Maggie Smith Movies
Breathes there a theatergoer or film fan on Earth who has not, at one time or another, fallen in love with the sublimely brilliant British comedic actress Dame Maggie Smith? The daughter of an Oxford University pathologist, Smith received her earliest acting training at the Oxford Playhouse School. In 1952, she made her professional stage bow as Viola in Twelfth Night. Four years later she was on Broadway, performing comedy routines in Leonard Sillman's New Faces of 1956; that same year, she made her first, extremely brief screen appearance in Child in the House (she usually refers to 1959's Nowhere to Go as her screen debut).In 1959, Smith joined the Old Vic, and in 1962 won the first of several performing honors, the London Evening Standard Award, for her work in the West End production The Private Ear/The Public Eye. Her subsequent theatrical prizes include the 1963 and 1972 Variety Club awards for Mary Mary and Private Lives, respectively, and the 1990 Tony Award for her performance in the Broadway play Lettice and Lovage. In addition, Smith has won Oscars for The Prime of Miss Jean Brodie (1969) and California Suite (1978), and British Film Academy awards for A Private Function (1985), A Room With a View (1986), and The Lonely Passion of Judith Hearne (1987).
These accolades notwithstanding, Smith has had no qualms about accepting such "lightweight" roles as lady sleuth Dora Charleston (a delicious Myrna Loy takeoff) in Murder By Death (1976), the aging Wendy in Steven Spielberg's Peter Pan derivation Hook (1991), and the Mother Superior in Whoopi Goldberg's Sister Act films of the early '90s. During the same decade, she also took more serious roles in Richard III (1995), Washington Square (1997), and Tea With Mussolini (1999). On a lighter note, her role in director Robert Altman's Gosford Park earned Smith her sixth Oscar nomination.
She earned a whole new generation of fans during the first decade of the next century when she was cast as Professor McGonagall in Harry Potter and the Sorcerer's Stone, a part she would return to for each of the film's phenomenally successful sequels. She worked in other films as well including Divine Secrets of the Ya-Ya Sisterhood, Becoming Jane, and Nanny McPhee Returns. In 2010 she earned rave reviews for her work in the television series Downton Abbey.
Made a Dame Commander in 1989, Smith was elected to the Theatre Hall of Fame in 1994. Previously married to the late actor Sir Robert Stephens, she is the wife of screenwriter Beverly Cross and the mother of actors Toby Stephens and Chris Larkin. ~ Hal Erickson, Rovi
- 1958
Maggie Smith makes her film debut in this outing as an aristocrat whose sheltered existence is shattered by the arrival of George Nader. Nader is a fugitive from justice who can expect no help from his fellow criminals. He takes refuge in Smith's home, entreating her to shield him from the police. She draws closer to Nader after the latter is accidentally shot. The film was adapted from a novel by Donald McKenzie. ~ Hal Erickson, Rovi
- Starring:
- George Nader, Bernard Lee, (more)
- 1962
Three losing crooks are featured as Stooge-like misfits (sans slapstick) in this conventional comedy by director Michael Truman. Bernard (Dave King) is the ringleader, while Harry and Alfie (Daniel Massey and Norman Rossington) do their best to contribute to the trio's success -- and fail each time. First the group screw up their escape after a robbery because they are stuck in traffic by a fire engine. That gives them the idea of getting a fire engine to pull off a heist, and that goes wrong because they are detoured to a real fire. Next, they recruit an ex-fireman with a record for setting blazes himself (Robert Morley) in the hopes that a decoy fire can take attention away from the bank they want to rob. With their batting average, the bank seems fairly safe. ~ Eleanor Mannikka, Rovi
- Starring:
- Dave King, Robert Morley, (more)
- 1963
Terrence Rattigan, the playwright who brought us the multicharactered, multistoried Separate Tables, again offers us an episodic cross-section of humanity in The V.I.P.'s. When a heavy London fog paralyzes all air traffic, the lives of several people are profoundly affected. As indicated by the title, most of the characters in this portmanteau film are of the social and/or financial elite. Elizabeth Taylor wishes to leave her enormously wealthy husband Richard Burton in favor of playboy Louis Jourdan. Peripatetic European film producer Orson Welles is hoping to escape London with his newest protegee Elsa Martinelli in order to avoid paying his income tax. Australian businessman Rod Taylor, accompanied by his devoted (and adoring) secretary Maggie Smith, is anxious to head to New York to stave off a hostile takeover of his firm. And impoverished aristocrat Margaret Rutherford (who won an Oscar for her performance) would rather not go to Florida to accept a job as a social arbiter, but the wolf must be kept from the door. Before the fog disperses, you can be sure that at least one of the many plotlines will intersect with another. David Frost, in a tiny part as a reporter, was fond of recalling in later years that, while the major stars of The VIPS were introduced in the opening titles with animated limousines, he was consigned a tiny Volkswagen; alas, no such cartoon joke appears in the film, though on occasion the actors-particularly Mr. Welles-behave as though they were cartoons. Mercilessly skewered by the critics, The VIPS was a winner at the box-office, due in great part to the Cleopatra-inspired publicity concerning the top-billed Liz Taylor and Dick Burton. ~ Hal Erickson, Rovi
- Starring:
- Elizabeth Taylor, Richard Burton, (more)
- 1964
Anne Bancroft stars as a restless, twice-married British woman with six children, whose third husband is a fledgling screenwriter (Peter Finch). When success spins Finch's head around, he begins to dally with women other than his wife. Meanwhile, Bancroft is forced to stay home and play "domestic goddess", a role for which she is utterly unsuited. After suffering a nervous breakdown, Bancroft wanders the streets of London in a vain search for a sympathetic ear. She eventually comes to grips with the situation at hand--but as in most of playwright Harold Pinter's works, the characters of The Pumpkin Eater are just as unfulfilled in the last scene as they were in the first. Anne Bancroft won a Cannes Film Festival award for her performance in this film. ~ Hal Erickson, Rovi
- Starring:
- Anne Bancroft, Peter Finch, (more)
The 1965 Othello is literally a photographed stage play: a filmed record of the National Theatre Production of 1964, as staged by John Dexter and starring Laurence Olivier. As the easily led, fatally jealous Moor of Venice, Olivier wears thick black-faced makeup and speaks in an uncharacteristically deep, bellow-like voice. Some considered his portrayal of Othello to be an unflattering stereotype; others regard Olivier's interpretation as one of the finest Shakespearean performances ever captured on film. Less flamboyant, but no less effective, are Frank Finlay as Iago, Maggie Smith as Desdemona, Derek Jacobi as Cassio, and Joyce Redman as Emilia. Oscar nominations went to Olivier, Finlay, Smith, and Redman. ~ Hal Erickson, Rovi
- Starring:
- Laurence Olivier, Frank Finlay, (more)
- 1965
Young Cassidy is based upon the autobiographical writings of firebrand Irish author Sean O'Casey. Rod Taylor is Cassidy, a boisterous boy who digs ditches to support his mother (Flora Robson) and sister (Sian Phillips). In his spare time, Cassidy is active with the Irish revolutionary movement against the occupying British. He still finds time enough for romance, notably with trashy chorine Julie Christie (in her first major role) and timid librarian Maggie Smith. Cassidy's latent writing talents are encouraged by such Irish literary giants as W.B. Yeats (Michael Redgrave) and Lady Gregory (Edith Evans), and in typically expeditious Hollywood fashion Our Hero almost instantly becomes a Man of Letters. John Ford began the direction of Young Cassidy, but fell ill and had to relinquish his responsibilities to Jack Cardiff; even the most diehard auteurist will have trouble discerning the personal "signature" of either director. ~ Hal Erickson, Rovi
- Starring:
- Rod Taylor, Julie Christie, (more)
- 1967
The victorious Don Pedro is returning to Messina after his latest successful skirmish. His troops include his wicked brother Don John, young Claudio and Benedick, a witty confirmed bachelor from Padua. They are welcomed by the governor, Leonato, as well as by his beautiful daughter Hero and Hero's cousin Beatrice, the latter as confirmed in her maidenhood as Benedick is in his bachelorhood. Claudio quickly falls in love Hero, but through a series of complications, Leonato comes to believe it is Don Pedro that wishes to woo his daughter. Eventually, however, Hero and Claudio are brought together and their marriage plans are announced. At the same time, Don Pedro begins a campaign to bring Beatrice and Benedick together. Just before the wedding of the young lovers, Don John deceives laudio and Don Pedro with lies about Hero's purity; at the wedding, Claudio denounces her as a whore and calls off the marriage. Beatrice concocts a plot to discover the source of these lies, said plot involving faking Hero's death. Don John is eventually unmasked as the perpetrator, the young couple again becomes engaged, and Beatrice and Benedick admit their attraction to each other and plan their own wedding. ~ Craig Butler, Rovi
- 1967
Cecil Fox (Rex Harrison) summons his three former mistresses to his deathbed for a final visit in this engaging crime comedy. Princess Dominique (Capucine), fading movie star Merle McGill (Edie Adams), and Texas millionairess Mrs. Sheridan (Susan Hayward) all travel to pay their respects to the supposedly dying Fox. William McFly (Cliff Robertson) is the personal secretary and gigolo employed by Fox to lure the women to his estate. When Mrs. Sheridan is found murdered, Inspector Rizzi (Adolfo Celi) investigates her mysterious death in this feature highlighted by several twists and turns. Alternate titles are Mr. Fox Of Venice and Anyone For Venice?. ~ Dan Pavlides, Rovi
- Starring:
- Rex Harrison, Susan Hayward, (more)
- 1968
This comedy finds a veteran crook turning to modern computer technology to steal money from various companies. Even before he is released from jail Caesar (Peter Ustinov) is planning his high-tech heist. He cons American executive Klemper (Karl Malden) and sets up three bogus companies to receive funds from the corporate office. Klemper's faithful assistant Gnatpole (Bob Newhart) is suspicious and investigates the unusual activities. Smith (Robert Morley) gives Caesar the computer lesson that puts him on the fast track to thievery. Caesar marries Patty (Maggie Smith), who surprises her husband by earning more money than her crooked spouse by honest means. Cesar Romero is the smiling customs official who lets Caesar pass through with a bagful of money from the crime while Klemper's jar of instant coffee falls under suspicion. ~ Dan Pavlides, Rovi
- Starring:
- Peter Ustinov, Maggie Smith, (more)
- 1969
- PG
- Add The Prime of Miss Jean Brodie to Queue Add The Prime of Miss Jean Brodie to top of Queue
Based on the novel by Muriel Spark, The Prime of Miss Jean Brodie stars Maggie Smith in the title role. Smith won an Academy Award for her delicately textured portrayal of an eccentric teacher at an exclusive Scottish girl's school. Miss Jean exhorts her "gels" to follow their hearts and never lose their youthful idealism. Unfortunately for her, she also stumps for her favorite political figures: Mussolini and Franco. In addition, she can't keep the innermost details of her private life a secret, and in fact boasts about her sex life to her students. Her prize pupil (Pamela Franklin) becomes so much a clone of Miss Jean that she ends up a threat to the teacher. Ultimately, Miss Jean loses her position, but not the hearts of her students. The box-office success of Prime of Miss Jean Brodie was due in great part to the popularity of the title song, as recorded by Rod McKuen. ~ Hal Erickson, Rovi
- Starring:
- Maggie Smith, Robert Stephens, (more)
Oh! What a Lovely War is an every-man-for-himself adaptation of Charles Chilton's 1963 play, as staged in London by Joan Littlewood. The tragedy of World War I is redefined in bawdy music-hall terms, beginning with a verbal free-for-all involving the Crowned Heads of Europe. The war is presented as the "new attraction" at the Brighton Amusement Pier, complete with syrupy cheer-up songs, shooting galleries, free prizes and a scoreboard toting up the dead. Throughout the proceedings, the camera concentrates on a middle-class family, whose five sons end up as cannon fodder. The final image is a veddy proper British picnic on a graveyard. Of the many fleeting satiric images parading past the camera, one of the most indelible is the sight of several generals playing leapfrog as the world all around them goes to hell in a handbasket. The awesome all-star cast includes Laurence Olivier, Ralph Richardson, Maggie Smith, John Gielgud, Michael Redgrave, Jack Hawkins, John Mills, Susannah York, Dirk Bogarde and Phyllis Calvert. We haven't seen this many Englishmen in one place since the last Wimbledon match. The whole affair was supervised by Richard Attenborough, making his directorial debut (a question: why was he up to the challenge of this musical extravaganza, yet seemed helpless in the face of 1985's A Chorus Line?). ~ Hal Erickson, Rovi
- Starring:
- Ralph Richardson, Meriel Forbes, (more)
- 1972
- PG
In the lively comedy/adventure Travels with My Aunt, adapted from Graham Green's book, Henry (Alec McCowan), a timid, bookish accountant whose life seems to have died stillborn, discovers how to live with gusto thanks to the rough ministrations of his thoroughly eccentric aunt Augusta (Maggie Smith). Aunt Augusta bursts into Henry's life during the funeral for his mother, Augusta's sister. She whisks him to her apartment for a general cheering up, and he is thoroughly bemused by her bohemian ways and her much-younger black Caribbean boyfriend. In the next few hours, she manages to pry him from his dusty life and involve him in a series of incredible adventures involving old love affairs, espionage, kidnappings, and more money than he has ever dreamt of. Before the story ends, Henry has properly gotten into the spirit of his madcap aunt's adventuring. ~ Clarke Fountain, Rovi
- Starring:
- Maggie Smith, Alec McCowen, (more)
- 1973
- PG
- Add Love and Pain and the Whole Damn Thing to Queue Add Love and Pain and the Whole Damn Thing to top of Queue
Filmed in 1971 under the title The Widower, Love and Pain and the Whole Damn Thing finally reached the screen in 1973. Set in Spain, the film stars Timothy Bottoms as the aimless son of doctor Charles Baxter. While bicycling through the Spanish countryside, Charles makes the acquaintance of much-older Lila (Maggie Smith.) He falls in love with her, but she is resistant. Eventually touched by Charles' clumsy sincerity, Lila invites him to bed. The film then wanders into Love Story territory when Lila is afflicted by a terminal illness. Director Alan J. Pakula completed Love and Pain and the Whole Damn Thing during the "cooling off" period between his more famous Klute (1971) and The Parallax View (1974). ~ Hal Erickson, Rovi
- Starring:
- Maggie Smith, Timothy Bottoms, (more)
As penned by Neil Simon, this satire of movie mysteries is set in motion when several prominent detectives are invited to the mansion of the reclusive Lionel Twain (Truman Capote). In Ten Little Indians fashion, the gathered sleuths are locked into the forbidding mansion, and subject to various death-dealing devices. While struggling for their lives, the vainglorious gumshoes continue to try to one-up one another. Each character is broadly based on a famous literary detective: Sidney Wang (Peter Sellers) is an aphorism-spouting Charlie Chan clone: Dick and Dora Charleston (David Niven and Maggie Smith) are patterned on the protagonists of the Thin Man flicks; Milo Perrier (James Coco), a Hercule Poirot takeoff, stalks through the proceedings declaring "I'm a Belgie, not a Frenchie!"; Sam Diamond (Peter Falk) is Raymond Chandler's Philip Marlowe and Dashiell Hammett's Sam Spade rolled in one; and Jessica Marbles (Elsa Lanchester) is a dottier variation of Agatha Christie's Miss Marple. Best bit: a "conversation" between blind butler Jamessir Bensonmum (Alec Guinness) and deaf-mute maid Yetta (Nancy Walker). The fade-out gag of Sherlock Holmes and Dr. Watson showing up late for Lionel Twain's party was edited from the theatrical version of Murder by Death, but was restored for TV. The film marked the big-screen directorial debut of Robert Moore, who'd previously directed several of Neil Simon's Broadway productions. Moore went on to direct another Simon spoof, The Cheap Detective (1978), before his untimely death. ~ Hal Erickson, Rovi
- Starring:
- Eileen Brennan, Truman Capote, (more)
Playwright Neil Simon turned to the hotel setting he used so successfully in his stage-play (later a movie) Plaza Suite to explore four more human dramas in his play California Suite, which was adapted into this quite successful movie. In the first episode, the divorced couple of Bill and Hannah Warren (Alan Alda and Jane Fonda) have rented a suite in a posh Beverly Hills hotel in order to have a discussion about who will get the custody of their child. In the next episode, Sidney Cochran and Diana Barrie (Michael Caine and Maggie Smith) are a hilarious pair of Hollywood stars who have rented the suite to await their appearance at the Academy Awards: it is a "date of convenience" which enables the sexually adventurous duo to conduct their other, more unconventional alliances out of the public eye. Drs. Willis Panama and Chauncy Gump (Bill Cosby and Richard Pryor) have brought their families to Beverly Hills for a vacation which takes on nightmarish tone. Finally, Marvin Michaels (Walter Matthau) tries frantically and unsuccessfully to explain the situation to his wife (Elaine May) when she catches him in flagrante delicto with a hooker. Actress Maggie Smith won an Academy Award as "Best Supporting Actress" for her role in this film, in which she plays the actress waiting to win . . . an Academy Award. ~ Clarke Fountain, Rovi
- Starring:
- Alan Alda, Michael Caine, (more)
Peter Ustinov began his long association with the Hercule Poirot character of murder mystery novelist Agatha Christie with this lavish but financially disappointing follow-up to the popular Murder on the Orient Express (1974). During a luxurious pleasure cruise down the Nile aboard a lavish vessel populated with wealthy passengers, widely despised heiress and home wrecker Linnet Ridgeway (Lois Chiles) is murdered. Also aboard is famed Belgian detective Poirot (Ustinov) and his taciturn traveling companion, Colonel Race (David Niven). Poirot undertakes an investigation into Ridgeway's killing. Among the colorful suspects are Salome (Angela Lansbury) and Rosalie Otterbourne (Olivia Hussey), Doctor Bessner (Jack Warden), Mrs. Van Schuyler (Bette Davis), Miss Bowers (Maggie Smith), and Jacqueline De Bellefort (Mia Farrow). As more bodies pile up, however, it appears that nearly everyone aboard has a motive. The script for Death on the Nile (1978) was adapted by Anthony Shaffer, the writer of Sleuth (1972) and the identical twin brother of Amadeus (1984) author Peter Shaffer. ~ Karl Williams, Rovi
- Starring:
- Peter Ustinov, Jane Birkin, (more)
Peter Ustinov makes his second appearance as Belgian detective Hercule Poirot in this adaptation of the popular Agatha Christie mystery. When noted stage star Arlena Marshall (Diana Rigg) is found murdered while visiting a posh island resort, Poirot is called upon to find the culprit, but given Marshall's shrewish personality and propensity for making enemies, the question isn't "Who wanted to see her dead?" but "Who didn't?" The suspects include Rex Brewster (Roddy McDowall), a writer penning a biography of Arlena that the actress tried to stop; Odell and Myra Gardener (James Mason and Sylvia Miles), theatrical producers who were financially shafted when Arlena refused to appear in a show; Arlena's husband, Kenneth (Denis Quilley); Kenneth's lover, Daphne (Maggie Smith); Patrick Redfern (Nicholas Clay), who was having an affair with Arlena; and Christine (Jane Birkin), Nicholas' wife. Ustinov would play Poirot again three years later in the made-for-TV feature Thirteen at Dinner. ~ Mark Deming, Rovi
- Starring:
- Peter Ustinov, Jane Birkin, (more)
No relation to the 1949 Somerset Maugham "omnibus" film of the same name, 1981's Quartet is based on the roman a clef by Jean Rhys. Though the names are changed, it is clearly the story of Rhys' romance with Ford Maddox Ford in 1920s Paris. The titular quartet consists of novelist Isabelle Adjani, her Polish husband Anthony Higgins, wealthy philanderer Alan Bates and Bates' artist wife Maggie Smith. Though she's been indulgent of Higgins's past indiscretions, Smith isn't keen on her husband carrying on an affair with Adjani under their own roof. Meanwhile, Higgins sits in prison, jailed for his various petty thefts. Once Higgins is released, he learns about the Bates-Adjani-Smith contretemps. When the dust settles, it is Adjani who suffers the most. ~ Hal Erickson, Rovi
- Starring:
- Alan Bates, Maggie Smith, (more)
The eschewing of modern optical effects techniques in favor of the classic stop-motion animation work of special effects legend Ray Harryhausen was a delightful highlight of this action adventure that attempted to give Greek mythology the Star Wars (1977) treatment. Harry Hamlin stars as Perseus, a mortal who, due to the interference of the mighty god Zeus (Laurence Olivier), finds himself in the city of Joppa, far away from his island home. There, he falls in love with Andromeda (Judi Bowker), an imprisoned princess. To free her, win her hand, and thus half of the kingdom, Perseus solves a riddle, but Joppa's enraged ruler orders Andromeda fed to the Kraken, a towering sea monster that's the last of the powerful Titans. In his quest to save Andromeda, Perseus must endure a series of trials with the help of the winged horse Pegasus and a friendly playwright, Ammon (Burgess Meredith). His ultimate goal is to secure the head of the grotesque Gorgon named Medusa and use it to turn the Kraken into stone, but dangers await, including the hideously deformed Calibos (Neil McCarthy). ~ Karl Williams, Rovi
- Starring:
- Laurence Olivier, Harry Hamlin, (more)
Michael Palin wrote and stars in this comedy as The Reverend Charles Fortescue, an unassuming missionary called back to England after spending ten years in Africa teaching children in a native village. Upon arriving in London, he finds that his new assignment is to take charge of a slum mission for prostitutes. He obtains money for the running of the mission from a wealthy woman, Lady Ames (Maggie Smith), whom he meets on the boat sailing to England from Africa. Lady Ames guarantees Fortescue the money on the condition that he take it upon himself to add a little spice to her dormant sex life. ~ Paul Brenner, Rovi
- Starring:
- Michael Palin, Maggie Smith, (more)
- 1983
The usually reliable director Bryan Forbes came acropper in Better Late Than Never. In one of his last films, a noticeably weary David Niven plays Nick, the supposed grandfather of 10-year-old heiress Bridget (Kimberly Partridge). Charley (Art Carney) shows up to cramp Nick's act, claiming that he is the genuine grandpa. Both men once slept with Bridget's grandmother, and she was never certain which of the two "inaugurated" her family. Neither Nick nor Charley are exactly prime parental material, so Bridget must choose from the lesser of two evils. Maggie Smith and Catherine Hicks are excellent in their thankless secondary roles. Better Late Than Never was lensed on location in the South of France; the scenery is the film's most pleasing aspect. ~ Hal Erickson, Rovi
- Starring:
- David Niven, Art Carney, (more)
A British couple's attempts to circumvent local food-rationing regulations trigger a chaotic series of events in this satirical comedy set in post-World War II England. The couple's scheme centers on a massive hog which has been illegally raised by a local farmer. Seeing a chance to capitalize on pork's scarcity, the ambitious Joyce Chilvers (Maggie Smith) convinces her mild-mannered husband (Michael Palin) to steal the pig. Unfortunately for the Chilverses, a vigilant food inspector is on duty and determined to stop all such illegal activity. The couple's efforts to hide the pig provide much material for frantic and sometimes grotesque farce. Playwright Alan Bennett's acerbic targets the British class system and the wife's social ambitions. ~ Judd Blaise, All Movie Guide
- Starring:
- Michael Palin, Maggie Smith, (more)
- 1985
In this romance Mrs. Silly is still grieving over the loss of her husband--who left her for another woman -when suddenly her son takes off, leaving her impoverished and alone. Fortunately, the woman is stronger than she thinks and soon finds herself and true happiness. ~ Sandra Brennan, Rovi
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