Marya Small Movies

The rise and growth of American popular music through the 20th century is reflected in the lives of four generations of one family in this animated drama directed by Ralph Bakshi. Zalmie (voice of Jeffrey Lippa), a Russian Jew, emigrates to America, and tries to struggle along as a comic and musician in vaudeville, until an injury suffered in World War I ends his singing career. Zalmie's son Benny (voice of Richard Singer) inherits his father's love for music, and when he grows to adulthood, he joins a jazz combo as a pianist; his career is cut short, however, when he's killed while fighting in World War II. Benny's son Tony (voice of Ron Thompson) is also bitten by the music bug and is determined to make his mark as a songwriter; he becomes involved in the Beat poetry and music community in San Francisco, and later falls in with a pioneering psychedelic band. Along the way, Tony fathers an illegitimate son named Pete (voice of Eric Taslitz), and ends up becoming Pete's guardian in New York City without realizing he's the boy's father. After Tony's death, Pete supports himself by dealing drugs, while struggling to make his dream of becoming a rock star a reality. Ralph Bakshi achieved American Pop's unique look through a process called "rotoscoping" -- shooting the scenes with live actors, and then tracing their movements onto animation cells.
~ Mark Deming, All Movie Guide

An interesting, introspective variant on the '80s slasher formula, this low-key psychological thriller details the troubled life of obsessed movie junkie Eric Binford (Dennis Christopher), whose love of old movies extends far beyond his job at a film distributor's warehouse and endless late-night film screenings in his bedroom. His singular obsession eventually rounds the bend into psychosis after he crosses paths with a Marilyn Monroe look-alike (Linda Kerridge), who becomes the physical embodiment of his cinematic desires. When stood up on what he believed would be their first date, Eric becomes homicidally unbalanced, transforming himself into a gallery of classic movie characters -- including Dracula, The Mummy, Hopalong Cassidy, and Norman Bates -- and sets out to destroy his oppressors, starting with his crotchety wheelchair-bound Aunt Stella (Eve Brent Ashe), then targeting a boorish co-worker (a very young Mickey Rourke), and eventually working his way toward Kerridge. The film begins with a groovy concept, but loses something in the execution -- the horror and comedy elements fail to gel completely, and Christopher's performance is too creepy to generate much empathy. ~ Cavett Binion, All Movie Guide

In this complicated and exciting above-average made-for-cable suspense thriller, a woman searches for her missing husband with surprising results. When Valerie's (Mimi Rogers) husband Darryl (Cliff De Young) leaves for work one morning and never returns, she hires private-eye Shepard (Mark Harmon) to find him. Valerie learns that David has a second identity and might be hiding out. As the investigation continues, Shepard and Valerie become increasingly attracted to each other and begin an affair. Director Ivan Passer gets an excellent performance from Mimi Rogers who makes the most of her enigmatic character. This thriller delivers when it needs to and builds a great deal of suspense with some surprising plot twists. Fourth Story was also released as Basic Deception. ~ Linda Rasmussen, All Movie Guide

With an insane asylum standing in for everyday society, Milos Forman's 1975 film adaptation of Ken Kesey's novel is a comically sharp indictment of the Establishment urge to conform. Playing crazy to avoid prison work detail, manic free spirit Randle P. McMurphy (Jack Nicholson) is sent to the state mental hospital for evaluation. There he encounters a motley crew of mostly voluntary inmates, including cowed mama's boy Billy (Brad Dourif) and silent Native American Chief Bromden (Will Sampson), presided over by the icy Nurse Ratched (Louise Fletcher). Ratched and McMurphy recognize that each is the other's worst enemy: an authority figure who equates sanity with correct behavior, and a misfit who is charismatic enough to dismantle the system simply by living as he pleases. McMurphy proceeds to instigate group insurrections large and small, ranging from a restorative basketball game to an unfettered afternoon boat trip and a tragic after-hours party with hookers and booze. Nurse Ratched, however, has the machinery of power on her side to ensure that McMurphy will not defeat her. Still, McMurphy's message to live free or die is ultimately not lost on one inmate, revealing that escape is still possible even from the most oppressive conditions. ~ Lucia Bozzola, All Movie Guide

In this tense horror outing Toulon, a puppet maker, discovers an ancient Egyptian potion and uses it to bring his creations to life. Unfortunately, he is a rather twisted fellow and his puppets become murderous little demons who escape. Distraught, the master takes his life. Years later, psychics tune into the existence of the monstrous marionettes and set off to stop them. ~ Sandra Brennan, All Movie Guide

In 1973, health-food store owner Miles Monroe (Woody Allen) enters the hospital for a routine gall bladder operation. When he expires on the operating table, Miles' sister requests permission to cryogenically freeze her brother's body. After 200 years, Miles is unwrapped by a group of scientists and awakens to a "brave new world" of deadening conformity, ruled with an iron fist by a never-seen leader. Miles is forced to flee for his life when the scientists -- actually a group of revolutionary activists -- are overpowered by the leader's police. He eludes the cops by pretending to be an android, and in this guise is sent to work at the home of Luna (Diane Keaton), a composer of greeting cards who thinks that the world of the future is perfect as it stands. There's more, but why spoil your fun? Sleeper is the most visual of Woody Allen's earlier films, and demonstrated a more pronounced rapport between Allen and his off- and onscreen leading lady Diane Keaton than had previously existed. The Dixieland score is performed by the Preservation Hall Jazz Band. ~ Hal Erickson, All Movie Guide

Sporting narration and a theme song by country legend Waylon Jennings and starring Tom Wopat and John Schneider as Luke Duke and Bo Duke, The Dukes of Hazzard was a hit throughout its six-year run in the late '70s and early '80s. Also featuring Catherine Bach as Daisy Duke, the show showcased the ongoing adventures of the Duke brothers as they attempted to avoid the crooked local law enforcement and the sleazy Boss Hogg. Originally airing on October 16, 1979, Dukes of Hazzard: Luke's Love Story finds Luke falling for the competition in the upcoming Hazzard Obstacle Derby . ~ Matthew Tobey, All Movie Guide

Director James Ivory has disowned this Hollywood drama, inspired by the Fatty Arbuckle/Virginia Rappe case and based on a satirical poem by Joseph Moncure March, which was heavily cut by American International Pictures from two hours to 90 minutes. The story concerns Jolly Grimm (James Coco), whose career as a famous silent film comic is coming to an end with the advent of talking pictures. He plans a last hurrah by making one more silent film and invites a collection of Hollywood big shots to his mansion in hopes of convincing one of them to distribute the picture. His mistress, Queenie (Raquel Welch), encourages him, but it quickly becomes apparent the film is a bomb. As Jolly Grimm keeps drinking, his mood becomes less jolly and more grim, particularly when movie star Dale (Perry King) starts getting quite familiar with Queenie. Meanwhile, young starlet Nadine (Annette Ferra), after finding her sister in bed with a guest, seeks out Jolly for solace. When Jolly tries to comfort her by kissing her full on the mouth, a drunken party guest, thinking Jolly is trying to seduce the girl, begins to beat Jolly senseless. Dale halts the fracas, but when Jolly doesn't thank Dale properly for saving him from a shellacking, Dale retreats with Queenie to the boudoir. Jolly, already keyed up to a dangerous level, awaits their emergence from the bedroom with a gun in his hand. ~ Paul Brenner, All Movie Guide

Carrie meets Porky's as Charles in Charge co-stars Scott Baio and Willie Aames re-team for this mischievous-minded teen comedy about a hormonal high school science student suddenly bestowed with telekinetic powers. Emerson High School genius Barney Springboro (Baio) has a keen understanding of the periodic table of the elements, and a curious knack for experimentation. One day, while Barney is conducting a particularly sensitive experiment in horticulture, the lab is suddenly set ablaze, and his dreams appear to go up in flames. But any scientist will tell you that some of the best discoveries appear from the ashes of failure, and when Barney realizes that he now possesses the power of telekinesis his high school life suddenly becomes a lot more interesting. Of course the jocks don't stand a chance against a geek who can knock out a home run with the power of his mind, and as Barney's hormones take hold the skirts begin to flip and the tops begin to pop. Now, as the senior prom draws near, Barney does his best to land a date for the dance as his horrified parents put in a call to the local exorcist, his best friend Peyton (Aames) joins in on the fun, and a local reporter attempts to break the biggest story this small town has ever known. ~ Jason Buchanan, All Movie Guide