Lane Smith Movies

Paul Clemens plays the real-life Peter Reilly, who in September of 1973 was charged with the mutilation and murder of his mother. The confused 18-year-old signs a confession after being told that he's flunked a lie detector test. Later renouncing the confession, Reilly demands a reopening of his case. The citizens of Peter's home town of Canaan, CT, who'd been willing to see the boy thrown in jail for life when the case first hit the papers, now rally around the youth, insisting that his constitutional rights have been violated. New evidence uncovered by a sympathetic detective enables Peter to press his case. Stefanie Powers plays Joan Barthel, the Canaan resident and free-lance journalist who chronicled Peter's bid for freedom. The made-for-TV A Death in Canaan was first telecast March 1, 1978. ~ Hal Erickson, All Movie Guide

Mel Gibson and Robert Downey Jr. play a couple of what-the-hell flyboys flying contraband to Laos during the Vietnam War. Gibson doesn't seem to care about anything but the "guts and glory" aspects of the job, but Downey has serious questions about the moral implications of their mission. When a Laotian general expresses more concern over the wellbeing of an opium shipment than the men who are risking life and limb to fly it in, Gibson comes around to Downey's way of thinking. By film's end, Gibson is stuck in one of those character-building dilemmas so common to films of this nature: should he deliver his cache of weaponry, or should he dump it all to rescue a bunch of refugees? ~ Hal Erickson, All Movie Guide

Director Joan Micklin Silver's follow-up to her acclaimed debut, Hester Street, is a more ambitious film that manages to be both an entertaining comedy and a pointed look at the corrupting power of money on an idealistic enterprise. Writer Fred Barron's characters are all associated with a weekly alternative newspaper in Boston, modeled after the Phoenix. (Silver did once work on the Village Voice, but this enterprise is several rungs below that esteemed paper.) Harry (John Heard) is an ambitious reporter romantically involved with Abbie (Lindsay Crouse), the paper's star photographer. Michael (Stephen Collins) is a writer trying to work on a novel and stay faithful to his loving wife, Laura (Gwen Welles), while Max (Jeff Goldblum), the paper's rock critic, shamelessly uses his job to try to pick up women. Lynn (Jill Eikenberry), a typist who is the paper's mother-hen figure, is also its most principled employee. When a publishing mogul (Lane Smith) buys the paper and promises changes that will compromise its aggressive political stance in favor of more "lifestyle" articles, Lynn resigns, and it's clear to the group that their carefree days are behind them. ~ Tom Wiener, All Movie Guide

Garr Hagar's Gerald McRaney son is killed by white supremacists. Expecting justice from the usual legal channels, Hagar is outraged when the jury acquits his son's murderers. Though the audience is primed to expect violence, this doesn't happen: Hagar opts for an insidious, psychological cat-and-mouse game to exact vengeance on the criminals. And he's always in the shadows -- always watching. Sustaining its subtlety and restraint throughout, Blind Vengeance is infinitely preferable to the usual USA Cable Network mayhem-fests. The film was first telecast on August 22, 1990. ~ Hal Erickson, All Movie Guide

The story of Jack The Ripper may be the cause of a small town's crime spree in this strange made-for-television thriller. David Hasselhoff stars as Don Gregory, a cop in an Arizona town whose claim to fame is being the home of the newly transplanted pieces of the original London Bridge. When the bridge is fully assembled and a murder spree begins, Gregory suspects that the bridge's historical link to Jack The Ripper and the Thames River, may have something to do with the killings. ~ Bernadette McCallion, All Movie Guide

In his last appearance before the cameras, David Janssen plays an alcoholic journalist desperate for a comeback. Janssen hitches his star to ruthless publisher Robert Vaughn, who is exploiting a rash of brutal murders to sell papers. The danger here is that the unknown serial killer, who preys upon beautiful young women, is rapidly becoming a media celebrity--and may be prompted to continue killing just to see his name in print. Beyond its own potential for sensationalism, City in Fear raises several provocative questions about the responsibility (and culpability) of the press. For its March 30, 1980 premiere, City in Fear was given a two hour and fifty minute timeslot. ~ Hal Erickson, All Movie Guide

A made for TV movie which serves as much a condemnation of the military establishment as a murder mystery, this film revolves around an upper classman who is falsely accused of responsibility for the death of a student when he begins to investigate the mysterious demise of the young gay cadet. Part of a two-part series, the crux for the upper classman is whether he is willing to jeopardize the future of his own military career to investigate the death of the freshman cadet at this prestigious military academy. ~ Tana Hobart, All Movie Guide

Though based on fact, the two-part TV movie False Arrest plays more like one of those Linda Blair "babes in prison" flicks. Donna Mills plays Joyce Lukezic, a well-off Phoenix businesswoman/homemaker accused of murder. She knows, and we know, that she didn't do it. The double homicide was the handiwork of her sleazy husband Robert Wagner, who works diligently behind the scenes to make certain his wife is convicted. And with the "guilty as charged" verdict, he leaves Joyce high and dry at the end of part one. Part two of False Arrest was telecast three days later, with Joyce fending off hostile and sexually abusive inmates, courting a nervous breakdown, and battling to have her conviction overturned. ~ Hal Erickson, All Movie Guide

As played by Jessica Lange, Frances Farmer is a rebel from the word go, winning a high school essay award by writing a piece in defense of Communism. Determining to become an actress, Frances is equally determined not to play the Hollywood game: she refuses to acquiesce to idiotic publicity stunts, and insists upon appearing on screen sans makeup. Her defiance attracts the attention of Broadway playwright Clifford Odets, who convinces Frances that her future rests with the Group Theatre. But once she leaves Hollywood for New York, Frances learns to her chagrin that the Group intends to exploit her movie fame in order to draw in customers. Her desperate attempts to restart her movie career, combined with her increasing dependence on alcohol and the pressures brought to bear by her monster mother (Kim Stanley), result in a complete mental breakdown. Even while institutionalized, Frances is abused by the powers-that-be; she is forced to undergo an injurious brain operation, is treated like a mad animal, and periodically raped by the inmates. Frances is released in the custody of her mother, who persists in browbeating her tortured daughter until Frances discovers the legal means to break away. The real-life Frances spent her last years as host of a local Indianapolis TV program, dying in 1970 at age 57; the film comes to a climax when Frances is feted on the smarmy network program This is Your Life. Other actual personages depicted herein include Clifford Odets (played by Jeffrey DeMunn), Harold Clurman (Jordan Charney) and Ralph Edwards (Donald Craig). Frances' first husband Leif Erickson is fictionalized as "Jeffrey York", and played by Lange's real-life inamorata Sam Shepard. And if you listen closely, you'll hear the voice of Kevin Costner, whose minor role was whittled down to one line when he, like Frances Farmer, had the temerity to argue with the director. The unhappy life of actress Frances Farmer was also covered in Farmer's autobiography, Will There Ever Be a Morning? While the film rights for that book were sold to a TV-movie concern, the producers of the theatrical feature Frances were able to ship their production out to the public first. ~ Hal Erickson, All Movie Guide

President John F. Kennedy issued the challenge to America in a speech to Congress in 1961: Land a man on the moon within the decade. This HBO mini-series, produced by Tom Hanks, chronicles the story of NASA's efforts to carry out the vision. Episode eight examines the short-lived trip of Apollo 13, when astronauts James Lovell, Fred Haise Jr., and John Swigert Jr. had to return to Earth before landing on the moon, because of technical problems on the spacecraft. The film's focus on the press coverage of the event makes for a new perspective on the story. ~ Rose of Sharon Winter, All Movie Guide

In the tradition of his earlier work in Grapes of Wrath and Twelve Angry Men, Henry Fonda played another social-protest role in the Hallmark Hall of Fame TV presentation Gideon's Trumpet. Clarence Earl Gideon (Fonda) is a poor, ill-tempered Florida handyman who is arrested for petty larceny in 1961. Unable to afford a lawyer, Gideon is sentenced to five years in prison. His treatment by the Florida judicial system, a clear violation of the Fourteenth Amendment, is brought to the attention of the Supreme Court. As a result, a landmark decision is reached, assuring free legal representation for anyone accused of a crime in the United States. Also appearing are Jose Ferrer as Gideon's attorney Abe Fortas, John Houseman (who also produced) as the Chief Justice, and Fay Wray as the owner of the lodging establishment where Gideon lived. Gideon's Trumpet premiered on April 30, 1980. ~ Hal Erickson, All Movie Guide

When an institutionalized patient who is forcibly released commits murder, the treating psychiatrist's career is in jeopardy. ~ All Movie Guide

The first season of Lois & Clark: The New Adventures of Superman borrows just enough from its comic-book source material to satisfy dyed-in-the-wool Superman buffs while adding several novel and surprising twists of its own. Fresh from the rural community of Smallville, handsome country bumpkin Clark Kent (Dean Cain) lands a job as reporter for the "Daily Planet," the biggest and most influential newspaper in Metropolis. Dyspeptic editor Perry White (Lane Smith) decides to team Clark with the paper's star reporter, the sophisticated, career-obsessed Lois Lane (Teri Hatcher). Though openly contemptuous of Clark in the early episodes, Lois gradually develops a strong affection for the earnest young novice. Still, it appears that she would much rather romance the mysterious "man of steel," Superman, who has saved Metropolis (and herself) from a variety of grisly fates on innumerable occasions. It never dawns on Lois that the bespectacled Clark Kent and the muscular Superman are actually the same person; this secret is shared only between Clark and his adoptive parents, Martha and Jonathan Kent (K Callan, Eddie Jones) -- who, for their part, have never told Clark the whole story of how he had come to Earth as an infant in a spaceship from the doomed planet Krypton. Superman's origins are but a few of the hitherto unknown facts revealed to Clark during season one; another is the dangerous effect that Kryptonite, a metal derived from his home planet, can have on Superman and his powers. Making regular appearances during the series' first season are Michael Landes as "Daily Planet" cub reporter and photographer Jimmy Olsen; Tracy Scoggins as gossip columnist Catherine "Cat" Grant, Lois' chief rival for Clark's affections; and John Shea as billionaire philanthropist Lex Luthor, whose secret life as a master villain goes undetected by everyone except Superman. Indeed, at the end of season one, the unsuspecting Lois, continually frustrated in her efforts to attract Clark's attention, is on the verge of marrying Lex -- while Superman, racing to the wedding with evidence of Lex's perfidy, is enmeshed in a deadly Kryptonite trap! ~ Hal Erickson, All Movie Guide