Larry Blake Movies

While Walton's Mountain is abuzz with news about the Nazi invasion of Norway and Denmark, a family of German immigrants arrive to visit their American relative, Mrs. Brimmer (Nora Marlowe). Jumping to the "obvious" conclusion, Elizabeth (Kami Cotler) is convinced that the Mountain is being invaded, and soon rumors are flying about the hapless German visitors. A combination of unfortunate coincidences and blind bigotry results in a near-tragedy for all concerned. ~ Hal Erickson, Rovi

Adapted from a lesser-known novel from SF/Horror author Dean R. Koontz, this claustrophobic thriller presents a computerized nemesis incorporating the murderous elements of 2001's HAL with the world-domination goal of the title villain in Colossus: The Forbin Project. Brilliant cybernetics expert Dr. Alex Harris (Fritz Weaver) develops a revolutionary new supercomputer dubbed Proteus IV (voice of Robert Vaughn, uncredited) which is capable of almost human self-awareness and capacity for intellectual growth. Unfortunately for Alex and his wife Susan (Julie Christie), Proteus is also imbued with a very human desire to grow beyond the limitations of his own knowledge -- as well as to escape the isolation of the laboratory -- and taps into the home terminals of the Harris' high-tech dream house, in which he makes Susan a virtual prisoner. As she is put through a tortuous series of physical and mental tests, the Proteus mainframe takes severe steps to prevent any interference -- even resorting to the murder of Harris' assistant (Gerrit Graham). Susan's confusion eventually turns to dread when she begins to realize Proteus' true intentions... to evolve beyond mere circuitry and assume a human form by impregnating her with his "seed." Despite the lurid premise, this is probably the most conventional effort from controversial director Donald Cammell (Performance, Wild Side), and the film's theme of the computer's ominously pervasive role in human affairs -- in this case forcing its way into our bodies as well as our lives -- seems oddly prescient today. Christie's convincing performance makes the most of a role which has her shouting at the walls and ceiling for two-thirds of the movie. ~ Cavett Binion, Rovi

Three intrepid archeologists head into Pueblo country in New Mexico in search of Mankind's origins. The group hopes to locate an ancient medallion, which may or may not prove that the Earth was once a stopping-off point for extraterrestrial beings. But just finding the medallion turns out to be the easy part; complicating matters is a fierce struggle over possession of the artifact, with several would-be possessors indicating that they're willing to kill to get what they want. Filmed on location in Taos, New Mexico as the pilot for a proposed (but unsold) weekly series, Search for the Gods made its ABC network bow on March 9, 1975--where it was handily trounced in the ratings by a competing Barbra Streisand special. ~ Hal Erickson, Rovi

John Williams guest stars as Bill Walston, a British police inspector who shows up in San Francisco, ostensibly to a attend a convention. Linking up with his old friend Ironside (Raymond Burr), Walston effusively offers to help the Chief in his investigation of a robbery. What Ironside doesn't know is that Walston is seriously ill--and that the good Inspector was himself the mastermind behind the heist. ~ Hal Erickson, Rovi

Gregory Sierra makes his first appearance as Puerto Rican junk dealer Julio Fuentes. Fred Sanford (Redd Foxx) is outraged that Julio, and his pet goat, have moved in next door to the Sanford's junk shop. Before the episode is over, Fred's bigoted anger matches, if not surpasses, that of another Norman Lear creation, Archie Bunker -- with the same boomerang consequences. ~ Hal Erickson, Rovi

Sidelined by a fractured wrist, Officer Pete Malloy (Martin Milner) pulls what he regards as "light duty", a night-desk shift with attractive policewoman Doris Mills (Beth Brickell). But things go from light to dark in a hurry when the two officers are confronted by a armed sniper who demands that his criminal brother be released from jail immediately. Luckily, Pete's regular partner Officer Jim Reed (Kent McCord) is on hand to help his comrades survive this terrifying ordeal. ~ Hal Erickson, Rovi

Officers Reed (Kent McCord) and Malloy (Martin Milner) have their hands full with a boisterous female alcoholic named Mae Pilaf (Norma Crane). After breaking up a barroom brawl in which Mae is involved, the two cops are summoned to an apartment where a shooting has occurred--and run into old Mae all over again. Can she be rehabilitated, or should Reed and Malloy just give Mae up as a bad job and move on to the next call? ~ Hal Erickson, Rovi

Ex-lawman turned rancher Jed Cooper (Clint Eastwood) is moving a small herd of cattle when a group of nine men on horseback, led by Captain Wilson (Ed Begley Sr.), ride up and accuse him of having stolen the cattle and killed their owner. Refusing to believe his account, they string him up by the neck and leave him for dead, but they don't do the job right. Cooper is dangling there, barely alive, a few minutes later when Deputy U.S. Marshal Bliss (Ben Johnson) spots him and cuts him down. He survives the next few days in Bliss' tumbleweed wagon with the other prisoners, and is later cleared of any wrongdoing and released by Judge Fenton (Pat Hingle), just in time to witness the hanging of the man who really murdered the owner of the cattle and took Cooper's money. Cooper still wants revenge on the nine men who tried to hang him, but Fenton insists that he leave the bringing of them to justice to his deputy marshals. As it happens, Fenton is in desperate need of deputy marshals for the territory that he oversees, and he also knows that Cooper was a good lawman. Cooper, in turn, is now broke and in need of a job, and does want to see justice done. They strike an uneasy bargain, Cooper agreeing to wear a badge and bring in the men he's looking for -- alive -- for trial. The latter proves easier said than done, however, when the first of them that he spots tries to draw on him when he makes the arrest. One of the hanging party, Jenkins (Bob Steele), soon turns himself in and provides the names of the others. Cooper takes Stone (Alan Hale Jr.) alive, but the hapless blacksmith is later shot by the local sheriff (Charles McGraw) while trying to escape. The other men, led by Wilson, have no intention of dying, or even being brought to trial, without a fight. Two of them go on the run out of the territory, while Wilson and two of the others decide to take the law into their own hands once again. Meanwhile, Cooper becomes a hero when he single-handedly brings back a trio of rustlers who are also guilty of murder. This leads to Cooper's first confrontation with Judge Fenton, who, in a gripping scene, explains why it is essential that he be as seemingly quick to hang a man as he is. Unless the people are convinced that the law will do its job -- including hanging men who deserve it -- they will keep taking the law into their own hands and there will be more lynch mobs like the one that tried to kill Cooper. In the course of his quest for justice, Cooper also makes the acquaintance of Rachel (Inger Stevens), a young woman with her own search for justice, haunted by her own ghosts, and the two of them are drawn together, no more so than when Wilson and two of the others try to gun Cooper down in cold blood. The final confrontation between Cooper and Wilson escalates in violence to its savage, irony-laced conclusion. ~ Bruce Eder, Rovi

With the series' premise (a wheelchair-bound detective) already established in a two-hour TV pilot film, Ironside launches its first season with a minimum of exposition and a maximum of fast action. Now living in his third-floor office at police headquarters, former San Francisco police chief Robert T. Ironside (Raymond Burr) doggedly disregards his semi-invalid status and continues to solve crimes with an elite three-person staff, consisting of Det. Sgt. Ed Brown (Don Galloway), policewoman Eve Whitfield (Barbara Anderson) and Ironside's bodyguard-general factotum Mark Sanger (Don Mitchell). In this episode, Ironside and company try to solve a racetrack robbery that occurred virtually under their noses. With only one firm clue (a crashed car) to go on, Ironside detemines that the robbery was an inside job...but who was the inside man? ~ Hal Erickson, Rovi

In Coleman, Nebraska, Steve Dexter--actually Richard Kimble (David Janssen)--is hired by construction boss Pat Patton (Jack Warden). A local pariah ever since one of his building collapsed and killed three children, Patton is determined to make up for his past misdeeds by erecting a new downtown structure free of charge. Though Patton knows who Kimble really is, he agrees not to turn the fugitive over to the police...but the conditions for his silence are both strange, and strangely motivated. ~ Hal Erickson, Rovi

Andrew V. McLaglen directs the Western drama The Rare Breed, based on the real-life introduction of English Hereford cattle to the American West in the 1880s. Maureen O'Hara plays Martha Price, an widowed Englishwoman who convinces rancher Alexander Bowen (Brian Keith) to use her new cattle breed. James Stewart stars as ranch hand Sam Burnett, a rambler who agrees to take the rare bull to Texas in order to breed it with the longhorns. He also accepts a bribe along the way from the lawless Taylor (Alan Caillou). The determined Martha and her daughter Hilary (Juliet Mills) demand to go along for the trip, leading to Burnett having to rescue them from several bouts of Western-style danger. Soon Bowen loses faith in the breeding idea, but Burnett has grown to believe in the bull. The bull dies after the harsh winter, but Burnett saves one of its calves. He and Martha decide to start their own cattle ranch. Meanwhile, Hilary begins a romance with Bowen's son Jamie (Don Galloway). Also starring Jack Elam as swindler Deke Simons. ~ Andrea LeVasseur, Rovi

Though overlong even for a Hayley Mills vehicle, That Darn Cat is an expert blend of laughs and suspense. The eponymous feline is D.C., a Siamese belonging to sisters Hayley Mills and Dorothy Provine. One evening, D.C. comes flouncing home with a lady's wristwatch attached to her neck. The watch contains an unfinished plea for help scribbled on its back, written by Grayson Hall, a bank teller held captive in a neighboring house by robbers Neville Brand and Frank Gorshin. Mills and Provine contact the FBI, who send agent Dean Jones (who's allergic to cats) to investigate. In their efforts to locate and rescue Hall and capture the crooks, Jones and the two sisters embark upon a series of slapstick misadventures involving an unending stream of top character actors. The highlight is a lengthy sequence at the drive-in movie theatre managed by ulcerated Richard Deacon. That Darn Cat is based on Undercover Cat, a somewhat more serious suspense novel by The Gordons. ~ Hal Erickson, Rovi