Penny Singleton Movies

When the profits of their various film series began slumping in the mid-1940s, Columbia Pictures tried to broaden the appeal of these films by disguing the fact that they were indeed series entries. Thus it was that Columbia's 12th "Blondie" picture was shipped out as It's a Great Life. The comic confusion begins when Dagwood Bumstead (Arthur Lake), intending to buy a house, buys a horse instead. Before the film's 75 minutes have run their course, Dagwood gets mixed up in a fox hunt. But Blondie (Penny Singleton) saves the day as usual, with the help of eccentric millionaire Timothy Brewster (Hugh Herbert). After It's a Great Life and Footlight Glamour, Columbia restored the name "Blondie" to the titles of all subesequent installments in this long-running comedy series. ~ Hal Erickson, All Movie Guide

One of the most fondly remembered of the "Blondie" series entries, Blondie Goes to College is predicated on the notion that Dagwood Bumstead (Arthur Lake) must receive a college diploma or lose his job with the Dithers Construction Company. Not wishing to be separated from her husband, Blondie (Penny Singleton) enrolls in college as well-but the rules stipulate "no married couples", forcing our hero and heroine to pretend that they're not married. This causes quite a dilemma when coed Laura Wadsworth (Janet Blair) begins flirting with Dagwood and B.M.O.C. Rusty Bryant (Larry Parks) does same with Blondie. Making things worse-Blondie is expecting another child (who will make her first appearance in the next installment, Blondie's Blessed Event), but she daren't tell anyone lest both she and Dag be expelled. The student body at this particular seat of learning is comprised of quite a few familiar faces (most well past college age), including Lloyd Bridges, Sid Melton, and Adele Mara. The biggest laughs in Blondie Goes to College are garnered by famed double-talk expert Al Kelly, playing an uncredited cameo as a tangle-tongued professor. ~ Hal Erickson, All Movie Guide

Blondie in Society is another delightful excursion into comic insanity for Blondie (Penny Singleton), Dagwood (Arthur Lake) and Baby Dumpling (Larry Simms). The trouble begins when Dagwood brings home a huge Great Dane as a favor to an old friend. It turns out that the gigantic hound is a pedigree, and that Waldo Pincus (William Frawley), an important client of Dag's boss Mr. Bumstead (Jonathan Hale) would like to buy the dog. Alas, Blondie has already entered her new pet in a dog show, ultimately winning a $500 prize and beating out the previous champion-which, of course, belongs to Mr. Pincus. On the verge of losing his job, Dagwood is rescued one more by the resourceful Blondie, with the help of irascible veterinarian Edgar Kennedy. Like the previous Blondie Goes Latin, Blondie In Society affords Penny Singleton the opportunity to display her musical skills, as she sings two songs with the Mitchell Boys' Choir. ~ Hal Erickson, All Movie Guide

Dagwood Bumstead (Arthur Lake) is invited by his boss Mr. Dithers (Jonathan Hale) to accompany Dithers on an ocean cruise to South America. Dagwood's whole family comes along, including wife Blondie (Penny Singleton), son Baby Dumpling (Larry Simms) and Daisy the dog and her pups. Just before sailing, Dagwood is compelled to stay behind and watch over Dithers' business. Determined to rejoin his family, Dagwood dresses up in drag and joins the ship's all-girl orchestra. The ruse continues all the way to South America, where Dagwood must fume while Blondie is serenaded by dashing Tito Guizar. Blondie Goes Latin is the eighth in the Columbia series based on the comic strip by Chic Young. ~ Hal Erickson, All Movie Guide

The Bumstead family-Blondie (Penny Singleton), Dagwood (Arthur Lake) and Baby Dumpling (Larry Simms)-embark on a long-delayed vacation in this series entry. While en route to their out-of-town relatives, the Bumsteads are forced to make an emergency stopover in a small town, where they get mixed up in an elopement. By the time Dagwood is through offering his well-intentioned assistance, the elopers are on the verge of a breakup, but Blondie (per the film's title) manages to smooth things out. Blondie Plays Cupid is distinguished by the appearance of Glenn Ford as flustered groom-to-be Charlie (the bride-to-be is Columbia contractee Luana Walters, who later played the title character's mother in the 1948 serial The Adventures of Superman). ~ Hal Erickson, All Movie Guide

Columbia's new "Blondie" series continued its winning streak with its fourth entry, Blondie Brings Up Baby. So much happens within the film's 67 minutes that it's best to boil things down to the central storyline. Baby Dumpling (Larry Simms), the six-year-old son of Blondie and Dagwood Bumstead (Penny Singleton and Arthur Lake) disappears from sight during his first day at school. While Dagwood frantically combs the city in search of the boy, Baby Dumpling spents a nice, safe afternoon with poor little rich girl Melinda Mason (Peggy Ann Garner), who with her new playmate's help arises from her sickbed to walk across the room for the first time in months. Other plot threads include Dagwood's disastrous confrontation with an important business client (Robert Middlemass), and Daisy the Dog's ongoing battle of wits with the local dog-catcher. Like many of the "Blondie" films, Blondie Brings Up Baby serves as a showcase for young talent on the way up: Robert Sterling is seen as one of Dagwood's office buddies, while Bruce Bennett plays a uniformed chauffeur. ~ Hal Erickson, All Movie Guide

This second entry in Columbia's new "Blondie" series is every bit as delightful as the first. When Dagwood Bumstead (Arthur Lake) heads off for a long-awaited fishing trip, his loving wife Blondie (Penny Singleton) assumes Dag's duties at the offices of J. C. Dithers (Jonathan Hale). Unfortunately, our hero finds himself in a compromising position with pretty stranger Dottie (Dorothy Moore), endangering both his job and his marriage. The film's highlights include an energetic jitterbug contest and a terrific variation on the old "Any husband who's expected home should leave right now" gag. Blondie Meets the Boss was heralded by a specially filmed trailer in which the Bumstead's son Baby Dumpling (Larry Simms) thanked the audience for the excellent response to the first Blondie picture and inviting the viewers to come back for more (which they did-28 times!) ~ Hal Erickson, All Movie Guide

The romantic hills and valleys of an advertising agency secretary provide the basis of this comedy drama. Unlike her soon-to-be-married roommate, the secretary is determined to remain single and forge a strong career. She does have a suitor, but he is not ambitious enough for her and she keeps her distance. The girl gets her chance to climb the corporate ladder after she invents a sure-fire cure for hangovers. Sure enough she begins her ascent. Meanwhile, her suitor continues to plead with her to leave her job and become his bride. But the secretary has fallen for an ambitious adman who is engaged with another who is already cheating upon him. At this point, the stage is set for considerable romantic confusion and things are a mess until the very happy end. ~ Sandra Brennan, All Movie Guide

Wealthy socialite Melsa Manton (Barbara Stanwyck) is taking her pooches for a walk in the dead of the night when she stumbles upon a dead body and a car fleeing the scene of the crime. She alerts the police but the corpse has disappeared by the time they arrive, and the lieutenant, knowing of her madcap reputation, believes she was playing a practical joke. After newspaper editor Peter Ames (Henry Fonda) takes her to task in print, she sues him for libel and enlists the aid of her society friends in tracking down the body and finding the killer. Eventually, Ames comes around to believing Melsa's story and aids her in her search. It isn't long before the two antagonists find they're attracted to each other -- but they have to catch the murderer before they can settle down and live happily ever after. Fonda and Stanwyck would team up again in You Belong to Me and The Lady Eve. ~ Craig Butler, All Movie Guide

Musical comedy star Phil Regan headlines this modest Republic tunefest. He plays an American bandleader who inherits an Irish castle. With his band members and his singer (Penny Singleton) in tow, Regan takes charge of the castle, hoping turn it into a nightclub. Naturally, these plans arouses the ire of the local landed gentry, but pretty soon they're keeping in step with Regan's entourage. Like many Republic films of the 1930s, Outside of Paradise is generally available only in the 54-minute version prepared for television. ~ Hal Erickson, All Movie Guide

When Columbia Pictures secured the movie rights to Chic Young's popular comic strip Blondie, the studio executives probably never imagined that the ensuing "Blondie" series would last for 12 years and 28 episodes! Part of the series' charm was Columbia's wisdom in casting the ideal actors for the leading roles. Penny Singleton dyed her hair blonde to step into the role of Blondie Bumstead (after Shirley Deane bowed out due to prior committments); Arthur Lake landed the role of a lifetime as sensible Blondie's bumbling hubby Dagwood (in the original strip, of course, it was Dagwood who was sensible and Blondie who was scatterbrained); and 5-year-old Larry Simms did a masterful job as the Bumstead's son Baby Dumpling (aka Alexander), literally growing up before our eyes over the next dozen years. Not as farcical as later entries, the initial Blondie film is a gentle, even-keeled situation comedy, aiming for chuckles rather than bellylaughs. It doesn't take long for poor Dagwood to get into trouble with his apoplectic boss J. C. Dithers (wonderfully played by Jonathan Hale), who fires our hero halfway through the second reel. Ruminating over his troubles in a hotel lobby, Dagwood strikes up a friendship with affable C. P. Hazlip (Gene Lockhart), never realizing that this is the same Hazlip whose account the Dithers Construction Company has been trying to land for the past several weeks! But before a happy ending can be realized, Blondie and Dagwood undergo a series of misunderstandings, culminating with Blondie tearfully storming out of the house (which has already been stripped of its furniture by the finance company!) Blondie was an immediate hit with filmgoers and fans of the strip alike, convincing Columbia that it had a winning property on its hands and spawning sequel after sequel after sequel. Available for years only in its TV version, which obliterated the opening credits in favor of a jazzier "sitcom" opening and tacked on a few minutes of "coming attractions", Blondie has recently been restored to its original form on videotape and cable TV. ~ Hal Erickson, All Movie Guide

Once a staple of summer stock and community theatres, Bella and Samuel Spewack's Broadway farce Boy Meets Girl dates rather badly when seen today. The 1938 movie version is also a bit mildewed, though it is saved by the dynamo-like energy of James Cagney and Pat O'Brien. The stars are cast as Robert Law and J.C. Benson, a pair of iconoclastic Hollywood screenwriters based upon Ben Hecht and Charlie McArthur. Cynically declaring that every film can be boiled down to "Boy meets girl, boy loses girl, boy gets girl", Law and Benson drive their studio-executive bosses crazy with their zany irreverence. Their pet target is bigwig C. Elliot Friday (Ralph Bellamy), a delicious take-off of 20th Century-Fox prexy Darryl F. Zanuck. Friday orders the boys to concoct a screenplay for cowboy star Larry Toms (Dick Foran), whose popularity is on the wane. Upon making the acquaintance of pregnant, unmaried waitress Susie (Marie Wilson), Law and Benson hit upon a brilliant scheme: they'll transform Susie's baby into a child star and team the kid with Toms in his latest epic ("based on an original story by William Shakespeare"). Complication piles upon complication, reaching a high point of hilarity when the baby gives Larry Toms the measles. Ronald Reagan appears briefly as a radio announcer covering the Hollywood premiere of Law and Bensen's newest masterpiece. Boy Meets Girl was originally conceived as a Marion Davies vehicle, with the comedy team of Olsen & Johnson playing the screenwriters, but things changed radically (and for the better) when Davies' sponsor William Randolph Hearst huffily pulled his Cosmopolitan Pictures unit off the Warner Bros. lot. ~ Hal Erickson, All Movie Guide