C. Aubrey Smith Movies
Actor C. Aubrey Smith was, so far as many American moviegoers were concerned, the very personification of the British Empire. Even so, when young English journalist Alistair Cooke first travelled to Hollywood in the early 1930s to interview Smith, it was not to discuss the actor's four decades in show business, but to wax nostalgic on his athletic career. The son of a London surgeon, Smith played soccer for the Corinthians and cricket for Cambridge. For four years, "Round the Corner Smith" (so named because of his unique playing style) was captain of the Sussex County Cricket Club, playing championship matches throughout the Empire. When time came to choose a "real" vocation, Smith dallied with the notion of following in his dad's footsteps, then worked as a teacher and stockbroker. In 1892, at the age of 29, he finally decided to become an actor (not without family disapproval!), launching his stage career with the A. B. Tappings Stock Company. He made his London debut in 1895, and the following year scored his first significant success as Black Michael in The Prisoner of Zenda; also in 1896, he married Isobel May Wood, a union that endured for over fifty years. His subsequent stage triumphs included Shaw's Pygmalion, in which he succeeded Sir Herbert Beerbohm-Tree as Professor Henry Higgins. Despite the theatrical community's disdainful attitude towards the "flickers", Smith enthusiastically launched his film career in 1914. He was one of the co-founders of the short-lived but energetic Minerva Film Company, and by 1915 had begun making movies in America.It was his 1928 stage hit Bachelor Father that led to Smith's phenomenally successful career in talking pictures. For 18 years, he was perhaps Hollywood's favorite "professional Englishmen." He was at his best in martinet military roles, most memorably in a brace of 1939 productions: The Sun Never Sets, in which he used a wall-sized map to dutifully mark off the far-flung locations where his progeny were serving the Empire, and The Four Feathers, wherein he encapsulated his generation by crustily declaring "War was war in my day, sir!" Other notable roles in the Smith canon included Jane's father in Tarzan the Ape Man (1932), a close-minded aristocrat who turns out to be an out-of-work actor in Bombshell (1933), the intensely loyal Colonel Zapt in The Prisoner of Zenda (1937) and an outraged murder-victim-to-be in Ten Little Indians (1945).
Smith briefly returned to the stage in 1941, and throughout the war years could be seen in roles ranging from single-scene cameos (The Adventures of Mark Twain, Unconquered) to full leads (1945's Scotland Yard Inspector). A recipient of the Order of the British Empire in 1938, he was knighted by King George VI in 1944, largely because of the positive image of Mother England that the actor invariably projected. The undisputed leader of Tinseltown's "British Colony," Smith also organized the Hollywood Cricket Club, taking great pride in the fact that he hadn't missed a weekend match for nearly sixty years. Sir C. Aubrey Smith was still in harness when he died of pneumonia at the age of 85; his last film appearance as Mr. Lawrence in Little Women was released posthumously in 1949. ~ Hal Erickson, Rovi
Of the many film versions of Louisa May Alcott's Little Women, this 1949 MGM adaptation is by far the prettiest. Set in New England during the Civil War, the film relates the various adventures of the March sisters: Jo (June Allyson), Beth (Margaret O'Brien), Amy (Elizabeth Taylor) and Meg (Janet Leigh). Jo emerges as the main character, as she leaves hearth and home to try her luck as a novelist in New York. Moments of high comedy (the sisters' amateur theatricals) are counterpointed with grim tragedy (the death of the youngest March girl), with romantic interludes provided by the faithless Laurie (Peter Lawford) and the loyal Professor Bhaer (Rossano Brazzi). Unlike Selznick's 1933 Little Women or Gillian Armstrong's 1994 adaptation, this 1949 version tends to be more an extension of the old Hollywood contract-player typecasting system than a heartfelt evocation of the Alcott original. Even so, Little Women is consistently pleasing to the eye, especially when seen in its original Technicolor hues. ~ Hal Erickson, Rovi
- Starring:
- June Allyson, Peter Lawford, (more)
- 1947
High Conquest was a good example of the sort of "prestige" fare that lowly Monogram Pictures hoped to turn out on a regular basis in the postwar years. Adapted from a novel by James Ramsey Ullman, the story centers on Hugo Lannier (Warren Douglas), an American youth who makes it his mission in life to conquer the Matterhorn in Switzerland. Hugo's father had been killed years earlier in a similar attempt, and our hero hopes to honor his father's memory by completing the task. But first, Hugo must overcome his intense dislike of the Alps and his fear of heights-not to mention his fear of fear itself. Top-billed Anna Lee plays Marie, a Swiss girl who believes in Hugo even when he doesn't. Genuine location footage of the Matterhorn is deftly blended with some surprisingly convincing studio mockups. ~ Hal Erickson, Rovi
- Starring:
- John Bleifer, Beulah Bondi, (more)
Cecil B. DeMille's first postwar production, the $5 million Technicolor historical spectacular Unconquered lacks only the kitchen sink. The story begins in England in the 1760s, as Abigail Martha Hale (Paulette Goddard), unjustly accused of a crime against the Crown, is sentenced by the Lord Chief Justice (C. Aubrey Smith) to 14 years' forced servitude in North America. Carted off to the auction block, Abigail is highly coveted by slavemaster Martin Garth (Howard da Silva), but the highest bidder turns out to be Virginia militiaman Captain Christopher Holden (Gary Cooper). Having been jilted by his aristocratic fiancee Diana (Virginia Grey), Holden harbors no romantic feelings for Abigail, but he's determined not to let her fall into Garth's grimy clutches. The patriotic Holden also knows that Garth, who is married to the daughter (Katherine de Mille) of Indian chief Pontiac (Robert Warwick), has been trading firearms to the Ottawas. The treacherous Garth later participates in the "Pontiac Conspiracy," an allegiance of 18 Indian nations forsworn to wipe out every colonist on the East Coast. To put Holden out of the way, Garth arranges for him to be court-martialed and sentenced to death on a trumped-up desertion charge. But Abigail, partly in repayment for her rescue from Seneca chief Guyasuta (Boris Karloff) and partly because she's fallen in love with Holden, helps him escape, just in time to save a nearby military fort from an Indian massacre -- a feat accomplished by a subterfuge straight out of Beau Geste, which also starred Gary Cooper! As historically suspect as any Cecil B. DeMille epic, Unconquered is still marvelous escapist entertainment, especially during the time-honored bathtub scene involving a bare-shouldered Paulette Goddard (who spends most of the film in either a state of dishabille or bondage, or both!) Once again, however, Mr. "Spare No Expense" DeMille cuts corners by filming most of his major exterior scenes within the artificial confines of the Paramount sound stages. ~ Hal Erickson, Rovi
- Starring:
- Gary Cooper, Paulette Goddard, (more)
- 1947
A man's youthful indiscretions come back to haunt him in this droll drawing room comedy. Sir Robert Chiltern (Hugh Williams) is a fine and upstanding British gentleman who has distinguished himself in the political arena and is selflessly devoted to his wife (Diana Wynyard). However, it turns out that he wasn't always a paragon of virtue; early in his career working with the British cabinet, Chiltern sold some confidential information regarding the Suez Canal, and Mrs. Cheveley (Paulette Goddard) has made it clear to Chiltern that she knows what he did and is willing to tell others about it. She agrees to keep silent if he's willing to support a proposal currently being debated in Parliament that would put a phony canal through Argentina. A fearful Chiltern agrees, but his best friend Viscount Goring (Michael Wilding) objects, and he tries to persuade Mrs. Cheveley to rescind her blackmail threat, while explaining to Lady Chiltern how a good man could do something so wrong at some point in his life. This was the third screen adaptation of the sophisticated satire by Oscar Wilde. ~ Mark Deming, Rovi
- Starring:
- Paulette Goddard, Michael Wilding, Sr., (more)
- 1946
The time is just prior to World War II. Lovely Cluny Brown (Jennifer Jones) is the niece of a London plumber; when her uncle is indisposed, Cluny rolls up her sleeves and takes a plumbing job at a society home, where she meets a handsome Czech author (Charles Boyer) - a refugee who has fled the Nazis and now resides with a snobbish and stuck-up family. Hoping to advance herself socially, Cluny accepts a position as a maid in a fancy country home, where she once more meets the Czech author, who is a house guest; they promptly fall for each other, and Cluny follows his lead by turning her nose up at stiff-necked English propriety. Cluny Brown is directed by the matchless Ernst Lubitsch. ~ Hal Erickson, Rovi
- Starring:
- Jennifer Jones, Norman Ainsley, (more)
- 1946
Director Allan Dwan moved to Republic Pictures in 1946, there to make the same sort of marital farce he'd been specializing in at United Artists throughout the 1940s. Eddie Albert plays an American pilot stationed in England who pines for his stateside wife (Faye Marlowe). Denied a pass, he goes AWOL to see his wife in New York. The complication? His wife becomes pregnant, and Albert must prove he's the father without admitting to his unauthorized leave of absence. ~ Hal Erickson, Rovi
Based on the classic novel by mystery author Agatha Christie that was later adapted as the Broadway hit Ten Little Indians , And Then There Were None begins with ten characters, each with a skeleton in his or her closet, on a remote island off the English coast. They soon realize that they have been brought there by an insane judge, who has tried each of them for criminal behavior in the past, and who now feels it is his duty to render proper justice for each. The struggle to stay alive begins as each "guest" is eliminated in a fashion that corresponds to the titular nursery rhyme. Walter Huston, Louis Hayward, and C. Aubrey Smith are among those marked for death. The film's ending differs from that of the novel, and later remakes in 1966, 1975, and 1989 (all using the title Ten Little Indians), alternated between Christie's original finale and this film's climax. Depending on one's taste, the film's pacing is either excruciatingly slow or suspenseful, but the storyline has become a cinematic staple in everything from horror (Theatre Of Blood) to satire (Murder By Death). ~ Don Kaye, Rovi
- Starring:
- Barry Fitzgerald, Walter Huston, (more)
- 1945
This Republic programmer is based on a true story, though its plot complications are anything but founded in reality. Set in London, the story is motivated by master criminal Carl Hoffmeyer (Erich Von Stroheim), who cooks up an intricate, apparently foolproof scheme to steal the Mona Lisa, on loan to the National Art Gallery. Upon pulling off the crime, Hoffmeyer discovers that the Da Vinci masterpiece is a forgery, the original having previously been swiped by a mercenary antiques dealer (Forrester Harvey, in his final film appearance). Meanwhile, crusty Scotland Yard man Sir James Collison (Sir C. Aubrey Smith) tries to solve both robberies. Reasonably well-produced, Scotland Yard Investigator is of little real interest outside of veteran character actors Erich von Stroheim and C. Aubrey Smith, who seem to enjoy having all the footage to themselves for a change. ~ Hal Erickson, Rovi
- Starring:
- C. Aubrey Smith, Stephanie Bachelor, (more)
- 1945
In this crime drama, a naive, honest young woman falls for a louse who takes her to illicit gambling houses. When one of them is raided and she is there, her angry father throws her out of the house. After that her life takes a real dive until she is able to talk her way into joining a chorus-line at the night club frequented by the creepy boyfriend. Even a job doesn't stop her downward spiral and soon her boyfriend jilts her for her best friend. In the end she shoots them both. More tragedy ensues. ~ Sandra Brennan, Rovi
- Starring:
- Robert Lowery, Doris Merrick, (more)
- 1944
Originally titled simply Sensations, this musical comedy was the final starring film for dancer Eleanor Powell and the final film, period, for comedian W.C. Fields. Powell is the prize client of flamboyant press agent Eugene Pallette. Dennis O'Keefe, Pallette's stiff-necked son, disapproves of his dad's razzle-dazzle promotional techniques, but finds himself just as shameless as his father when he takes over the business. Powell's particular highlight is a dance staged in a huge pinball machine (yes, critics in 1945 did say "Tilt!") W.C. Fields' contribution, based on one of his old Ziegfeld Follies sketches, is astonishingly unfunny; this protracted shaggy-dog story about a man who refuses to vacate his train compartment comes to life only during the byplay between a visibly ailing Fields and his sprightly female companion Louise Currie. Other guest stars in Sensations include Sophie Tucker, Cab Calloway, Woody Herman and a pre-Mary Ford Les Paul. ~ Hal Erickson, Rovi
- Starring:
- Eleanor Powell, Dennis O'Keefe, (more)
- 1944
The White Cliffs of Dover is one of those overlong MGM wartime films that everyone seems to have seen a part of, but no one can remember the film as a sum total. Based on a poem by Alice Duer Miller, the story chronicles the trials and tribulations of one courageous woman through two world wars. Irene Dunne plays an American girl who, in 1914, falls in love with titled Englishman Alan Marshal. At the end of World War 1 in 1918, it is painfully clear that Marshal will not be returning from the battlefields. Remaining loyal to her husband, Irene vows to raise their child in England. Played by Roddy McDowell in his early scenes, Irene's son grows up to be Peter Lawford. At the outbreak of World War 2, Irene despairs at the thought of losing another loved one, but Lawford convinces her that his dad would have wanted him to answer his country's call to the colors. While working as a Red Cross volunteer, Irene finds that she must tend her own mortally wounded son. Unable to save his life, she is grief-stricken, but is gratified with the notion that neither her husband nor her boy have died in vain. Like many films of its ilk and era, White Cliffs of Dover struck a responsive chord with filmgoers, to the tune of a $4 million profit. Watch for a touching scene between Roddy McDowell and 12-year-old Elizabeth Taylor; 19 years later, lifelong friends Roddy and Liz would be playing mortal enemies in Cleopatra (1963). ~ Hal Erickson, Rovi
- Starring:
- Irene Dunne, Alan Marshal, (more)
- 1944
Secrets of Scotland Yard is Republic's spin on a plotline first elucidated in the old E. Phillips Oppenheim novel The Great Impersonation. After losing WW I, the German high command, with remarkable foresight, prepares for the next war by planting a spy in the British Admiralty. Edgar Barrier plays the dual role of the German spy and his British twin brother. When one twin is killed, the other assumes his identity. The question: is the surviving brother the "good" one or the bad? It is up to C. Aubrey Smith, cast as Scotland Yard inspector Sir Christopher Belt, to sort out the mystery. Though it owes a great deal to the aforementioned Oppenheim yarn, Secrets of Scotland Yard is actually based on a novel by Denison Clift, who also wrote the screenplay. ~ Hal Erickson, Rovi
- Starring:
- Edgar Barrier, Stephanie Bachelor, (more)
- 1944
Dismissed by critics as corny and obvious in 1944, this overlong but sincere biopic looks pretty good when seen today, cliches notwithstanding. Fredric March, 47 at the time, convincingly plays American author Sam Clemens, aka Mark Twain, from his early 20s to his death at 75. In typical movie-biography fashion, every single incident that happens in Twain's life is an INSPIRATION: he hears the depth-indication call "Mark Twain" while working on a riverboat and his face lights up; he engages in a jumping-frog contest against Bret Harte (John Carradine) and comes up with his first popular published story; and so on. Alexis Smith is better than usual in the role of Twain's wife Olivia Langdon, even keeping a straight face while Twain courts her in Fluent Quotation ("Everybody talks about the weather but nobody ever does anything about it", he says during a Hollywood-romance cloudburst). Though the script barely touches upon the dark side of Twain's nature, we are not spared his financial reverses (brought about by bad investments and his struggle to publish Ulysses S. Grant's memoirs. The closing sequence, with Tom Sawyer and Huck Finn beckoning the spirit of Mark Twain to heaven as Halley's Comet fills the skies, may seem laughable on paper, but works quite well on film; even director Irving Rapper expressed amazement at the effectiveness of this scene! ~ Hal Erickson, Rovi
- Starring:
- Fredric March, Alexis Smith, (more)
- 1944
Originally titled They Shall Have Faith, Forever Yours was designed as Monogram's "prestige" release for 1945. Musical favorite Gale Storm goes dramatic as Joan Randall, a young debutante who is confined to a wheelchair after contracting infantile paralysis. Neither her doctor father (Conrad Nagel) nor her physician grandfather (C. Aubrey Smith) can offer much help to the courageous but disconsolate Joan. But Army medico Tex (Johnny Mack Brown, in a break from his western roles) may have developed a revolutionary new means of curing the girl. Over the protests of her family, Tex applies his theories to the heroine, falling in love with her along the way. The old-fashioned plotting and archaic dialogue of Forever Yours is redeemed somewhat by an early song-and-dance number featuring Gale Storm and Johnny Downs-the sort of escapist fare that Monogram did far better than lachrymose melodramas. ~ Hal Erickson, Rovi
- Starring:
- Gale Storm, C. Aubrey Smith, (more)
Greer Garson and Walter Pidgeon team for the third time in this fact-based biography directed by Mervyn Leroy, based on Eve Curie's book about her mother. In early 1900s Paris, poor Polish student Marie (Greer Garson) gets a chance to study magnetism with kindly professor Jean Perot (Albert Basserman). Perot also arranges for the shy scientist Pierre Curie (Walter Pidgeon) to share the lab with Marie. As they work together, Pierre and Marie fall in love. Pierre eventually musters up the courage to ask her to marry him, and she accepts. After their honeymoon, Marie becomes obsessed with a piece of pitchblende that has been displaying some peculiar properties. After five years of work, Marie discovers radium. But as the years go on, Marie and Pierre struggle to raise money to continue their research, hoping to one day be able to isolate radium from the pitchblende. ~ Paul Brenner, Rovi
- Starring:
- Greer Garson, Walter Pidgeon, (more)
- 1943
Too expensive for a "B"-picture, yet not quite an A, Two Tickets to London is an acceptable vehicle for French leading lady Michele Morgan and Universal contract player Alan Curtis. The stars are cast as Jeanne, a café entertainer, and Dan Driscoll, an American naval officer unjustly imprisoned for treason. With Jeanne's help, Dan tries to make his escape -- and, hopefully, clear his name -- in fog-shrouded London. Many of the sets utilized in this film were recycled for Universal's horror epics and Sherlock Holmes films. Two Tickets to London bears a few traces of Warner Bros.' Casablanca, even unto featuring Dooley Wilson ("Play it, Sam") in a key scene. ~ Hal Erickson, Rovi
- Starring:
- Michèle Morgan, Alan Curtis, (more)
- 1943
In the tradition of his earlier Carnival in Flanders and Tales of Manhattan, director Julien Duvivier's Flesh and Fantasy is a "pormanteau" film, consisting of several short stories. Linking the three tales unfolded herein are clubmen Doakes (Robert Benchley) and Davis (David Hoffman), who carry on a spirited debate about Destiny. In the first story, homely Henrietta (Betty Field) is made beautiful through the love of handsome Mardi Gras reveller Michael (Robert Cummings)-and the help of an enigmatic mask-maker (Edgar Barrier). The second story, based on Oscar Wilde's "Lord Arthur Saville's Crime", concerns a fortune teller named Septimus Podgers (Thomas Mitchell) who predicts that socialite Marshall Tyler (Edward G. Robinson) will commit a murder. In the final tale, psychic high wire artist Paul Gaspar (Charles Boyer) dreams that he will meet his doom during the performance of his act-and then falls in love with Joan Stanley (Barbara Stanwyck), who looks exactly like the girl who appeared in that dream. A fourth story, detailing the doomed romance between a fugitive from justice (Alan Curtis) and a blind girl (Gloria Jean), was cut from Flesh and Fantasy, then expanded and released separately as Destiny (1944). ~ Hal Erickson, Rovi
- Starring:
- Edward G. Robinson, Charles Boyer, (more)
- 1943
The 80-star cast of Forever and a Day would certainly not have been feasible had not most of the actors and production people turned over their salaries to British war relief -- a point driven home during the lengthy opening credits by an unseen narrator. The true star of the film is a stately old manor house in London, built in 1804 by a British admiral (C. Aubrey Smith) and blitzed in 1940 by one Adolf Hitler. Through the portals of this house pass a vast array of Britons, from high-born to low. The earliest scenes involve gay blade Lt. William Trimble (Ray Milland), wronged country-girl Susan (Anna Neagle), and wicked landowner Ambrose Pomfret (Claude Rains). We move on to a comic interlude involving dotty Mr. Simpson (Reginald Owen), eternally drunken butler Bellamy (Charles Laughton), and cockney plumbers Mr. Dabb (Cedric Hardwicke) and Wilkins (Buster Keaton). Maidservant Jenny (Ida Lupino) takes over the plot during the Boer War era, while the World War I sequence finds the house converted into a way-station for soldiers (including Robert Cummings) and anxious families (including Roland Young and Gladys Cooper). Finally we arrive in 1940, with American Gates Pomfret (Kent Smith) and lady-of-the-house Lesley Trimble (Ruth Warrick) surveying the bombed-out manor, and exulting over the fact that the portrait of the home's founder, Adm. Eustace Trimble (Smith), has remained intact -- symbolic proof of England's durability in its darkest hours. The huge cast includes Dame May Whitty, Edward Everett Horton, Wendy Barrie, Merle Oberon, Nigel Bruce, Richard Haydn, Donald Crisp, and a host of others -- some appearing in sizeable roles, others (like Arthur Treacher and Patric Knowles) willingly accepting one-scene bits, simply to participate in the undertaking. Seven directors and 21 writers were also swept up in the project. Forever and a Day was supposed to have been withdrawn from circulation after the war and its prints destroyed so that no one could profit from what was supposed to have been an act of industry charity. Happily for future generations, prints have survived and are now safely preserved. ~ Hal Erickson, Rovi
- Starring:
- Brian Aherne, Merle Oberon, (more)
- 1941
- NR
Spencer Tracy and Ingrid Bergman headline this screen version of Robert Louis Stevenson's tale, directed by Gone with the Wind and Wizard of Oz legend Victor Fleming. Tracy stars as Dr. Jekyll, a scientist who downs an experimental elixir that transforms him into a monstrous alter-ego, Mr. Hyde. Lana Turner co-stars as Jekyll's fiancée, and Bergman as Eva, the woman who captures his heart. A film steeped in heavy Freudian symbolism, this production also tries something unusual by relying largely on Tracy's shift in facial mannerisms (in lieu of heavy make-up) to convey the personality change. As a result, the movie manages to place a much stronger emphasis on emotions than on the terror of physical mutation. Neither critics nor audiences bought it: the film fell prey to critical castigation when it hit movie screens in mid-August 1941, with many indicating that they vastly prefer the 1931 Rouben Mamoulian/Fredric March version. Still, this one has its defenders. ~ Nathan Southern, Rovi
- Starring:
- Spencer Tracy, Ingrid Bergman, (more)
- 1941
Out of work as usual, showgirl Maisie Revier (Ann Sothern) takes a job as the maid for a wealthy family. She wins over the young man of the household (Lew Ayres), but the rest of the family is too wrapped up in its own problems to benefit from Maisie's good-natured personality. The daughter (Maureen O'Sullivan) tries to kill herself when her engagement breaks up, prompting Maisie to instill a sense of purpose and self-confidence in the shallow lives of her employers. Maisie Was a Lady is enjoyable "B" fare, given substance by the battle of wits between down-to-earth Maisie and imperious family butler C. Aubrey Smith. This film was the fourth in MGM's "Maisie" series. ~ Hal Erickson, Rovi
- Starring:
- Ann Sothern, Lew Ayres, (more)
- 1941
This brief (56-minute) MGM B-picture was adapted from Ivor Novello's play The Truth Game. Naturally, a few plot twists and supporting characters had to be eliminated, but at its base, the film follows the original plotline with reasonable fidelity. Hoping to land wealthy wives, a father-and-son team of sharpsters, Max and Florian Clemington (Robert Cummings and Nigel Bruce), pretend to be members of the landed gentry. Max romances the much-older Lady Joan Culver (Judith Anderson) before finding true love in the form of pretty heiress Martha Gray (Ruth Hussey). Imagine his embarrassment when Max discovers that Martha is as big a phony as he! Because of the 1941 Free and Easy, Buster Keaton's same-named 1930 vehicle had to be retitled Easy Go on television. ~ Hal Erickson, Rovi
- Starring:
- Robert Cummings, Ruth Hussey, (more)
- 1940
Teenaged soprano Gloria Jean plays the Little-Miss-Fixit heroine in Universal's Little Bit of Heaven. The most precocious member of an impoverished 10th Avenue family, little Midge (Gloria Jean) makes an impulsive appearance on a "man in the street" radio interview show. Catapulted to stardom, Midge becomes the primary support for her family, all of whom begin behaving atrociously and overspended insanely. The only one who doesn't go over the top is Midge's lovable Grandpa (C. Aubrey Smith), with whom our heroine concocts a scheme (straight out of Shirley Temple!) to teach her relatives a lesson. In the previous Gloria Jean starrer If I Had My Way, Universal featured several former Broadway favorites, including Blanche Ring and Julian Eltinge, in cameo roles: the studio repeats this stunt in Little Bit of Heaven, showcasing such silent-movie greats as Maurice Costello, Noah Beery Sr., Charles Ray, Monte Blue, William Desmond and Pat O'Malley as the heroine's "adopted uncles". ~ Hal Erickson, Rovi
- Starring:
- Gloria Jean, Robert Stack, (more)
- 1940
A creaky remake of the 1932 film of the same name, Bill of Divorcement tells of the effect an emotionally disturbed father's homecoming has on this household. Adolphe Menjou, a longtime mental patient, is released after 20 years' confinement and returns home. Only vaguely aware of the time lapse, Menjou meets his daughter (Maureen O'Hara), and attempts a reunion with his wife (Fay Bainter), who is on the verge of divorcing her long-absent husband and remarrying. Thanks to undue pressure from friends and family, the wife very nearly takes her husband back, much against her will. But the daughter steps in and volunteers to sacrifice her own future to take care of her father, thereby allowing mother to chart her own course of happiness. Incredibly dated in its attitudes toward divorce and insanity, Bill of Divorcement worked somewhat better in its 1932 version, thanks to the charisma and chemistry of John Barrymore as the father and newcomer Katharine Hepburn as the daughter. For many years, the 1940 Bill of Divorcement was retitled Never to Love when shown on TV. ~ Hal Erickson, Rovi
- Starring:
- Maureen O'Hara, Adolphe Menjou, (more)
Given the omnipresence of the Motion Picture Production Code in 1940, the second film version of Robert E. Sherwood's Waterloo Bridge would have to be laundered and softened to pass muster. In the original, made in 1931, the heroine is nothing more or less than a streetwalker, patrolling London's Waterloo Bridge during World War I in hopes of picking up the occasional soldier. She falls in love with one of her clients, a young officer from an aristocratic family. Gently informed by the young man's mother that any marriage would be absolutely impossible, the streetwalker tearfully agrees, letting her beau down gently before ending her own life by walking directly into the path of an enemy bomb. In the remake, told in flashback as a means of "distancing" the audience from what few unsavory story elements were left, the heroine, Vivien Leigh, starts out as a virginal ballerina. Robert Taylor, a British officer from a wealthy family, falls in love with Vivien and brings her home to his folks. This time around, Taylor's uncle (C. Aubrey Smith), impressed by Vivien's sincerity, reluctantly agrees to the upcoming marriage. When Taylor marches off to war, Vivien abandons an important dance recital to bid her fiance goodbye, losing her job as a result. Later, she is led to believe that Taylor has been killed in battle. Thus impoverished and aggrieved, she is given a motivation for turning to prostitution, a plot element deemed unecessary in the original-which indeed it was. Now the stage is set for her final sacrifice, though the suicidal elements are carefully weeded out. Waterloo Bridge was remade for a second time in 1956 as Gaby, with Leslie Caron and John Kerr. ~ Hal Erickson, Rovi
- Starring:
- Vivien Leigh, Robert Taylor, (more)
Harry Carey Sr., C. Aubrey Smith and Charles Winninger play three wealthy bachelors who have spent their lives wrapped up in themselves. Left all alone on Christmas eve, the elderly trio invite a couple of strangers to dinner: misplaced cowpoke Richard Carlson and pretty, but aimless, Jean Parker. Hoping that they've accomplished a bit of matchmaking, the three old duffers board a plane and head off to an important business meeting. The plane crashes, killing all three men. They return to their mansion as ghosts, only to discover that Carlson is making the same mistake they made: he's allowing his drive for success to override his affection for Parker. Feeling as though they won't be welcome in Heaven until they rectify this situation, Carey, Smith, and Winninger stick around to set things right. ~ Hal Erickson, Rovi
- Starring:
- Harry Carey, C. Aubrey Smith, (more)
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