Marc Singer Movies

This version of the familiar tale Cyrano De Bergerac stars Peter Donat as the title character and Marsha Mason as the object of his desire. Cyrano is an intelligent, sensitive man who has been gifted with a poetic tongue and a great ability to sword fight. Sadly, he was also born with an unbelievably large nose. Although he loves Roxanne, he instead helps another man win her heart with his florid words. ~ Perry Seibert, Rovi

Made for television, Journey From Darkness is based on the true story of medical student David Hartman. Marc Singer plays David, a brilliant scholar who under normal circumstances would be accepted into medical school without a hitch. But David has been blind since birth, a fact that has been closing doors on him all his life. As the boy receives rejection after rejection, his family and girl friend (Kay Lenz) try to be supportive, but David's bitterness threatens to overwhelm him. The happy ending of Journey From Darkness does not diminish the dramatic punch of the scenes detailing David Hartman's pain and frustration. ~ Hal Erickson, Rovi

Based on a true story, Something for Joey is about Heisman Trophy-winner Jon Cappelletti and his close relationship with his younger brother Joey, who is suffering from leukemia. ~ Stephen Thomas Erlewine, Rovi

Filmed as the 72-minute pilot episode for the weekly ABC adventure series, The Feather and Father Gang, Never Con a Killer was held back from view until May 13, 1977, by which time the series proper had already been on for two months...and had already been canceled. Stefanie Powers and Harold Gould star as gorgeous attorney, Toni "Feather" Danton, and Toni's reformed con man father, Harry Danton. Figuring that the best way to catch a crook is to think like a crook, Toni and her dad concoct an elaborate sting operation to bring dishonest horseplayer E. J. Valerian (Efrem Zimbalist Jr.) to justice. False identities, clever disguises and deft "switches" are the order of the day in this pleasant trifle, which when it was shown on ABC was not advertised as a movie, but instead as just another Feather and Father Gang episode. ~ Hal Erickson, Rovi

This made-for-TV movie begins in 1975, when Technical Sergeant Leonard Matlovich (Brad Dourif), a highly decorated Vietnam veteran, faces a court-martial and possible discharge. Matlovich's "offense:" He is an admitted homosexual. Knowing full well that the military has a long-standing ban on gays, Matlovich deliberately makes public his sexual preferences in order to test the ban in court. John McGreevey's teleplay is based on actual court transcripts, with no deviations from the facts at hand. Sergeant Matlovich vs. the U.S. Air Force was originally telecast August 21, 1978. ~ Hal Erickson, Rovi

The phenomenal success of the 1977 ABC miniseries Roots all but demanded a sequel to writer Alex Haley's epic story of his African and African-American forebears. Debuting February 18, 1979, Roots: The Next Generations picked up where its predecessor left off, with Haley's slave ancestors winning their freedom in the aftermath of the Civil War. Even so, life for black Americans was wrought with hardship and oppression thanks to the rise of the Ku Klux Klan, the staunch refusal of the white power structure to pass anti-lynching laws, and the formation of the dreaded Jim Crow laws which legalized racial segregation in the South (and much of the North). Covering the period from 1882 to the mid-1970s, the miniseries first focuses on blacksmith Tom Harvey (Georg Stanford Brown), great-grandson of Kunta Kinte (the protagonist of the original Roots), and his family. Meanwhile, reacting to the marriage of his son to a black woman, anal-retentive Southern colonel Warner (Henry Fonda) begins setting the legal wheels in motion to deny blacks like Tom the right to vote and to hold "white" jobs. A few decades later, Tom's son-in-law encourages his fellow blacks to stand firm against the KKK's reign of terror. His labors on behalf of his race are rewarded when his daughter Bertha (Irene Cara) becomes the first descendant of Kunta Kinte to receive a college education. It is Bertha Palmer who weds the equally ambitious Simon Haley (Dorian Harewood), who goes on to serve in WWI and to organize farmers and sharecroppers during the Depression. Simon's son Alex (played at various ages by Kristoff St. John, Damon Evans, and finally James Earl Jones) is just as determined to succeed in a white man's world as his father, and to that end becomes a professional writer after his own service stint in the Coast Guard during WWII. At the height of his professional success (largely due to his having ghost-written the autobiography of Muslim activist Malcolm X), Alex Haley pays a visit to his boyhood hometown -- where, almost by accident, he receives the first clue to his heritage, a clue that will lead him on an odyssey of self-discovery, arriving full circle at Kunta Kinte's birthplace in Africa. Although the miniseries' "money scene" was Haley's nervous interview with American Nazi Party leader George Lincoln Rockwell (Marlon Brando in a superb cameo turn), the climactic episode, in which Haley tearfully embraces the living African descendants of Kunta Kinte, is one of the most unforgettable moments in the history of network television. Running 12 episodes and 14 hours, Roots: The Next Generations concluded on February 25, 1979, playing to huge ratings all along the way and ultimately garnering several Emmy nominations (and one win). ~ Hal Erickson, Rovi

Gregory Harrison breathes some humanity into his two-dimensional character in For Ladies Only. Harrison plays an unsuccessful actor who decides to bank on his awesome physique to survive. He becomes a $100-per-night exotic dancer at a ladies-only nightclub. For those female fans who can get past the sight of Harrison bumping and grinding away, For Ladies Only affords some excellent choreography and a modicum of wry humor. Patti Davis, daughter of you-know-who, makes her TV-movie acting debut in For Ladies Only, which debuted on November 9, 1981; also in the cast are Lee Grant and her daughter Dinah Manhoff. ~ Hal Erickson, Rovi

This low-budget entry into the sword-and-sorcery cycle of the early '80s wasn't successful during its initial release, but has steadily built a strong cult following over the years. The Beastmaster tells the story of Dar (Marc Singer), the son of a king who was stolen from his mother's womb by a witch under the command of vicious sorcerer Maax (Rip Torn). A poor villager saves Dar from being sacrificed and raises him as his own son, teaching Dar how to fight and witnessing the boy's ability to telepathically communicate with animals. Their happiness is destroyed when their village is attacked by the evil Jun horde, a race of beast-like warriors controlled by Maax. Dar vows revenge and journeys to his father's former kingdom to destroy Maax. Along the way, he falls in love with gorgeous slave girl Kiri (Tanya Roberts) and teams up with former royal guard Seth (John Amos). Dar also uses his powers to enlist the aid of an eagle, a panther and two adorable ferrets named Kodo and Podo. Together, Dar and his unlikely but brave team square off with Maax in an impressive two-part finale that involves a swordfight on the side of a pyramid and a showdown with the Jun horde near a flaming moat. The resulting film was full of action and eccentric surprises, but failed to make an impression at a box office already glutted with fantasy films. However, The Beastmaster eventually became a serious cult favorite thanks to home video and extensive exposure on cable (it is the second most aired movie on TBS after Gone With the Wind). This enduring popularity led to two sequels and a syndicated television series chronicling the further adventures of Dar. ~ Donald Guarisco, Rovi

In this sprawling television miniseries, originally aired in May 1983 on NBC, a race of seemingly human-like aliens arrive en masse on Earth. These "Visitors" promise cooperation and friendship -- then launch a clandestine takeover of the planet by accusing the entire scientific and medical community of conspiring to destroy them, then finally "benevolently" seizing power. Inspired by Sinclair Lewis' It Can't Happen Here, a 1935 account of a fictional fascist takeover of America, V uses a huge ensemble cast and an elliptical method of storytelling to trace the contact between humans and the Visitors, from the arrival of 50 giant flying saucers in low Earth orbit to the first major victory of the underground resistance that opposes the aliens. Major characters include Mike Donovan (Marc Singer), a television cameraman who leverages his experience filming in various war-torn locales to help expose the Visitors' true nature; news anchor Kristine Walsh (Jenny Sullivan), his sometime girlfriend, who allows her ambitions to cloud her journalistic judgment and becomes a pawn of the alien invasion; Juliet Parrish (Faye Grant), a young biochemist who finds herself thrust into the role of resistance leader; Abraham Bernstein (Leonardo Cimino), the patriarch of a Jewish family divided between the lessons of the Holocaust and the need to survive; Elias Taylor (Michael Wright), a petty thief who joins the resistance after the Visitors kill his doctor brother, Ben (Richard Lawson); and Robin Maxwell (Blair Tefkin), the surly eldest daughter of a scientist (Michael Durrell) who finds his family the target of harassment and intimidation. The Visitors, who assume common human first names as their monikers, include supreme leader John (Richard Herd); sultry science and security officer Diana (Jane Badler); hunky Brian (Peter Nelson); and gentle Willie (Robert Englund). V was written and directed by Kenneth Johnson, who initially envisioned the project as a less fanciful story of fascist aggression; when his pitch to NBC seemed to be faltering, Johnson allegedly added the alien angle extemporaneously, securing himself a green light and NBC a sweeps-week hit. The success of V spawned a second miniseries, V: The Final Battle, and a weekly TV series that lasted 19 episodes from 1984 to 1985. Johnson ended his association with the world of V halfway through production on the second miniseries, but his work on the Alien Nation TV spin-off years later would resurrect many of the themes of V. Actor Singer was already known to sci-fi fans as star of The Beastmaster, while Englund would go on to portray Freddy Krueger in countless Nightmare on Elm Street films. ~ Brian J. Dillard, Rovi

The story which began with the mini-series V comes to a stunning conclusion in this made-for-TV sci-fi adventure. A race of reptilian creatures from another planet arrive on Earth, disguised as humanoids and claiming to come in peace in a search for needed water and food. However, their true motives soon become evident when they take control of the world and begin eating humans for sustenance. A ragtag army of Earthlings form an underground resistance army, leading to a final apocalyptic showdown between the humans and their new rulers. V: The Final Battle reunites most of the original cast of V, including Marc Singer, Robert Englund, Jane Badler, Andrew Pine, and Faye Grant. Followed by a short-lived weekly series. ~ Mark Deming, Rovi

After her husband dies, a young widow draws back into herself until an attractive older man enters her life. ~ Rovi

Just before attending the funeral of an old friend, Jessica (Angela Lansbury) makes the acquaintance of young Rick Banner (Marc Singer), former college roommate of the dead woman's long-lost son Peter. When Rick hears a song written by Peter, the ball starts rolling for a onslaught of intrigue, ill will and murder predicated on the fact that the missing Peter will fall heir to millions should he ever make a return appearance. Jessica's fellow sleuth on this occasion is rumpled, clownish Chief Underwood (Lane Smith), who may remind some viewers of Peter Falk's Lieutenant Columbo (of course, both Columbo and Murder, She Wrote were created by the same writing team!) ~ Hal Erickson, Rovi

In this sequel to Watchers, an extremely intelligent dog attempts to warn his human buddy, Paul Ferguson (Marc Singer), that a deadly monster is on the loose. When the monster comes after the duo, they must find a way to stop it. ~ Iotis Erlewine, Rovi