Cyril Smith Movies

The Dark Man is a killer who opens the film by committing double murder. This is witnessed by young aspiring actress Molly Lester (Natasha Parry). The rest of the picture concerns Dark Man's efforts to put Molly out of the way. The plot is nothing new, though the settings--a provincial repertory theatre, a military rifle range--are rather novel. It is giving nothing away to reveal that the title character is portrayed by Maxwell Reed; Edward Underdown co-stars as the obligatory Scotland Yard representative, while future "Dr. Who" William Hartnell plays Underdown's superior. ~ Hal Erickson, Rovi

Filmed in England, Flying Squad was the final effort of veteran silent-film director Herbert (Peter Pan) Brenon. The script was based on a popular play by suspense specialist Edgar Wallace, adapted by the late Wallace's son. Carol Goodner stars as the sister of a young man who was murdered by drug smugglers. Carol joins the gang, hoping to bring the criminals to justice. She learns that her brother was knocked off by a crooked cop, who is in deep with the gang and can't escape their clutches. Someone falls in love with someone else in The Flying Squad, and we'll wager you can guess who it is. ~ Hal Erickson, Rovi

Based on a novel by J. B. Priestley, this British musical-comedy follows an unlikely trio as they try to revive the fortunes of a floundering touring theatrical troupe. Inigo Jolifant (John Gielgud) is a schoolteacher with a talent for songwriting, and Jess Oakroyd (Edmund Gwenn) is a man with theatrical ambitions who has just lot his job. Together, they persuade Miss Trant (Mary Glynne), an older single woman looking for adventure, to back them as they try to bring "The Dinky Do's" back into the spotlight. Susie Dean (Jessie Matthews) is a chorus girl who dreams of stardom, and when she's made the new leader of the show, it looks as if her dreams may finally become a reality. The Good Companions is buoyed by the superb singing and dancing talents of Matthews, who was considered one of the screen's greatest musical stars in England and Europe, though she inexplicably never achieved the same fame in the United States; Gielgud also got a rare opportunity to display his vocal abilities in this film. Keep your eyes peeled for Jack Hawkins and horror film great George Zucco, who both appear in supporting roles. ~ Mark Deming, Rovi

Intending to run off with the wife (Christine Norden) of his publisher (Alexander Gauge), novelist John North (Richard Todd) thinks the better of it as he sits in the compartment of a speeding train. North's journey is interrupted (hence the title) by a train crash, in which his lover is killed. Sifting through the wreckage, railroad inspector Clayton (Tom Walls) discovers that the dead woman didn't perish in the crash: someone shot her in the back! That's all the information that can be revealed without giving away the ending. Top billed in Interrupted Journey as Richard Todd's patient, supportive wife is Valerie Hobson, whose patience and support would be sorely tested in real life when she stood by her husband John Profumo during the British Parliament sex scandals of the early 1960s. ~ Hal Erickson, Rovi

This British psychological melodrama stars Michael Gough as a man who is lost in the Brazilian jungles and presumed dead. He returns to civilization, only to discover that his wife (Elizabeth Sellars) has remarried. When it becomes obvious that Gough's mind has been unhinged by the ordeal, his former wife does what she can to help and comfort him. Instead of being grateful, the addled Gough commits suicide, arranging the evidence so that his wife will be accused of murder. The Night Was Our Friend was the sort of second feature on which director Michael Anderson cut his teeth before being entrusted with such loftier projects as Around the World in 80 Days (56). ~ Hal Erickson, Rovi

D.H. Lawrence's tragic fable The Rocking Horse Winner is faithfully transferred to the screen in this 1950 gem. John Howard Davies, the young star of Oliver Twist (and the future chief film editor at the BBC) plays sensitive lad Paul Grahame, whose selfish, grasping mother (Valerie Hobson) warps his values. When his mom once more whines over her lack of wealth, the boy retreats to his new Christmas present, a hobby horse. Having been taught to ride like a real jockey by kindly handyman Bassett (John Mills), Paul furiously bobs up and down on his horse, hoping to drive his mother's words out of his brain. Instead, Paul suddenly acquires the ability to pick the names of winning race horses. Capitalizing on her son's "gift," Paul's mother becomes fabulously wealthy, only to spend the money as quickly as it comes in. Thinking only of his mother's happiness, Paul continues to ride his magical horse, which results in more lucrative racetrack predictions. Before his mother can come to her senses, the boy takes one "ride" too many, dropping dead from the exhaustion. Though essentially a dark fantasy, The Rocking Horse Winner is rendered with utter credibility by writer/director Anthony Pelissier. ~ Hal Erickson, Rovi

In this crime drama, an innocent man is accused of killing a major crime lord. Fortunately, a canny police inspector believes he didn't do it and launches his own investigation. It pays off and he discovers that the crime boss is alive and simply feigned his death by killing a colleague and making the body resemble him. ~ Sandra Brennan, Rovi

In this comedy, an impoverished bumbler becomes a waiter at a fancy party and finds himself mistaken for one of the wealthy guests by another drunken guest. Soon he is mingling with the elite and meets a beautiful girl. He decides to make the illusion real and after the party goes to his banker and blackmails him into hiring him. Soon he is promoted to a higher position until he is transferred the Paris branch where he begins living a happy, financially secure existence with the beautiful girl in his arms. ~ Sandra Brennan, Rovi

Black-market babies in a British boardinghouse provide the basis of this brutal crime drama. Though the landlady is outwardly upstanding and self-righteous, she is really the brains behind the operation. Her newest tenant is the pregnant lover of a convicted killer who has come there to avoid publicity. There the hapless girl is horribly mistreated as are all of the "guests." But despite the abuse, the young woman refuses to report it. Another boarder, who lost her baby due to the landlady's refusal to call a doctor, becomes the young woman's friend. Eventually things become so bad that a houseworker phones the police. Just before they arrive, the evil landlady shoves the pregnant woman down a flight of stairs and leaves her there to die. The wicked woman is then arrested and goes on to get her just desserts. This film received the very first British "X" rating. ~ Sandra Brennan, Rovi

Able-bodied seaman Albert Tufnell (John Meillon) plans to marry Shirley Hornett (Vera Day), and the ceremony is about to take place -- when a telegram arrives from an officer aboard his ship, advising that marriage is impossible for Tufnell at that moment. Shirley's battle-ax of a mother (Marjorie Rhodes) doesn't know the facts behind the telegram but assumes the worst, and won't even discuss what to do about the wedding, even as she tries to live down the humiliation of a ceremony stopped midway through. Albert and his best friend, Carnoustie Bligh (Graham Stark), try to sort it all out, but even the arrival of an officer from their ship (Dennis Price) with an explanation only makes matters more complicated. ~ Bruce Eder, Rovi

Adapted from the stage hit by J. B. Priestly, When We Are Married is a barbed satire of smug British conservatism. Set in turn-of-the-century Yorkshire, the story concerns three middle-aged married couples, who tend to look askance towards anyone who does not come up to their high moral and religious standards. These pecksniffs are especially critical towards those who advocate a break from the repressive sexual taboos of the era. Imagine their dismay, then, when all three couples discover that they're not legally married. Their efforts to hide this fact, and their eventual comeuppance, provides several hearty laughs. When We Are Married remains a favorite of the British repertory circuit, due to its large number of colorful and well-rounded characters. ~ Hal Erickson, Rovi