Gladys Blake Movies
Supporting actress Gladys Blake first appeared onscreen in the late 1930s. In Warren Meyers' Who is That?, a picture book devoted to Hollywood's favorite character actors, Blake is lumped together with such cinematic tarts as Veda Ann Borg and Olga San Juan in a chapter titled "My, Isn't She Cheap?" In truth, Blake's appearances as "naughty ladies" were limited. During her 12-year (1938-1950) screen career, she was most often seen as a garrulous telephone operator, most memorably in Abbott and Costello's Who Done It? (1942). Gladys Blake's final screen role was, appropriately enough, "The Talkative Woman" in Paid in Full (1950). ~ Hal Erickson, All Movie Guide- 1944
The sparkling screwball comedy And So They Were Married was originally released as Johnny Doesn't Live Here Any More. French-Canadian girl Simone Simon leases a Washington DC apartment from Marine William Terry. Since the Nation's Capital is overcrowded (wartime, don't you know), Simon must put up with a steady parade of Terry's old cronies and girlfriends, all of whom have keys to the apartment. She also becomes the romantic bone of contention between Terry and his sailor pal James Ellison. The last half of the film is dominated by Robert Mitchum as a Chief Petty Officer, who wants to rent the apartment for himself and his wife. A whimsical touch is added by the presence of midget Jerry Maren as a Cupid-like gremlin, who takes great delight in complicating Simon's life. Blessed with a great cast, an above-average production values (especially for a Monogram release), this King Bros. production proved to be the last directorial effort of German expatriate Joe May. Watch for fleeting appearances by horror-film perennial Rondo Hatton as a well-dressed gentleman entering Simon's cab, and Our Gang's Mickey "Froggy" Laughlin as a ratchet-voiced kid. ~ Hal Erickson, All Movie Guide
- Starring:
- Simone Simon, James Ellison, (more)
- 1944
The career girl in this PRC musical is Joan (Frances Langford), a Kansas City gal with showbiz aspirations. She heads to New York, where she sets up residence in a theatrical boarding house straight out of Stage Door. A few setbacks later, Joan lands the lead in a Broadway musical revue, which despite its threadbare production values (a PRC trademark) bids fair to be the hit of the season. Endearingly old-fashioned, Career Girl puts over its clichés with energy and verve. Besides, any picture with wisecracking Iris Adrian in a large role can't be all bad. ~ Hal Erickson, All Movie Guide
- 1944
Reckless Age is a by-the-numbers Universal musical, elevated by the presence of perky songstress Gloria Jean. The star plays Linda Wadsworth, the granddaughter of fabulously wealthy department-store magnate J. H. Wadsworth (Henry Stephenson). Rebelling against Wadsworth's close-minded tyranny, Linda assumes an alias and takes a job at one of his stores. She also moves into a boarding house for Wadsworth employees, overseen by stern-but-kindly Mrs. Connors (Jane Darwell). Oddly, there is no romantic subplot to speak of; like Deanna Durbin before her, Gloria Jean plays a sexless "Little Miss Fixit" who saves the day when all looks bleak. The film is noteworthy only as the screen debut of that matchless comic actor Jack Gilford, then starring in the Broadway revue Meet the People, whose budding film and TV career was egregiously cut short by the Hollywood Blacklist. ~ Hal Erickson, All Movie Guide
- Starring:
- Gloria Jean, Henry Stephenson, (more)
- 1944
The popular screen team of Claudette Colbert and Fred MacMurray stars in this wartime farce. MacMurray is an army pilot who develops engine trouble during a vital mission. Thinking he's about to die, MacMurray radios back his undying affection for his dog "Piggy." But the radio reception is fuzzy, and it is assumed that he has said "Peggy"--which happens to be the character name of Colbert, who intercepts the message. MacMurray survives the plane crash, whereupon he is whisked back home into the arms of Peggy, which is not to the liking of Peggy's gormless fiance (Gil Lamb). Practically Yours was guaranteed to make money, which it did. Its humor not meant to survive the ages, which it hasn't. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Fred MacMurray, (more)
- 1944
For their first film in a year, Bud Abbott and Lou Costello played it safe with a medley of old burlesque routines and slapstick setpieces -- and never mind a coherent plot. The boys play Eddie and Albert, a pair of plumbers hired to fix the pipes of a fancy society mansion. While a masquerade party takes place on the first floor, our heroes wreak havoc in the bathroom on the second floor. The angry owners (Thurston Hall, Netta Packer) shoot off a letter of complaint to the plumbers which gets mixed up with an invitation for a fancy weekend party. Thus it is that Eddie and Albert, accompanied by their female cab-driving pal Elsie (Marion Hutton), show up dressed to the nines at a posh country estate. While the boys get mixed up in further comic complications, Elsie carries on a romance with wealthy and handsome Peter (Kirby Grant). Things come to a head when a valuable painting is stolen, prompting Eddie and Albert to chase after the thieves by commandeering a fire engine! Released in most areas simply as In Society, this slapped-together comedy proved beyond all doubt that Abbott and Costello's appeal had not slipped during their screen absence. Highlights include a variation on the burlesque chestnut "Floogel Street" (here renamed "The Susquehanna Hat Company"), a wild and crazy fox hunt, and the climactic fire-engine pursuit, which was lifted virtually in toto from W.C. Fields' Never Give a Sucker an Even Break (1941). ~ Hal Erickson, All Movie Guide
- Starring:
- Bud Abbott, Lou Costello, (more)
To fully appreciate The More the Merrier, it is important to know that, during WW2, there was an acute housing shortage in Washington DC. This is why elderly Benjamin Dingle (Charles Coburn) is obliged to share a tiny DC apartment with pretty Connie Milligan (Jean Arthur) and handsome Joe Carter (Joel McCrea). After nearly two reels of misunderstandings, the trio becomes accustomed to their curious living arrangement. Joe takes a platonic liking to Connie, but she's engaged to stuffy bureaucrat Charles J. Pendergast (Richard Gaines). Sizing up the situation, foxy Benjamin contrives to bring Connie and Joe together, in spite of themselves. Things get dicey when Joe endeavors to complete a top-secret mission for the Air Force, which leads to all sorts of comic complications and misguided remonstrations. Throughout the film, director George Stevens and the four-man screenwriting staff deliberately tweak the noses of the Hays Office, getting by with any number of censorable offenses by deftly and tastefully sidestepping the obvious. Especially potent is the scene in which Joe tries to seduce Connie by talking about everything except seduction: it's also fun to watch Dingle robustly repeat the word "Damn" over and over, getting away with this breach of censorship because he's quoting Admiral "Damn the Torpedoes" Farragut. An Academy Award went to Charles Coburn, while nominations were bestowed upon Jean Arthur, Joel McCrea, George Stevens, the screenwriters, and the film itself. The More the Merrier was remade in 1966 as Walk Don't Run, with Cary Grant, Jim Hutton and Samantha Eggar. ~ Hal Erickson, All Movie Guide
- Starring:
- Jean Arthur, Joel McCrea, (more)
All but forgotten today, A Stranger in Town serves as an excellent showcase for the dramatic talents of Frank Morgan. The star plays Supreme Court justice John Josephus Grant, who decides to take a break from his hectic schedule by going on a hunting vacation. Travelling incognito, Grant stops over in a small town that turns out to be a hotbed of political corruption. Taking a liking to honest young mayoral candidate Bill Adams (Richard Carlson), Grant uses his legal know-how to help thwart Adams' crooked opponents. Jean Rogers, best-known to film buffs as Dale Arden in the first two "Flash Gordon" serials, is decorative as Grant's secretary, who (of course!) falls in love with the clean-cut Bill Adams. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Morgan, Richard Carlson, (more)
- 1943
This Technicolor retelling of the Gaston Leroux "grand guignol" classic The Phantom of the Opera has a little more opera than phantom, but that's because the stars are soprano Susannah Foster and tenor Nelson Eddy. Claude Rains carries the acting honors on his shoulders, playing a pathetic orchestra violinist who worships aspiring opera-singer Foster from afar. The girl is unaware that Rains has secretly been financing her music lessons with instructor Leo Carrillo. When he runs out of money, Rains attempts to sell the concerto that he's been working on all his life. Mistakenly believing that his precious concerto has been stolen from him, Rains attacks and kills the music publisher he holds responsible. Terrified, the publisher's mistress throws a pan full of acid into Rains' face. Rains runs screaming into the night, and is not heard from for the next reel or so. Soon afterward, the Paris Opera house is plagued by a series of mysterious accidents. The managers are informed via letter that the "accidents" will continue if Foster is not immediately promoted to leading roles. Only after reigning diva Jane Farrar is drugged into incapacitation is Foster given her big break. Farrar accuses Foster's boyfriend, police inspector Nelson Eddy, of doping her in order to advance Foster's career. Farrar is later strangled, and Eddy is accused of the crime. The culprit is, of course, Rains, who now poses as the masked-and-caped "phantom". Maniacally determined that no one will impede Foster's success, Rains causes a huge chandelier to crash down on the opera audience when Foster fails to appear onstage (she'd been kept from performing by police-chief Edgar Barrier, who hoped in this manner to flush The Phantom out of hiding). A chase through the catacombs below the opera house ensues, with Rains holding Foster prisoner. When Rains briefly lets down his guard, the tremulous Foster removes his mask. It's "yecccch," all right, but nowhere near as frightening as the unmasking scene in the silent Lon Chaney version of Phantom of the Opera. The same can be said for the rest of this 1943 remake, though in fairness it appears as though the film wasn't really designed to scare anyone, but instead to serve as a suspense yarn with musical interludes. Hume Cronyn makes his second film appearance in Phantom in a microscopic role. The huge sets designed for this picture were hastily reused for the 1944 Universal melodrama The Climax, starring Boris Karloff and (again) Susannah Foster. ~ Hal Erickson, All Movie Guide
- Starring:
- Nelson Eddy, Susanna Foster, (more)
- 1942
In order to be permitted to appear in "prestige" items like Grapes of Wrath and The Ox-Bow Incident, Henry Fonda had to agree to appear in such inconsequential fluff as The Magnificent Dope. On its own terms, however, this gentle satire of the "Dale Carnegie" school of self-help is pretty funny. Don Ameche plays Dwight Dawson, the owner of a success school which isn't all that successful. Dawson's secretary-sweetheart Claire Harris (Lynn Bari) suggests a publicity stunt which might improve business: If Dawson can make a success out of the laziest man in America, the world will beat a path to his door. After an extensive search, the perfect candidate for Dawson's academy is found: Cheerful, laid-back country boy Tad Page, who prefers happiness and serenity to hard work and wealth. In true "reverse procedure" tradition, it is Tad's take-it-easy philosophy, rather than Dawson's "get up and go" dictum, that eventually wins the hearts of the American public. Fourth-billed Edward Everett Horton has little to do other than his inimitable double takes, one of which amusingly closes the picture. ~ Hal Erickson, All Movie Guide
- Starring:
- Henry Fonda, Don Ameche, (more)
- 1942
Star-Spangled Rhythm is a typical wartime all-star musical-comedy melange, this time from Paramount Pictures. The slender plot involves the efforts by humble studio doorman Pop Webster (Victor Moore) to pass himself off as a big-shot Paramount executive for the benefit of his sailor son Jimmy (Eddie Bracken). The overall level of humor can be summed up by the scene in which Webster is advised that the best way to pretend to be a studio big-shot is to say "It stinks!" to everything -- whereupon Cecil B. DeMille shows up to ask Webster's opinion about his current production. Betty Hutton, cast as studio switchboard operator and co-conspirator Polly Judson, is at her most rambunctiously appealing here. The huge lineup of guest performers includes Bing Crosby (and his 8-year-old son Gary!), Bob Hope, Veronica Lake, Dorothy Lamour, Dick Powell, Mary Martin, Alan Ladd, Fred MacMurray, William Bendix, Paulette Goddard, and Eddie "Rochester" Anderson, most (but not all) of them going through their characteristic paces. Highlights include a surrealistic rendition of That Old Black Magic with Johnnie Johnston and Vera Zorina; a frantic staging of the old George S. Kaufman sketch "If Men Played Cards as Women Do" with MacMurray, Ray Milland, Franchot Tone, and Lynn Overman; and The Sweater, the Sarong and the Peekaboo Bang, first performed by Goddard, Lamour and Lake, then lampooned in drag by Arthur Treacher, Sterling Holloway and Walter Catlett! PS: The actor playing Rochester's chauffeur in the Smart as a Tack number is John Ford "regular" Woody Strode. ~ Hal Erickson, All Movie Guide
- Starring:
- Victor Moore, Betty Hutton, (more)
- 1942
With only a minimal romantic subplot and no music whatsoever, Who Done It? is pure, undiluted Bud Abbott and Lou Costello, and a good mystery on its own to boot. Bud and Lou star as Chick Larkin and Mervyn Milgrim, a pair of soda jerks who aspire to become radio detective-show writers (their latest epic is "The Midget Gets the Chair-or, Small Fry"). Invited by their radio-scrivener pal Jimmy Turner (Patric Knowles) to attend a broadcast of the "Murder at Midnight" program, Chick and Mervyn are on hand when network president Colonel Andrews (Thomas Gomez) is murdered just before delivering a vital patriotic message. While waiting for the official police to show up, Chick and Mervyn decide to try to solve the case on their own, thereby securing their reputations as writers. The boys manage to convince everyone-even the real killer-that they're genuine gumshoes, only to be exposed when the real cops, Moran (William Gargan) and Brannigan (William Bendix) arrive on the scene. Ultimately, the murderer is revealed, leading to an exciting rooftop chase, with poor Mervyn suspended between two skyscrapers on a slender electrified wire. The comic highlights of Who Done It? are too numerous to mention here, but they include Mervyn's misadventures in the radio-transcription room, his confrontations with a wise-guy page boy (Walter Tetley), his "Not watts, volts!" exchange with the exasperated Chick, and an athletic interlude with those world-famous tumblers, the Flying Bordellos (sic!). Best bit: Upon winning a quiz program, the boys eagerly turn on their prize, a portable radio--only to turn it off in disgust when Abbott and Costello sign on the air ("Every time you hear those guys, it's 'Who's on First-What's On Second!'") ~ Hal Erickson, All Movie Guide
- Starring:
- Bud Abbott, Lou Costello, (more)
- 1942
This musical -- a concoction of comedy, songs, dancing, and war-time patriotism mixed together with a spy spoof plot -- opens with Tommy Dorsey and his band swinging through "Hawaiian War Chant" while Eleanor Powell taps away. Powell, it turns out, is Tallulah Winters, the band's official tap dancer, and she and the orchestra are taking an ocean liner to Puerto Rico for their next gig. Also on board are some enemy agents, anxious to secretly and safely transport their stolen plans, which include a prototype magnetic mine that can make play a big role in the war. Utilizing a plot device from a novel by Merton K. Kibble (played by Red Skelton), the enemy agents pretend to be working for the U.S. government and enlist Winters to help them with their plans. A series of misunderstandings and confusions ensue, including a baggage mix-up that leaves Kibble unwittingly in possession of the mine. Eventually Winters discovers that she has been duped and works to set all things right. Ship Ahoy takes advantage of the talents of its musical stars -- including Frank Sinatra and Jo Stafford -- to offer a nice spread of musical numbers, including "Last Call for Love," "I'll Take Tallulah," "Poor You," and "On Moonlight Bay." ~ Craig Butler, All Movie Guide
- Starring:
- Eleanor Powell, Red Skelton, (more)
Spencer Tracy and Katharine Hepburn costarred for the first time in the delectable romantic comedy Woman of the Year. Tracy plays New York sportswriter Sam Craig, who becomes incensed at comments about the uselessness of sports made by foreign correspondent Tess Harding (Hepburn). Sam and Tess subsequently use their respective columns to carry on a feud-at least, until they finally meet face to face. After Sam takes Tess to her first baseball game (one of the funniest scenes ever committed to celluloid), the two fall in love. Once married, however, their happiness is threatened by their wildly divergent lifestyles (Sam hadn't intended to spend his honeymoon helping to hide a prominent European refugee from the authorities, nor is Tess prepared for her husband's rowdy sports-oriented pals). When Tess is voted "Woman of the Year", a jealous Sam walks out on her. She endeavors to win him back by cooking him breakfast-with disastrous results. Despite their oil-and-water relationship, Sam and Tess are made for each other, and they're back together for the final fadeout. A hands-down winner at the box office, Woman of the Year earned a "best original screenplay" Oscar for Ring Lardner Jr. and Michael Kanin. Nominated for an award was director George Stevens, an RKO contractee brought to MGM at Hepburn's insistence. And need we remind you at this late date of the subsequent lifelong romance between stars Spencer Tracy and Katharine Hepburn? ~ Hal Erickson, All Movie Guide
- Starring:
- Spencer Tracy, Katharine Hepburn, (more)
- 1941
Dr. Jim Kildare (Lew Ayres) plays Good Samaritan with potentially disastrous results in The People vs. Dr. Kildare. Happening upon the scene of a motor accident, Kildare performs an emergency operation on crash victim Frances Marlowe (Bonita Granville), an ice-skating star. While recovering in Blair General Hospital, Frances discovers that her leg is paralyzed, and promptly sues Kildare and his hospital for negligence, to the tune of $100,000 (real money back in 1941!) Just when all seems lost, Kildare's irascible mentor Dr. Leonard Gillespie (Lionel Barrymore) ascertains the true source of Frances' paralysis, leading to another operation and?..and, well, it's better seen than read. Questionable comedy relief is provided by Red Skelton as dumbell orderly Vernon Briggs (Skelton was never truly comfortable in this type of role), while an unbilled Dwight Frye ("Renfield" in the original Dracula) shows up as a mild-mannered jury foreman. ~ Hal Erickson, All Movie Guide
- Starring:
- Lew Ayres, Lionel Barrymore, (more)
- 1941
Another of Universal's Richard Arlen-Andy Devine actioners, Lucky Devils casts the mismatched duo as a pair of intrepid newsreel cameramen. When they're not risking their lives coverning the Hot Spots of the world, Dick (Arlen) and Andy (Devine) busy themselves romancing Norma (Dorothy Lovett) and Gwendy (Janet Shaw), respectively. Our heroes' predilection for sticking their noses where they shouldn't gets them mixed up with a gang of Axis saboteurs. Perfect nonthink entertainment, Lucky Devils was specifically designed for the lower half of double bills. Sharp-eyed viewers will spot future Universal star Maria Montez among the bit players. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Arlen, Andy Devine, (more)
- 1941
In this romance, a hospital nurse marries a West Point football hero. She soon gets pregnant, but this doesn't stop her from annulling the marriage so as not to interfere with her husband's military career. Though she keeps it a secret, her plan is to marry him again after he graduates from the academy, which forbids students to marry. She doesn't tell a soul about her pregnancy either. Trouble ensues when an enamored intern learns that she has a baby girl. He too keeps mum until her husband graduates. Unfortunately, by that time, he is no longer interested in marrying her, so she ends up marrying the intern instead and happiness ensues. ~ Sandra Brennan, All Movie Guide
- Starring:
- Anne Shirley, Richard Carlson, (more)
- 1941
In this western, a schoolteacher battles for women's rights in mid 19th century Wyoming. ~ Sandra Brennan, All Movie Guide
- Starring:
- Loretta Young, Robert Preston, (more)
- 1940
Those popular MGM co-stars William Powell and Myrna Loy take a break from their usual Thin Man duties to star in the zany comedy I Love You Again. The film opens with Loy prepared to divorce her dull businessman husband Powell. A blow on the head causes Powell to remember his former life as a notorious con man. No one in town has any knowledge of Powell's criminal past, a fact he hopes to use to his advantage. Loy, astounded at Powell's sudden surge of amorous ardor, reconsiders her divorce. When she learns of his true identity, she is even more fascinated. Another blow on the head restores the non-criminal Powell--at least, that's what he and Loy would like you to believe. The film's highlight is a screamingly funny sequence in which Powell plays scoutmaster to a group of surly youngsters (including Our Gang veterans Carl Switzer and Mickey Gubitosi, aka Robert Blake). ~ Hal Erickson, All Movie Guide
- Starring:
- William Powell, Myrna Loy, (more)
- 1940
Dr. Kildare's Crisis is actually one suffered by his fiancee, nurse Mary Lamont (Laraine Day). Mary's financier brother Douglas Lamont (Robert Young) is subject to unpredictable seizures, and for a while it seems that he is suffering from hereditary epilepsy. This being 1940, Douglas' affliction carries an onus which seriously threatens the impending marriage between Mary and Jim Kildare (Lew Ayres); after all, who knows how their children will turn out? But by using an unorthodox therapeutic method, Dr. Kildare proves that Douglas' medical condition was borne of an accident rather than a genetic disorder. The final diagnosis is rendered by crusty Dr. Gillespie (Lionel Barrymore), who thereby manages to justify his appearance in the film in the very last reel. ~ Hal Erickson, All Movie Guide
- Starring:
- Lew Ayres, Lionel Barrymore, (more)
- 1940
This domestic comedy is the final episode of the 17-film "Jones Family" series. The story begins as restless Father decides to leave the simplicity of small-town life for the sophistication and excitement of the city, so he sells the family drugstore and moves his family to the Big Apple. Soon they find themselves surrounded by con men, and sleazy women trying to steal everything they own. Mayhem ensues until they decide they've had enough and hightail it for the safety of home. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jed Prouty, Spring Byington, (more)
- 1940
The schizophrenic screenplay of The Earl of Chicago is rendered even more bizarre by the uneven performance by Robert Montgomery. He plays Silky Kilmont, a Runyonesque American gangster who inherits a British title (Earl of Gorley) and mansion. Taking charge of his new estate, Silky has an amusing time trying to acclimate himself to the customs of the "landed gentry". Things take a sinister turn when Silky discovers that his trusted attorney Doc Ramsey (Edward Arnold) is actually a bigger crook than he is. In a rage, Silky murders Ramsey, then goes into what appears to be a catatonic shock, refusing to defend himself at his murder trial. Blood finally tells at the climax when Silky Kilmont, aka the Earl of Gorley, meets his fate with a dignity and decorum worthy of his aristocratic forebears. The queasy atmosphere of the film is heightened by its utter lack of romance; outside of character actress Norma Varden, there are barely any women in the film at all. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Montgomery, Edward Arnold, (more)
MGM's third follow-up to its landmark Broadway Melody is short on story, but that's okay, since the plot is merely a clothesline upon which to hang sleek and opulent musical production numbers by Fred Astaire and Eleanor Powell -- particularly a breathless and eye-popping gloriously black-and-white six-minute tap dance finale between Astaire and Powell to Cole Porter's "Begin the Beguine." The tale itself is a typical backstage contrivance: Johnny Brett (Fred Astaire) and King Shaw (George Murphy) are a couple of hoofers working in a dance hall for peanuts. Due to mistaken identity, King gets tapped for the lead in a Broadway show opposite big star Clare Bennett (Eleanor Powell) rather than Johnny. But when King drowns his trouble in booze on opening night, Johnny covers for him, taking his place in the show. ~ Paul Brenner, All Movie Guide
- Starring:
- Fred Astaire, Eleanor Powell, (more)
- 1940
In this episode of the Higgins Family series, pandemonium ensues when Ma enters a dog biscuit contest. The prize is a whopping $50,000. Unfortunately, the company is represented by Pa's ad agency and his wife cannot legally enter. The trouble is, to win, Ma purchased every dog biscuit in town. ~ Sandra Brennan, All Movie Guide
- 1940
The sailor in this entertaining 20th Century-Fox programmer is Danny Malone (Jon Hall), while the lady is Sally Gilroy (Claire Trevor). Danny's impending marriage to Sally is put on the back burner when she is put in charge of an orphaned baby (Bruce Hampton, playing a girl!) During naval maneuvers, the infant is accidentally deposited on board Danny's ship. Chaos reigns supreme until Danny hits upon a way to set things right. But before this mess can be cleared up, Danny and Sally will have to be reunited, something that their cast-off sweethearts Georgine (Katherine Aldridge) and Rodney (Larry "Buster" Crabbe) would like to prevent. Written by Lt. Commander Frank "Spig" Wead (of Wings of Eagle) fame, Sailor's Lady boasts one of the most impressive casts ever seen in a mere B picture, including Joan Davis, Wally Vernon, Dana Andrews, Don "Red" Barry, Kane Richmond, Ward Bond, Peggy Ryan, Barbara Pepper, Marie Blake (Jeanette MacDonald's sister) and George O'Hanlon (old "Joe McDoakes" himself). ~ Hal Erickson, All Movie Guide
- Starring:
- Nancy Kelly, Jon Hall, (more)
- 1939
In this comedy/drama, a feisty taxi-dancer (Lana Turner in her first starring role) takes on a sorority full of snooty debutantes after an equally snobbish Ivy Leaguer (Lew Ayres) who goes on a bender, meets her and invites her to his school's annual weekend bash. The next day, the fellow forgets all about the invite. When the party begins, the low-class girl shows up. The fellow then warns her that the catty debutante crowd will gleefully unsheathe their claws and rip her to shreds. The taxi-dancer is not so easily frightened and not only stays, she also stands up to every one of the wicked sorority sisters. She then gets sweet revenge by making herself the most popular girl of the weekend. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lew Ayres, Lana Turner, (more)
