Lois Smith Movies

In 1846, a group of over eighty Westward-bound pioneers were headed to the coast of California from Illinois, which had itself only recently been brought up to "civilized" status. They made it to a pass high in the Sierra Nevada mountains of California when they were halted by a truly monstrous blizzard, followed by the snows of one of the worst winters in that century. Their attempts to go forward and backward were thwarted by the deep snow, and, in the small shelter they enjoyed, they slowly starved to death. Eventually, they resorted to cannibalism to survive, and after their story became more widely known, the pass they took shelter in became known as "the Donner Pass." To this day, it is frequently made impassable by heavy snows. Ironically, the forty or so who survived later discovered that, had they only forged ahead about a hundred yards, they would have won free of the deep snow which ensnared them. This documentary has gathered a surprising harvest of photos, notes and drawings in order to tell the pioneers' story. ~ Clarke Fountain, All Movie Guide

Sidney Poitier stars as John Kane, a heavenly emissary who pays a visit to the Alabama town where he was born. Making it his mission to purge the community of all hatred and prejudice, "Brother John" is nothing less than the Messiah returned to earth. Trouble is, he's black, and it's Alabama-so who's going to pay attention? Will Greer costars as a local town doctor. ~ Hal Erickson, All Movie Guide

Brian Dennehy makes one of his many TV-movie appearances as Chicago homicide cop John Reed in the two-part Deadly Matrimony. Reed's quarry this time is mob lawyer Treat Williams, who murders his wife and then effectively covers his tracks. The closer Reed comes to the truth, the more he's in jeopardy of losing his job (and possibly his life) thanks to Williams' friends in high places. Based on a true story, part one of Deadly Matrimony was first telecast on November 22, 1992. In part two, which debuted November 23, Reed is victimized by the crooked cops under Williams' thumb, but refuses to knuckle under to mob pressure. ~ Hal Erickson, All Movie Guide

Based on William Bayer's novel Switch, the made-for-TV Doubletake introduced Richard Crenna to his oft-played role of detective Frank Janek. As always, Janek is assigned to a particularly gruesome and profoundly puzzling murder case. A prim lady schoolteacher and a hooker are both killed on the same evening; their bodies are decapitated, and their heads are switched! The first installment of this two-part movie details the early stages of the investigation, as well as the growing relationship between Janek and photographer Caroline Wallace (Beverly D'Angelo), the daughter of a cop who'd died in a mob hit. Part two reveals the "dark side" of the case, exposing corruption in the highest police circles and implicating someone very close to Janek in the double murder. Doubletake was originally telecast on November 24 and 26, 1985, and has since been reissued as a single three-hour film. ~ Hal Erickson, All Movie Guide

It's just not William Foster's (Michael Douglas) day. Laid off from his defense job, Foster gets stuck in the middle of the mother of all traffic jams. Desirous of attending his daughter's birthday party at the home of his ex-wife (Barbara Hershey), Foster abandons his car and begins walking, encountering one urban humiliation after another (the Korean shopkeeper who obstinately refuses to give change is the worst of the batch). He also slowly unravels mentally, finally snapping at a fast-food restaurant that refuses to serve him breakfast because it's "too late." Running amok with an arsenal of weapons at the ready, Foster -- also known as "D-FENS" because of his vanity license plate -- rapidly becomes a source of terror to some, a folk hero to others. It's up to reluctant cop Prendergast (Robert Duvall), on the eve of his retirement, to bring D-FENS down. ~ Hal Erickson, All Movie Guide

A disaffected man seeks a sense of identity in one of the key films of Hollywood's 1970s New Wave. Once a promising pianist from a family of classical musicians, Bobby Eroica Dupea (Jack Nicholson, in his first major starring role) leads a blue-collar life as an oil rigger, living with needy waitress girlfriend Rayette (Karen Black) and bowling with their friends Elton (Billy "Green" Bush) and Stoney (Fannie Flagg). Feeling suffocated by responsibilities, Bobby seeks out his sister, Tita (Lois Smith), and, discovering that his father is gravely ill, he reluctantly heads back to the patrician family compound in Puget Sound with a pregnant Rayette in tow. After a road trip featuring a harangue from hitchhiker Palm (Helena Kallianiotes) about filth, and Bobby's ill-fated attempt to make a menu substitution in a diner, he tucks Rayette away in a motel before heading to the house. There Bobby seduces his uptight brother Carl's cultured fiancée, Catherine (Susan Anspach), but Rayette shows up unexpectedly. As Rayette's crassness collides with the snobbery of the Dupea circle, Bobby loses patience with both sides. After trying to reconcile with his mute father, Bobby departs, unwilling to give in to either destiny. Director Bob Rafelson and screenwriter Adrien Joyce (aka Carole Eastman) used the creative control afforded by the low budget to craft a European-influenced character study, catching a cultural mood of anomie and resentment as it was embodied in Bobby. Neither older generation nor hippie, Bobby fits in nowhere, and his desire for independence conflicts with his emotional emptiness. Nicholson's nuanced performance of simmering frustration resonated with 1970 audiences caught between Nixon's "silent majority" and the troubled counterculture; a substantial hit, Five Easy Pieces was nominated for several Oscars, including Best Picture and Best Actor, and established Nicholson as a star. Offering no "easy" answers to Bobby's existential crisis, Five Easy Pieces is one of the pre-eminent films in the early-'70s cycle of alienated American art movies, as even the fantasy of rebellion is reduced to merely running away. ~ Lucia Bozzola, All Movie Guide

Foxes details the exploits of four teenage San Fernando Valley girls as they drink, dope and sleep their way into oblivion. Jeanie (Jodie Foster, in a standout performance), the most grounded of the quartet, deals with her burned-out working-student-mother (Sally Kellerman, also excellent) while playing mother to her cohorts; Annie (Cherie Curie), a promiscuous drug-vacuum, attempts to dodge her psychotic police officer-father while partying round the clock; Madge (Marilyn Kagan), an overweight tag-along, who tries desperately to fit in with her wilder friends; and Deirdre (Kandice Stroh); an insecure liar and also-ran. While the performances (particularly the aforementioned) are good, and the direction is solid, the script doesn't seem to go anywhere; maybe that's the point, though, since neither do the characters in their vacuous, instant-gratification-based existences. ~ Jeremy Beday, All Movie Guide

A woman learns the value of friendship as she hears the story of two women and how their friendship shaped their lives in this warm comedy-drama. Evelyn Couch (Kathy Bates) is an emotionally repressed housewife with a habit of drowning her sorrows in candy bars. Her husband Ed (Gailard Sartain) barely acknowledges her existence, and while he visits his aunt at a nursing home every week, Evelyn is not permitted to come into the room because the old women doesn't like her. One week, while waiting out Ed's visit, Evelyn meets Ninny Threadgoode (Jessica Tandy), a frail but feisty old woman who lives at the same nursing home and loves to tell stories. Over the span of several weeks, she spins a whopper about one of her relatives, Idgie (Mary Stuart Masterson). Back in the 1920s, Idgie was a sweet but fiercely independent woman with her own way of doing things who ran the town diner in Whistle Stop, Alabama. Idgie was very close to her brother Buddy (Chris O'Donnell), and when he died, she wouldn't talk to anyone except Buddy's girl, Ruth Jamison (Mary-Louise Parker). Idgie gave Ruth a job at the cafe after she left her abusive husband, Frank Bennett (Nick Searcy). Between her habit of standing up for herself, standing up to Frank, and serving food to Black people out the back of the diner, Idgie raised the ire of the less tolerant citizens of Whistle Stop, and when Frank mysteriously disappeared, many locals suspected that Idgie, Ruth, and their friends may have been responsible. Evelyn finds herself looking forward to her weekly visits with Ninny, and is inspired by her story to take a new pride in herself and assert her independence from Ed. Fried Green Tomatoes was based on the novel Fried Green Tomatoes at the Whistle Stop Cafe by actress-turned-author Fannie Flagg, who makes a cameo appearance as the leader of a self-help group. ~ Mark Deming, All Movie Guide

The ER is kept hopping by a spectacular traffic accident, which the wife of the driver blames on an "insane" car. Meanwhile, the burden of keeping Burke's hand tremors a secret is taking its toll on Cristina (Sandra Oh). Also, despite being on probation, Izzie (Katherine Heigl) cannot help but meddle in the matter of George's heart-patient father. And as for George (T.R. Knight), he has gotten on Burke's bad side by calling in Dr. Erica Hahn (Brooke Smith) as surgical consultant--the same Erica Hahn who made life miserable for Burke in med school, and who seems poised to do the same all over again at Seattle Grace. ~ Hal Erickson, All Movie Guide

William Petersen's High Horse Films produced this romantic comedy that endeavors to recall the glory days of Cary Grant and Irene Dunne. Petersen stars as Joey Coalter, a roving adventurer who has been married to his wife Chris (Sissy Spacek) for almost thirteen years but has rarely been home. During that time Chris has become fed up with Joey's cavalier ways. But it comes as a complete shock to Joey when, while talking to a group of cowpokes about Tahitian women somewhere on the prairie, he receives a wedding invitation sent by his daughter Beth (Olivia Burnette) that announces the wedding of Chris to dull business man Walter Humphrey (Brian Kerwin). Beth hopes the surprise wedding invitation will prod Joey to try to get back together with Chris. Chris hopes so too, as Joey drops what he is doing and takes off to stop Chris's pending nuptials. ~ Paul Brenner, All Movie Guide

As if losing both her husband and her money isn't enough, a woman in her mid-20s also finds herself married to a 12-year-old boy (who doesn't even like her) in the comedy Holy Matrimony. Havana (Patricia Arquette) is an aspiring showgirl who is working at a sleazy carnival while she dreams of her big break. Short on cash, Havana's boyfriend Peter (Tate Donovan) comes up with a plan; while Havana flirts with her boss, Peter will swipe his keys and lift the day's take from the carnival's safe. After grabbing the cash, Havana and Peter hightail it to Canada, where Peter figures that they can hole up with his family. However, Peter didn't always lead a life of crime; he was raised in a Hutterite community, and while Peter's Uncle Wilhelm (Armin Mueller-Stahl) and younger brother Ezechiel (Joseph Gordon Levitt) are glad to see him, they don't think much of Havana, whose brassy personality convinces them that she was the one who led Peter down the wrong path. To make peace with his family, Peter marries Havana, but not long after, he dies in a car wreck. Hutterite custom demands that when a man dies, his widow is to marry his brother; the catch in this case is that Ezechiel is only 12 years old and understandably not interested in matrimony. However, Havana agrees to the marriage, largely because Ezechiel knows where Peter stashed the earnings from the robbery and Havana does not. Havana's ignorance of Hutterite traditions and lack of enthusiasm for their austere lifestyle is a matter of no small annoyance to her, but Ezechiel shrewdly uses his knowledge about Peter's hidden bankroll to persuade Havana to lead a more righteous life. Holy Matrimony was directed by Leonard Nimoy in one of his periodic breaks from acting. ~ Mark Deming, All Movie Guide

This comedy-drama is the feature theatrical debut of TV director Nell Cox. Manhattan lawyer Laura (Rya Kihlstedt) is on edge about her promotion to partner at her law firm, while husband Jeff (Robert Stanton) is tired of the grind producing TV commercials. They head upstate for a weekend with Laura's mother, sculptor Julia (Lois Smith), hoping to resolve their marital conflicts. Shown at the 1997 Mill Valley Film Festival. ~ Bhob Stewart, All Movie Guide