Madge Blake Movies

Lana Turner stars as an ambitious model who seeks her fortune in New York City. She is befriended by over-the-hill cover-girl Ann Dvorak, whose performance carries the story until she commits suicide twenty minutes into the film. Turner promises herself that she won't end up burned out like Dvorak, but as her fame grows, she is inexorably drawn into the hectic social whirl that sealed Dvorak's doom. Enjoying the favors of wealthy Ray Milland, Turner seeks out Milland's wife (Margaret Phillips), hoping to convince the woman to give up her husband. When she meets the crippled Mrs. Milland, Turner is made painfully aware of the length and breadth of the woman's love for her husband. Turner pulls out of the relationship, and we are encouraged to believe that hers will be a much happier and more fulfilling life than that of the unfortunate Ann Dvorak (ironically, in real life Ann Dvorak's final days were relatively contented ones, while Lana Turner spent her twilight years wondering where the looks, the men and the money had gone). Though not so noted in the credits, A Life of Her Own was inspired by The Abiding Vision, a novel by Rebecca West. Bronislau Kaper's musical score was later recycled for the 1951 MGM romantic drama Invitation. ~ Hal Erickson, All Movie Guide

Gene Kelly does his patented Pal Joey bit as Jerry Mulligan, an opportunistic American painter living in Paris' "starving artists" colony. He is discovered by wealthy Milo Roberts (Nina Foch), who becomes Jerry's patroness in more ways than one. Meanwhile, Jerry plays hookey on this setup by romancing waif-like Lise Bouvier (Leslie Caron) -- who, unbeknownst to him, is the object of the affections of his close friend Henri (Georges Guetary), a popular nightclub performer. (The film was supposed to make Guetary into "the New Chevalier." It didn't.) The thinnish plot is held together by the superlative production numbers and by the recycling of several vintage George Gershwin tunes, including "I Got Rhythm," "'S Wonderful," and "Our Love Is Here to Stay." Highlights include Guetary's rendition of "Stairway to Paradise"; Oscar Levant's fantasy of conducting and performing Gershwin's "Concerto in F" (Levant also appears as every member of the orchestra); and the closing 17-minute "American in Paris" ballet, in which Kelly and Caron dance before lavish backgrounds based on the works of famed French artists. ~ Hal Erickson, All Movie Guide

Between Midnight and Dawn is a solid, no-frills detective drama from the Columbia studio mills. Mark Stevens and Edmond O'Brien star as police officers Barnes and Purvis, who tool around in their prowl car in the wee hours of the morning. Vengeful gangster Ritchie Garris (Donald Buka) would like nothing better than to get Barnes and Purvis out of his hair, especially after breaking out of jail. In a thrill-packed climax, Garris makes a desperate escape using a little kid as a shield, while Purvis tries to second-guess the homicidal gangster. As Kate Mallory, Gale Storm has little to do except serve as the bone of romantic contention between the two male protagonists. Curiously, Storm doesn't get to sing, though supporting actress Gale Robbins does--three times, in fact. ~ Hal Erickson, All Movie Guide

Reportedly, Vincente Minnelli turned down the opportunity to film Brigadoon on location in Scotland insisting that MGM's studio mockups looked more Scottish than the genuine article. This lavish adaptation of the Lerner and Loewe Broadway musical stars Gene Kelly as an American tourist who stumbles upon an enchanted Scottish village. Every 100 years, the people of Brigadoon awaken for a 24-hour period, then go back to sleep for another century while Brigadoon itself vanishes in the mists. Tommy Albright (Kelly) falls in love with village lass Fiona Campbell (Cyd Charisse) while his hard-drinking pal, Jeff Douglas (Van Johnson), dismisses the legend -- and indeed the existence of Brigadoon as a result of delirium. Fiona's betrothed Harry Beaton (Hugh Laing), upset by Kelly's intervention, threatens to leave Brigadoon -- an act that will spell doom for its residents. When this crisis has passed, Tommy is persuaded against his better judgment to escape Brigadoon himself and return to his own fiancée (Elaine Stewart) in New York. But the love between Tommy and Fiona results in a miraculous finale. Most of the Lerner-Loewe score remains intact, including the hit songs "Almost Like Being in Love," "Heather on the Hill," and "Come to Me Bend to Me." ~ Hal Erickson, All Movie Guide

A curious toddler creates trouble when he finds bank robbers' loot in this comedy. His recently paroled father, and his grandmother about have heart attacks when the tot brings home the cash in his wagon. Unfortunately, the babe is unable to tell then where he got the money. Now the family must decide what to do with the hot loot. The mother wants to burn it. The grandma wants to keep it. The parolee decides to take it to the police without his family's knowledge. Trouble ensues when the crooks show up looking for the dough. The two-year old finds granny's gun and shoots the robbers. ~ Sandra Brennan, All Movie Guide

Follow Me, Boys!, Disney's paean to the Boys Scouts of America, leaves no cliché unturned: we're even offered the old reliable "kid hanging over cliff by rope" bit. Corny, sentimental and obvious though it may be, the film is a delight to watch, especially whenever Fred MacMurray dominates the screen. MacMurray plays Lem Siddons, a 1930s musician who decides to settle down in a small Midwestern town. Here he meets pretty bank teller Vida Downey (Vera Miles), who bemoans the fact that the local boys have no organized activities with which to occupy their time. Volunteering to be a scoutmaster, Lem begins a local scout troop. There are some tense moments when banker Ralph Hastings (Elliot Reid) demands that Lem's scouts vacate their headquarters, but Reid's feisty millionaire Aunt Hetty (Lillian Gish) comes to the rescue. The film's throughline is the regeneration of local "tough kid" Whitey (Kurt Russell), who, after joining the Boy Scouts, straightens out and matures into a solid citizen. The film's lachrymose climax is kept "honest" by the sincere underplaying of Fred MacMurray. Though lambasted by reviewers, Follow Me, Boys! struck a responsive chord with filmgoers, to the tune of a $5.5 million box-office take. ~ Hal Erickson, All Movie Guide

Irene Dunne made her final film appearance in the frothy fantasy It Grows on Trees. Looking at least two decades younger than her 52 years, Dunne plays Polly Baxter, the ebullient wife of Phil Baxter (Dean Jagger). Miracle of miracles, two of the trees in Polly's backyard garden begin sprouting paper currency! Assuming that it's genuine mazumah, Polly goes on a spending spree, and also pays off the long-standing mortgage on the house. The money-yielding trees soon become a nationwide sensation, drawing thousands of interested parties to the Baxters' tiny backyard. A major setback is inevitable, but the manner in which the dilemma is solved is both clever and logical. When it isn't concentrating on the plot proper, It Grows on Trees offers some amusing jibes at the U.S. Treasury Department, the IRS, and small-town pretentiousness. ~ Hal Erickson, All Movie Guide

Cooked up by Betty Comden and Adolph Green, It's Always Fair Weather could well have been titled On the Town Ten Years Later. Like 1949's On the Town (also a Comden/Green collaboration), this MGM musical follows the exploits of three servicemen buddies, played by Gene Kelly, Dan Dailey and Michael Kidd. The difference here is that the threesome has just been discharged from service. The boys agree to get together again exactly ten years after their parting. Flash-forward to 1955: Kelly, who'd dreamed of being a show biz entrepreneur, is a small-time boxing promoter, heavily in debt to the Mob; Dailey has abandoned his plans of becoming an artist in favor of a stuffy, grey-flannel existence as an ad executive; and Kidd, who'd aspired to being a master chef, is running a modest diner. On behalf of TV-personality Dolores Gray, network-staffer Cyd Charisse contrives to reunite the three men on a This is Your Life style TV special, but all three are hostile to the notion. ~ Hal Erickson, All Movie Guide

Once again, Wally (Tony Dow) insists that he is responsible enough to babysit for Beaver (Jerry Mathers) while Ward (Hugh Beaumont) and June (Barbara Billingsley) are out. And once again, disaster reigns supreme in the Cleaver household. This time, it's all because Wally was busy making hamburgers while Beaver was taking a bath -- and only when it is too late do the boys realize that Beav forgot to turn the water off! Though it takes some doing, our heroes manage to clean up the watery mess...but should they tell mom and dad what happened, or should they zip their lips to avoid a potential "clobbering"? ~ Hal Erickson, All Movie Guide

Trouble ensues when Beaver (Jerry Mathers) invites his pal Larry (Rusty Stevens) to spend the weekend at the Cleaver house. Inevitably, the boys get into a fight, and Larry angrily runs out into the street and back to his own home. Only one problem here -- Larry's mom and dad are out of town (in Cincinnati, no doubt). Veteran character actor Frank Sully plays a perplexed cab driver in this episode, which was originally scheduled to air on June 25, 1958. ~ Hal Erickson, All Movie Guide

While messing around at Friends Lake, Beaver (Jerry Mathers) and Larry (Rusty Stevens) meet a couple of older kids, Red (Tommy Cole) and Fred (Tom Masters), who are floating in a boat. With unexpected generosity, Red and Fred let Beav and Larry borrow the boat, then quickly depart from the scene. It is only upon the arrival of a couple of scowling cops that our heroes discover that the boat was stolen -- and now they face arrest! ~ Hal Erickson, All Movie Guide

Larry (Rusty Stevens) can't convince his mother (Madge Blake) to give him money so that he and Beaver (Jerry Mathers) can go to the carnival. Reasoning that if he "finds" the necessary funds everything will be all right -- thus he raids his mom's reserve in cash, tosses it out the window, and behold, it is "found money." Off to the carnival go the innocent Beaver and the guilty Larry, little imagining the horrendous fate awaiting them when they get home! ~ Hal Erickson, All Movie Guide