the other is a successful owner of a South American cafe on the lam for a con-job he didn't commit. She endures and adventurous journey, but the three do manage to come together on Christmas Eve, save the estate, and give the conniving nephew his due. ~ Sandra Brennan, All Movie Guide