William Smithers Movies

It's a tough uphill climb for officer Joanne Molenski (Darlanne Fluegel) as she assists Hunter (Fred Dryer) during his investigation of a series of murders. In each instance, the female victim was brutally raped--a fact that triggers unhappy memories for Molenski. Despite the wear and tear on her emotions, she insists upon sticking with the investigation; and in the end, it is Molenski who provides the insight which helps Hunter crack the case. ~ Hal Erickson, Rovi

Where the Ladies Go is a TV movie set in a white-bread Oklahoma town, where most of the housewives suffer from terminal boredom. Good ol' boy Earl Holliman comes to the rescue by establishing the El Fidel, a bar which is open from 9 AM to 3 PM, or "ladies' hours." Karen Black, Candy Clark and Lisa Hartman are among the ladies who frequent the El Fidel, which, considering what goes on during business hours, could well have been renamed the "El Infidel." While the Southern accents come and go depending upon the skills of the individual actresses, the film maintains a fairly even entertainment keel. Where the Ladies Go was written by Carol Sobieski, who scripted many a "female bonding" TV flick of the 1980s. ~ Hal Erickson, Rovi

At the request of his friend Harry Collier (Allan Miller), Quincy investigates the death of a young Marine, who was killed in a training accident while under the command of hard-drinking drill sergeant Alistair Adams (Harry Collier). Quincy's efforts, and those of the official military investigators, are compromised by rumors of a cover-up which may have been engineered by some very powerful people. This episode was originally slated to air on March 9, 1979. ~ Hal Erickson, Rovi

The latest patient of ambitious psychiatrist Norman Jessup (William Smithers) is lifelong lawbreaker Charlie Blake (Dean Stockwell). In his efforts to advance himself, Dr. Jessup has no qualms about exploiting Blake's criminal past. These efforts prove to have their dangerous side when Jessup impedes a rape-murder investigation conducted by detectives Stone (Karl Malden) and Keller (Michael Douglas). ~ Hal Erickson, Rovi

This spy thriller from future Death Wish (1974) director Michael Winner stars Burt Lancaster as the enigmatic Cross, a CIA agent who has hired a government assassin, Jean Laurier (Alain Delon), to kill an Arab terrorist. Once they return home, Laurier is arrested by his superior, McLeod (John Colicos), who wants to know why Cross is still alive, as Laurier was ordered to kill him as well. Laurier doesn't think that Cross is guilty of the crime, but he relents and agrees to carry out the contract for a higher price. Cross, suspected of selling secrets to the Soviets, learns that his life is in danger and flees to Vienna, where he is aided by a former comrade-in-arms from WWII, the sympathetic KGB agent Sergei Zharkov (Paul Scofield). When Cross learns that his wife (Joanne Linville) has been murdered by McLeod, he returns to the U.S. and kills him, leading to a bloody final confrontation with a reluctant Laurier, who is shocked to discover that his lover (Gayle Hunnicutt) is in league with Cross. Scorpio (1973) was the writing debut of David W. Rintels, who went on to author several critically respected made-for-TV films. ~ Karl Williams, Rovi

An inner-city point man is on the run from both the cops and the crooks in this streetwise blaxpolitation drama. T (Robert Hooks) is a combination pool shark, private detective, and all-purpose ghetto fixer who operates out of a billiards parlor in South Central Los Angeles. T has done well for himself -- he drives a fancy new car, wears expensive suits, and lives in an upscale apartment -- but he also looks out for folks on the block, and knows how to tell the good guys from the bad guys on either side of the law. T is approached by Chalky (Paul Winfield) and his partner, Pete (Ralph Waite), who run a floating dice game in the neighborhood. Chalky tells T they've been ripped off by a band of thieves several nights running, and they want him to find out who the masked stick-up men are. T is willing to do the job for the right price, but it turns out Chalky and Pete are trying to take down rival crime kingpin Big (Julius Harris), and when one of Big's underlings turns up dead, T is blamed for the crime by both Big and corrupt police captain Joe Marx (Bill Smithers). Trouble Man also stars Paula Kelly's as T's love interest, and features an original score by Marvin Gaye. ~ Mark Deming, Rovi

Glenn Ford plays a man who joins a mysterious fraternity, "The Brotherhood of the Bell", while in college. Upon attaining wealth and prominence, Ford discovers that the Brotherhood has been keeping tabs on him, and expects certain favors from him in the private sector. It dawns on Ford that the Bell is a sinister, subversive organization bent on world domination. When he tries to bring this to the attention of the public on a TV program hosted by a "gonzo" talkshow star (William Conrad), he is mocked and humiliated. Realizing that the Brotherhood of the Bell is too big and powerful to be defeated by conventional methods, Ford attempts to take on the organization in his own way. The Brotherhood of the Bell was previously presented as a "live" hourlong television drama in the 1950s. ~ Hal Erickson, Rovi

Bill Bixby sheds his "lovable sitcom hero" persona in the role of smooth-talking psychopath Tom Dayton. Seven years after killing the fiancee of Sgt. Ed Brown (Don Galloway), Dayton is delcared to be "safe" by the authorities and is given his freedom. But Ed is convinced that Dayton's pathological hatred for female authority figures will soon resurface and tragedy will result unless the man is put out of commission permanently. This final episode of Ironside's third season features a flashback sequence in which Chief Ironside (Raymond Burr) is able to move around without his wheelchair--presumably to squash the then-prevalent rumor that star Burr was genuinely paralyzed from the waist down! ~ Hal Erickson, Rovi

The key prop in this episode is an antique porcelain doll, used by Communist agents DeBecker (William Smithers) and Linker (Robert Wolders) to transport stolen microfilm. Once alerted to the doll's existence, Erskine (Efrem Zimbalist Jr.) conducts a search for the precious plaything which takes him all the way from Oregon to New York State. This episode is distinguished by the superlative performances of veteran actresses Josephine Hutchinson and Viveca Lindfors. ~ Hal Erickson, Rovi

Boarding the S.S. Star of Suez, the cleverly disguised agents of the IMF attempt to prevent Communist agent Yorgi Petrosian (Michael Strong) from getting his hands on a valuable microfilm. Unbeknownst to himself, gun salesman Victor Tomar (William Smithers) is in possession of the film, which is affixed to a priceless emerald. The recovery of the film is contingent upon a meticulously staged poker game. Written by William Read Woodfield and Allan Balter, "The Emerald" first aired on January 21, 1968. ~ Hal Erickson, Rovi

A series of truck hijackings has coincided with the appearance of stolen American cargoes behind the Iron Curtain. Investigating, Inspector Erskine (Efrem Zimbalist Jr.) follows the trail of clues to Manning Fryes (Peter Graves), an outwardly respectable businessman who is harboring a terrible secret. In a rare American TV appearance, Louis Jordan is unforgettable as a charming but cold-blooded master spy who uses beautiful women and vulnerable men as his helpless pawns. ~ Hal Erickson, Rovi

Hanley (Rick Jason) and his squad enter a French village at the same time that a German squad led by Lt. Markes (William Smithers) marches in from the other side of town. Both armies are stopped in their tracks by a deranged Frenchwoman who begs them to rescue her baby, trapped in a bombed-out wine celler. After much deliberation, Hanley and Markes call a temporary truce in order to save the infant--with unexpected results. The hysterical mother is played by Lisa Pera, the grandniece of Russian author Leo Tolstoy and a protégee of series star (and director of this episode) Vic Morrow. ~ Hal Erickson, Rovi

It is easy to see why the US Army refused to cooperate in the production of Attack. Based on the Norman Brooks play The Fragile Fox, this searing war film is a powerful indictment against a military system which protects even its most incompetent of officers. Eddie Albert plays a posturing but hopelessly inept infantry captain, whose misdeeds are covered up by his colonel Lee Marvin. Albert has strong political connections in the US, and Marvin hopes to take advantage of this after the war. Lieutenant Jack Palance has sworn to kill Albert with his bare hands if the officer bungles another mission. Albert orders Palance and his men into an untenable position on the battlefields of Belgium--and then, true to character, is too cowardly to send backup troops, leaving Palance's men to their fate. By sheer strength of will, Palance, whose arm has been shattered by an enemy tank, drags himself to the cellar where Albert is billeted and attempts to rid the world of the terror-stricken captain. Palance dies before he can keep his promise, but when the craven Albert makes an effort to surrender himself and his men to the Germans, he is shot down by lieutenant William Smithers. The rest of the men conspire to cover up Smithers' "crime" by claiming that Albert died from enemy fire, but Smithers proves to be less willing to prevaricate than his fellow soldiers. Though most filmgoers are mesmerized by Eddie Albert's virtuoso performance as a snivelling yellow-belly, director Robert Aldrich claimed that Albert gave his best reading during rehearsals, and that what ended up on film was nowhere near as powerful as it might have been. ~ Hal Erickson, Rovi