Nicky Blair Movies

MGM romantic Robert Taylor turns nasty in this low-budget crime melodrama. Taylor plays a cop who subsidizes his income with bribes and payoffs from various criminals and politicians. Taylor's brother (Steve Forrest), a rookie on the police force, is as honest as his brother is crooked. The younger brother witnesses a gangland murder; the killer goes to Taylor, demanding that he buy his brother off. When he realizes that his brother can't be corrupted, Taylor tells the Mob to lay off. An out-of-town torpedo is brought in to rub out both brothers, but he succeeds only in killing the honest sibling. His conscience aroused, Taylor goes after the mob leaders himself; though seriously wounded, he clears his family name. Rogue Cop set something of a schedule record at MGM, with only four months elapsing from the time the story was optioned to the time the film was released. ~ Hal Erickson, All Movie Guide

Hold Back the Night is one of Allied Artists' down-and-dirty World War II dramas of the 1950s and 1960s. John Payne stars as a tough commanding officer, guiding the fighting retreat of an Allied platoon in the snowy hills of Korea. Payne always carries with him an unopened bottle of whiskey, which he regards as a good-luck charm. A series of World War II flashbacks explains the riddle of the unconsumed liquor. Director Allan Dwan is careful to slide past the cornier elements of Hold Back the Night, and the result is a solid wartime saga. ~ Hal Erickson, All Movie Guide

Another American-International opus which managed to attain top bookings on the strength of an exploitational titles, Runaway Daughters concentrates on the misadventures of a trio of teenaged girls. Audrey Barton (Marla English) wants something more out of life than her parents' money can buy; Dixie (Mary Ellen Kaye) wants to escape the tyranny of her misogynistic father; and Angela Forrest (Gloria Castillo) is a child of divorce, left to fend for herself in a hostile world. Not surprisingly, our three heroines end up in a heap of trouble in their pursuit of happiness; also not surprisingly, the film promises far more than it delivers. Of interest is the presence in the cast of 1930s film star Anna Sten. Runaway Daughters was originally released on a double bill with A-I's Shake, Rattle and Rock; it was remade for cable TV in 1994, as part of Showtime's "Rebel Highway" series. ~ Hal Erickson, All Movie Guide

Denied a big budget, Jet Attack scores dramatic points by concentrating on the human side of warfare. Shot down behind enemy lines in North Korea, jet jockeys Tom (John Agar), Bill (Gregory Walcott) and Chick (Nicky Blair) link up with Russian nurse Tanya (Audrey Totter). She insists that she's on their side, and that she wants to help a captured atomic scientist escape the clutches of the Communists. Bill and Chick don't buy her story, but Tom is more flexible. After numerous narrow escapes, the survivors of the ordeal streak back to South Korea in a hijacked MIG jet. Jet Attack was originally released on a double bill with Suicide Battalion. ~ Hal Erickson, All Movie Guide

In this WW II actioner, the crew of the Seahawk nearly mutinies when they discover that their new commander is a tactical instructor who has very little experience as a leader. They are quite angry because he refuses to allow them to sink the Japanese warships that are so close to them. Later they change their opinion after learning that he was only following orders. ~ Sandra Brennan, All Movie Guide

During a Los Angeles Christmas, a group of 82nd Airborne vets assembles under the leadership of gamblin' man Danny Ocean (Frank Sinatra) to rip off four Las Vegas casinos just after the stroke of midnight on New Year's Day. Playboy Jimmy Foster (Peter Lawford) joins in the scheme because he's sick of needing his oft-married mother's money, especially now that she's about to wed Duke Santos (Cesar Romero), a self-made man with all sorts of underworld ties. After he receives the news that he could die at any time, newly released convict Anthony Bergdorf (Richard Conte) reluctantly agrees to participate so he can leave some money to his estranged wife and young son. Ocean's own wife, Beatrice (Angie Dickinson), doesn't think much of her husband's promise of a big score to come, but her quiet protests don't dissuade him. With Las Vegas garbage man and fellow vet Josh Howard (Sammy Davis Jr.) and several casino employees among their number, the titular band of thieves have just a few days to get ready for their caper. When Duke Santos, Jimmy's mother, and one of Ocean's discarded paramours all show up in Sin City at the same time as the veterans, the crew's perfect plans face some serious hurdles. ~ Brian J. Dillard, All Movie Guide

An unusually tense and intelligent political thriller, The Manchurian Candidate was a film far ahead of its time. Its themes of thought control, political assassination, and multinational conspiracy were hardly common currency in 1962, and while its outlook is sometimes informed by Cold War paranoia, the film seemed nearly as timely when it was reissued in 1987 as it did on its original release. It opens with a group of soldiers whooping it up in a bar in Korea as their commander, Sgt. Raymond Shaw (Laurence Harvey), arrives to inform them that they're back on duty. These men obviously have no fondness for Shaw, and he feels no empathy for them. While on patrol, Shaw and his platoon are ambushed by Korean troops. Months later, Shaw is receiving a hero's welcome as he returns to the United States to accept the Congressional Medal of Honor, and several of the soldiers who served under Shaw repeatedly refer to him as "the bravest, finest, most lovable man I ever met." It soon becomes evident that after their capture by the Koreans, Shaw and his men were subjected to an intense program of brainwashing prior to their release. While several are troubled by bad dreams and inexplicable behavior, it's Capt. Bennett Marco (Frank Sinatra) who seems the most haunted by the experience. In time, Marco is able to piece together what happened; it seems Raymond Shaw was programmed by a shadowy cadre of Russian and Chinese agents into a killing machine who will assassinate anyone, even a close friend, when given the proper commands. On the other side of the coin, Shaw is also used for political gain by his harridan mother (Angela Lansbury), who guides the career of her second husband, John Iselin (James Gregory), a bone-headed congressman hoping to win the vice-presidential nomination through a campaign of anti-Communist hysteria.

The Manchurian Candidate features a host of remarkable performances, several from actors cast cleverly against type. Frank Sinatra's edgy, aggressive turn as Marco may be the finest dramatic work of his career; Laurence Harvey's chilly onscreen demeanor was rarely used to s better advantage than as Raymond Shaw; James Gregory is great as the oft-befuddled Senator Iselin; and Angela Lansbury's ultimate bad mom will be a shock to those who know her as the lovable mystery writer from Murder, She Wrote. George Axelrod's screenplay (based on Richard Condon's novel) is by turns compelling, witty, and horrifying in its implications, and John Frankenheimer's direction milks it for all the tension it can muster. While Frankenheimer's career has had its ups and downs, The Manchurian Candidate and Seconds (1966) suggest that he deserves to be recognized as one of the most brilliantly paranoid American filmmakers of the '60s. Entertaining yet unsettling, both films indicate that things in the '60s were not what they seemed, with a resonance that still echoes uncomfortably in the present. ~ Mark Deming, All Movie Guide

Damon Runyon's story "Little Miss Marker" gets a mid-'60s update in this comedy. Steve McCluskey (Tony Curtis) is the manager of a nightspot in Lake Tahoe owned by Bernie Friedman (Phil Silvers). Steve is the kind of guy who has heard every sob story in the book and is not easily impressed, but his hard heart begins to soften a bit when he meets Penny Piper (Claire Wilcox), a young orphan girl with no one to turn to and nowhere to go. Steve grudgingly takes her in and soon grows fond of the tyke. Penny thinks that Steve needs to get married and settle down, so she starts playing Cupid, trying to set him up with pretty Chris Lockwood (Suzanne Pleshette). However, Steve is still reeling from his failed first marriage and isn't so sure that another trip to the altar would be good for him. The film's finale sends Steve on a wild chase through Disneyland. Forty Pounds of Trouble marked the feature directorial debut of Norman Jewison, who would go on to make In the Heat of the Night, Fiddler on the Roof, and Jesus Christ Superstar. ~ Mark Deming, All Movie Guide

Feeling unwanted and unloved after an argument with Herman (Fred Gwynne), Grandpa (Al Lewis) packs up his potions and leaves the Munster mansion. When the family finally tracks Grandpa down, they find him performing a seedy magic act in an even seedier nightclub. With this episode, Pat Priest takes over from Beverly Owen in the role of Marilyn Munster. ~ Hal Erickson, All Movie Guide

In this made-for-TV pilot, a government agent must stop a rogue operative from releasing a lethal virus. ~ Jason Ankeny, All Movie Guide

Harry and Walter Go to New York was born of the theory that, the more stars and money that you throw into a film, the better the film will be. The theory has seldom been proven true, and it certainly wasn't in this case. Harry (James Caan) and Walter (Elliot Gould) are a third-rate vaudeville team, playing tank towns in turn-of-the-century USA. Thrown into the hoosegow on a petty-theft charge, our heroes make the acquaintance of big-time crook Adam Worth (Michael Caine). Once they're sprung, Harry and Walter follow Worth to New York, with the intention of pulling off a huge bank robbery. Lissa Chestnut (Diane Keaton), a bird-brained suffragette, is also mixed up in the proceedings though she never seems certain of who or what her character is from one scene to the next. The film's one tangible asset is its meticulous re-creation of 1890s New York, courtesy of art director Harry Horner. ~ Hal Erickson, All Movie Guide

Martin Scorsese combined the splashy atmosphere of the old studio musical with an unromanticized marriage story in his valentine to Hollywood and the Big Band era. On V-J Day 1945, newly minted civilian saxophonist Jimmy Doyle (Robert De Niro) meets USO singer Francine Evans (Liza Minnelli) at a dance, but she rebuffs every advance that he makes. A day and a hotel lobby meeting later, Jimmy finally wins Francine over after she uses her pop instincts to save his too-jazzy audition at a nightclub. When she goes on tour with Frankie Harte (Georgie Auld) and his Orchestra, Jimmy tracks her down, taking a job with the orchestra to be with her. Together on stage, they make beautiful music; off stage they marry, but the struggle between two artists begins to take its toll. Unable to understand that Francine's needs and talents are just as important as his, and unwilling to compromise his music for security, Jimmy abandons Francine after their baby is born. Separately, the two succeed even more, as Francine becomes a music and movie star, while Jimmy has a top hit and opens a jazz club. When they are reunited several years later, the pair must decide if their relationship is worth another try. ~ Lucia Bozzola, All Movie Guide

Blake Edwards co-wrote and directed this seriocomedy about a couple of rich and famous Malibuans forced to re-examine their lives and values during a weekend party celebrating the husband's 60th birthday. Jack Lemmon and Julie Andrews star as Harvey and Gillian Fairchild. Harvey is a successful architect who has attained his wealth by flattering his rich clients and compromising his ideals. Although he has everything he could want out of life, he is still unhappy. He looks at himself in the mirror and sees a middle-aged man who hates himself, feels that his children don't love him, and thinks that he is dying. Gillian, a successful singer, tries to bolster his self-confidence so that he can have a wonderful birthday. But she has problems of her own -- she has just returned from her doctor, who has informed her that she may have throat cancer. The doctor won't know for sure until the tests come back on Monday. In the meantime, Gillian tries to keep up a brave front for Harvey's celebration. ~ Paul Brenner, All Movie Guide