Joan Blair Movies

Self-centered Washington socialite Rosalind Russell joins the WACS in order to be near her boyfriend William Ching, a GI stationed in Paris. Russell is certain that her DC connections will enable her to get out of the service as easily as she got in. Unfortunately for her, Russell's ex-husband Paul Douglas decides to teach her a lesson by pulling a few strings himself. Several of the army-camp scenes are stolen by Marie Wilson as an amply proportioned chorus girl, who's joined the WACS to escape stage-door johnnies. Filmed in part on location at the Women's Army Corps training center at Fort Lee, Virginia, Never Wave at a WAC was produced by Rosalind Russell's husband, Frederick Brisson. The film was released in England as The Private Wore Skirts. ~ Hal Erickson, All Movie Guide

FBI operative Mark Stevens is dispatched by his boss Lloyd Nolan to infiltrate a criminal gang. Stevens ingratiates himself with Richard Widmark, the gang's leader, then helps concoct a robbery that will deliver the criminals into the hands of the authorities. But there's an informant in the police department, who gets word back to Widmark. Aware that there's a stoolie in his gang, Widmark automatically assumes that his wife Barbara Lawrence is the guilty party, and beats her senseless. Eventually determining that Stevens is the "mole," Widmark methodically plans to kill Stevens during a holdup; by this time, however, the FBI is a step or so ahead of him. Remade in 1955 by Samuel Fuller as House of Bamboo. ~ Hal Erickson, All Movie Guide

In this comedy, Paul Muni plays a recently murdered gangster who finds himself roasting in Hell. Muni can't believe that he's in for All Eternity and keeps trying to "bust out," which brings him to the attention of the Head Man (Claude Rains), who calls himself Nick. Nick strikes a bargain with Muni: There's a troublesome honest judge on Earth who's been shipping too many souls to Hell; if Muni will take over the judge's body and begin performing bad deeds, Nick will set him free. Muni readily agrees, eager to settle the score with the ex-partner (Hardie Albright) who bumped him off. Once he "becomes" the judge, however, Muni discovers that he is utterly incapable of performing any misdeeds--and when he falls in love with the judge's fiancee (Anne Baxter), Muni becomes determined to wriggle out of his agreement. Angel on My Shoulder is based on a story by Harry Segall, whose previous play Heaven Can Wait was filmed as Here Comes Mr. Jordan, also with Claude Rains. ~ Hal Erickson, All Movie Guide

The old bromide about a group of avaricious heirs waiting for an old millionaire to die is trotted out in Grissly's Millions. A coterie of disreputable-looking heirs are gathered in the home of the wealthy man (Robert H. Barrat). A murder is committed, and all present fall under suspicion, including stars Paul Kelly and Virginia Grey (both of whom had been "hidden killers" in previous mystery movies, so the audience is kept guessing). Directed by western specialist John English, Grissly's Millions goes through its familiar paces at a fast clip, with a few unexpected twists along the way. The biggest "mystery," however, is why Republic Pictures would choose that unappealing title! ~ Hal Erickson, All Movie Guide

In this taut crime thriller, a quiet bank clerk spends his little vacation in Indianapolis and then returns to his little boarding house in Ohio. There he hears a radio newscast about the corpse of a girl found in Indianapolis; he then hears a description of the killer and is appalled to realize that he matches it exactly. Soon many are looking at him with alarming suspicion. More young women die, and each time more and more evidence links him to the crimes. The people begin believing that he has a split personality, like Dr. Jekyll and Mr. Hyde. Is he really a psycho killer, or is someone else behind the terrible crimes? ~ Sandra Brennan, All Movie Guide

My Son, the Hero was a rare comedy from the PRC studio mills-and rarer still, it was directed by melodrama specialist Edgar G. Ulmer. Roscoe Karns plays a third-rate fight manager misleadingly known as Big Time. Justifiably proud of his war-correspondent son Michael (Joseph Allen Jr.), Big Time tries to measure up to his son's accomplishments by writing letters to the boy, claiming to be a wealthy businessman. When Michael comes home on furlough, Big Time panics, worrying that he'll be exposed as a fraud. But he hasn't taken into consideration his golden-hearted ex-wife Gerty (Patsy Kelly) and punchdrunk prizefighter Kid Slug (Maxie Rosenbloom), who help Big Time come off as a hero in the eyes of his son. My Son, the Hero represented Patsy Kelly's last film appearance until her comeback role in Please Don't Eat the Daisies (1960). ~ Hal Erickson, All Movie Guide

This curious bit of wartime wish-fulfillment stars Ludwig Donath as Franz Huber, a famed Austrian actor known for his impersonations of celebrities. Captured by the Gestapo, Huber is ordered to undergo plastic surgery. When he emerges from the gauze, Huber is the living image of Adolf Hitler! It's all part of a Gestapo plot to assassinate the troublesome Fuehrer and put the ostensibly more pliable Huber in his place. The anti-Nazi Huber is able to foil the Gestapo and strike a blow for Democracy, but he meets his Waterloo at the hands of his own wife (Gale Sondergaard), who has no way of knowing that he isn't Hitler. The labyrinthine screenplay was cowritten by Fritz Kortner, who also plays one of the villains. ~ Hal Erickson, All Movie Guide

There were two separate 1940s film series inspired by Philips H. Lord's radio weekly Mr. District Attorney; the first was produced by Republic, the second by Paramount's Pine-Thomas unit. Republic's inaugural entry, appropriately titled Mr. District Attorney, eschews the sobriety of the radio original and plays for laughs. Dennis O'Keefe stars as P. Cadwallader Jones, a guileless assistant DA straight out of Harvard. Managing to louse up his first case, Jones redeems himself by revealing that one of his boss' aides is in league with master criminal Mr. Hyde (Peter Lorre). Florence Rice, daughter of sports columnist Grantland Rice, is appropriately cast as a newspaper sob sister. The best line in Mr. District Attorney comes early in the proceedings: When asked what the "P" stands for, P. Cadwallader Jones replies ruefully "Prince. But I didn't want to be whistled for." ~ Hal Erickson, All Movie Guide

Orson Welles first feature film -- which he directed, produced, and co-wrote, as well as playing the title role -- proved to be his most important and influential work, a ground-breaking drama loosely based on the life of William Randolph Hearst which is frequently cited as the finest American film ever made. Aging newspaper magnate Charles Foster Kane (Orson Welles) dies in his sprawling Florida estate after uttering a single, enigmatic final word -- "Rosebud" -- and newsreel producer Rawlston (Phil Van Zandt) sends reporter Jerry Thompson (William Alland) out with the assignment of uncovering the meaning behind the great man's dying thought. As Thompson interviews Kane's friends, family, and associates, we learn the facts of Kane's eventful and ultimately tragic life: his abandonment by his parents (Agnes Moorehead and Harry Shannon) after he becomes the heir to a silver mine; his angry conflicts with his guardian, master financier Walter Parks Thatcher (George Coulouris); his impulsive decision that "it would be fun to run a newspaper" with the help of school chum Jedediah Leland (Joseph Cotten) and loyal assistant Mr. Bernstein (Everett Sloane); his rise from scandal sheet publisher to the owner of America's largest and most influential newspaper chain; his marriage to socially prominent Emily Norton (Ruth Warrick), whose uncle is the President of the United States; Kane's ambitious bid for public office, which is dashed along with his marriage when his opponent, corrupt political boss Jim Gettys (Ray Collins), reveals that Kane is having an affair with aspiring vocalist Susan Alexander (Dorothy Comingore); Kane's vain attempts to promote second wife Alexander as an opera star; and his final, self-imposed exile to a massive and never-completed pleasure palace called Xanadu. While Citizen Kane was a film full of distinguished debuts -- along with Welles, it was the first feature for Joseph Cotten, Everett Sloane, Ray Collins, Agnes Moorehead, and Ruth Warrick -- the only Academy Award it received was for Best Original Screenplay, for which Welles shared credit with veteran screenwriter Herman Mankiewicz. ~ Mark Deming, All Movie Guide

The Shop Around the Corner is adapted from the Hungarian play by Nikolaus (Miklos) Laszlo. Budapest gift-shop clerk Alfred Kralik (James Stewart) and newly hired shopgirl Klara Novak (Margaret Sullavan) hate each other almost at first sight. Kralik would prefer the company of the woman with whom he is corresponding by mail but has never met. Novak likewise carries a torch for her male pen pal, whom she also has never laid eyes on. It doesn't take a PhD degree to figure out that Kralik and Novak have been writing letters to each other. The film's many subplots are carried by Frank Morgan as the kindhearted shopkeeper and by Joseph Schildkraut as a backstabbing employee whose comeuppance is sure to result in spontaneous applause from the audience. Directed with comic delicacy by Ernst Lubitsch, this was later remade in 1949 as In the Good Old Summertime, and in 1998 as You've Got Mail. It was also musicalized as the 1963 Broadway production She Loves Me. ~ Hal Erickson, All Movie Guide

In this drama, a remake of Sal of Singapore(1929), the captain of a freighter becomes an instant father when his crew rescues a drifting Navy boat that contains a baby. The captain decides that he will keep the baby and take it back to the U.S. instead of turning it in to the authorities. He begins advertising for a "mother" for the baby to help him while he runs the ship. His call is answered by a woman with a dubious, secret past. During the interview she lies about her character and qualifications and gets the job and a free cruise to the States. It is smooth sailing until one of the sailors recognizes her and attempts to blackmail her into sleeping with him. Fortunately, the captain rescues her and tosses the loutish seaman into the sea. The woman immediately falls for the good captain who has also fallen for her. They encounter more rough seas when, upon docking in New York, the captain is arrested for attempted murder. The woman becomes his witness, but when he learns the truth about her, he loses his respect and they go their separate ways. She again becomes a loose woman, and he begins to drink heavily. When the baby gets deathly ill, the two are reunited--this time it is for good, and happiness ensues. ~ Sandra Brennan, All Movie Guide