Madge Blake Movies
- 1956
Producer-director David Butler once listed Glory as among his favorite films. Margaret O'Brien plays her first grown-up role as the owner of the eponymous racing filly. Despite the fact that the horse seems to be a dud, Margaret insists upon entering Glory in race after race. This proves financially draining to Margaret and her grandmother Charlotte Greenwood, but Walter Brennan, trainer for handsome horse breeder John Lupton, helps to raise the necessary funds to enter Glory in--what else?--the Kentucky Derby. The inevitable romance between Margaret and Lupton is less interesting than the combative (but basically affectionate) relationship between ageing ex-sweethearts Greenwood and Brennan. With the uncredited aid of Lawrence Welk Show costar Norma Zimmer, Margaret O'Brien warbles three songs. ~ Hal Erickson, All Movie Guide
- Starring:
- Margaret O'Brien, Walter Brennan, (more)
The Solid Gold Cadillac was adapted from the George S. Kaufman-Howard Teichmann Broadway hit of the same. Both the play and film were predicated upon the notion of a humble ten-share stockholder triumphing over a corrupt big-business board of directors, but there was one significant difference. In the stage version, septuagenarian Josephine Hull starred as Laura Partridge, a sweet little old lady who asks several embarrassing questions at a stockholder's meeting. In the film version, Laura's age is lowered by at least four decades to accommodate star Judy Holliday. In both versions, a romance develops between Laura Partridge and Edward L. McKeever, the owner of the corporation she takes on. McKeever (played in the film by Paul Douglas, Holliday's co-star in the Broadway version of Born Yesterday) is an honest man, which is more than can be said for his self-serving board of directors (Fred Clark, John Williams, Ray Collins et. al.) With McKeever's covert help, Laura, who has been given a dummy executive position in the corporation in hopes that she'll shut up, forms a stockholder's association intent upon throwing the rascals out. Though the dialogue in Solid Gold Cadillac is consistently entertaining, the film's best line goes to Judy Holliday: Describing her brief career as an actress in a Shakespearean troupe, she recalls ruefully that "No one's allowed to sit down unless you're a king." George Burns, taking over from the stage version's Fred Allen, provides the wry scene-setting narration. Currently available TV prints of The Solid Gold Cadillac have restored the original Technicolor final shot. ~ Hal Erickson, All Movie Guide
- Starring:
- Judy Holliday, Paul Douglas, (more)
Cooked up by Betty Comden and Adolph Green, It's Always Fair Weather could well have been titled On the Town Ten Years Later. Like 1949's On the Town (also a Comden/Green collaboration), this MGM musical follows the exploits of three servicemen buddies, played by Gene Kelly, Dan Dailey and Michael Kidd. The difference here is that the threesome has just been discharged from service. The boys agree to get together again exactly ten years after their parting. Flash-forward to 1955: Kelly, who'd dreamed of being a show biz entrepreneur, is a small-time boxing promoter, heavily in debt to the Mob; Dailey has abandoned his plans of becoming an artist in favor of a stuffy, grey-flannel existence as an ad executive; and Kidd, who'd aspired to being a master chef, is running a modest diner. On behalf of TV-personality Dolores Gray, network-staffer Cyd Charisse contrives to reunite the three men on a This is Your Life style TV special, but all three are hostile to the notion. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Kelly, Dan Dailey, (more)
Max Shulman and Robert Paul Smith's Broadway hit The Tender Trap is transformed into a beguiling Frank Sinatra film vehicle. Sinatra plays a Manhattan showbiz agent, Charlie Y. Reader, who enjoys the attentions of several willing young ladies. At an audition, Charlie meets aspiring actress Julie Gillis (Debbie Reynolds), who is so determined to land a husband that she's already set the date. She goes out with Charlie for a short while, then announces that she won't marry him until he gives up all his other girls. Charlie, who hasn't said word one about marriage and who'd been preparing to give Julie the brush-off, is startled by her ultimatum -- so much so that he genuinely falls in love with her, which (we can safely assume) was her intention all along. A complication involving Charlie's former amour Sylvia Crewes (Celeste Holm) and his best friend Joe McCall (David Wayne) paves the way for the film's slightly offbeat denouement. In addition to scoring at the box office, The Tender Trap yielded a hit song (written by Sammy Cahn and Jimmy Van Heusen), which would remain a part of Frank Sinatra's repertoire for the rest of his life. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Sinatra, Debbie Reynolds, (more)
Reportedly, Vincente Minnelli turned down the opportunity to film Brigadoon on location in Scotland insisting that MGM's studio mockups looked more Scottish than the genuine article. This lavish adaptation of the Lerner and Loewe Broadway musical stars Gene Kelly as an American tourist who stumbles upon an enchanted Scottish village. Every 100 years, the people of Brigadoon awaken for a 24-hour period, then go back to sleep for another century while Brigadoon itself vanishes in the mists. Tommy Albright (Kelly) falls in love with village lass Fiona Campbell (Cyd Charisse) while his hard-drinking pal, Jeff Douglas (Van Johnson), dismisses the legend -- and indeed the existence of Brigadoon as a result of delirium. Fiona's betrothed Harry Beaton (Hugh Laing), upset by Kelly's intervention, threatens to leave Brigadoon -- an act that will spell doom for its residents. When this crisis has passed, Tommy is persuaded against his better judgment to escape Brigadoon himself and return to his own fiancée (Elaine Stewart) in New York. But the love between Tommy and Fiona results in a miraculous finale. Most of the Lerner-Loewe score remains intact, including the hit songs "Almost Like Being in Love," "Heather on the Hill," and "Come to Me Bend to Me." ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Kelly, Van Johnson, (more)
At the height of their TV fame, Lucille Ball and Desi Arnaz were contracted by MGM to make two theatrical films. The first of these, The Long, Long Trailer, stars Lucy and Desi as an upwardly mobile couple who decide to buy a trailer so they can live together while his job takes him around the country. Thanks to their naivete in such matters, they end up with a huge, bulky RV that costs five times what they planned. Their "seeing America" trip turns out to be a slapstick disaster, topped by Lucy's foolish decision to hide a heavy rock collection in the trailer; as Desi tries to maneuver a treacherous mountain road, the weighted-down home-on-wheels nearly loses its balance and almost tumbles off a cliff. The story is told in flashback, as Desi 'splains the breakup of his marriage to a motel court manager. Happily, Lucy shows up, goes "Waaaaah" a little, and all is forgiven. Despite the fact that audiences were getting Ball and Arnaz for free each week on television, The Long, Long Trailer was a big hit at the box-office. The film was adapted by Albert Hackett and Frances Goodrich from a novel by Clinton Twiss, with uncredited assistance from the I Love Lucy writing staff. ~ Hal Erickson, All Movie Guide
- Starring:
- Lucille Ball, Desi Arnaz, (more)
- 1954
Rhapsody is high-gloss soap opera in the grand MGM manner. Elizabeth Taylor stars as Louise Durant, the beautiful but spoiled daughter of millionaire Nicholas Durant (Louis Calhern). Accustomed to getting whatever she wants, Louise sets her sights on violin student Paul Bronte (Vittorio Gassman). Before long, however, she tires of Paul's all-consuming devotion to his music. Pianist James Guest (John Ericson) is the next moth drawn to Louise's flame. He is willing to put his career on the back burner for her sake -- and becomes an irresponsible drunk in the process. Anxious to win back Paul, who is now a famed concert violinist, Louise tries to rehabilitate James so he will be able to resume his concert activities -- thereby allowing Louise free rein to chase after Paul. Someone's going to have to eat humble pie before all this is over, and that someone has black hair and violet eyes. Rhapsody was adapted from Maurice Guest, a novel by Henry Handel Richardson. ~ Hal Erickson, All Movie Guide
- Starring:
- Elizabeth Taylor, Vittorio Gassman, (more)
- 1954
Fireman Save My Child started out as an Abbott and Costello picture, but then Lou Costello became ill with rheumatic fever. Or Costello turned down the script. Or the team decided to film Abbott and Costello Meet Dr. Jekyll and Mr. Hyde instead. Whatever the reason, when the film was finally released, Hugh O'Brian and Buddy Hackett were playing the roles originally intended for Bud and Lou (A and C can still be seen in some long-shots, however). Set in San Francisco in the early 1900s, the film casts Hugh and Buddy as a pair of bumbling firemen. Buddy invents a new fire-extingushing device, which the bad guys attempt to steal. Naturally, the film affords plenty of opportunity for slapstick chase sequences, and even allows Buddy Hackett time to do a potted version of his "inferiority complex" monologue. Top-billed over O'Brian and Hackett is the zany musical aggregation of Spike Jones and His City Slickers, who likewise are given several opportunities to shine. ~ Hal Erickson, All Movie Guide
- Starring:
- Spike Jones and His City Slickers, Buddy Hackett, (more)
- 1954
When Ricky (Desi Arnaz) blows his top after Lucy (Lucille Ball) purchases a new hat, Lucy bets him that he cannot hold his temper until she purchases another hat. Naturally, Lucy indulges in a variety of schemes to force Ricky into a tantrum so that she can win the bet -- she has her heart set on a new turquoise chapeau studded with pearls -- but Ricky refuses to bite. The situation is resolved (in a manner of speaking) by the timely arrival of a ventriloquist, played by veteran B-Western sidekick Max Terhune. ~ All Movie Guide
- Starring:
- Madge Blake, Byron Kane, (more)
- 1953
Excluding a brace of 1980s TV-movie appearances, It Happens Every Thursday was the final feature film appearance of Loretta Young. As radiantly beautiful at 40 as she'd been as a teen-aged ingenue, Young plays Jane McAvoy, the pregnant wife of big-city newspaper reporter Bob McAvoy (John Forsythe). Tired of the urban rat race, Bob moves to a small California town and assumes ownership of a just-getting-by weekly paper. It's a hand-to-mouth existence for the first few editions, and the situation isn't remedied by the cloistered, resentful behavior of the local citizenry. The outcome of the plot hinges on a publicity stunt engineered by Bob: an attempt to artificially create rain for the drought-ridden community. The well-chosen supporting cast of It Happens Every Thursday includes Edgar Buchanan, Jimmy Conlin, Willard Waterman, and in her last film, Gladys George. ~ Hal Erickson, All Movie Guide
- Starring:
- Loretta Young, John Forsythe, (more)
In this suspenseful drama, based on a John Dickson Carr novel, blissfully happy newlywed Ruth Bowman (Jeanne Crain) boards a transatlantic ocean liner with her new husband John (Carl Betz). A few days later, however, John suddenly disappears. Ruth quickly discovers that her cruise ticket was made out under her maiden name, and that her "husband" never even bought one. To make matters worse, no one on board admits to ever having seen them together. Only the ship's doctor (Michael Rennie) believes the distraught bride's story. Together they discover the truth about her husband's disappearance. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeanne Crain, Michael Rennie, (more)
- 1952
Irene Dunne made her final film appearance in the frothy fantasy It Grows on Trees. Looking at least two decades younger than her 52 years, Dunne plays Polly Baxter, the ebullient wife of Phil Baxter (Dean Jagger). Miracle of miracles, two of the trees in Polly's backyard garden begin sprouting paper currency! Assuming that it's genuine mazumah, Polly goes on a spending spree, and also pays off the long-standing mortgage on the house. The money-yielding trees soon become a nationwide sensation, drawing thousands of interested parties to the Baxters' tiny backyard. A major setback is inevitable, but the manner in which the dilemma is solved is both clever and logical. When it isn't concentrating on the plot proper, It Grows on Trees offers some amusing jibes at the U.S. Treasury Department, the IRS, and small-town pretentiousness. ~ Hal Erickson, All Movie Guide
- Starring:
- Irene Dunne, Dean Jagger, (more)
Kirk Douglas plays the corrupt and amoral head of a major film studio in this Hollywood drama, often regarded as one of the film's industry's most interesting glimpses at itself. Actress Gloria Lorrison (Lana Turner), director Fred Amiel (Barry Sullivan), and screenwriter James Lee Bartlow (Dick Powell) are invited to a meeting at a Hollywood sound stage at the request of producer Harry Pebbel (Walter Pidgeon). Pebbel is working with studio chief Jonathan Shields (Kirk Douglas), whose studio is in financial trouble and needs a blockbuster hit. If these three names will sign to a new project, he's convinced that there's no way he can lose. But there's a rub -- all three of these Hollywood heavyweights hate Shields's guts. He dumped Gloria for another woman, he double-crossed Fred out of a plum directing assignment, and he was responsible for the death of James Lee's wife. All three are ready to tell Pebbel to forget it, until they hear the voice of Shields, calling from Europe to discuss the project by phone. The Bad and the Beautiful won five Academy Awards, including Best Screenplay and Best Supporting Actress for Gloria Grahame. ~ Mark Deming, All Movie Guide
- Starring:
- Kirk Douglas, Lana Turner, (more)
Hollywood, 1927: the silent-film romantic team of Don Lockwood (Gene Kelly) and Lina Lamont (Jean Hagen) is the toast of Tinseltown. While Lockwood and Lamont personify smoldering passions onscreen, in real life the down-to-earth Lockwood can't stand the egotistical, brainless Lina. He prefers the company of aspiring actress Kathy Selden (Debbie Reynolds), whom he met while escaping his screaming fans. Watching these intrigues from the sidelines is Cosmo Brown (Donald O'Connor), Don's best pal and on-set pianist. Cosmo is promoted to musical director of Monumental Pictures by studio head R.F. Simpson (Millard Mitchell) when the talking-picture revolution commences. That's all right for Cosmo, but how will talkies affect the upcoming Lockwood-Lamont vehicle "The Dueling Cavalier"? Don, an accomplished song-and-dance man, should have no trouble adapting to the microphone. Lina, however, is another matter; put as charitably as possible, she has a voice that sounds like fingernails on a blackboard. The disastrous preview of the team's first talkie has the audience howling with derisive laughter. On the strength of the plot alone, concocted by the matchless writing team of Betty Comden and Adolph Green, Singin' in the Rain is a delight. But with the addition of MGM's catalog of Arthur Freed-Nacio Herb Brown songs -- "You Were Meant for Me," "You Are My Lucky Star," "The Broadway Melody," and of course the title song -- the film becomes one of the greatest Hollywood musicals ever made. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Kelly, Donald O'Connor, (more)
- 1952
Something for the Birds is a toothless satire of Washington, filmed during the McCarthy era. For lack of a political target that wouldn't get them labeled as Communists, the producers decided to go after lobbyists. Patricia Neal comes to Washington on behalf of the preservation of the California Condor; she finds herself the object of ridicule for almost everyone, including leading man Victor Mature, a lobbyist for the oil interests who threatens a large bird sanctuary. Edmund Gwenn is one of the few Washingtonians willing to financially back Neal's cause; unfortunately he turns out to be a charlatan with nary a nickel to his name. Eventually Mature is made to realize that the plight of the Condor is worthy worrying about, and he is able to dissuade the agreeable oil executives from drilling on the bird's territory. ~ Hal Erickson, All Movie Guide
- Starring:
- Victor Mature, Patricia Neal, (more)
- 1952
Though its title would seem to indicate a medieval swashbuckler, The Iron Mistress is actually based on the life of American frontiersman Jim Bowie. Alan Ladd stars as the fearless, knife-wielding Bowie, who is first seen arriving in New Orleans to sell a supply of lumber. Bowie falls in love with duplicitous Creole lass Judalon de Bornay (a brunette Virginia Mayo), who inspires him to increase his riches and political power. When Bowie doesn't move up the ladder of success fast enough to suit her, the fickle Judalon weds another. Bowie eventually finds happiness in the arms of Ursula de Veremendi (Phyllis Kirk), the daughter of Texas' vice-governor. The film tactfully ends long before Bowie's rendezvous with destiny at the Alamo. The Iron Mistress is based on the novel by Paul I. Wellman; the highlight of the novel, a fierce knife-and-rapier duel, is faithfully recreated here. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Ladd, Virginia Mayo, (more)
- 1952
Esther Williams generously shares screen time with Joan Evans and Vivian Blaine in Skirts Ahoy! The three leading ladies play WAVE officers who experience a daunting series of romantic misadventures. Whitney Young (Williams) had joined the WAVES after leaving her fiancé at the altar. Conversely Mary Kate Yarbrough (Evans) was jilted on her wedding day by her intended, while Una Yancy (Blaine) has donned a uniform in hopes of finding a husband. Much of the humor is of the gender-switch variety, with the three lady sailors ogling and whistling at every eligible male who crosses their path. Inevitably, Williams sheds her navy duds in favor of a swimsuit, while Blaine performs a comic torch song in the manner of her "Miss Adelaide" characterization in Guys and Dolls. Poor Joan Evans isn't given a musical number, but she does get her man (Keefe Brasselle) at the end. Guest performers include the singing DeMarco Sisters and youthful aquatic champs Russell and Kathy Tongay. ~ Hal Erickson, All Movie Guide
- Starring:
- Esther Williams, Joan Evans, (more)
- 1951
Barry Sullivan plays an eager young lawyer who is willing to sacrifice any and all scruples on the upward climb. He is put on retainer by a gangster, and soon is ankle-deep in an insurance racket. When he wants to pull out, Sullivan is framed for a gangland murder. No Questions Asked was in line with the harsher, less frothy fare produced by MGM during the Dore Schary regime. The screenplay was by former radio gagman Sidney Sheldon, who would later carve a literary niche for himself in the best-seller market of the 1970s. ~ Hal Erickson, All Movie Guide
- Starring:
- Barry Sullivan, Arlene Dahl, (more)
- 1951
Webb Garwood (Van Heflin) is a cynical policeman who believes that success comes from lucky breaks. Responding to a prowler complaint at the home of Susan Gilvray (Evelyn Keyes), he is immediately attracted to her and her wealth. He returns to "check up" on Susan, and they begin an affair, conducted while listening to her husband William (Emerson Treacy)'s all-night radio program. Feeling guilty, Susan ends the relationship, but Garwood remains obsessed. He pretends to be a prowler on the Gilvray property so he can respond to another police call. Drawing William outside, he shoots him and makes it appear accidental. When Garwood manipulates Susan's confusion about the shooting, she buys his story, and the lovers marry. However, upon discovering that Susan is pregnant "too soon," they flee to give birth in secret, but eventually Susan learns the devastating truth. Intense performances by Heflin and Keyes bring alive this story of a prowler who preys on a woman's loneliness while also representing the forces of authority who literally screw those they are supposed to serve. ~ Steve Press, All Movie Guide
- Starring:
- Van Heflin, Evelyn Keyes, (more)
Gene Kelly does his patented Pal Joey bit as Jerry Mulligan, an opportunistic American painter living in Paris' "starving artists" colony. He is discovered by wealthy Milo Roberts (Nina Foch), who becomes Jerry's patroness in more ways than one. Meanwhile, Jerry plays hookey on this setup by romancing waif-like Lise Bouvier (Leslie Caron) -- who, unbeknownst to him, is the object of the affections of his close friend Henri (Georges Guetary), a popular nightclub performer. (The film was supposed to make Guetary into "the New Chevalier." It didn't.) The thinnish plot is held together by the superlative production numbers and by the recycling of several vintage George Gershwin tunes, including "I Got Rhythm," "'S Wonderful," and "Our Love Is Here to Stay." Highlights include Guetary's rendition of "Stairway to Paradise"; Oscar Levant's fantasy of conducting and performing Gershwin's "Concerto in F" (Levant also appears as every member of the orchestra); and the closing 17-minute "American in Paris" ballet, in which Kelly and Caron dance before lavish backgrounds based on the works of famed French artists. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Kelly, Leslie Caron, (more)
- 1951
The genesis for Queen for a Day was the Dorothy Parker short story Horsie, all about a homely woman who takes a job as a nanny in the household of a selfish, insensitive couple. Months later, the husband receives a gift of an electric razor from "Horsie," out of gratitude for his kindnesses -- kindnesses which, of course, he never consciously extended. "Horsie" ended up as one of three short stories adapted to film by producer Robert Stillman in 1951. The unifying theme of the film was that each of the three female protagonists were contestants on the TV series Queen for a Day. You may remember that this long-running program was hosted by Jack Bailey, who on a daily basis selected one of three deserving women to be the recipient of fabulous prizes, the decision, which was made by the audience (there was an "applause meter" on the set), was predicated upon which of the three ladies had the saddest or most fascinating life story to tell. In addition to "Horsie," aka Miss Wilmarth (Edith Meiser), the other contestants in the film are Phyllis Avery and Kasia Orzazewski. Avery stars in the vignette titled "The Gossamer World," based on a John Answorth story, this episode concerns Avery's son Rudy Lee, a victim of polio. Orzazewski figures into the Faith Baldwyn story "High Diver," wherein she plays the immigrant mother of a college-bound boy (Adam Williams) who takes a job at a carnival to make ends meet. Queen for a Day was originally released as Horsie, until it was decided that the TV series' title was more saleable. (It wasn't, despite an aggressive ad campaign conducted on the Queen for a Day television program.) ~ Hal Erickson, All Movie Guide
- Starring:
- Phyllis Avery, Darren McGavin, (more)
- 1951
A curious toddler creates trouble when he finds bank robbers' loot in this comedy. His recently paroled father, and his grandmother about have heart attacks when the tot brings home the cash in his wagon. Unfortunately, the babe is unable to tell then where he got the money. Now the family must decide what to do with the hot loot. The mother wants to burn it. The grandma wants to keep it. The parolee decides to take it to the police without his family's knowledge. Trouble ensues when the crooks show up looking for the dough. The two-year old finds granny's gun and shoots the robbers. ~ Sandra Brennan, All Movie Guide
- Starring:
- Tom Ewell, Julie Adams, (more)
- 1950
Between Midnight and Dawn is a solid, no-frills detective drama from the Columbia studio mills. Mark Stevens and Edmond O'Brien star as police officers Barnes and Purvis, who tool around in their prowl car in the wee hours of the morning. Vengeful gangster Ritchie Garris (Donald Buka) would like nothing better than to get Barnes and Purvis out of his hair, especially after breaking out of jail. In a thrill-packed climax, Garris makes a desperate escape using a little kid as a shield, while Purvis tries to second-guess the homicidal gangster. As Kate Mallory, Gale Storm has little to do except serve as the bone of romantic contention between the two male protagonists. Curiously, Storm doesn't get to sing, though supporting actress Gale Robbins does--three times, in fact. ~ Hal Erickson, All Movie Guide
- Starring:
- Mark Stevens, Edmond O'Brien, (more)
- 1950
Lana Turner stars as an ambitious model who seeks her fortune in New York City. She is befriended by over-the-hill cover-girl Ann Dvorak, whose performance carries the story until she commits suicide twenty minutes into the film. Turner promises herself that she won't end up burned out like Dvorak, but as her fame grows, she is inexorably drawn into the hectic social whirl that sealed Dvorak's doom. Enjoying the favors of wealthy Ray Milland, Turner seeks out Milland's wife (Margaret Phillips), hoping to convince the woman to give up her husband. When she meets the crippled Mrs. Milland, Turner is made painfully aware of the length and breadth of the woman's love for her husband. Turner pulls out of the relationship, and we are encouraged to believe that hers will be a much happier and more fulfilling life than that of the unfortunate Ann Dvorak (ironically, in real life Ann Dvorak's final days were relatively contented ones, while Lana Turner spent her twilight years wondering where the looks, the men and the money had gone). Though not so noted in the credits, A Life of Her Own was inspired by The Abiding Vision, a novel by Rebecca West. Bronislau Kaper's musical score was later recycled for the 1951 MGM romantic drama Invitation. ~ Hal Erickson, All Movie Guide
- Starring:
- Lana Turner, Ray Milland, (more)
Written by Ruth Gordon and Garson Kanin, Adam's Rib is a peerless comedy predicated on the double standard. Spencer Tracy and Katharine Hepburn play Adam and Amanda Bonner, a husband-and-wife attorney team, both drawn to a case of attempted murder. The defendant (Judy Holliday) had tearfully attempted to shoot her husband (Tom Ewell) and his mistress (Jean Hagen). Adam argues that the case is open and shut, but Amanda points out that, if the defendant were a man, he'd be set free on the basis of "the unwritten law." Thus it is that Adam works on behalf of the prosecution, while Amanda defends the accused woman. The trial turns into a media circus, while the Bonners' home life suffers. Adam's Rib represented the film debuts of New York-based actors Jean Hagen, Tom Ewell, and David Wayne (as Hepburn's erstwhile songwriting suitor), and the return to Hollywood of Judy Holliday after her Born Yesterday triumph. One of the best of the Tracy-Hepburn efforts, it inspired a brief 1973 TV series starring Ken Howard and Blythe Danner. ~ Hal Erickson, All Movie Guide
- Starring:
- Spencer Tracy, Katharine Hepburn, (more)
