Brooke Smith Movies
The actress whose convincing portrayal of one of Buffalo Bill's potential victims in The Silence of the Lambs had audiences squirming in their seats, Brooke Smith has subsequently built an enduring career with memorable roles in such efforts as Robert Altman's Kansas City (1996) and the searing reality television satire Series 7: The Contenders (2001). Born the daughter of renowned publicist Lois Smith and raised in New York City, Brooke was immersed in show business from the moment she left the womb. A graduate of Tappan Zee High School, Smith is also a professional journalist whose published interviews with such stars as Ed Harris and Steve Buscemi have earned her kudos in the world of entertainment journalism. Smith made her film debut in the 1988 drama The Moderns, and it was only three short years later that her breakthrough role in The Silence of the Lambs would launch a successful career working with some of the most respected names in the business. Directed by everyone from Louis Malle (Vanya on 42nd Street) to Sydney Pollack (Random Hearts), Smith can usually be spotted in minor, albeit sometimes pivotal supporting roles that always serve to elevate any project in which she appears. In 2001 Smith took the lead, to memorable effect, in 2001's Series 7: The Contenders. A film that took the concept of reality television to the next level, Series 7 found Smith cast as an expectant mother who becomes a participant in a deadly television series in which participants are expected to kill or be killed. Smith's performance as the ice-cold participant who seems to derive pleasure from tormenting her opponents gave the film a disturbing edge that left audiences chilled to the core. Subsequently appearing in the Coen brothers' The Man Who Wasn't There (2001) and Joel Schumacher's big-budget action opus Bad Company, it seemed that Smith might finally be on her way to becoming a recognizable figure in the world of film. ~ Jason Buchanan, Rovi
Paul Mazursky directed this comedy, which blends a broad satire of the film industry with a thoughtful tale of a middle-aged man looking back on his life's failures. Harry Stone (Danny Aiello) is a film director who desperately needs a hit -- so desperately that he gets talked into directing an inane sci-fi film about a group of farm kids (led by Ally Sheedy) who grow an enormous pickle that they turn into a spaceship, allowing them to visit the planet Cleveland (ruled by Little Richard and his right hand man, Griffin Dunne) where everyone eats nothing but meat. Convinced that the film will flop, Harry is in a state of panic as he returns to New York with his Parisian girlfriend Francoise (Clotilde Courau), a mere 20 years his junior, and visits his ex-wife Ellen (Dyan Cannon); his mother Yetta (Shelley Winters); and his son Gregory (Chris Penn). Meanwhile Harry flashes back on his childhood and the film he could have made of it, and pitches his dream film (a historical epic about the life of Montezuma) to studio executives, who instead want him to make a movie kids can relate to. The Pickle was filmed in 1991, but only received a token theatrical release two years later. Actually, the sci-fi story with Little Richard as the undisputed ruler of Cleveland looks like it might have been an ideal vehicle for Edward D. Wood Jr.. ~ Mark Deming, Rovi
- Starring:
- Danny Aiello, Dyan Cannon, (more)
In this multiple Oscar-winning thriller, Jodie Foster stars as Clarice Starling, a top student at the FBI's training academy whose shrewd analyses of serial killers lands her a special assignment: the FBI is investigating a vicious murderer nicknamed Buffalo Bill, who kills young women and then removes the skin from their bodies. Jack Crawford (Scott Glenn) wants Clarice to interview Dr. Hannibal Lecter (Anthony Hopkins), a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into this case and that Starling, as an attractive young woman, may be just the bait to draw him out. Lecter does indeed know something of Buffalo Bill, but his information comes with a price: in exchange for telling what he knows, he wants to be housed in a more comfortable facility. More important, he wants to speak with Clarice about her past. He skillfully digs into her psyche, forcing her to reveal her innermost traumas and putting her in a position of vulnerability when she can least afford to be weak. The film mingles the horrors of criminal acts with the psychological horrors of Lecter's slow-motion interrogation of Clarice and of her memories that emerge from it. ~ Mark Deming, Rovi
- Starring:
- Jodie Foster, Anthony Hopkins, (more)
- 1989
- PG13
This film is a somewhat contrived pairing of two divorcees who are giving it a second go. They're up against considerable odds, however, because the children of each are not too pleased with their new "parent." Jeff Bridges stars as the husband and Alice Krige plays his second wife. ~ Rovi
- Starring:
- Jeff Bridges, Alice Krige, (more)
In the expatriate-littered Paris of the 1920s, painter Nick Hart (Keith Carradine) mingles with Ernest Hemingway (Kevin O'Connor) and other leading lights of the Lost Generation while palling around with gossip columnist Oiseau (Wallace Shawn), whose reportage has helped establish the international reputation of the writers and artists who fled America for France after WWI. Older and less successful than many of his fellow painters, Hart relies on gallery owner Libby Valentin (Genevieve Bujold) to sell what she can of his work while he supports himself drawing cartoons for Oiseau's weekly column. In a café one day, Hart spies Rachel Stone (Linda Fiorentino) on the arm of her husband, Bertram (John Lone), a condom magnate and art patron who's trying to buy his way into society. It seems Hart and Rachel share a romantic past of which Stone is completely unaware. At the salon of writers Gertrude Stein (Elsa Raven) and Alice B. Tolkas (Ali Giron), Hart suffers a nasty run-in with the Stones and meets Nathalie de Ville (Geraldine Chaplin), a rich socialite who wants to steal three paintings from her estranged husband. Nathalie plies Hart with sexual favors and the promise of cash in exchange for his help in forging copies of the paintings. Although he's loath to follow in the footsteps of his father, a gifted forger, Hart acquiesces, and soon his rivalry with Stone and his involvement with the forgeries leads to death, destruction, and scandal in the art world. Bujold, Shawn, Chaplin, and Carradine are all regular collaborators of iconoclastic director Alan Rudolph, who filmed The Moderns in Montréal and would go on to lens the similarly intellectual Mrs. Parker and the Vicious Circle. ~ Brian J. Dillard, Rovi
- Starring:
- Keith Carradine, Linda Fiorentino, (more)
Broadway's celebratory musical about rejection makes it to the screen in a fizzless adaptation by Richard Attenborough that misses the whole point of the Broadway show -- i.e. the dancing and the dancers. Instead, the dancers become a limp Greek chorus for the dead love affair between a choreographer, Zach (a pre-Gordon Gekko Michael Douglas) and his old flame, Cassie (Alyson Reed) the star dancer. Zach is holding try-outs for a new Broadway musical and, as armies of dancers are brought on stage to audition for Zach, he sits in the darkened recesses of the theater, puffing on a cigarette, as he winnows out hopeful dancers who want to become part of the chorus line for Zach's new show. Finally, Zach has reduced the dancers to 16 men and women, and he asks each of them to step to the footlights and tell him about their lives and their dreams. But backstage, while the dancers are confessing their pasts to Zach, Zach's past walks through the stage door. Cassie, Zach's ex-lover, whom Zach met, courted and broke up with in the theatrical environs, has returned. Once a big star, Cassie has returned to the theater -- not to see Zach but to audition for Zach's musical. She needs the work. ~ Paul Brenner, Rovi
- Starring:
- Michael Douglas, Terrence Mann, (more)
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