Lois Smith Movies

Based on a novel by Thomas McGuane, this made-for-TV feature stars William Petersen as Joe Starling, a painter suffering from creative block. For inspiration, he returns to his family's Montana home, only to find the land coveted by a malevolent developer (Jack Palance). ~ Jason Ankeny, All Movie Guide

In 1846, a group of over eighty Westward-bound pioneers were headed to the coast of California from Illinois, which had itself only recently been brought up to "civilized" status. They made it to a pass high in the Sierra Nevada mountains of California when they were halted by a truly monstrous blizzard, followed by the snows of one of the worst winters in that century. Their attempts to go forward and backward were thwarted by the deep snow, and, in the small shelter they enjoyed, they slowly starved to death. Eventually, they resorted to cannibalism to survive, and after their story became more widely known, the pass they took shelter in became known as "the Donner Pass." To this day, it is frequently made impassable by heavy snows. Ironically, the forty or so who survived later discovered that, had they only forged ahead about a hundred yards, they would have won free of the deep snow which ensnared them. This documentary has gathered a surprising harvest of photos, notes and drawings in order to tell the pioneers' story. ~ Clarke Fountain, All Movie Guide

A woman learns the value of friendship as she hears the story of two women and how their friendship shaped their lives in this warm comedy-drama. Evelyn Couch (Kathy Bates) is an emotionally repressed housewife with a habit of drowning her sorrows in candy bars. Her husband Ed (Gailard Sartain) barely acknowledges her existence, and while he visits his aunt at a nursing home every week, Evelyn is not permitted to come into the room because the old women doesn't like her. One week, while waiting out Ed's visit, Evelyn meets Ninny Threadgoode (Jessica Tandy), a frail but feisty old woman who lives at the same nursing home and loves to tell stories. Over the span of several weeks, she spins a whopper about one of her relatives, Idgie (Mary Stuart Masterson). Back in the 1920s, Idgie was a sweet but fiercely independent woman with her own way of doing things who ran the town diner in Whistle Stop, Alabama. Idgie was very close to her brother Buddy (Chris O'Donnell), and when he died, she wouldn't talk to anyone except Buddy's girl, Ruth Jamison (Mary-Louise Parker). Idgie gave Ruth a job at the cafe after she left her abusive husband, Frank Bennett (Nick Searcy). Between her habit of standing up for herself, standing up to Frank, and serving food to Black people out the back of the diner, Idgie raised the ire of the less tolerant citizens of Whistle Stop, and when Frank mysteriously disappeared, many locals suspected that Idgie, Ruth, and their friends may have been responsible. Evelyn finds herself looking forward to her weekly visits with Ninny, and is inspired by her story to take a new pride in herself and assert her independence from Ed. Fried Green Tomatoes was based on the novel Fried Green Tomatoes at the Whistle Stop Cafe by actress-turned-author Fannie Flagg, who makes a cameo appearance as the leader of a self-help group. ~ Mark Deming, All Movie Guide

The two-part, four-hour TV movie Switched at Birth is based on an actual event which began unfolding in Wauchula, Florida in 1978. Brian Kerwin and Judith Hoag play the new parents of a baby girl; a few days later, another couple, played by John M. Jackson and Bonnie Bedelia, have a baby at the same hospital. Kerwin and Hoag's baby is healthy; Jackson and Bedelia's baby has a heart defect. Switched at Birth traces the lives of the two girls over a period of eight years--up to the point of a tragedy which opens the possibility that the girls may not have been given over to the correct parents at the hospital. The four parents involved find themselves in court, battling over custody of the surviving child. This intensely personal problem is bloated into a cause celebre by the press and by parents' rights pressure groups. Edward Asner and Caroline McWilliams appear as the opposing attorneys. Those who'd been following the two-part Switched at Birth during its first telecast in April of 1991 may have found themselves in family conflicts of their own, inasmuch as Part Two was shown opposite the network TV premiere of Die Hard. ~ Hal Erickson, All Movie Guide

Director Martin Brest, of Going in Style and Beverly Hills Cop fame, was in charge of Midnight Run. Robert De Niro stars as Jack Walsh, a hard-bitten bounty hunter offered $100,000 to bring in embezzler Jonathan Mardukas (Charles Grodin). Handcuffed to the wimpy Mardukas, Walsh assumes that the extradition trip from New York to Los Angeles will be an uneventful one. But the prisoner hasn't told Walsh the whole story: the embezzler owes $15 million to a mobster (Dennis Farina), and he's been targeted for assassination. It's a toss-up as to what is the most entertaining aspect of Midnight Run: the slam-bang action and chase sequences or the verbal byplay between DeNiro and Grodin. ~ Hal Erickson, All Movie Guide

"Fatal attraction" has become a household term for love turned to murderous obsession, thanks to the success of Adrian Lyne's 1987 movie. Dan (Michael Douglas) is a family man whose one-night affair with Alex (Glenn Close) turns into a nightmare when she insists on continuing the relationship, claiming to be carrying his baby. Alex systematically terrorizes Dan, even temporarily kidnapping his daughter, in her attempts to win back his affection. Douglas' besieged family man guiltily tries to preserve his marriage and family from the consequences of his own indiscretion. Close's performance as the love-struck psycho-siren remains her signature role: She conveys the buried feminist message of the film in her challenge to Dan to take responsibility for his sexual behavior. Though many critics acknowlegded the film's striking similarities to Clint Eastwood's 1971 film Play Misty for Me, Fatal Attraction spawned numerous other movies about middle-class families besieged by a lone psychotic intent on infiltrating and destroying the fabric of the family unit, including The Stepfather (1987), Pacific Heights (1990), The Hand That Rocks the Cradle (1992), and Fear (1996). ~ Laura Abraham, All Movie Guide

Based on William Bayer's novel Switch, the made-for-TV Doubletake introduced Richard Crenna to his oft-played role of detective Frank Janek. As always, Janek is assigned to a particularly gruesome and profoundly puzzling murder case. A prim lady schoolteacher and a hooker are both killed on the same evening; their bodies are decapitated, and their heads are switched! The first installment of this two-part movie details the early stages of the investigation, as well as the growing relationship between Janek and photographer Caroline Wallace (Beverly D'Angelo), the daughter of a cop who'd died in a mob hit. Part two reveals the "dark side" of the case, exposing corruption in the highest police circles and implicating someone very close to Janek in the double murder. Doubletake was originally telecast on November 24 and 26, 1985, and has since been reissued as a single three-hour film. ~ Hal Erickson, All Movie Guide

Tom Conti stars as a drunken Scottish poet who preys upon the lasses of a New England college town by swooning over them with poetry and bedding them with a passion. He'd probably have continued in such fashion for who knows how long, were in not for his encounter with a lovely homespun gal (Kelly McGillis), who sets his head spinning in a lovesick swirl and forces him to get his life on track. ~ All Movie Guide

Amanda Plummer was preparing to star in the Broadway play Agnes of God (for which she ultimately won a Tony Award) when she was cast in this ABC Afterschool Special. Having never known her "late" father, 15-year-old Angela Dunoway (Plummer) is startled when she meets him by accident. Insisting upon learning the truth about her dad, Angela confronts her mother Karen (Barbara Feldon), who reluctantly reveals that Angela was born out of wedlock. Filmed on location in Long Island, The Unforgivable Secret is based on Hila Colman's novel Tell Me No Lies (in which, incidentally, the heroine is 12 years old, rather than 15). ~ All Movie Guide

Foxes details the exploits of four teenage San Fernando Valley girls as they drink, dope and sleep their way into oblivion. Jeanie (Jodie Foster, in a standout performance), the most grounded of the quartet, deals with her burned-out working-student-mother (Sally Kellerman, also excellent) while playing mother to her cohorts; Annie (Cherie Curie), a promiscuous drug-vacuum, attempts to dodge her psychotic police officer-father while partying round the clock; Madge (Marilyn Kagan), an overweight tag-along, who tries desperately to fit in with her wilder friends; and Deirdre (Kandice Stroh); an insecure liar and also-ran. While the performances (particularly the aforementioned) are good, and the direction is solid, the script doesn't seem to go anywhere; maybe that's the point, though, since neither do the characters in their vacuous, instant-gratification-based existences. ~ Jeremy Beday, All Movie Guide

Ellen Burstyn plays Edna McCauley, the wife of a man (Jeffrey DeMunn) who is killed in an auto crash. Edna herself survives, but not before enduring an "out of body" experience. Crippled in the accident, Edna heads to her hometown in Kansas to recuperate. There she discovers that she has the power to heal people, presumably a byproduct of her brief trip into the beyond. She accepts her gift, but resists the notion that she has been blessed with divine powers. On the other hand, her young lover (Sam Shepard) believes that she is the embodiment of Jesus Christ. It is his method of proving his hypothesis that brings the film to its startling conclusion. Both Ellen Burstyn and Eva Le Gallienne (as Burstyn's grandmother) were nominated for Academy Awards. ~ Hal Erickson, All Movie Guide

Up The Sandbox is a complex and difficult film, and it is ambiguous on many points, particularly on whether the protagonist Margaret Reynolds (Barbara Streisand) is a women's liberationist, a closet lesbian, or a masochist. Based on the novel by Anne Richardson Rolphe, it follows Margaret's attempts to tell her husband that she is pregnant with yet another child. The everyday events of her life are punctuated by numerous and complex fantasy sequences which reveal her fears and her desires. It is clear that she is afraid that she and her husband Paul (David Selby) are growing apart -- and that he may be having an affair. Despite the increasingly elaborate and frantic nature of her fantasies, her disclosure, when she finally makes it, has happy results. ~ Clarke Fountain, All Movie Guide