Marisa Smith Movies

Based on a play by Kevin Wade, this comedy stars Brooke Adams as a television producer who demands commitment from her free-spirited lover (Ben Masters). ~ Jason Ankeny, All Movie Guide

After helping to kick-start the independent film movement in America with The Return of the Secaucus Seven, John Sayles wrote, directed, and edited his second feature, about a woman who finds herself staring life over after coming out of the closet as a lesbian. Lianna (Linda Griffiths) is a woman in her early thirties who's married to Dick (Jon DeVries), who teaches film at a college in Boston. Lianna first met Dick when she was a student in his class, and while she's grown more assertive and independent with time, Dick has become bitter and difficult, though he tries to be patient with their two children, Spencer (Jesse Solomon) and Theda (Jessica Wight MacDonald). Lianna, who dropped out of college when she married Dick, has begun taking classes again, and strikes up a close friendship with one of her professors, Ruth (Jane Hallaren); Dick, however, would prefer that she spend her time helping him with research on his upcoming thesis. When Lianna discovers Dick has been having an affair with one of his students, she begins to wonder about her future with him as well as her own feelings, and one evening, after dinner and conversation with Ruth, Lianna discovers her new friend has romantic feelings toward her -- and that she feels the same way toward Ruth. When Lianna confronts Dick with the news of her relationship with Ruth, he's livid and makes her leave the house, forcing her to start a new life for herself as she comes to terms with her own sexuality. Comic actor Chris Elliott makes his screen debut in Lianna in a small role as a lighting technician for a dance troupe. ~ Mark Deming, All Movie Guide

College friends reunite for a New England summer weekend in this low-budget first feature by accomplished independent filmmaker John Sayles. A predecessor of the well-paced, character-driven films in Sayles' future, Secaucus Seven also looks ahead to the 1980s ensemble movies that it inspired, most notably Lawrence Kasdan's The Big Chill, which arrived in theaters three years later. As each friend arrives at the house (or travels to the house), characterizations build, dialogue expands, and the house (and film) are full of people getting reacquainted and re-examining themselves and each other. Sayles builds the plot by testing the characters' connections: Will these former radicals accept the uptight boyfriend of the well-loved politico? What happens when a couple splits up? How does the educated set treat the local blue-collars? Many critics cited Secaucus Seven in their decade-end list of the best films of the 1980s. ~ Norm Schrager, All Movie Guide