Lane Smith Movies
Lane Smith attended the Actors Studio during its halcyon days of the late 1950s-early 1960s. Though he didn't go on to stardom like such Studio grads as Dustin Hoffman and Al Pacino, Smith found steady work on the New York stage. In over 100 films and television projects from 1974's Man on a String, Smith has regularly invested three-dimensionality into such cardboard characters as prosecutor Jim Trotter III in My Cousin Vinny (1992) and Coach Reilly in The Mighty Ducks (1993). His latter-day stage work has included a healthy run in the original production of David Mamet's Glengarry Glen Ross. Smith's TV roles included smiler-with-a-knife space alien Nathan Bates in V (1984) and Dr. Robert Moffitt in Kay O'Brien (1986). In 1989, Lane received a Golden Globe nomination for his portrayal of Richard M. Nixon in the ABC miniseries The Final Days. Fans of ABC's Lois & Clark: The New Adventures of Superman will recognize Smith for playing the gruff Daily Planet editor Perry White. Lane Smith was married to writer Sydne MacCall. ~ Hal Erickson, All Movie Guide- 1970
The third (and last) of author Norman Mailer's experiments in cinéma vérité filmmaking created between 1968 and 1970, Maidstone stars Mailer as Norman T. Kingsley, a celebrated filmmaker who is often described as "the American Buñuel." Kingsley and a large retinue of friends, actors, and colleagues have descended on his estate in Upstate New York to work on his latest project, a sexually provocative drama. At the same time, Kingsley is planning to launch a campaign for president, and he's visited by a large number of guests eager to discuss his political perspectives, including journalists, academics, and a handful of African-American radicals. Also on hand is Kingsley's ever-present posse of hangers-on nicknamed "the cash box," led by his half-brother Raoul (Rip Torn). As a British television reporter records the proceedings for an upcoming profile, a shadowy group of American intelligence agents questions if the nation might be better off without the possibility of a Kingsley candidacy. In the film's final reels, Mailer and his cast and crew drop their collective improvisation and discuss their work so far before the camera, but Torn takes it upon himself to give the film the ending he feels it needs by attacking Mailer with a hammer. Fascinating if only for its remarkable portrait of Mailer's legendary ego in full flight, Maidstone would be the writer's last stab at filmmaking until he was hired to direct a film adaptation of his novel Tough Guys Don't Dance in 1987. ~ Mark Deming, All Movie Guide
- Starring:
- Norman Mailer
Lamont Johnson's subtle direction graces this true-life success story about racecar driver Junior Jackson (Jeff Bridges), based on stock-car champion Junior Johnson. As a child in North Carolina, Jackson stays one step ahead of reform school until his father (Art Lund) is thrown in prison for moonshining. Seeing the error of his ways, Jackson begins to concentrate his driving skills, hoping to become a professional stock car racer to raise money to get his father released from jail. Jackson rises from the ranks into the highest rung of professional stock car racing, but Jackson finds his independent nature is compromised by the corporate realities of the professional sports world. The real Junior Johnson served as technical advisor on the film. ~ Paul Brenner, All Movie Guide
- Starring:
- Jeff Bridges, Valerie Perrine, (more)
- 1974
Man on a Swing, purportedly based on a true case, is a puzzling crime thriller concerning a clairvoyant who helps find a murderer. After a murder is committed, supposed clairvoyant Franklin Wills goes to police Chief Lee Tucker (Cliff Robertson) and gives him details of the crime that he has seen in visions. The details are startlingly correct and could only have been known to the killer. Tucker, not convinced that Wills is indeed clairvoyant, begins to suspect him of the murder. Man on a Swing, directed by Frank Perry, over-complicates its central theme, distracting the viewer from the film's strong central theme, the ambiguity of Wills. Joel Grey gives an outstanding, scene-stealing performance in that role, giving Wills both menace and a surprising vulnerability. Cliff Robertson is far-less successful in his portrayal of the no-nonsense police chief. The film's ambiguous ending should increase the suspense of the film but instead further confuses the viewer. However, because of the superb performance of Grey, Man on a Swing is worth a view. ~ Linda Rasmussen, All Movie Guide
John Wayne returned to the role that won him an Oscar in this sequel to the western classic True Grit. Rooster Cogburn (Wayne) has once again been stripped of his badge after some questionable behavior with his gun, but he's given the chance to earn it back after an especially appalling crime demands an experienced lawman. A gang of violent and ruthless criminals, led by Hawk (Richard Jordan) and Breed (Anthony Zerbe), have stolen a shipment of explosive nitroglycerine and cut a swath through a village led by a preacher and his flock. The preacher died, along with many others, and his daughter, Eula Goodnight (Katharine Hepburn), is determined that the outlaws will be brought to justice. Cogburn is given the task of tracking down the criminals, but he's less than enthusiastic about the fact Goodnight insists on tagging along. Rooster Cogburn marked the first (and last) time John Wayne and Katharine Hepburn would work together on screen; it was also the final film from noted producer Hal Wallis. ~ Mark Deming, All Movie Guide
- Starring:
- John Wayne, Katharine Hepburn, (more)
- 1975
Zohra Lampert delivers a colorful performance as Marina Sheldon, a Gypsy fortune teller who, while trying to pass some counterfeit money, witnesses a bank robbery. Figuring that there's more profit in thievery than in crystal-gazing, Marina steals a mug shot of the robber from police files, uses the man to organize her own gang, and formulates a scheme to knock over six banks simultaneously--right under the nose of Lt. Kojak (Telly Savalas). Appearing as one of the crooks is a young Lane Smith. ~ Hal Erickson, All Movie Guide
- 1975
Jim (James Garner) is hired by his former lover Claire Prescott (Linda Evans) to help pry her loose from a loan shark. But as often happens on The Rockford Files, Claire isn't telling Jim the whole truth. As the plot thickens, Claire continues to withhold vital information from the detective, nearly getting him killed in the process. The moment of truth finally arrives when a pair of murderous thugs kidnap Jim's dad Rocky (Noah Beery Jr.) , thereby setting up a most unusual "trade-off." ~ Hal Erickson, All Movie Guide
- 1976
Introduced by Henry Fonda, this unrated but good family movie is an adaptation of Flannery O'Connor's short story. Taking place in Georgia in the 1940s, Irene Worth plays a widow who allows a Polish WWII refugee family to live on and work her land, but she is soon infected with the same prejudice afflicting many of her neighbors when the immigrants prove so industrious that the home folk are put to shame and begin to feel threatened. Depicting the prejudice that faces many immigrants when they are struggling to make it in a new country, this movie advocates the strong work ethic embodied by the ambitious newcomers to America. ~ Tana Hobart, All Movie Guide
A trenchant satire of "trash TV," Network seems to grow only more relevant with each passing year. Howard Beale (Peter Finch), the dean of newscasters at the United Broadcasting System, is put out to pasture because he "skews old." Network executive Max Schumacher (William Holden), Howard's best friend, is forced to deliver the bad news. Beale can't stomach the idea of losing his 25-year post as anchorman simply because of age, so in his next broadcast he announces to the viewers that he's going to commit suicide on his final program. Network head Frank Hackett (Robert Duvall) is all for kicking Beale out then and there, but when it looks as though the UBS is going to have its greatest ratings ever on the night of Beale's self-destruction, ambitious programming exec Diana Christensen (Faye Dunaway) talks Hackett into treating that fateful final telecast as a special event. Naturally, Beale doesn't go through with it -- but he does begin rambling about the horrible state of the world in general and television in particular. He concludes his tirade by admonishing his viewers to "Go to the window and shout as loud as you can: 'I'm mad as hell and I'm not going to take it anymore!'" With that, Howard Beale becomes the hottest TV personality in America, and Diana becomes the network's fair-haired girl. She draws up plans to treat the nightly news broadcast as garish entertainment (complete with a psychic), all built around the rants of Beale, billed as "The Mad Prophet of the Airwaves." Network won Oscars for Paddy Chayefsky's screenplay as well as for three of four acting categories -- Dunaway for Best Actress, Peter Finch for Best Actor (in the only posthumous Oscar yet awarded), and Beatrice Straight for Best Supporting Actress, in one of the shortest-screen-time performances ever to win an Oscar. ~ Hal Erickson, All Movie Guide
- Starring:
- Faye Dunaway, William Holden, (more)
- 1977
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The misfit kiddie baseball team from the first film is given the opportunity to play in a Junior League match between double-header games at the Houston Astrodome. Two obstacles stand in their way: beloved teammate Timmy Lupus (Quinn Smith) has broken his leg, and the team has no adult coach. Attempting to change their luck, star player Kelly Leak (Jackie Earle Haley) tries to talk his estranged dad (William Devane) into coaching and locates a self-proclaimed hotshot pitcher named Carmen Ronzonni (Jimmy Baio). Watch for quickie cameos by real-life Houston Astros members Robert J. Watson, Enos Cabell, Roger Metzger, James Richard, Joe Ferguson, Ken Forsch, William Virdon, and Cesar Cedeno. ~ Hal Erickson, All Movie Guide
- Starring:
- William Devane, Clifton James, (more)
- 1977
- R
Director Joan Micklin Silver's follow-up to her acclaimed debut, Hester Street, is a more ambitious film that manages to be both an entertaining comedy and a pointed look at the corrupting power of money on an idealistic enterprise. Writer Fred Barron's characters are all associated with a weekly alternative newspaper in Boston, modeled after the Phoenix. (Silver did once work on the Village Voice, but this enterprise is several rungs below that esteemed paper.) Harry (John Heard) is an ambitious reporter romantically involved with Abbie (Lindsay Crouse), the paper's star photographer. Michael (Stephen Collins) is a writer trying to work on a novel and stay faithful to his loving wife, Laura (Gwen Welles), while Max (Jeff Goldblum), the paper's rock critic, shamelessly uses his job to try to pick up women. Lynn (Jill Eikenberry), a typist who is the paper's mother-hen figure, is also its most principled employee. When a publishing mogul (Lane Smith) buys the paper and promises changes that will compromise its aggressive political stance in favor of more "lifestyle" articles, Lynn resigns, and it's clear to the group that their carefree days are behind them. ~ Tom Wiener, All Movie Guide
- Starring:
- John Heard, Lindsay Crouse, (more)
- 1978
Paul Schrader's directorial debut examines the trials of Detroit autoworkers living at the mercy of a heartless corporation and a corrupt union. Surviving from paycheck to paycheck, Checker Cab assembly linemen Zeke (Richard Pryor), Jerry (Harvey Keitel), and Smokey (Yaphet Kotto) scrape by and take pleasure in a few rounds of beer or bowling (and occasional illicit amusements). But when their money troubles pile up, Jerry and Smokey join Zeke in a desperate plan to steal cash from their local union office. Along with a piddling $600, they unexpectedly swipe evidence of union corruption. Deciding to use it for blackmail, the men discover instead how powerfully malevolent the union can be in a system that counts on petty divisiveness to keep the larger power structure intact. Inspired by stories of real-life disillusionment, Schrader and his brother/co-writer Leonard Schrader took on politically difficult issues of race and corporate labor, infusing the indictment of unions with a suggestion of post-Watergate paranoia about forces beyond the union that keep workers in their place. From the opening sequence of the assembly line to the final evocative freeze-frame, Schrader maintains an atmosphere of gritty realism, with the lead trio lending low-key dramatic force to a situation beyond their control. Too downbeat for a late '70s audience increasingly drawn to happier fare, Blue Collar flopped, yet it did earn Schrader critical accolades. Although he has reportedly since disowned the film, Blue Collar remains one of Schrader's best works, with Zeke and Jerry powered by the same sense of simmering frustration that would explode so effectively in Affliction two decades later. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Richard Pryor, Harvey Keitel, (more)
- 1978
Paul Clemens plays the real-life Peter Reilly, who in September of 1973 was charged with the mutilation and murder of his mother. The confused 18-year-old signs a confession after being told that he's flunked a lie detector test. Later renouncing the confession, Reilly demands a reopening of his case. The citizens of Peter's home town of Canaan, CT, who'd been willing to see the boy thrown in jail for life when the case first hit the papers, now rally around the youth, insisting that his constitutional rights have been violated. New evidence uncovered by a sympathetic detective enables Peter to press his case. Stefanie Powers plays Joan Barthel, the Canaan resident and free-lance journalist who chronicled Peter's bid for freedom. The made-for-TV A Death in Canaan was first telecast March 1, 1978. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Clemens, Stefanie Powers, (more)
- 1978
Originally made for television and based on true events from 1972, the story concerns an airline crash in the Everglades and the courageous adventures of the 73 survivors. ~ John Bush, All Movie Guide
- 1979
- R
In this melodramatic prison flick a convicted killer makes a bad impression on his fellow inmates after he causes trouble with the leader of the prisoners. ~ Sandra Brennan, All Movie Guide
- Starring:
- John Heard, Thomas G. Waites, (more)
The protagonists of Over the Edge are the teen-aged offspring of the residents of a planned suburban community. This bland little town has been designed with conformity in mind, and with no thought of making the kids' lives worth living. Even worse, there is very little opportunity for any of the teens to grow "out" of the community and live elsewhere. Consequently, the kids rebel by drinking themselves sick, dealing in drugs, and indulging in deadly violence. Inasmuch as the local cops are predisposed to beat the teens into submission, the kids retaliate by directing their frustrations at the Law; the results are tragic, to be sure, but in no way predictable. Over the Edge struck as sensitive a nerve with young 1970s moviegoers as Rebel Without a Cause did with their 1950s forebears. Matt Dillon made his screen debut in Over the Edge, distinguishing himself in an ensemble cast that also includes Vincent Spano, Andy Romano and Ellen Geer. The screenplay was written by Charles Haas and Tim Hunter; the soundtrack songs feature the Ramones. ~ Hal Erickson, All Movie Guide
- Starring:
- Matt Dillon, Michael Kramer, (more)
- 1979
It's Airplane on the rails in the made-for-TV Disaster on the Coastliner. A crazed engineer holds his employers responsible for the deaths of his wife and daughter. He gets even by setting two passenger trains on an irrevocable collision course. Salvation comes from a most unexpected corner in this otherwise thoroughly predictable disaster flick. The requisite all-star cast includes Mike Connors, Lloyd Bridges, Robert Fuller, Pat Hingle, E. G. Marshall, Yvette Mimieux and William Shatner. Disaster on the Coastliner premiered October 28, 1979. ~ Hal Erickson, All Movie Guide
- 1979
Left without a car or a bankroll in Las Vegas, Jim accepts a ride back to LA with a casual acquaitance named Perankus (Sully Boyar). It turns out that Jim's "friend" is not only driving a stolen car, but he is transporting illegal weapons. Hauled into jail when the Feds show up, Jim is outraged that Petrankus is let off scot-free. To find out what is going on, our hero turns to an imperious senior secretary named Mrs. Bateman (Marge Redmond), who in turn is searching for one of her employees (Antoine Becker)--the same girl who took down Jim's statement when he was being grilled by the Feds. And incidentally, the "cigar" of the title does indeed explode...and it's no cigar. ~ Hal Erickson, All Movie Guide
In the tradition of his earlier work in Grapes of Wrath and Twelve Angry Men, Henry Fonda played another social-protest role in the Hallmark Hall of Fame TV presentation Gideon's Trumpet. Clarence Earl Gideon (Fonda) is a poor, ill-tempered Florida handyman who is arrested for petty larceny in 1961. Unable to afford a lawyer, Gideon is sentenced to five years in prison. His treatment by the Florida judicial system, a clear violation of the Fourteenth Amendment, is brought to the attention of the Supreme Court. As a result, a landmark decision is reached, assuring free legal representation for anyone accused of a crime in the United States. Also appearing are Jose Ferrer as Gideon's attorney Abe Fortas, John Houseman (who also produced) as the Chief Justice, and Fay Wray as the owner of the lodging establishment where Gideon lived. Gideon's Trumpet premiered on April 30, 1980. ~ Hal Erickson, All Movie Guide
- Starring:
- Henry Fonda, John Houseman, (more)
- 1980
- PG
Ellen Burstyn plays Edna McCauley, the wife of a man (Jeffrey DeMunn) who is killed in an auto crash. Edna herself survives, but not before enduring an "out of body" experience. Crippled in the accident, Edna heads to her hometown in Kansas to recuperate. There she discovers that she has the power to heal people, presumably a byproduct of her brief trip into the beyond. She accepts her gift, but resists the notion that she has been blessed with divine powers. On the other hand, her young lover (Sam Shepard) believes that she is the embodiment of Jesus Christ. It is his method of proving his hypothesis that brings the film to its startling conclusion. Both Ellen Burstyn and Eva Le Gallienne (as Burstyn's grandmother) were nominated for Academy Awards. ~ Hal Erickson, All Movie Guide
- Starring:
- Ellen Burstyn, Sam Shepard, (more)
- 1980
- PG
After displaying his easygoing charm in a number of television appearances and a showy supporting role in The Electric Horseman, Willie Nelson scored his first leading role in this romantic comedy-drama in which he (appropriately enough) plays a musician. Buck Bonham (Nelson) is a country singer/songwriter with a loyal following in his native Texas and the neighboring Western states. However, Buck hasn't yet had the hit record that would make him a star nationwide; in the meantime, Buck and his band keep up a busy tour schedule, much to the annoyance of his wife, Viv (Dyan Cannon), and son, Jamie (Joey Floyd), who would like to see Buck at home every once in a while. As Buck wonders if he should press on with his musical career or call it quits, his close friend and longtime guitarist Garland Ramsey (Slim Pickens) announces he's retiring, and suggests a good replacement -- his daughter, Lily (Amy Irving). Lily had a crush on Buck as a child, and now as a full-grown and very beautiful woman, her infatuation has only increased with time. Consequently, Buck must choose between Viv and Lily as well as his home and his career. Honeysuckle Rose was written specifically for Nelson, and his character bears more than a passing similarity to Willie and his life before the album Red Headed Stranger made him a star; the film also earned Nelson an Academy Award nomination for the film's theme song, "On the Road Again." ~ Mark Deming, All Movie Guide
- Starring:
- Willie Nelson, Dyan Cannon, (more)
- 1980
The Skid Row derelicts that occupy most of the screen time in this uneven drama about the effects of alcohol addiction do nothing to gain an audience's sympathy. Sam (Donald Moffat) has kicked his habit and picked himself up out of the gutter only to find that no avenues are open to take him away from the gutter. Then he learns that his friend C.G. (Ralph Waite, also the director) is in trouble. As one sequence of aimless, drunken behavior follows another and the audience is regaled by C.G.'s commentaries delivered in an alcoholic stupor, it is hard to understand why Sam is teetering on the brink of sloshing around in this world again. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Ralph Waite, Donald Moffat, (more)
- 1980
This Roger Corman-produced made-for-television movie was a pilot for a proposed series starring country singer Tanya Tucker. She plays a Southerner who runs an auto repair shop. She and her girlfriends become government agents and go up against a crime ring headed by a woman known as the Dragon Lady. ~ Brian Gusse, All Movie Guide
- 1980
In his last appearance before the cameras, David Janssen plays an alcoholic journalist desperate for a comeback. Janssen hitches his star to ruthless publisher Robert Vaughn, who is exploiting a rash of brutal murders to sell papers. The danger here is that the unknown serial killer, who preys upon beautiful young women, is rapidly becoming a media celebrity--and may be prompted to continue killing just to see his name in print. Beyond its own potential for sensationalism, City in Fear raises several provocative questions about the responsibility (and culpability) of the press. For its March 30, 1980 premiere, City in Fear was given a two hour and fifty minute timeslot. ~ Hal Erickson, All Movie Guide
Inspired by a true story, Prince of the City stars Treat Williams as a Manhattan detective who agrees to help the US Department of Justice weed out corruption in the NYPD. Williams agrees on the assurance that he'll never have to turn in a close friend. Wired for sound, Williams almost immediately stumbles upon a police conspiracy to smuggle narcotics to street informants in order to insure cooperation. While this might be condonable in a stretch, the fact is that the many cops are using the drugs on their own, and are also highly susceptible to bribes. Williams gets the goods on the miscreants, but in so doing he breaks the "code" and becomes a pariah to his fellow officers. As we learn in the unsettling final scene, Williams will always be considered a "fink," even by honest cops. Prince of the City is too long for its own good, but its opening expository sequences and its final twenty minutes more than compensate for the duller stretches. ~ Hal Erickson, All Movie Guide
- Starring:
- Treat Williams, Jerry Orbach, (more)
- 1981
In this thriller, a snoopy and ambitious television news reporter causes an average citizen to become suspected of being a serial killer. ~ Sandra Brennan, All Movie Guide
