Roger Guenveur Smith

Director Ridley Scott spins this yarn concerning a Harlem drug kingpin (Denzel Washington) who smuggles heroin into the country by hiding it in the bodies of U.S. soldiers killed during battle in Vietnam. There was a time when no one noticed reserved driver Frank Lucas (Washington), but when the criminal kingpin he was charged with transporting through the city streets suddenly dies, Lucas seizes the opportunity to build his own criminal empire. In the following months, Lucas solidifies his status as Harlem's most innovative drug dealer by delivering a product that is purer than the competitors' and cheaper, as well. When innovative businessman Lukas attempts to go semi-legit by becoming one of the Manhattan borough's biggest civil supporters, however, street-savvy outcast cop Ritchie Roberts (Russell Crowe) begins to sense a sizable shift in the hierarchy of the drug underworld. But Roberts is one of the few honest detectives operating within a corrupt system, and as he sets out to investigate the case, crooked detective Trupo (Josh Brolin) does everything in his power to compromise the integrity of his idealistic counterpart. Upon clearing all of the usual Mafia-connected suspects, Roberts begins to believe that a previously unknown black power player has come out of the woodwork to dominate the local drug trade. While Roberts and Lucas may be operating on opposite sides of the law, the one thing that both men have in common is a strict code of ethics that separates them from their opportunistic colleagues. Now, as a confrontation between the two men becomes inevitable and the fate of each becomes inexorably tied to the other, it gradually becomes apparent that only one of them will emerge from the conflict victorious. ~ Jason Buchanan, All Movie Guide

A wandering mercenary sets out on a bullet-riddled path of revenge after being blackmailed into staging a daring prison break and subsequently being double-crossed in this explosive action entry starring American martial arts icon Steven Seagal. John Seeger (Seagal) is a soldier of fortune with a reputation for getting the job done. When the son of a billionaire arms dealer is locked away in a South African prison with little hope for freedom, the enraged father uses his far-reaching power and influence to force Seeger into a daring rescue mission. There's much more to this adventure than Seeger knows, though, and upon discovering that he has been hung out to dry by the manipulative extortionist, Seeger sets out to prove that when it comes to the matters of honor, you simply don't mess with the best in the business. ~ Jason Buchanan, All Movie Guide

First-time filmmaker Harry Davis directs the drama MVP from a screenplay by award-winning filmmaker Greg Pak, filmed entirely in southeastern Michigan. Wood Harris stars as Tony Smalls, a public defender in Detroit. Fed up with the legal system, he wants to quit being an attorney and leave town. His sister Nia (N'Bushe Wright), however, convinces him stay and defend her boyfriend Big Boy (Christian Mathis). This proves to be complicated by the fact that Big Boy is the supposed leader of the gang known as MVP. Tony finds that the case strains his relationship with his wife Kim (Melle Powers). Also starring Roger Guenveur Smith, MVP was shown at the Sundance Film Festival in 2004 as part of the American Spectrum competition. ~ Andrea LeVasseur, All Movie Guide

Shade, the first feature film from real-life card shark Damian Nieman, who wrote and directed the picture, stars Gabriel Byrne and Thandie Newton as a duo of con artists looking to beat the "Dean" (Sylvester Stallone), a legendary card shark, in a high-stakes poker game. Their first step is hiring two fellow tricksters -- Jamie Foxx and Stuart Townsend -- to provide the smooth talking and to procure the necessary funds. Unfortunately, Larry (Foxx) blows his hand and finds himself with 85,000 dollars worth of debt owed to a local crime boss. Shade premiered at the 2003 CineVegas film festival and also features Dina Merrill and Melanie Griffith. ~ Tracie Cooper, All Movie Guide

Among the tasks undertaken by the WPA's Federal Writers' Project in the 1930s was to transcribe the memories of those former African-American slaves who were still living. The result was a massive collection of notes, documents, and recordings, all of which found their way into the Library of Congress. Co-produced by the Library and the HBO cable channel, Unchained Memories: Readings From the Slave Narratives features a truly impressive array of black actors and actresses verbally recreating the reminiscences of those who lived under the yoke of slavery. The performers themselves appeared in modern dress, standing before a neutral background as they read from the transcripts, while directors Ed Bell and Thomas Lennon complemented the words with vivid and disturbing images culled from contemporary photographs of the years 1850-1935. Tied in with a traveling museum exhibit of photos and recordings, Unchained Memories was telecast during Black History Month, 2003. ~ Hal Erickson, All Movie Guide

Campbell Scott is both star and co-director of this elaborate (albeit economically produced) four-hour TV version of Shakespeare's immortal tragedy Hamlet, Prince of Denmark. The film is based on Scott's earlier theatrical production of the same play, with several of the same actors repeating their same roles. Updated to 1900 New York, the text remains substantially the same as it has always been: Hamlet (Scott), the "melancholy" Danish prince, discovers to his horror that his late father, the King, was murdered by his brother (and Hamlet's uncle) Claudius (Jamey Sheridan), who upon ascending to the throne, added insult to injury by wedding Hamlet's mother, Gertrude (Blair Brown). Though his desire for revenge is strong, Hamlet does not want any more bloodshed, and concocts an elaborate scheme to "catch the conscience" of Claudius and force him into a confession. Part of this scheme involves Hamlet's feigned descent into madness -- which, as interpreted by Scott, may not be as "feigned" as he thinks it is. Caught in the middle of this intrigue is Hamlet's lady love, Ophelia (Lisa Gay Hamilton), daughter of Claudius' chief consul, Polonius (played in the manner of a protocol-conscious Victorian diplomat by Roscoe Lee Browne). Some of the choices made by Scott in adapting Hamlet to the screen -- the turn-of-the-century setting; the utilization of black actors in the roles of Polonius, Ophelia, and Laertes (who is played by Roger Guenveur Smith); the casting of Byron Jennings to play both the Ghost of Hamlet's father and the Player King, who pretends to be the father -- were applauded by the critics. Other innovations, notably the use of slow jazz music throughout the action, and Hamlet's violent treatment of poor Ophelia during the "Get thee to a nunnery" scene, were not so enthusiastically received. Whatever the case, Scott does a remarkable job with a tiny budget and a slim 29-day shooting schedule. In addition to the actors' lilting interpretation of the Shakespearean dialogue and soliloquies, the film boasts a truly exciting climactic duel, shot in long takes without the use of stunt doubles. Initially produced for a theatrical release, this Hamlet made its American debut as a cable TV miniseries on the Odyssey Channel, beginning December 10, 2000. ~ Hal Erickson, All Movie Guide

Produced for cable's BET network, Incognito can be described as an African-American variation of the sort of TV-movie fare that had previously been the exclusive province of such Caucasian actresses as Victoria Principal and Cheryl Ladd. Wealthy, gorgeous female executive Erin Courtland (Allison Dean) is raped by a lowlife named Derek Scanlon (Phil Morris), who manages to elude arrest and begins stalking the harried heroine. When it becomes obvious that Erin's sniveling fiancé Quinn (Roger Guenveur Smith) will be of no help to her whatsoever, Erin's dad Marcus (Ron Glass) engages the services of bulked-up bodyguard Jake Hunter (Richard T. Jones). To be sure, a romance ensues, with all the attendant clichés of this sort of formula film fare, albeit with fascinating side glances at such Afrocentric topics as sickle-cell anemia and social unrest. Adapted from a novel by Francis Ray, Incognito made its TV debut on September 17, 1999. ~ Hal Erickson, All Movie Guide

In the summer of 1977, a serial killer who called himself Son of Sam (real name David Berkowitz) held New York City in terror as he went on a killing spree, periodically writing letters to New York's media in which he took full responsibility for the murders and made clear that he intended to kill again. Spike Lee's Summer of Sam deals in part with this crime spree, but it mostly looks back at the fearful impact of his crimes on New York's collective consciousness. Vinny and Dionna (John Leguizamo and Mira Sorvino) are an unhappy young married couple living in the Bronx; Vinny often cheats on Dionna but is wracked with guilt about it, while Dionna fears she lacks the looks or allure to hold onto a man. Ritchie (Adrien Brody) is a neighborhood kid turned punk rocker (complete with a fake British accent); he has a band and a girlfriend (Jennifer Esposito) but also makes money as an exotic dancer at a gay club. And Luigi (Ben Gazzara), a longtime leader of organized crime in the Bronx, is approached by the police, with whom he generally has a less cordial relationship, to help them find the killer, as the citizens of some neighborhoods barricade their streets in fear that he will strike there next. Meanwhile, a tortured psychopath named David Berkowitz (Michael Badalucco) seethes with rage in his gloomy apartment and receives messages from a demonic dog who commands him to kill and kill again. Spike Lee's first film without a primarily African-American cast (though bearing the unmistakable New York stamp that's one of his hallmarks), Summer of Sam was shown as part of the Directors Fortnight series at the 1999 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Inspired by a true story (the events of which led to the Sipes vs. McGhee trial, in which the United States Supreme Court declared that covenants used to segregate neighborhoods were unconstitutional), The Color of Courage concerns Mac McGhee (Roger Guenveur Smith), his wife Minnie (Lynn Whitfield), and their two sons, an African-American family who move into an all-white neighborhood in the early 1940s. Hoping to avoid trouble early on, The McGhees move in at night, but the neighbors soon become aware that a black family is living nearby. Anna Sipes (Linda Hamilton), who lives next door, is a bored housewife whose husband forbids her to work outside the home; wanting to be a good neighbor, she bakes a cake as a welcoming gift for the McGhees, and Minnie accepts it graciously. Minnie and Anna get to know each other and discover that they have a good bit in common. However, as their friendship grows, animosity against the McGhees begins to build, and Anna's husband Benjamin (Bruce Greenwood) joins with members of the neighborhood association to use legal means to force the McGhee family to move elsewhere. The Color of Courage was shown at the 1998 Chicago Film Festival before making its bow on the USA cable network in 1999. ~ Mark Deming, All Movie Guide

Released one year to the day after the 1995 Million Man March, in which a million African-American men marched peacefully in Washington, D.C. in a bid for greater unity and understanding, Spike Lee's Get On the Bus follows a group of black men who take a charter bus from Los Angeles to the rally in the nation's capital and watches as they interact and air their personal issues and concerns. George (Charles S. Dutton) is the organizer of the trip and de facto leader of the group. Evan Thomas (Thomas Jefferson Byrd) is a truck driver who travels to the march with his son (De'Aundre Bonds) chained to his belt by court order after the boy was arrested for petty theft. Kyle (Isaiah Washington) and Randall (Harry Lennix) are gay lovers who take no small amount of abuse from their fellow passengers. Gary (Roger Guenveur Smith) is the product of a mixed-race marriage who could pass for white but sees himself as black; he's also a cop, which does little to endear him to his peers. Flip (Andre Braugher) is an actor who seems more concerned with getting his next film role than the larger issues of the march. Jamal (Gabriel Casseus) is a good-natured young Muslim trying to lead a righteous life to make up for his violent past as a gang member. A film student (Hill Harper) is capturing the trip on videotape, and Jeremiah (Ossie Davis) sits in the back, reflecting on the struggles of African-Americans in the past and present. Financed by a private group of 15 black American men (among them Will Smith and Wesley Snipes), Get On the Bus speaks less of a single political goal than of the need for black men to set aside their differences to work for their common good. While the film falls short of openly criticizing Million Man March organizer Louis Farrakhan, it does present debate about Farrakhan's ideals and statements, ultimately coming to the conclusion that whoever brought this group together is less important than the fact that they came together in peace and brotherhood. ~ Mark Deming, All Movie Guide