Phillips Smalley Movies
Shortly after the Civil War, the wealthy parents of American actor Phillips Smalley made the first of several sojourns to Europe. The young Smalley went along on most of these trips in the 1880s, meeting such prominent personages as Disraeli, Gladstone, Robert Browning, James McNeill Whistler, and Oscar Wilde. Entranced by the reminiscences of major theatrical talents like Ellen Terry and Sir Henry Irving, Smalley vowed to tread the boards himself after graduating from Oxford University. Having appeared as Hamlet in an amateur production, Smalley continued pursuing acting during his postgrad years at Harvard back in the states. Establishing himself as a leading man (he had the strong jaw and deep-set eyes necessary for such a profession), Smalley decided that the stage was too confining for his ambitions and entered films at the Gaumont Studios in New Jersey, which in the early 1900s was experimenting with talking pictures. When talkies proved impractical for the moment, Smalley nonetheless stayed in films at Universal studios as an actor/director, ever on the outlook for cinematic innovations. Fascinated with camera tricks, Smalley introduced the triptych -- three separate scenes processed on the same frame -- in the 1912 one-reeler Suspense. Smalley's wife Lois Weber was an equally inventive director, and in fact she remained behind the cameras long after her husband had abandoned directing to return as a full-fledged actor. While he made quite an impression as a movie star in the years just before World War I, by 1919 Smalley's career began its decline. He was divorced from Weber by the mid '20s and relegated to character roles, notably as Sir Francis Chesney in Sydney Chaplin's Charley's Aunt (1925) -- a role he repeated in Charlie Ruggles' 1930 talkie version of the Brandon Thomas stage farce. By the mid '30s his career was essentially over, and he survived by picking up bit and extra work. ~ Hal Erickson, All Movie Guide- 1938
I Am the Law is arguably the best of the late-1930s films inspired by the racket-busting career of New York district attorney Thomas E. Dewey. Edward G. Robinson switches to the right side of the law as the Dewey counterpart, here named John Lindsay (!) A feisty, no-nonsense law professor, Lindsay is approached by a group of concerned citizens to act as special prosecutor to rid up their (unnamed) state of big-time lawbreakers. He wastes no time taking charge, storming into the prosecutor's office and firing anyone whom he suspects of being "on the take." With the help of his dedicated law students, who work alongside him for free, Lindsay purges the local government of such corrupt influences as Eugene Ferguson (Otto Kruger), the outwardly respectable "brains" behind the rackets. Among the minor pleasures in I Am the Law is watching Robinson dancing the Big Apple with gun moll Wendy Barrie in an early scene, and his firing of suspicious-looking Charles Halton with a brusque "Don't like your face! Never have! You've got shifty eyes and a weak chin!" (which, indeed, were Halton's screen trademarks). Barbara O'Neil, who the following year played Scarlet O'Hara's mother in Gone with the Wind, is quietly effective as Robinson's supportive wife. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Barbara O'Neil, (more)
- 1938
A young big game hunter is determined to bag the rare Malayan white tiger his late father wanted in this adventure. At first the locals help him hunt many other animals, but when they learn he really wants the tiger they consider sacred, they decide to bag him instead. Now the hunter finds himself the hunted and must stay alive until hope arrives. ~ Sandra Brennan, All Movie Guide
- Starring:
- Colin Tapley, Jayne Regan, (more)
- 1937
The inimitable Preston Sturges originally scripted Hotel Haywire with George Burns and Gracie Allen in mind, but by the time the film went before the cameras, the Burns and Allen roles had been recast with Benny Baker and Colette Lyons -- and significantly abbreviated in the process. A dentist named Parkhouse (Lynne Overman) plays a practical joke on a poker-playing buddy by sending him home with a lady's chemise stuffed in his coat pocket. The gag backfires, whereupon Parkhouse finds himself in hot water with his own wife (Spring Byington). Threatened with divorce, Parkhouse is advised by a zany astrologer to frame Mrs. P. in a compromising situation at the Hotel Haywire, enlisting amateur detectives Bert and Genevieve Sterns (Baker and Lyons) in his scheme. Things get really hectic when Parkhouse's daughter Phyllis (Mary Carlisle) and her sweetheart Frank (John Patterson) show up at the same hotel. The film is dominated by the antics of larcenous astrologer Zodiac Z. Zippe, played with comic ferocity by Leo Carrillo. ~ Hal Erickson, All Movie Guide
- Starring:
- Leo Carrillo, Mary Carlisle, (more)
- 1937
This cinematic meringue stars Loretta Young as a young woman whose second husband (Lyle Talbot) is a hard working but dull business exec. She pines for hubby Number One (Tyrone Power), an irresponsible playboy. Young runs into Tyrone again during a Florida vacation, spurning him at first because he hasn't mended his old carefree ways. But that old black magic soon has Young under Tyrone's spell, and boring old Lyle Talbot is left holding the bag. The footloose and fancy-free Second Honeymoon is based on a story by Philip Wylie, an otherwise cantankerous critic of social foibles. ~ Hal Erickson, All Movie Guide
- Starring:
- Tyrone Power, Loretta Young, (more)
- 1937
While not a box-office success, this drama, directed by Leo McCarey, developed a potent reputation among film critics and movie buffs for its sensitive and perceptive treatment of the problems of the elderly. When McCarey won the Oscar for Best Director the same year for The Awful Truth, he remarked that the Academy gave him the award for the wrong movie. Barkley and Lucy Cooper (Victor Moore and Beulah Bondi) are a couple in their late 60s who have fallen on hard times and have been given the bad news that the bank is foreclosing on their house. Barkley and Lucy turn to their five children for help, but none are willing or able to do much for them; their son George (Thomas Mitchell) says that Lucy can stay with him and his wife Anita (Fay Bainter), while Nellie (Minna Gombell) and her husband Harvey (Porter Hall) can take in Barkley, but neither couple have the space or the means to house them both. Living with their children and their new families proves stressful for everyone involved, and Lucy decides to take up residence in a home for older women. She and Barkley realize that this will probably mean a permanent separation for the two of them, and they try to enjoy one last outing together before they part. Remarkably, Beulah Bondi was only 46 years old when this film was made, making her less then ten years older than several of her on-screen children; make-up wizard Wally Westmore used his bag of tricks to age her the appropriate two decades for the role. ~ Mark Deming, All Movie Guide
- Starring:
- Victor Moore, Beulah Bondi, (more)
- 1936
Having turned down the opportunity to produce Frank Capra's It Happened One Night (1934), MGM's Louis B. Mayer had second thoughts when the Capra film swept the 1935 Oscars ceremony. Mayer hastily commissioned an It Happened One Night wannabe titled Love on the Run, tailored for the talents of Joan Crawford and Clark Gable (who, of course, had starred in the Capra picture, and had copped one of those Oscars). Gable and Franchot Tone play rival journalists Michael Anthony and Barnabas Pells, who travel the length and breadth of Europe to outscoop one another. Crawford portrays madcap heiress Sally Parker, who is engaged to marry fortune-hunting Prince Igor (Ivan Lebedeff). Whereas in It Happened One Night the heroine (Claudette Colbert) linked up with Gable in order to expedite her elopement with the wrong man, in Love on the Run Crawford seeks out Gable's help to escape her impending marriage with Prince Igor. The two stars combine their flight across Europe with business, dogging the trail of international aviator Baron Spandermann (Reginald Owen), whom Anthony suspects of being a spy. Pells goes along with Anthony and Parker, and soon all three of them are tied up (literally, in Pells' case) with an espionage ring. While it is Clark Gable who ends up with Joan Crawford at fadeout time, it was Franchot Tone who claimed her as his bride in real life. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, Clark Gable, (more)
- 1936
In this crime comedy, a street-savvy gangster involves himself with a Miami socialite. Together, they conspire to turn her familial mansion into a secret gambling casino. The hood is convinced her beauty will draw customers and with the ensuing profits, the two will be able to pay their debts. Unbeknownst to him, his own gang members, fearing that he will abandon his "roots" in favor of the high-life, are conspiring to break up his partnership with the girl. They hire two grifters to impersonate a British colonel and his niece; they then try to convince the hood that he and the high-society dame are a bad match. When the gangster meets the "niece," he falls head-over-heels in love and forgets all about the socialite. When she, who is really after his money, returns his affections, the gang suddenly realizes that their scheme has backfired. Fortunately, by the story's end, the hood figures it all out and returns to the loyal socialite whose love remained undaunted. ~ Sandra Brennan, All Movie Guide
- Starring:
- George Raft, Ida Lupino, (more)
- 1935
Based on a story by Damon Runyon, Hold 'Em Yale is also more than a little beholden to O. Henry's Ransom of Red Chief. Spoiled-rotten heiress Clarice Van Cleve (Patricia Ellis) is enticed to New York by fortune-hunter Gigolo Georgie (Cesar Romero), who dumps her in the apartment owned by Runyonesque hoodlums Sunshine Joe (William Frawley), Liverlips (Andy Devine), Sam the Goniff (Warren Hymer) and Benny Southstreet (George E. Stone). Plotting to hold Clarice for ransom, the four hooligans figure that this "dame" will be easy to handle. Boy, are they wrong! Like the proverbial babysitter from hell, the temperamental Clarice is soon ruling the roost in the foursome's hideout. The beleaguered crooks offer to ship the girl back to her father, Mr. Van Cleve (George Barbier), only to find out that he won't take her back -- not even for free! In desperation, the four hoods try to marry Clarice off to college football-hero Hector Wilmot (Buster Crabbe), and to that end they try their best (?) to "fix" the annual Yale-Harvard game so that Hector will prove worthy of the hoydenish heroine -- which, as it turns out, was Mr. Van Cleve's plan all along. ~ Hal Erickson, All Movie Guide
- Starring:
- Patricia Ellis, Cesar Romero, (more)
- 1935
Another of Thorne Smith's slyly naughty fantasy novels, Night Life of the Gods was transferred to the screen with reasonable fidelity to the original in 1934. Alan Mowbray plays the eccentric Hunter Hawk, inventor of a ray gun that can turn human beings into statues. Much to his surprise, Hawk is also able to turn statues into humans; consequently, he brings to life eight marble effigies of such Greco-Roman mythological gods as Apollo, Bacchus, Diana, Mercury, Venus and Perseus. All flimsily clad within an inch of the Production Code, the now-lively gods have a high old time adapting to Manhattan night life: in one of the funniest scenes, Neptune (Robert Warwick) playfully spears a bevy of bathing beauties with his trusty trident. Along the way, Hawk falls in love with 900-year-old "baby goddess" Megaere (Florine McKinney). The wry original ending of Smith's novel was watered somewhat by having the whole thing turn out to be a dream, but it's fun while it lasts. Night Life of the Gods was the final directorial effort of Lowell Sherman, who died shortly before the film went into release. Unfortunately, copies of this delightful bit of risque whimsy are few and far between; indeed, Night Life of the Gods may well become a "lost" film if the preservationists don't get on the stick as soon as possible. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Mowbray, Florine McKinney, (more)
Although some purists hold out for Duck Soup (1933), many Marx Brothers fans consider A Night at the Opera the team's best film. Immediately after the credits roll, we are introduced to Groucho Marx as penny-ante promoter Otis B. Driftwood. After a sumptuous dinner with a beautiful blonde at a fancy Milan restaurant, Driftwood tries to cadge another free meal from his wealthy patroness, Mrs. Claypool (Margaret Dumont). The dignified dowager complains that Driftwood had promised to get her into high society, but has done nothing so far. Otis B. counters by introducing Mrs. C to pompous opera entrepreneur Gottleib (Sig Rumann); all Mrs. Claypool has to do is invest several hundred thousand dollars in Gottleib's opera company, and her entree into society is in the bag. Contingent upon this plan is Driftwood's signing of Rodolfo Lassparri (Walter Woolf King), a self-important tenor. Backstage at the opera, Driftwood meets Fiorello (Chico Marx), who poses as a manager and offers to sell Driftwood the "world's greatest tenor"-not Lassparri, as Driftwood assumes, but Fiorello's pal Ricardo Baroni (Allan Jones). Instantly the two sharpsters try to draw up a contract ("The party of the first part shall hereafter be known as the party of the first part..."), which they proceed to tear up piece by piece whenever coming across a clause that displeases them (Driftwood: "That's a sanity clause"; Fiorello: "You no foola me. There ain't no Sanity Claus"). Having lost Lassparri to Gottleib, Driftwood sails back to America with Mrs. Claypool and the opera company. Gottleib arranges for Driftwood to get the tiniest, least accessible stateroom on the ship. Unpacking his trunk, Driftwood discovers that he's got to share his postage-stamp quarters with Ricardo Baroni, who has stowed away because he's in love with the opera troupe's leading lady Rosa (Kitty Carlisle). Also hiding out in Driftwood's trunk is Fiorello, who's come along because he's still Ricardo's manager, and the wacky Tomasso (Harpo Marx), Lassparri's former dresser, who has come along for the hell of it. Anxious to arrange a tete-a-tete with Mrs. Claypool in his stateroom, Otis finds out that his unwelcome guests won't leave until they're fed ("Do you have any stewed prunes? Well, give them some black coffee, that'll sober 'em up"). After ordering a huge dinner, Otis and his new friends are crowded even farther by a steady stream of intruders, including an engineer and his assistant, a cleaning lady, a manicurist, a girl looking for her Aunt Minnie, and a dozen waiters. The celebrated "stateroom scene" comes to a rollicking conclusion when Mrs. Claypool has the misfortune of opening the door. On the last night of the voyage, Fiorello, Tomasso and Ricardo sneak out of their stateroom to enjoy an impromptu ethnic festival in steerage. Ricardo sings, Fiorello "shoots the keys" on the piano, and Tomasso plays the film's theme song Alone on the harp. The stowaways are caught and thrown in the brig, but with Driftwood's help they escape. To avoid recapture, the stowaways don heavy beards and pose as three famed Russian aviators. After making a shambles of a public reception, the three reprobates hide out in Driftwood's New York apartment, where everyone conspires to drive an investigating detective (Robert Emmet O'Connor) crazy. Driftwood is fired from the opera company for associating with the stowaways, while Rosa is dismissed for refusing Lassparri's affections. In order to restore Rosa's job and put the deserving Ricardo in Lassparri's place during the opening performance of La Traviata, Driftwood, Fiorello and Tomasso concoct a scheme that will reduce the opera to comic chaos. The actual night at the opera in A Night at the Opera must be seen to be believed, but the spirit of the scene can be summed up by Gottleib's anguished cry "A battleship in Il Trovatore!" Opera was the Marx Brothers' first film for MGM, and they dearly coveted a hit after the disappointing box-office showing of their final Paramount films. With the blessing of MGM production chief Irving Thalberg, the Marxes went on the road with their brilliant writing staff (including George S. Kaufman, Morrie Ryskind and Al Boasberg) to test their comedy material before live audiences. As a result of this careful preplanning, Night at the Opera was a smash-hit gigglefest, grossing over $3 million and putting the Marxes back on top in the hearts and minds of filmgoers everywhere. ~ Hal Erickson, All Movie Guide
- Starring:
- Groucho Marx, Harpo Marx, (more)
- 1935
Jack Benny is cast against type as a small-time con man in this lightweight MGM programmer. Whenever he manages to outsmart himself, Calvin (Benny) returns to his ever-patient wife Alice (Una Merkel) to bail him out. In dutch with the law again -- this time he's managed to offend the IRS! -- Calvin and his cohort McGurk (Ted Healy) try to make their escape in a stratospheric balloon. Incredibly, this impromptu flight results in a government contract to produce a whole fleet of similar balloons, which manages to rescue Calvin from the clutches of cloddish treasury agent Henry Potke (Nat Pendleton). Though it earned back its cost, It's in the Air was Jack Benny's final film for MGM. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Benny, Ted Healy, (more)
- 1935
Based on an obscure stage comedy, the Paramount musical Two for Tonight stars Bing Crosby as would-be composer and playwright Gilbert Gordon. Hired by music publisher Alexander Myers (Maurice Cass) to write a musical for temperamental stage star Lilly Bianca (Thelma Todd), Gordon is less than thrilled to discover that he must complete the job in one week. As he toils away at his task, our hero becomes convinced that he's in love with the troublesome Lilly, causing heartache for his erstwhile sweetheart Bobbie Lockwood (Joan Bennett). The magnificent Mary Boland commands the audience's attention as Gordon's much-married mother. Elements of the plot of Two for Tonight were later satirized in the 1979 spoof Movie Movie. ~ Hal Erickson, All Movie Guide
- Starring:
- Bing Crosby, Joan Bennett, (more)
- 1934
In this thriller, a young woman marries a dashing young man who, unbeknownst to her, is a jewel thief. After his latest job, he takes off and leaves her to take the rap. In court she is found guilty. She is riding a train en route to prison when the train crashes. Her identity is confused with that of a wealthy young man's fiancee. The two soon fall in love. They are later confronted by the real fiancee, her thieving husband, the fiancee's brother and the police. Somehow the girl is extricated from the mess with her name and reputation intact. ~ Sandra Brennan, All Movie Guide
- Starring:
- Neil Hamilton, Florence Rice, (more)
- 1934
Joan Crawford is at her most glamorous (a different outfit and hairdo in each scene!) in the romantic melodrama Chained. Crawford plays Diane Lovering, the mistress of prominent Manhattan businessman Richard Field (Otto Kruger). Though she really isn't in love with him, she feels obligated to marry him when he divorces his wife (Margaret Gateson) for Diane's sake. By the time the divorce is final, Diane has fallen for wealthy South American rancher Mike Bradley (Clark Gable), but, out of loyalty to Field, she abruptly cuts off her relationship with Mike, who does his best to hide his pain. It looks as though both Diane and Mike will continue to suffer stoically until the plot is resolved by the understanding and remarkably generous Field. Clarence Brown's glossy direction helps to make this star vehicle seem more important than it really is. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, Clark Gable, (more)
- 1934
The independently produced Stolen Sweets was lensed in a hurry on standing sets at Universal. Future western star Charles Starrett plays a poor insurance salesman who falls in love with wealthy Sally Blane. The girl's parents would prefer that Sally marry a man of her own class, the insufferable Jameson Thomas (who made a career out of playing "the wrong man"). Eventually, however, Sally's parents realize that Starrett is the right choice for her little girl. The film's comic highlight is the old "walk this way, please" bit. Watch for Sally Blane's younger sister Polly Ann Young as one of Charles Starrett's low-born pals (Sally's other sister, Loretta Young, was busy on more expensive projects). ~ Hal Erickson, All Movie Guide
- Starring:
- Sally Blane, Charles Starrett, (more)
- 1934
Bolero stars George Raft as Raoul de Barre, an arrogant dancer who rises to fame in the years prior to, during, and after WW I. Raoul is helped along the way by his promoter brother Mike (William Frawley) and scores of willing females, matriculating from two-bit gigolo to the greatest ballroom dancer in Paris. Determining that nothing will stand in his way to the top, he regularly fires any female dancing partner who has the misfortune to fall in love with him -- until the last of his partners, the beautiful Helen (Carole Lombard) beats him to the punch by walking out on him. His heart weakened during the war, Raoul aspires to open his own nightclub, despite warnings that if he ever dances again the consequences will be fatal. On opening night of his new establishment, Raoul dances Maurice Ravel's "Bolero" with Helen, now the wife of a British nobleman. Having reached his emotional and professional pinnacle, Raoul collapses and dies in his dressing room -- as the nightclub patrons, oblivious to his fate, loudly demand an encore. Surprisingly, George Raft and Carole Lombard's dancing is doubled by others, but the same cannot be said of the inimitable Sally Rand, whose famous fan dance is tastefully re-created here. Raft and Lombard later reteamed in 1935's Rumba. ~ Hal Erickson, All Movie Guide
- Starring:
- George Raft, Carole Lombard, (more)
- 1934
Showmen's Productions, a miniscule poverty-row firm, issued its one-and-only release The Big Race in 1934. Heading the cast is Boots Mallory, a lively blonde starlet who later retired to marry James Cagney's producer brother William Cagney. Most of the heavy dramatics are carried not by Mallory but by John Darrow and Phillips Smalley, father-and-son horse trainers who have a serious falling-out just before the big handicap race. Darrow and Smalley are reconciled when both discover that they've been betrayed by a third party. The Big Race really takes off in the action sequences, courtesy of onetime Harold Lloyd director Fred Newmeyer. ~ Hal Erickson, All Movie Guide
- Starring:
- Boots Mallory, John Darrow, (more)
- 1933
In this drama, an unmarried pregnant woman is forced to marry a complete stranger to maintain a sense of propriety. The man who helps her is opposed by his mother who wants him to marry someone else. He is preparing to divorce, but suddenly finds himself bonding to the baby and decides to stay after all. ~ Sandra Brennan, All Movie Guide
- 1933
A whole slew of former silent-film favorites shows up in Mayfair's Secret Sinners. Dilettante songwriter Jack Mulhall falls in love with chorus girl Sue Carol and promises to marry her -- as soon as he can get a divorce from his wife Natalie Morehead. As the months pass, Carol becomes convinced that Mulhall has been stringing her along. Out of spite, she begins a romance with fellow hoofer Nick Stewart. When it turns out that Mulhall was sincere all along, Stewart obligingly steps out of the picture to allow our heroine a happy-ever-after. No secrets, no sinners. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Mulhall, Sue Carol, (more)
In this African action-adventure film, an explorer becomes an avaricious murderer after he learns of an invaluable cache of elephant tusks. Afterward, he convinces his wealthy former fiancee to help him fund an expedition to find the cache. At the same time they are looking, the dead man's partner is also looking for the ivory. Who will get there first? ~ Sandra Brennan, All Movie Guide
- Starring:
- Barbara Weeks, Frank Mayo, (more)
A judge investigating two Wall Street brokers accused of stock manipulations learns of a mysterious invention, a "DXL Accumulator" with which its inventor, Prof. Farrington, plans to harness solar power. The judge decides to visit the professor at his mountain hideaway. When he arrives, he finds that the professor's daughter and her boyfriend are there, along with the professor's mysterious housekeeper, her creepy son and a strange couple the daughter and her boyfriend brought along. As the judge is questioning the professor, someone turns off the lights, and when the daughter and her boyfriend rush into the room, the judge is found murdered and the professor has disappeared! Mischa Auer and Martha Mattox, the twin menaces in the "classic" horror cheapie The Monster Walks, play approximately the same roles here. The sputtering laboratory equipment and the electronic special effects were the handiwork of Kenneth Strickfaden, of Frankenstein fame. ~ Brian Gusse, All Movie Guide
- Starring:
- Jack Mulhall, Josephine Dunn, (more)
This ultra-cheap murder mystery stars Jack Mulhall as Devlin, a dapper police detective with a quick wit and a way with the ladies. During a seance, much-hated millionaire Richard Lang (Philips Smalley) is murdered with a rare oriental dagger. Everyone present at the seance falls under suspicion, obliging Devlin to sift through the morass of would-be murderers to finger the real killer. After an incredible monologue in which he outlines all the suspects' motives on the basis of their physical or ethnic characteristics (Hindu swami Mischa Auer is singled out for some particularly nasty racial slurs), Devlin identifies the killer on the basis of his tennis-playing technique! Definitely a product of its times, Sinister Hands is perhaps best forgotten. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Mulhall, Phyllis Barrington, (more)
Inspired, it was stated at the time, by a real event, this minor but well-made Poverty Row mystery features Claudia Dell as Enid Van Buren, a young girl who checks into Apartment A at the Clarendon Arms Hotel with her brother, Ralph, and fiancée Erich (John Harron). But Ralph mysteriously disappears and to Enid and Erich's bafflement, no one at the hotel seems to remember his presence. Enter noted investigator William Cornish (William "Stage" Boyd), who, for one, takes the girl seriously and promises to help. But neither Cornish nor his personal Dr. Watson, Dr. Steven Walcott (Hooper Atchley), can prevent someone from luring Enid to a nearby mortuary where corpses suddenly seem to come to life. As it turns out, the owners of both hotel and mortuary are covering up a deathly secret, a secret that would mean their ruination should it become public. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- William "Hopalong" Boyd, Claudia Dell, (more)
- 1932
A bored noblewoman wagers that she can steal a valuable diamond necklace and then return it without discovery in this minor programmer from low-budget producer Ralph M. Like. While the Baroness Orsani (Dorothy Revier) contemplates how to reach her goal and win the bet, a gang of jewel thieves also plans to steal the gem. The leader of the gang, Pete Wells (William V. Mong), is at one point close to actually succeeding in his nefarious purpose, but is bested by the baroness, who not only returns the necklace to its rightful owner, Peter Lawton-Bond (Kenneth Harlan), but ends up marrying him. Usually starring his wife Blanche Mehaffey, producer Like this time managed to corral former Columbia star Dorothy Revier, whose mere presence lends a bit of class to this otherwise pedestrian melodrama. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Dorothy Revier, Kenneth Harlan, (more)
Thirteen years after a dinner party where the wealthy host dropped, the thirteen guests are invited to reassemble at the dinner table. First to arrive is Ginger Rogers--who is promptly killed. It turns out that the dead woman was an impostor, hired to impersonate a real guest (Ginger Rogers again). Playboy detective Lyle Talbot is called in to investigate. It seems that the man who died 13 years ago was just about to announce the heir to his fortune, thus all the guests fall under suspicion. The culprit's true identity is hidden by a hood; the culprit's method of murder is a complex electrocution device. In an excitingly staged finale, Ginger is kidnapped by the hooded killer, but is rescued by Lyle Talbot. Made on a shoestring by Monogram Pictures, Thirteenth Guest is a marvelous "old house" mystery, with Ginger Rogers giving her all as the damsel in distress. ~ Hal Erickson, All Movie Guide
- Starring:
- Ginger Rogers, Lyle Talbot, (more)
