Constance Smith Movies

A frankly adult comedy about the sex lives of the aimless and the rich, Shampoo is also a pointed commentary on the demise of 1960s idealism at the dawn of the Nixon era. It is Election Day, 1968, and randy Beverly Hills hairdresser George Roundy (Warren Beatty) is too worried about attending to all of his women's tonsorial and sexual needs, while trying to swing a bank loan to fund his own salon, to notice the fateful Presidential race. As George juggles the demands of girlfriend Jill (Goldie Hawn) and mistress Felicia (Lee Grant), not to mention Felicia's daughter (Carrie Fisher), he meets Felicia's husband Lester (Jack Warden) to get money for the salon and discovers that his beloved ex-girlfriend Jackie (Julie Christie) is now Lester's mistress. Lester asks George to escort Jackie to a banquet for Nixon supporters, leading to a series of climactic confrontations at the dinner and a Hollywood orgy that expose the conflicting demands of sex, love, and security among these terminally narcissistic L.A. denizens. As Nixon's victory speech drones in the background the following day and Paul Simon's mournful '60s music plays on the soundtrack, George's free-wheeling world collapses around him for reasons that he can barely begin to comprehend. Produced and co-written (with Chinatown scribe Robert Towne) by its star Warren Beatty, Shampoo became Beatty's second critical and popular success as a producer after Bonnie and Clyde, and it bolstered Hal Ashby's track record as director. Shampoo earned Grant an Oscar for Best Supporting Actress, as well as a Supporting Actor nomination for Warden and Beatty's first nomination as writer. With Nixon's 1974 Watergate disgrace adding an extra edge to the humor for 1975 audiences, this tragic bedroom farce became one of the highest-grossing films in Columbia Pictures' history at the time. ~ Lucia Bozzola, All Movie Guide

A haunted castle is the prize worth fighting for by an Irish nobleman and his butler. ~ All Movie Guide

A villain who had been traitorous to his family and the King of France is brought to justice by a Captain of fortune. ~ All Movie Guide

In this espionage film, an American journalist goes to London. There he becomes friends with a young woman who is really a secret agent carrying an important list of enemy spies disguised as a diary. When she drops it, he picks it up and finds himself facing a gun barrel. They get involved in a scuffle and the woman ends up accidentally dead. Now the reporter has the secret list. He finds himself the target of spies desperate for the information. ~ Sandra Brennan, All Movie Guide

In this thriller, a husband gets into all sorts of trouble when his wife takes a lengthy vacation without him. First he gets romantically involved with the chanteuse at a local nightclub. Next she tells him that her brother has gotten in trouble over some stolen diamonds. In truth, the woman desperately wants the stones for herself. She tricks the wayward husband into believing that he killed a man after he buys them two tickets out of the country. He then decides that it is better to face the music, and opts to stay and confess. The singer, too reconsiders, and decides to stay with him until his name is cleared. ~ Sandra Brennan, All Movie Guide

Man in the Attic is a sweat-stained remake of the oft-filmed Mary Belloc Lowndes suspense story The Lodger. Jack Palance plays a mild, secretive pathologist who rents an attic apartment in the heart of London. Palance falls in love with dancer Constance Smith, daughter of the landlady, but she doesn't seem interested. Meanwhile, several unsolved murders of women have been committed on the fogbound London streets--and all of the victims are showgirls. Unlike Hitchcock's 1926 version of The Lodger, the most likely suspect is indeed the "Jack the Ripper" character hunted by the police. The only surprise in Man in the Attic is that the London bobbies didn't arrest Jack Palance on sight long before the movie started. ~ Hal Erickson, All Movie Guide

Taxi stars Dan Dailey as Ed Nielson, a been-there-done-that Manhattan cabbie. Nagged by his mother (Blanche Yurka) to find himself a wife, Ed must also contend with a blood-sucking loan company, demanding huge payments for his cab. His life is further complicated when he falls in love with one of his fares: Mary, a young Irish immigrant (Constance Smith), freshly arrived in New York in search of her husband. The girl discovers that her hubby is a louse, but she's forced to stay with him lest she face deportation. Despite his own problems -- not to mention the huge cab fare that Mary's running up while searching for her husband -- Ed vows to rescue his new love from an ungovernable fate. Though running only 77 minutes, Taxi boasts no fewer than six screenwriting credits. ~ Hal Erickson, All Movie Guide

Lure of the Wilderness is a remake of 1941's Swamp Water, with Walter Brennan repeating his role as a half-crazed fugitive from justice. Living in the deepest recesses of the Okeefenokee Swamp with his daughter Laurie (Jean Peters), Jim Harper (Brennan) is discovered by young hunter Ben Tyler (Jeffrey Hunter). Believing in Harper's innocence, Tyler tries to raise enough money to mount a decent courtroom defense for the old man. Meanwhile, the actual perpetrators of the crime attributed to Harper do their best (or worst) to see to it that he never gets out of the swamp alive. While the original Swamp Water was the better of the two films, Lure of the Wilderness has the advantage of rich Technicolor photography. ~ Hal Erickson, All Movie Guide

A remake of the French Le Corbeau ("The Raven"), The Thirteenth Letter is a film noir in a curious setting -- a rural village deep in Quebec, seemingly sleepy and typical. Dr. Laurent (Charles Boyer) returns from a medical convention in Montreal, anxious to see his much younger wife, Cora (Constance Smith). Cora is attracted to Dr. Pearson (Michael Rennie), a young doctor who moved into the town soon after his unfaithful wife killed herself. Soon Pearson, Laurent and Cora all receive letters -- signed "the Raven" -- hinting at an affair between Pearson and Cora. Soon more poison pen letters are showing up around town, including one which insinuates that Pearson has not been telling the truth about the medical condition of a wounded war hero. Distraught, the veteran takes his life, unaware that the information in the letter was a lie. Meanwhile, Pearson has become attracted to Denise, (Linda Darnell), a romance-starved young woman born with a clubfoot. As suspicion builds about who is sending the letters -- and about whether Pearson should be trusted -- the Mayor takes charge of the investigation, and Pearson doubles his efforts to prove his innocence. ~ Craig Butler, All Movie Guide

The tantalizingly titled Mystery at the Burlesque was originally released in England as Murder at the Windmill. It must be explained that, for many years, London's Windmill Theatre was famous for its scantily clad chorus girls and potty-mouthed comedians. Filmed on location at the Windmill, the story gets under way when a corpse is found in the last row of the theater. To reconstruct the crime, the detective inspector (Garry Marsh) insists that the Windmill troupe repeat the same show they'd performed on the night of the murder. The film's high or low point (depending on one's own tastes) occurs when one of the seedy Windmill comedians performs his magnificently unfunny monologue before an audience of one. Featured in the cast as Marsh's assistant is future "Dr. Who" Jon Pertwee. ~ Hal Erickson, All Movie Guide

In this spooky thriller set in Victorian England, during the time Jack-the-Ripper was running amok, an invalid widow and her daughter run a boarding house. One day a man claiming to be a physician appears and lets a room. Soon he has the women terrorized and imprisoned in their home because they believe him to be the Ripper. Later a reporter looks into and discovers the man is really an escaped lunatic. ~ Sandra Brennan, All Movie Guide

A popular British stage play by William Douglas Home was the basis for this out-of-the-ordinary prison picture. Richard Greene heads the cast as Turnfell, a murderer facing a death sentence. Turnfell is but one of several inmates whose joys and sorrows are detailed in anecdotal fashion: others include a cockney forger (William Hartnell), an embezzling bank clerk (Ronald Howard) and a bigamist (Lesley Dwyer). Also on hand is the Governor (or warden), played with a refreshing lack of genre cliches by Sir Cedric Hardwicke and an Irish terrorist, well-played by a very young Richard Burton. Now Barabbas was a Robber was eventually given a general release under the streamlined title Now Barabbas. ~ Hal Erickson, All Movie Guide

This unsparing, brutal look at the British criminal underbelly stars Richard Attenborough as Pinkie Brown, a pock-marked gang leader. While leading his men in a racetrack robbery, Pinkie kills a man. He convinces pretty waitress Rose (Carol Marsh) to provide him with an alibi, promising to marry her in exchange. After the wedding, the sociopathic Pinkie conducts a slow and careful campaign to drive his young wife to suicide. A moody, well-acted film with a stunning performance by the 24-year-old Attenborough, Brighton Rock is notable for bringing a new vicious realism to British crime cinema. Adapted by Terrance Rattigan and Graham Greene, from Greene's novel, the screenplay is superlative. The grim realism and sordid subject matter of the film is striking, handled by twin filmmakers Roy and John Boulting, who use mood and dark, stark photography to convey an almost palpable sense of dread. The American distributor of Brighton Rock, smelling disaster with that ambivalent title, renamed the film Young Scarface, and while it was quite controversial in its day, the film can't quite recapture the impact it had upon its initial release. ~ Hal Erickson, All Movie Guide