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John Slater Movies

Cockney character actor John Slater entered films in 1941, remaining active until his death 34 years later, despite such setbacks as a life-threatening auto accident in 1946 and sporadic bouts of ill health. He could usually be seen as military officers, constables, and doctors. His voice was familiar to millions of moviegoers via his narration duties in the Mining Review documentary series. John Slater's later credits included a lengthy run as Sgt. Stone on the enormously popular TV weekly Z Cars. ~ Hal Erickson, Rovi
1976  
PG  
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The McCarthy-era "witch hunts" in the entertainment industry set the stage for this comedy drama set in the 1950s. Howard Prince (Woody Allen) is a cashier at a corner bar who works as a small-time bookie on the side, with little success. One day, Howard's old friend Alfred Miller (Michael Murphy), a successful television writer, makes a business proposal to him; Alfred's leftist political views have resulted in him being blacklisted from the major television networks, and he can no longer get work. Alfred asks Howard to act as a "front" -- Howard puts his name on Alfred's scripts, sells them, and takes a cut of the payment for his trouble. Howard's new career as a "writer" is an instant success, and soon Howard is fronting for a handful of blacklisted scribes while earning a healthy income and becoming the toast of the television industry; another fringe benefit is a romance with beautiful network employee Florence Barrett (Andrea Marcovicci). However, comic Hecky Brown (Zero Mostel), who had a brief fling with socialism years before, now finds his past catching up with him, and he's told in order to save his job as host of a weekly television show, he has to get the goods on some suspicious figures, among them Howard Prince, whose background looks a little too clean for comfort. The Front was written by Walter Bernstein, who was himself blacklisted during the 1950s, as were co-stars Zero Mostel, Herschel Bernardi, and Lloyd Gough. ~ Mark Deming, Rovi

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Starring:
Woody AllenZero Mostel, (more)
 
1966  
 
A hat is borrowed by a hatmaker's apprentice. It's many subsequent adventures provide the basis of this musical. ~ Sandra Brennan, Rovi

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1964  
 
British pop performer Michael Sarne stars as young Ricky, a kid from London's East End who is yet another victim of urban socio-economic blight. Discouraged and frustrated, Ricky gets involved with a local gang hoping to support his family by turning to a life of crime. Rita Tushingham, in her third film appearance, plays the role of Ricky's girlfriend Catherine. ~ Sandra Brennan, Rovi

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Starring:
Bernard LeeRita Tushingham, (more)
 
1962  
 
The incredibly durable cop show Z Cars (pronounced "Zed Cars") was one of the great guilty pleasures of British television -- a program which everyone watched, but no one would admit to watching. Created by Troy Kennedy Martin, the series focused on a "typical" crime-ridden Liverpool police precinct. The cars driven by the law-enforcement officers were all Ford Zephyrs, hence the series' title. Understandably, there was a huge cast turnover during the series' 16 years on the air, with some of the original regulars leaving early on to star in the spin-off show Softly Softly. Debuting in a weekly 25-minute slot in 1962, Z Cars had expanded to 50 minutes weekly by the time its run ended in 1978; 667 episodes were filmed in all -- an astronomical figure by anybody's standards, even American television. ~ Hal Erickson, Rovi

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Starring:
Stratford JohnsFrank Windsor, (more)
 
1961  
 
A typical British slapstick farce, this comedy by Darcy Conyers based on Basil Thomas' play The Love Birds, involves reincarnation, huckstering, and jealousy. Cecil Gibson (Ronald Shiner) led a shady professional life as an antique furniture restorer, and after he dies his widow Julie (Dora Bryan) and her new husband Bertie (Brian Rix) pay the consequences. A gangster is after them because of a bogus antique bed that the late Cecil pawned off for a quick buck. Aside from this constant threat, Cecil has reincarnated as a talky parrot whose main ambition is to make life difficult for his wife and Bertie. Several hilarious slapstick scenes involving chases or sexual encounters, as well as the more reserved wit found in caricatures like an inept magistrate, are all hallmarks of a typically British sense of humor here (shared by many non-Brits). ~ Eleanor Mannikka, Rovi

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Starring:
Brian RixDora Bryan, (more)
 
1961  
 
In this British farce, an impoverished lord teams up with the plumber he mistook for a burglar. Together they conspire to steal one of the lord's own paintings. ~ Sandra Brennan, Rovi

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1961  
 
In this comedy, a young man stands to inherit a vast fortune, but first he must spend a small fortune in two months. ~ Sandra Brennan, Rovi

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Starring:
Jack WatlingCarole Lesley, (more)
 
1958  
 
Violent Playground opens with a few West Side Story style shots of a Liverpool street gang, commandeered by a very nasty-looking David McCallum. We're going to be seeing a lot more of McCallum before the final fadeout: His sister (Anne Heywood) is in love with an upright police officer (Stanley Baker). The film plods along predictable grounds until the climactic rumble sequence, which is as good as anything ever seen in Hollywood "J.D." picture. Violent Playground didn't get much American play in 1957, principally because there was a glut of such films at the time. The picture received a new lease on life in the early 1960s to cash in on the Man From UNCLE popularity of David McCallum. ~ Hal Erickson, Rovi

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Starring:
Stanley BakerAnne Heywood, (more)
 
1957  
 
D'arcy Conyers both wrote and directed the lightweight comedy/drama The Devil's Pass. Veteran British character actor John Slater, best known for his role as Sgt. Stone on TV's Z Cars, enjoys one of his few leading film roles as the captain of a rundown fishing boat. A young stowaway (Christopher Warbey) befriends the gruff old salt. When the captain is threatened by villainous wreckers, the young man comes to the rescue. Devil's Pass was designed for double bills, though it was substantial enough to stand on its own in smaller theatrical engagements. ~ Hal Erickson, Rovi

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1956  
 
The roguish smile of Cornel Wilde and the impressive cleavage of Jean Wallace (Mrs. Cornel Wilde) are the principal attractions of the costume swashbuckler Star of India. Wilde plays a 17th-century French nobleman who embarks upon a search for a valuable emerald which has been stolen from a Dutch collection. Dogging the nobleman's trail is a Dutch spy (Jean Wallace) posing as a French aristocrat. Both hero and heroine are bedeviled by an epicene villain (Herbert Lom), who stole the gem in the first place but who enjoys the protection of King Louis XIV (Basil Sydney). Not unexpectedly, Star of India wraps things up with an outsized sword duel between the stalwart Wilde and the smirking Lom. ~ Hal Erickson, Rovi

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Starring:
Cornel WildeJean Wallace, (more)
 
1956  
 
In this thriller, a trucker offers a hitchhiking girl a lift and ends up careening out of control when he is later accused of killing her. He decides that the only way to clear his name is to launch his own investigation and in so doing finds himself up to his axles in intrigue. ~ Sandra Brennan, Rovi

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1954  
 
The life of the founder of modern Methodism is dramatized in John Wesley. Originally intended for church assembly showings, the film stars Leonard Sachs in the title role. The screenplay charts the Methodist Movement from its inception in 18th century England to the present day. Produced by the Radio and Film Commission of the Methodist church, the film was financed by the contributions of some 500 churches. Unfortunately, the budget didn't allow for a professional cast, thus many potentially worthwhile scenes are laid low by amateurish acting. On the other hand, the film is quite slick and accomplished on a technical level, thanks to the first-rate cinematography of Hone Glendenning and the assured direction of Norman Walker. ~ Hal Erickson, Rovi

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Starring:
Leonard Sachs
 
1954  
 
Released in the US as Man With a Million, The Million Pound Note is a satisfying adaptation of a satirical short story by Mark Twain. Gregory Peck plays Henry Adams, an impecunious American living by his wits in London. Henry becomes the object of a wager between millionaire brothers Oliver and Roderick Montpelier (Ronald Squire and Wilfred Hyde-White), who want to find out if a man with a million pound note in his bank account could live comfortably for one month on the strength of that note--without ever spending a penny of it. When Henry is given the note and lets it be known that he has it, every courtesy imaginable is extended to him by hoteliers, restauranteurs, etc. Trouble brews when Henry uses the note's reputation to speculate on the stock market. When his creditors demand that he produce the note as an act of faith, Henry is unable to do so, whereupon pandemonium reigns--and the audience's laughter cascades. ~ Hal Erickson, Rovi

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Starring:
Gregory PeckJane Griffiths, (more)
 
1953  
 
Who better than the estimable Barbara Payton to play the Bad Blonde in this Lippert release? Actually, the film was originally made in England by Hammer Productions, then released in Great Britain as The Flanagan Boy and This Woman is Trouble, but neither one of these titles had the box-office "sock" of Lippert's cognomen. The story finds the duplicitous Lorna Vecchi (Payton) wrapping boxer Johnny Flanagan (Tony Wright) around her little finger. It seems that Lorna is married to Johnny's manager, Giuseppe (Frederick Valk). But when her husband proves to be a nuisance, the "bad blonde" blackmails Johnny into murdering the man. Astonishingly, until the very, very end it looks like Lorna's going to get away with it! Bad Blonde was based on a novel by Max Catto. ~ Hal Erickson, Rovi

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Starring:
Barbara PaytonFrederick [Fritz] Valk, (more)
 
1953  
 
John Mills followed his successful Gentle Gunman with the tensioned-filled meller The Long Memory. Convicted for a murder he did not commit, Davidson (Mills) spends 12 long years in prison. Upon his release, he vows to get even with the three witnesses who perjured themselves and clenched his conviction. Returning to the scene of the crime, he begins gathering clues as to the whereabouts of the witnesses. That's when he discovers that the alleged murder victim is alive and well! John McCallum co-stars as Inspector Lowther, who has spent the past dozen years mulling over the Davidson case, wondering if the man was innocent after all. For the sake of plot convenience, it turns out that Lowther is married to one of the lying witnesses! The Long Memory was based on a novel by Howard Clewes. ~ Hal Erickson, Rovi

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Starring:
John MillsJohn McCallum, (more)
 
1952  
 
The Israeli-made Faithful City stars Jamie Smith as an American in Tel Aviv just after World War II. Smith makes the acquaintance of a group of orphans, Jewish refugees of the concentration camps. It takes some doing, but Smith wins the love and trust of these displaced youngsters. Like most government-funded Israeli productions of the early 1950s, Faithful City is designed more to instruct and inform than entertain. That it happens to be entertaining in the bargain is all the more reason to seek out this extremely rare film. ~ Hal Erickson, Rovi

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Starring:
Jamie SmithJohn Slater, (more)
 
1951  
 
That deathless Edgar Wallace thriller The Ringer was taken out of cold storage once more in 1951. Donald Wolfit, whose legendary thespic excesses were later fictionalized in the stage play The Dresser, is perfectly cast as a vengeance-seeking master of disguise. He announces publicly that he intends to kill the crooked lawyer (Herbert Lom) responsible for his sister's death. What is more, The Ringer has even appointed the exact time of the lawyer's demise. Scotland Yard surrounds the lawyer with a battalion of constables...but no one knows what the Ringer looks like, nor what disguise he plans to adopt. 1951's The Ringer was the third talkie version of Wallace's classic tale. ~ Hal Erickson, Rovi

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1951  
 
In this crime drama, an innocent man is accused of killing a major crime lord. Fortunately, a canny police inspector believes he didn't do it and launches his own investigation. It pays off and he discovers that the crime boss is alive and simply feigned his death by killing a colleague and making the body resemble him. ~ Sandra Brennan, Rovi

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1950  
 
Guy Rolfe is top-billed in the British Prelude to Fame, but the critics' attention was directed at young newcomer Jeremy Spencer. This is the story of a poverty-stricken boy named Guido (Spencer) who turns out to be a musical prodigy. Prodded into fame by a wealthy, childless patroness of the arts (Kathleen Ryan), Guido rises to the uppermost rungs of the musical world -- and loses his childhood in the process. Star Rolfe is cast as John Morrell, the philosophy professor who discovers Guido's genius, only to regret what happens to the boy afterward. Best scene: Jeremy Spencer leading the London Philharmonic without adult assistance. Released in America by Universal-International, Prelude to Fame is based on a story by Aldous Huxley. ~ Hal Erickson, Rovi

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Starring:
Guy RolfeKathleen Byron, (more)
 
1949  
 
Passport to Pimlico is one of the most charmingly whimsical Ealing Studios comedies of the late 1940s-early 1950s. As a result of wartime bombing, an ancient parchment is uncovered, proving that the Pimlico section of London belongs to Burgundy, France. Long taken for granted by other Londoners, the tiny Pimlico populace decides to take advantage of its "foreign" status. Affable oaf Stanley Holloway is made head of the new government, whereupon he merrily begins erecting borders and imposing customs duties. The sweetly satirical script of Passport to Pimlico was written by director Henry Cornelius and Ealing stalwart T.E.B. Clarke. ~ Hal Erickson, Rovi

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Starring:
Stanley HollowayBetty Warren, (more)
 
1948  
 
In postwar London, Chicago-raised fashion reporter Linda Medbury, working for a British newspaper, runs across a crime story that's too good to pass up -- all about Sugiani (Joseph Calleia), a racketeer who has quietly amassed a fortune, and near-total control of vice in London, through counterfeiting, black marketeering, and smuggling, all backed by strongarm men who've got everyone he does business with scared. Linda insists on running the story, even though one woman and two writers who previously gotten in Sugiani's way have either disappeared, been killed, or blinded. Her fiance, sportswriter Jumbo Hyde (Derek Farr), an ex-commando captain just back from the service, wants to protect her and enlists the aid of the boxers at a gymnasium where he's well known. But Linda is moving too fast for his efforts, and Sugiani is already tying up loose ends, including eliminating one talkative witness (Ruth Nixon). And when Sugiani and his right-hand man Bar Gorman (igel Patrick) discover that they can't buy or charm Linda off her crusade, they prepare to take more drastic action -- Sugiani sends out his personal enforcer, "the barber" (Hay Petrie). ~ Bruce Eder, Rovi

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Starring:
Carole LandisJoseph Calleia, (more)
 
1948  
 
Set in World War II times, this drama involves a highly trained bunch of British soldiers who must parachute into Nazi-held Belgium on a rescue and destroy mission. Documentary film footage is included in the early parts of the film as the trainees get prepared for the task ahead. Robert Beatty plays the priest, Father Phillip, and Simone Signoret appears as an insurgent who falls in love with another of the trained resistors. ~ Rovi

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Starring:
Robert BeattySimone Signoret, (more)
 
1948  
 
In this drama, set after the war, a WW II flying ace and hero comes to the aid of a hooker who is being harassed by a policeman. He pushes the abusive cop away during the tussle; the cop falls, hits his head, and dies. The former flier is promptly tried and given a three-year prison sentence. He escapes one night during a heavy fog. He is taken in by a caring woman who tries convincing him to surrender. The fugitive at first refuses, but then after seeking sanctuary in a church relents because he does not want the parson to have to lie on his behalf. His surrender is made easier by the knowledge that the woman will wait for him. ~ Sandra Brennan, Rovi

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Starring:
Jacqueline ClarkePeter Croft, (more)
 
1947  
 
After the war, British films began avoiding the heiresses and lordships that had dominated the drama field and began pursuing "realism" -- which often was just as artificial as the earlier white-telephone pictures. John McCallum plays Tommy Swann, a product of the working class who tries to better himself by becoming a criminal. Escaping from prison, Swann hides out in the East London home of his former mistress Rose (Googie Withers), who has since married George Sandigate (Edward Chapman). The film is told from Swann's point-of-view, and a dismal view that is. Nor does Rose seem any happier with her drab lot in life. Swann's return does nothing but further their misery, tearing Rose' family apart and sending Swann back into the arms of the law. Considered a tension-laden slice of life in 1949, It Always Rains on Sunday seems a bit contrived today, though it does full justice to the Arthur La Bern novel on which it is based -- especially when the film leaves the environs of the house and zeroes in on its colorful roster of bit actors. ~ Hal Erickson, Rovi

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Starring:
Googie WithersEdward Chapman, (more)
 
1946  
 
Future Doctor Who star William Hartnell plays the leading role in the British second feature Murder in Reverse. Hartnell portrays a man who has spent 15 years in prison on a murder charge. Not only is he innocent, but the murder never took place. Once released, Hartnell tracks down his "victim" and kills him in full view of a crowded courtroom. He then laughingly dares the authorities to convict him again for a murder he's supposed to have already committed. ~ Hal Erickson, Rovi

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Starring:
William HartnellJimmy Hanley, (more)